Stoneface & Terminal, a dynamic German DJ duo, are returning to FSOE for their upcoming release, and it promises to be an exciting experience. Prepare to be captivated by their new track, ‘Sun & You’.
Henry and Matthias, better known as Stoneface & Terminal, have a long list of releases and remixes under various aliases on high-profile labels. Their productions have been heavily influenced by renowned DJs like Tiësto, Armin van Buuren, Paul van Dyk, Above & Beyond, and Markus Schulz.
As DJs, they have performed at prestigious clubs and events such as Pasha in New York, Ministry of Sound in London, Mandarine Club in Buenos Aires, Tomorrowland in Belgium, Airbeat One in Germany, and more. Their career has been on a consistent upward trajectory over recent years.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Stoneface & Terminal - Sun & You [/item]
[content title="Summary" label="Overall Score"]Stoneface & Terminal’s “Sun & You” is a masterclass in trance production, delivering a 135 BPM journey that exemplifies the duo’s expertise in crafting energetic and emotionally resonant music. The track opens with a driving rhythm that immediately captivates, propelled by tight, pulsating basslines and impeccably engineered kicks. The groove and drive are relentless yet fluid, allowing DJs to seamlessly integrate it into high-energy sets. Smooth transitions guide the listener through its build-ups and drops, showcasing remarkable structural cohesion. Each section supports the next, creating an escalating energy flow that is both hypnotic and exhilarating. The melodic hooks and harmonic layers are particularly striking, blending lush pad work with crystalline leads that soar during the breakdown. The breakdown offers a meditative pause, featuring calming atmospheres and filtered textures that highlight the duo’s nuanced use of effects and spatial design. As the track rises toward its climax, the sharp synth stabs conjure a sense of euphoria reminiscent of early 90s trance, fulfilling the promise of emotional resonance and delivering a powerful hands-in-the-air moment that persists in memory. From a production standpoint, the sound design achieves exceptional clarity. Every element occupies its own space in the stereo field, and the dynamic range is carefully balanced to maintain impact without sacrificing loudness. The track’s arrangement is original and purposeful, with creative build-ups and drops that avoid predictability while maximizing crowd reaction potential. Its cohesion and storytelling shine, guiding listeners through a clear emotional arc that feels both authentic and timeless. The outro and intro structures are DJ-friendly, with consistent BPM and reliable cue points that enhance loop potential and support set flow. Beyond its musical and technical merits, “Sun & You” carries profound benefits for mental health and wellness. Research indicates that trance music at moderate to high tempos can enhance mood, reduce perceived stress, and promote flow states during exercise (Terry et al., 2020; Karageorghis & Priest, 2012). The euphoric breakdowns and uplifting melodies stimulate dopamine release, associated with positive emotional experiences. This makes the track an excellent choice for fitness classes, yoga flows, and mindfulness practices seeking to incorporate movement with musical immersion. Studies in music therapy (Thoma et al., 2013) suggest that rhythmic and harmonic engagement can improve focus, elevate emotional well-being, and contribute to reduced anxiety levels. In a club or festival setting, the track’s catchiness and replay value are undeniable, ensuring an enthusiastic crowd response. Its creative identity reflects Stoneface & Terminal’s signature artistry, reaffirming their position as leaders in trance music. “Sun & You” not only offers an auditory escape but also functions as a tool for emotional upliftment and mind-body alignment, embodying the transformative power of music. #PureGold Loveit [/content]
Karageorghis, C. I., & Priest, D.-L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Terry, P. C., Karageorghis, C. I., Saha, A. M., & D’Auria, S. (2020). Effects of synchronous music on treadmill running among elite triathletes. Psychology of Sport and Exercise, 50, 101735.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.
Jonas Lindahl, known professionally as SinSonic, is a Swedish trance and techno producer. He has been an avid music enthusiast since childhood.
Today, SinSonic’s tracks have been played and supported by renowned DJs such as Armin van Buuren, Ferry Corsten, Stoneface & Terminal, Giuseppe Ottaviani, M.I.K.E Push, Sean Tyas, Aly & Fila, Mark Sherry, and others.
His music has been released on various labels, including FSOE/Clandestine, Pure Trance, Sub.Mission Recordings, MPS, EVE Records, Nrgized Audio, and Go On Air Recordings.
In the dynamic realm of electronic dance music, few artists manage to carve out a distinctive sound that resonates both with underground enthusiasts and mainstream giants. Jonas Lindahl, known to the world as SinSonic, is one such artist. A Swedish trance and techno producer, SinSonic’s journey from an avid young music enthusiast to a globally recognized name has been nothing short of inspiring.
Supported by industry titans like Armin van Buuren, Ferry Corsten, and Aly & Fila, and with releases across prestigious labels such as FSOE/Clandestine and Pure Trance, SinSonic’s melodies echo in clubs and festivals worldwide. His music, a captivating blend of old-school trance vibes infused with modern electronic elements, reflects not just technical prowess but a deep emotional connection to his craft.
In this exclusive interview, we delve into SinSonic’s early influences, his evolving production techniques, and the philosophies that guide his musical journey. Join us as we explore the mind of an artist who continues to push the boundaries of trance and techno, creating soundscapes that inspire and invigorate.
Background
Let's start with your journey into the world of electronic dance music. Understanding your roots and early influences helps us connect with the artist behind the sound.
Dimitris: How did your journey into the electronic dance music (EDM) scene begin, and what were the key influences that shaped your style?
SinSonic: My journey into the electronic dance music (EDM) scene began in a household deeply rooted in music, thanks to my parents' diverse musical interests. Growing up surrounded by these influences, I naturally gravitated towards creating music rather than just playing it. My early experiments involved my father's 4-track Tascam tape recorder, a Yamaha DX11, and a Roland drum machine.
The real turning point came when I got my first computer, an Amiga 500. This sparked my foray into digital music production, eventually leading me to the tracker scene during the early days of the internet.
Initially, I was captivated by genres like techno, hardcore, and happy hardcore, drawing inspiration from artists such as 3 Steps Ahead, LA Style, The KLF, and Scooter. However, as the 2000s approached, my musical preferences evolved towards trance. Influential figures like L.S.G, M.I.K.E, Marco V, and Ferry Corsten played a significant role in shaping my progressive and driving trance style, which continues to inspire me today.
Dimitris: What personal values or life philosophies do you carry that also reflect in your music?
SinSonic: I believe in following your own instincts and staying true to what feels authentic for you. While it's valuable to hear different perspectives, ultimately, you have to carve your own path. This philosophy deeply influences my music as well. I create sounds that resonate with me personally, guiding me on my own journey. If my music connects with others and takes them along for the ride, that's a wonderful bonus.
Dimitris: How has your understanding of the electronic music culture changed from when you started to where you are now?
SinSonic: My understanding of electronic music culture has definitely evolved over time. In the beginning, I was more focused on the raw energy and experimentation. Now, I’ve come to appreciate the precision and clarity that modern production techniques allow. The expectations around track length and structure have also shifted, reflecting changes in how people consume music. However, these changes create exciting opportunities to break away from current norms and explore unique sounds and approaches that stand out.
Dimitris: Which piece of music equipment or software can you not live without, and why?
SinSonic: I can't imagine producing without Cubase—it's my creative home base. When it comes to plugins, u-he Diva and Sylenth1 are absolutely essential for me, offering versatile sounds that fit perfectly into my projects. Additionally, I cherish some vintage sample packs that bring a unique old-school grit, adding character and depth to my tracks.
Dimitris: Can you share an unforgettable incident from your career—whether funny, unexpected, or challenging?
SinSonic: Certainly! One unforgettable incident from my career happened in the mid-2000s. I was approached by a group of high school students who were working on a short film. They needed music for a party scene and reached out to me to ask if they could use one of my published tracks. I gladly agreed, and later on, they sent me a DVD of the finished project. Watching how my music complemented their creation was an incredibly fun and rewarding experience. It’s moments like these that make my journey in music truly memorable.
Current Projects:
Now that we know a bit about your background, we'd love to hear about what you're working on right now. Your current projects offer a glimpse into your creative process and artistic evolution.
Dimitris: Could you please elaborate on the inspiration behind the track Paradigm on FSOE Clandestine? How does it align with your current artistic aspirations?
SinSonic: Thank you for the thoughtful question, Dimitris. The inspiration behind "Paradigm" is rooted in my passion for simplicity and emotional resonance. I aimed to create a track that unfolds progressively, captivating the listener with layers that reveal themselves over time. The nostalgic energy from the 90s and early 2000s played a significant role in shaping its sound, as those eras hold a special place in my musical journey.
With "Paradigm," I wanted to bridge the gap between the raw, authentic feel of classic trance and the innovative elements of today’s electronic landscape. It reflects my current artistic direction—honoring the timeless qualities of trance while infusing it with modern dynamics to keep it fresh and engaging.
Dimitris: Have you produced any new tracks since the one we're discussing in this interview? If so, could you share the inspiration behind them?
SinSonic: Yes, indeed! I've been busy in the studio crafting new tracks. While I maintain my signature old-school inspired trance vibe, I've also been exploring fresh elements to blend into the sound. Some tracks draw inspiration from my recent travels, capturing the energy of different places, while others reflect personal experiences and moments that resonate deeply with me. Stay tuned—there’s more exciting music on the way!.
Dimitris: Could you describe your current approach to music production and how it has evolved over the years?
SinSonic: My current approach to music production is quite spontaneous and intuitive. It can start from something as simple as waking up and recording a melody or an idea I dreamt of on my phone, to sitting down in my studio and playing whatever comes to mind. I like to let inspiration guide me, whether it strikes in the middle of the night or during a focused session.
Over the years, my process has evolved significantly. In the beginning, I would start every project from scratch, setting up everything anew each time. However, I noticed that I was repeatedly doing the same setup tasks, which felt redundant. To streamline my workflow, I created my own templates—both for projects and specific settings. This change has been incredibly beneficial, allowing me to dive straight into the creative process more quickly and efficiently.
I firmly believe in the "less is more" philosophy. By setting intentional limitations, such as restricting the number of channels that load by default, I find that it fosters creativity. These constraints help me focus on the essence of the music, ensuring that each element has purpose and space within the composition. This approach aligns perfectly with the style of music I enjoy creating.
Dimitris: What are some of the challenges you face when producing music, and how do you overcome them?
SinSonic: Well, you never stop learning, no matter where you are in your journey. One of the biggest challenges I face is overcoming creative blocks. Sometimes, inspiration doesn’t come easily, and it can be frustrating. To tackle this, I try to step away from the project for a bit, explore new sounds, or even listen to different genres to spark fresh ideas.
Another challenge is maintaining a balance between technical perfection and emotional expression. It’s easy to get caught up in making everything sound flawless, but music is about emotion. I remind myself to focus on the feeling I want to convey, not just the technical details.
Lastly, staying motivated during long production sessions can be tough. Accepting that learning and growth are continuous processes helps me stay engaged. I set small goals, celebrate progress, and always keep the passion for music alive. This mindset keeps me moving forward, even when things get challenging.
Dimitris: How do you stay motivated and creatively inspired amidst the fast-paced nature of the EDM scene?
SinSonic: My motivation comes purely from my passion for music. I don’t like to put too much pressure on myself—I focus more on the music than the scene itself. There's always something in today's music that can inspire you, and it’s about discovering how that resonates with you personally.
Future Plans:
Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?
SinSonic: Recently, I've taken a short break from my studio projects, which I find essential for refreshing my creative energy. This pause allows me to gain new perspectives and return with renewed inspiration. At the moment, I'm eager to dive back into my studio, explore fresh ideas, and see what new creations emerge from this renewed mindset. I'm excited about the possibilities that lie ahead as I reconnect with my work.
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
SinSonic: Well, I have another track coming this fall, which I'm really excited about. It's a project that explores new sounds and styles, and I can't wait to share more details soon. Stay tuned for updates!
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
SinSonic: Absolutely! Collaborating with Mark Sherry is definitely a dream of mine. His energy and unique approach to music really resonate with me, and I believe we could create something truly dynamic and innovative together. The blend of our styles would bring a fresh and exciting sound that fans would love. I'm always open to exploring new creative horizons, and working with artists like Mark would be an incredible experience.
Dimitris: How do you incorporate new trends or technologies in your music while maintaining your unique sound?
SinSonic: I always start with a clear vision of the sound and style I aim to create. When new trends or technologies emerge, I explore tools that align with this vision, allowing me to enhance and evolve my unique sound. I believe that if a trend genuinely resonates with you, there’s always a way to integrate it seamlessly without compromising your identity. It’s all about finding that balance where innovation meets authenticity.
Dimitris: What message would you like to share with your fans and the broader EDM community about your journey and vision?
SinSonic: It's always great to see and hear the responses from everyone regarding what I create. Knowing that my passion for music is understood and resonates with others truly means the world to me. This connection fuels my drive and inspires me to keep evolving, striving for new heights with every beat and melody I produce.
Music Industry & Technology:
The music industry is constantly evolving, influenced by technology and cultural shifts. Let's dive into your thoughts on these changes and how they impact your work.
Dimitris: How do you see the current state of the electronic music industry, and what changes would you like to see?
SinSonic: The current state of the electronic music industry feels both polished and pristine, which has its own charm, but I believe we're witnessing a gradual shift. Many artists, including myself, are embracing the rawness—adding dirt, grit, and imperfections to their soundscapes. Synthwave is a perfect example; it thrives on gritty, distorted textures that evoke deep emotions and resonate with listeners. This trend underscores a broader acceptance and appreciation for imperfection, opening new creative avenues within the industry.
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
SinSonic: AI technology definitely has a role in the future of electronic music production, but I don’t believe it will fully take over anytime soon. Its advancements are impressive, and it’s continuously evolving. However, it can't truly replicate the human touch and creative essence that artists bring to their work.
I’ve experimented with AI over the past few years, and while it does offer interesting possibilities, its creative limitations become evident quickly. You can certainly generate cool ideas or projects with it, but you’ll notice the rigid framework it tends to operate within. That framework doesn’t always align with my preference for breaking the rules, which is a crucial element in electronic music.
Personally, I enjoy using Udio. It’s inspiring, especially when blending different musical styles. For me, though, AI remains just a tool—a means for experimentation rather than a replacement for genuine artistic expression.
Dimitris: How do you feel about the shift towards streaming platforms for music consumption—do you think it's beneficial for artists?
SinSonic: We've been part of streaming platforms for a long time now, and we don't see them going away anytime soon. They can be great for exposure, allowing artists to reach a global audience effortlessly. However, we're not entirely sure if the benefits extend much beyond that at the moment. It's a complex landscape, with both opportunities and challenges for artists.
Dimitris: How important do you find online tutorials and classes for aspiring producers, and do you engage in any form of music education yourself?
SinSonic: I've actually created two production classes where anyone interested can learn more about my mindset and how I approach the music I make. You can find them on myloops.com.
When it comes to tutorials, I believe they have both positive and negative aspects. Full classes that guide you from start to finish are probably more beneficial because they help you understand the context behind each step. Short tutorials can be great if you know exactly what problem you're trying to solve and where to find the solution. However, simply watching tutorials without a clear purpose doesn't add much value.
In my opinion, you'll learn more by actively making music yourself. This hands-on experience will clarify what you need to learn more about. It's better to seek answers to your own questions than to get answers to questions you never asked, as that can sometimes create confusion about what's right or wrong.Personal Insights:
To wrap things up, we'd love to get a glimpse into your personal life and philosophy. These insights help us understand the person behind the music.
Dimitris: How do you maintain a balance between your personal life and your music career?
SinSonic: Maintaining a balance between my personal life and music career comes naturally because I create music when inspiration strikes. This often happens during nights or on weekends since I also have a job and a family to care for. It’s all about finding the right moments—there’s always a way when you’re passionate about something.
Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?
SinSonic: Focus on your passion for music above all. Create sounds that resonate with your soul and stay true to your unique style. Don’t mold yourself to fit trends; instead, let your authenticity attract the right audience. Embrace patience and persistence—it’s about the journey as much as the destination.
Dimitris: Please tell us your final statement to our readers who will read this interview.
SinSonic: First and foremost, thank you for having me—it’s been a pleasure answering your thoughtful questions. I truly appreciate the opportunity to connect with your readers. I hope everyone enjoys the latest release and finds something special in it. Stay tuned for more, and keep supporting the music you love!
As we conclude this insightful interview with Jonas Lindahl, better known as SinSonic, we reflect on his remarkable journey from a young music enthusiast in Sweden to a globally recognized trance and techno producer. His passion for music, deeply rooted in his early exposure to diverse sounds, has been the driving force behind his evolving artistry.
Throughout our conversation, SinSonic shared his authentic philosophy of staying true to one’s instincts, embracing both the emotional and technical aspects of music production. From the nostalgic inspirations behind tracks like "Paradigm" to his hands-on approach with tools like Cubase and vintage sample packs, his dedication to crafting distinctive soundscapes is evident.
We explored his thoughts on the dynamic electronic music industry, the role of emerging technologies, and the importance of balancing personal life with a creative career. His candid reflections on challenges, motivations, and future aspirations offer a glimpse into the mind of an artist committed to continual growth.
SinSonic’s journey is a testament to the power of authenticity and passion in music. As he looks ahead to new projects, collaborations, and creative explorations, his story will undoubtedly inspire aspiring producers and electronic music fans alike. Stay tuned for his upcoming releases and continue supporting the vibrant world of electronic dance music.
I would like to express my gratitude to Jonas, also known as SinSonic, for providing exceptionally insightful responses.
I extend my sincere appreciation to Stuart at FSOE for facilitating this interview.
[content title="Summary" label="Overall Score"] Stoneface & Terminal return with a vengeance on their latest tech trance masterpiece, "Agra." This track is a testament to their continued evolution and commitment to pushing musical boundaries. With its pounding tech trance beats, "Agra" is a certifiable dancefloor igniter. The track's foundation is built upon techy, dirty basslines and a metallic, pounding kick that provides relentless energy. Adding to its dynamic is a combination of rough, raw drums and dystopian, melodramatic synth hooks, which deliver an intriguing depth to the hard-hitting grooves."Agra" stands out not just for its energy but also for its polished production quality, with every element meticulously crafted to create a captivating auditory experience. This release is a must-listen for tech trance aficionados and is sure to dominate dance floors worldwide. Stoneface & Terminal have once again proven that they are masters in creating tracks that move people's feet and minds, making "Agra" another triumph in their illustrious discography. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
[content title="Summary" label="Overall Score"] Bigtopo returns to action on FSOE Clandestine, the techno-trance label curated by Stoneface and Terminal. His peak-time 140 BPM weapon, “Looking Around,” exemplifies the characteristics of peak-time techno tracks. In just four minutes, it unleashes its power, captivating the Colosseum stadium and beyond. The track features pounding basslines, techno-rooted kicks, metallic thunderous drums, and exceptional drive. The first short breakdown serves as a scene-setter, introducing a rave-like synthy hook before the brilliant second breakdown. Bigtop orchestrates a captivating cinematic scene that immerses listeners in its sonic soundscapes until the spoken female vocal samples add a Hollywood blockbuster touch. Suddenly, the powerful synthy riff returns to drive the minds insane. A brief pause heightens tension, followed by the monumental drop that ignites the trancers’ passion. Personally, I would welcome an extended version, and I believe Stoneface and Terminal could deliver a stunning remix. #PureGold - Love It [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Emmy Skyer he a DJ and producer originally from Mexico.
He began her career as a DJ at the age of 18.
His career as a producer took off when he managed to sign his first original song with Redux Recordings; Since then he has not stopped working hard, consolidating his own style and taking his music to renowned labels such as: FSOE [Clandestine], Black Hole Recordings [HeavensGate], Monster Tunes, Pharmacy Music, Metamorph Recordings, Radiation Recordings, Aerodynamica Music, Exetra Records, Phoenix Recordings , among many others.
Emmy Skyer is an artist always on the move, pushing her style beyond its limits, mastering different ranges of styles and sounds, from melodic and emotional, with some Uplifting Trance, to acid and bombarding like Techno, PsyTrance and Tech Trance, such skills have made him a name on the national and international scene.
He currently has his radio program called "Sound Waves Radio" an exclusive program broadcast by Trance Energy Radio.
At the moment there is a huge buzz about his name with his latest release Next Dimension on FSOE Clandestine, the label curated by Stoneface & Terminal. It's perfect occasion to catch up with him and talk about his latest release plus his background in music so far! Enjoy reading this!
1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.
Emmy: The first would undoubtedly be to sign in FSOE, it is a dream, I always imagined that this day would arrive and I have achieved it. The second objective for which I feel proud is... having shared a booth with Spartaque, I had the pleasure of playing in the same event as him, in CDMX. And finally the time I signed on Black Hole Recordings' HeavensGate. My entire career so far is synonymous with feeling proud, I simply love every track I make.
2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Emmy: When I was a child I was always a fan of electronic music, just like many people, I had idols that made me want to dedicate myself to this beautiful career. I owe everything to them, my dreams, achieving my goals, that feeling you feel when you see them on stage making people dance. I wanted to experience that, I wanted to connect with people through my music. I must say that it is the best decision I have ever made.
3-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Emmy: Armin Van Buuren is my biggest idol which is why I wanted to dedicate myself to music, another producer who had a lot of influence was undoubtedly Tiesto and finally Paul Van Dyk.
4-Dimitris: It would be fantastic to talk about your Next Dimension on FSOE Clandestine Please tell us how this track came about and what was the idea behind it.
Emmy: "Next Dimension" is my most current track and I dare say my favorite so far. The idea behind my track was to make a track with the current sounds of trance and techno, adapting them to my style. That is why in it you can find a great fusion of these genres. And my source of inspiration, there is no doubt that it is my dream... the desire to get to where I have set out to be.
5-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?
Emmy: It took me about a week to finish it, the process was simple, one day I do the entire base, another day the melody, synths, fx, etc. The next day the arrangement and finally I worked on the mix and the master.
6-Dimitris: If you would have the opportunity to change something in your track and maybe to do a new remix what elements are you unhappy with and you are going to change? Is there any artist that you feel would be fantastic to remix this track and why?
Emmy: For me it's perfect, I wouldn't change anything. And an artist that would be fantastic to do a remix would be Armin Van Buuren, I love his music and it would be a dream.
7- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?
Emmy: I love Ableton Live, it is very comfortable for me to work with it, the workflow is fast.
The analog sound is undoubtedly the best in my taste, it's not for nothing that 80's music sounds incredible.
8-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Emmy: My three favorite labels are FSOE, Armada and Black Hole Recordings. I think that in my opinion they are the three most outstanding labels in the Trance genre, and currently in other different genres such as Techno, Progressive, to name a few.
9-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.
Emmy: I don't have it yet, but a medium-term goal is without a doubt to have my own label.
10-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
Emmy: It is in plans, not yet soon but in the future to be able to release my first album.
11-Dimitris: Can you pick up your all time favorite album or compilation and tell us why you adore it so much?
Emmy: Difficult question, there have been so many that I have liked that it is difficult to choose one. But all of Tiesto's "In Search Of Sunrise" are a beauty and what can we say about Armin Van Buuren's "State Of Trance" compilations are amazing.
12-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?
Emmy: I dedicate the necessary time to it, nowadays everything is through networks so of course it is essential to promote a launch, a show, it helps you a lot. The networks that are my favorites are Facebook, Instagram and X.
13-Dimitris: Do you have your own radio show/podcast/twitch stream or Vlog(video blog)? If yes please give us a comment about it and how long it take you to prepare for it and if you are always excited to produce it?
Emmy: Yes I currently have my program called "Sound Waves Radio" it is an exclusive program of Trance Energy Radio. It is broadcast the first and third week of the month. Without a doubt, I prepare each new episode calmly, listen to promos and choose what I consider should be listened to and what I like of course hehe.
14-Your current Top 3 tracks with short comment:
Emmy: "Next Dimension" My best work so far
"Aleria" The title is a combination of my parents' name.
"Fly" Theme dedicated to my best friend, the facellio.
15-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.
Emmy: If I could advise you something it would be... don't give up on your dreams, no matter how difficult it may seem.
Effort, dedication, patience and the desire to achieve what you want is a good combination. Continue working day by day, not only professionally, but also personally.
16-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
Emmy: I like Trance, Techno, Psy, I couldn't define my music in a single musical genre. I am always producing three styles, music is to be enjoyed and it doesn't matter if you like different genres, it is always good to experiment.
17-Dimitris: Do you believe that audience should be banned from constantly taking photos or videos during DJ sets or are you happy with these activities?
Emmy: I think you can't prohibit the public from doing something like that, I've already said it, we owe everything to our public.
18-Dimitris: Do you prefer small clubs or huge festivals to perform? in which festivals or clubs you aspire to play in the future?
Emmy: Both, playing in clubs or festivals is great, the atmosphere is different, but I do prefer both.
Clubs:
Space Ibiza, Ibiza.
Amnesia, Ibiza.
Pacha, Ibiza.
Festivals:
EDC
Ultra
Luminosity
Tomorrowland
Dimitris: Your message & wishes for Flux Bpm Online readers.
Emmy: Thank you for taking the time to read me, for letting me share some words. I wish you all the best and may all your dreams come true.
Get ready to embark on a sonic journey like no other as Sinsonic takes you on a trance-filled adventure with his brand-new track, 'Motions' on Clandestine. This electrifying release is the highly-anticipated follow-up to his chart-topping single, 'Call It Faith,' which was hailed as Armin van Buuren's Tune Of The Week on ASOT radio last year.
[content title="Summary" label="Overall Score"]Stoneface & Terminal's imprint Clandestine keeps charging the trance scene with unique tracks that stand out and get the biggest industry support, Sinsonic services a magnificent energetic tech trance beauty called Motions. With groovy techy driving basslines, electro infused kicks and thumping drums create his unique tech trance groove while in the breakdown he unleashes the very nostalgic melodramatic and truly melancholic melody that slowly comes to the surface to reach the highest highs as the track manage easily to catch our attention and transcend us to magical faraway places and spaces. Exceptional track coming from another planet for sure. #PureGold Love iT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Dreamstate is launching the first installment of its newly formed series with 'Convergence Vol. 1,' featuring exclusive offerings from Triode, Stoneface & Terminal, Lostly, and Sherano.
Pulling together some of the most established and up-and-coming forces from the trance scene, the Convergence series will serve as a contact point where artists come together to showcase their strengths in compilation form. The inaugural edition sets the standard high with its four stellar tracks, bringing legendary and buzzing names into the fold.
San Francisco-based producer Triode leads the package, teaming up with lauded singer-songwriter Linney on an uplifting vocal-led number titled “Dance In The Stars (With You),” dedicated to their late friend. Veteran duo Stoneface & Terminal demonstrate their expertise with “Sigma Tau,” an instrumental creation carrying an ethereal and mesmerizing quality.
Next up, South Africa native Lostly diverts the energy over to the headier end of the spectrum with “Liquid NRG,” a dark tech-infused concoction fueled by lysergic leads and a thumping groove. Closing out the affair is Holland’s Sherano, returning to the label to make his follow-up appearance with “Endless Desire,” an enthralling progressive-powered piece marked by pitched-down vocal hooks and a moody, emotive drive.
Dimitri Kechagias review: [review top="1"] [item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [item value="10"]Dreamstate: Convergence Vol. 1 (ft. Triode, Stoneface & Terminal, Lostly, and Sherano) [/item]
[content title="Summary" label="Overall Score"]Dreamstate has high quality releases from the finest trance stars around. Their Convergence Vol. 1 EP is a showcase of 4 great artists servicing the coolest trance beats. Triode goes for the full on euphoric uplifting trance with magical vocal performance by Linney who always shines upon the edgy basslines, metallic kicks and thumping beats. Stoneface & Terminal from Germany do their best to impress with an euphoric full on straight to the point trancer with great breakdown and danceable climax that is destined to drive crazy any devoted trance lover. Of course with the high quality that the duo always takes care to enhance in their productions. Lostly goes for a techier track with the classic Vandit / Discover records sound with thumping dark basslines and raw metallic kicks along with incredible acid infused breakdown and mayhem climax. Lastly Sherano provides the early dj set proglifter with certain summery balearic color to it. 4 must haves in one EP! #PureGold Love IT [/content]
Stoneface & Terminal are back on FSOE with the trilogy of moon themed records. Following on from Moonscape & Moonraver they bring us Moonrise which is the perfect follow up to these very special uplifting records.
Dimitri Kechagias review: [review top="1"] [item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [item value="10"]Stoneface & Terminal - Moonrise [/item]
[content title="Summary" label="Overall Score"]Stoneface & Terminal are exceptional producers with ability to deliver wide variety of dance tracks that you simply fell in love with them because of the pure quality. The same attitude comes on Moonrise that concludes the Moon trilogy. The track is a driving uplifter with chunky groovy driving basslines, pulsating kicks, thumping drums, electronic synthy melodies on top and mesmerizing epic dreamy synthy themes that are designed to uplift you straight away. Full of optimism and positive attitude Moorise is a track that celebrates life with trance and deserves to be at the top of the playlists this summer as it is of course a future classic! #PureGold Love IT[/content]
A HUGE release here on Amsterdam Trance Records as we bring you the incredible Stoneface & Terminal remix of Susana's classic 'Dark Side of The Moon'. A special 'Dark' mix included as well for those that like it a little deeper.
Enjoy and PLAY LOUD!
Dimitri Kechagias review: [review top="1"] [item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [item value="10"] Susana - Dark Side of The Moon (Stoneface & Terminal Remixes) [/item]
[content title="Summary" label="Overall Score"] The beloved Susana delivered her incredible vocals for Dark Side of The Moon and now the beloved German duo Stoneface & Terminal provide the top remixes and maybe their best for 2022. The main remix is anthemic tech trance at its best with pounding drums, sharp metallic basslines and full on synthy stabs to create that big anthemic hands in the air atmosphere. You feel the rush and energy straight away running in your veins and uplift you instantly as you singalong. This is hurricane size remix for sure. The Dark mix moves on the less melody more thumping kick and sharp basslines direction building tension and intensity. The breakdown is so atmospheric that will keep you at the edge of your seat for sure. It deserves to get attention for sure and ride on high on beatport charts. #PureGold Love IT [/content]
Meaning: making it happen by means fair or otherwise (usually otherwise).
For the better part of three years now Skullduggery’s been making moves within trance, but the (less than!) shadowy figure behind it has been force for many moons more. Looking to bring something new to genre’s fore, in 2015 he convened a group of talented studio souls to form its label core. Rising higher with every release, the collective waves made have been felt scene-wide ever since.
Now, chief Skull Greg Downey has gotten together with Stoneface & Terminal - the label’s most illustrious signing - to portrait the imprint through the ‘The Art Of Skulduggery’.
Out this March, Skullduggery’s music and inspirations, past, present and - most vividly – future are laid out across an irrepressibly fine deuce of mixcomp discs. Featuring music & remixes from a roll call of the gifted (by way of example: Paul van Dyk, Richard Durand, Lostly, Will Atkinson, Liam Wilson, Ferry Tayle, Activa, Project 8), it also includes much new matter from the label’s bedrock. None more so though than the main protagonists themselves, with Greg, Henry and Matthi drawing on a wealth of studio-fresh productions to outline Skulduggery’s Art in no uncertain terms.
Label kingpin Greg frontloads his mix with a mini-album’s worth from his own studio. Together, ‘The Tone’ and ‘Loco’ pitch the outer marker at ‘tech’, whilst Richard Durand’s remix of ‘These Hands I Hold’ and Downey/Alex Di Stefano collab ‘Among Us’ maintains the pressure. A few tracks down the line comes the Irishman’s team-up with the legendary Sunscreem, as he recasts the classic ‘Perfect Motion’ in a decidedly uplifting form. Hot on its heels you’ll find Sentinel 7’s redress of ‘Sense’, UCast’s acidic after-touch of ‘Razor’ and (in its killer HP Source form) ‘P45’. Strategically positioned between are PvD & Lostly’s stunning ‘Amanecer’, Project 8’s more-than-persuasive ‘I Believe’, Ferry Tayle’s impressive redraft of Basic Dawn’s ‘Pure Thrust’ and a whole lot more floor-firepower besides!
“15 years in and they’re making the best music of their career” is how DJ Mag sees Stoneface & Terminal’s current state of play. That’s born out by ‘The Art Of Skulduggery’s every-bit-as-extraordinary second disc. ‘Thump’, ‘warp’ & ‘drive’ are your key takeaways from the German duo’s opening salvo. Their own ‘Titan’ lights the mix’s match, while ‘Bolide’ and ‘Patient XTC’ cheerfully pour on the petrol. The results, well every bit as combustible as you’d imagine. Further in Matthi and Henry’s redux of Will Atkinson’s ‘Dusk’ and their own ‘Mind Games’ keep those flames burning every brighter. Stephen Kirkwood’s ‘Rainbow Six’, ‘The Wretched’ from Nick Callaghan, Liam Wilson’s ‘Get On The Floor’ and a half dozen others sound out the rest of its floor-thundering 75 minutes.
Available to stream or buy from Friday 8th March, ‘The Art Of Skulduggery’ is available here
Mix 1 - Greg Downey
01. Vincextz - Clockwork
02. Greg Downey - The Tone (Intro Mix)
03. Greg Downey - Loco
04. Greg Downey & Bo Bruce - These Hands I Hold (Richard Durand Remix)
05. Greg Downey & Alex Di Stefano - Among Us
06. Activa - Defiance
07. Greg Downey & Sunscreem - Perfect Motion
08. Michael Kaelios - Beyond Life
09. Greg Downey - Razor (UCast Remix)
10. G8 - Boom and I Knock Them Out (Greg Downey Rework)
11. Beatman & Ludmilla - Dune
12. Cenk Basaran & KoRay - Instinct
13. Vince Schuld - Disconnected (Cenk Basaran Remix - Greg Downey Rework)
14. Greg Downey - P45 (HP Source Remix)
15. Project 8 - I Believe
16. Zach Zlov - Regicide
17. Greg Downey - Sense (Sentinel 7 Remix)
18. Basic Dawn - Pure Thrust (Ferry Tayle Remix)
19. Paul van Dyk & Lostly - Amanecer
20. Greg Downey - Vivid Intent (Chris Voro ReChill)
Mix 2 - Stoneface & Terminal
01. Stoneface & Terminal - Titan
02. Stephen Kirkwood - Rainbow Six
03. Phil Sandy - Meotide
04. Nick Callaghan - The Wretched
05. Stoneface & Terminal - Bolide (Stoneface & Terminal pres. Gundamea Remix)
06. Stoneface & Terminal - Patient XTC
07. Liam Wilson - Get On The Floor
08. Will Atkinson - Dusk (Stoneface & Terminal Remix)
09. Adam Reece - The Recluse
10. Stoneface & Terminal - Mind Games
11. Project 8 & EverLight - Knife Fight
12. Latex Zebra - Not Just A 303
13. Renegade System - Impetus
14. Kinetica - Temple Run
The Wretched is a dark, twisted trance killer! Laden with heavy reverbs throughout, a killer eeire melody and slamming tech drums.
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Nick Callaghan - The Wretched[/item]
[content title="Summary" label="Overall Score"]Nick Callaghan delivers the truly unique and highly infectious The Wretched. The track combines stunning colorful synthy work with slightly rough and raw metallic tribal tech groove, bouncy dark moody basslines, intense rhythm building the suspense and tension throughout the track. The dark vocal samples merged with the great female voices and the track manages very easily to create something very different that stands out with nice cinematic atmosphere that attracts attention for those fully banging moments. #PureGold Love IT [/content]
