William Daniel has long been a trusted name in electronic music journalism. With over twenty years of experience as a reviewer, interviewer, and lifelong record collector, he brings a rare combination of encyclopedic knowledge and genuine passion to his work. His journey began at 23rd Precinct Records, where he first immersed himself in the inner workings of the music industry, cultivating a deep understanding of the culture that drives the global electronic scene. Today, William is celebrated for his ability to honor the roots of electronic music while embracing its constant evolution, always uncovering hidden gems and rediscovering overlooked classics.
In this feature, William explores a new wave of releases that capture the enduring magic of the dance floor. He highlights four essential tracks: Mesh x Dan Stone’s Purple Haze on In Trance We Trust, a modern reimagining of a trance classic that balances nostalgia with fresh energy; Funk D’Void’s Diabla on Armada, a hypnotic and timeless slice of techno mastery; Corderoy’s Sweetest Dreams Remixes on Armada Captivating, including standout interpretations from Sean Tyas; and Pulser’s beloved In Deep, newly remixed by Grant Trowbridge on ToneDepth, breathing new life into a cherished favorite.
Through each review, William’s insight shines, guiding listeners through the intricate layers of production and the stories behind the beats. His writing reflects the same ethos that drives the music itself—a respect for the past, a celebration of the present, and an excitement for the future.
Mesh x Dan Stone - Purple Haze out 13/3/2026 on In Trance We Trust/Black Hole
William Daniel Review: Some records never really leave you. They sit in the back of your mind like a half-remembered sunrise from a long night out, waiting for the right moment to come rushing back. Mesh - Purple Haze is one of those records. It has always carried a certain magic in trance circles, and now Dan Stone steps in to breathe fresh life into it for the ever-reliable In Trance We Trust.
From the first moments, you can feel the intent. Stone does not simply rework the track. He treats it like something sacred, lifting the original spirit of Mesh’s classic and rebuilding it with modern precision. The melodies still spiral skyward with that familiar, euphoric glow, but everything feels sharper, wider and more powerful. The production gleams with contemporary clarity while the bass carries real weight, the kind that punches through a sound system and lands straight in your chest.
What makes this remix work so well is the balance. It keeps the emotional core intact for the trance purists who appreciate the craft, yet it has enough drive and momentum to send a dancefloor into a proper frenzy. Close your eyes, throw your arms up and you are right there in the moment. That is the energy this track taps into. It is the feeling that made the original so beloved in the first place.
Crucially, it never feels like nostalgia for the sake of it. This is more like a careful evolution, a respectful upgrade to a piece of trance heritage that deserves to keep living in modern DJ sets.
On a personal note, this one hits close to the heart. Purple Haze has long been one of my favourite releases on In Trance We Trust, a proper gem that I proudly own on vinyl. Hearing it given a fresh, playable mix for today’s floors is genuinely exciting. It reminds you why the track mattered then and proves it still has the power to move people now.
Some classics fade with time. This one just found a new way to shine.
Funk D'Void - Diabla [Armada]
William Daniel Review: There are producers who come and go with the tide of trends, and then there are artists like Funk D'Void, whose music feels carved into the foundations of modern techno. For decades he has been one of the quiet architects of the sound, shaping dance floors with intelligence, restraint and an instinct for groove that few can match. From his seminal work with Soma Records to releases across some of the most respected labels in electronic music, Funk D'Void has always carried a sense of purpose in his productions. When his name appears on a record, it means something.
“Diabla”, released on Armada Music, is another reminder of that legacy. It arrives with the quiet confidence of an artist who does not need to shout to command attention. From the opening bars there is a sense of space and control. The drums are tight and purposeful, the low end rolling forward with that unmistakable Funk D'Void weight. Each element sits exactly where it should, breathing within the mix.
This is classic Funk D'Void territory. Hypnotic but never sterile, driving but never brute. The groove locks in with a kind of mechanical elegance, the percussion flickering and shifting just enough to keep the body moving while the mind drifts somewhere deeper. It is techno with depth of character, the kind of track that reveals more of itself with every listen.
What stands out most is the craftsmanship. After decades in the game, many producers settle into habit. Funk D'Void still sounds engaged, still chasing that perfect balance between tension and flow. The synth textures creep in like distant lights through fog, subtle but full of atmosphere, while the rhythm section keeps everything firmly rooted to the floor.
In an era where much techno feels disposable, “Diabla” reminds us what quality production really sounds like. It is music built with patience and understanding, shaped by someone who has spent a lifetime inside the machinery of the dance floor.
This is music for the mind and the feet. And in the hands of Funk D'Void, that balance still feels effortless. (W.D)
William Daniel Review: Some records never really leave you. They drift in and out of the collective memory of the trance scene, waiting for the right moment to rise again and remind us why we fell in love with the genre in the first place. Sweetest Dreams by Corderoy is one of those records.
When it first surfaced in the golden era of melodic trance it carried a certain emotional gravity. The kind that sneaks up on you during a late night set and suddenly the entire room feels connected by the same melody. The original release became a quiet but powerful favourite among DJs and fans alike, particularly when Ferry Corsten delivered his unforgettable take on Tsunami. That remix pushed the track into anthem territory and cemented its place in the hearts of a generation that lived for those soaring breakdowns and euphoric drops.
Now, years later, the record returns on Armada Captivating with a fresh set of interpretations from Sean Tyas. It is not simply a nostalgia exercise. Instead it feels like a careful resurrection. A respectful reimagining that understands the emotional DNA of the original while giving it the power and clarity needed for modern trance floors.
Tyas delivers two versions here. The Deep Mix leans into atmosphere and texture, stretching the emotional core of the melody across a rich and immersive arrangement. It breathes beautifully and allows the vocal and chords to glow in a slightly darker space. It is thoughtful and well crafted, the kind of mix that rewards patient listening.
But it is the Ascension Mix that truly takes flight.
From the opening bars there is a sense that something special is unfolding. The energy builds with purpose, layers of melody rising until that familiar hook finally emerges in all its glory. There is a subtle nod to that classic Ferry Corsten interpretation, not a copy but a respectful wink to the version that helped define the track all those years ago.
When the breakdown lands it is pure trance theatre. Emotional, uplifting and unapologetically melodic. Then the drop arrives and everything clicks into place. The kind of moment that makes you close your eyes and remember exactly why this music grabbed hold of your soul in the first place.
In an era where trance constantly evolves and reinvents itself, releases like this remind us that the foundations still matter. Sweetest Dreams was always a special record. Thanks to Sean Tyas and its new home on Armada Captivating it now has the power to reach a whole new generation of listeners.
And if the Ascension Mix finds its way into the right DJ sets over the coming months, do not be surprised if dancefloors once again light up to that timeless melody. Some dreams, it seems, really are worth revisiting. (W,D)
Pulser - In Deep (Grant Trowbridge Remix) [ToneDepth]
William Daniel Review: A couple of years ago, Andy Perring reached out to Grant Trowbridge to remix one of his back catalogue tracks. Rather than gravitate toward the obvious hits, Grant dug deeper, hunting for something that would allow him to leave a real mark. That search led him to Pulser featuring Molly Bancroft – In Deep, a track that marked his first proper foray into working with vocals.
From the outset, it was clear this was no ordinary remix opportunity. The original’s emotive core was undeniable, but Grant saw the chance to reinterpret it entirely, to push the energy higher, carve out his own sonic signature, and explore a different emotional dimension. The result is a rollercoaster of soaring melodies, powerful hands-in-the-air breakdowns, and an infectious energy that demands attention on any dancefloor.
Grant Trowbridge, already a formidable force as a producer and a celebrated resident and radio host of Borderline, has truly outdone himself here. His remix captures the essence of what makes trance today so exciting: forward-thinking, impeccably produced, yet deeply emotional. The vocals are lush, the breakdowns ecstatic, and the energy utterly irresistible.
It is no wonder that Borderline remains one of my favourite trance labels. This remix embodies exactly why, representing the label’s commitment to high-quality, modern trance while retaining the genre’s euphoric spirit. For anyone seeking a track that fuses emotive depth with full-throttle dancefloor energy, Grant Trowbridge’s remix of In Deep is simply unmissable. (W.D)
As electronic music continues to evolve, voices like William Daniel’s remain essential. His reviews are more than just critiques—they are invitations to experience the heartbeat of the scene, to discover tracks that resonate not only on the dance floor but also in the soul. Whether you are a lifelong fan or a newcomer exploring the genre’s depths, William’s perspective illuminates the journey, keeping the spirit of electronic music alive and thriving.
FSOE recordings along with Trance Sanctuary are thrilled to announce the highly anticipated FSOE London event, taking place on Saturday, March 21st, 2026, hosted by Trance Sanctuary. This day-to-night celebration of the very best in Trance will unfold across two iconic venues in the heart of London: Here at Outernet for the daytime event and The Lower Third for the official afterparty. Fans can look forward to an unforgettable experience featuring exclusive back-to-back sets and world-class performances from the FSOE family.
Event Details
Daytime: 1:00 PM – 9:00 PM | Here at Outernet, London
After Party: 9:00 PM – 3:30 AM | The Lower Third, London
Global Trance icons and founders of the Future Sound of Egypt (FSOE) label, Aly & Fila are known for their euphoric soundscapes, anthemic melodies, and emotional sets that have headlined festivals around the world.
Amos & Riot Night b2b 0Gravity
A thrilling back-to-back performance featuring the uplifting energy of Amos & Riot Night alongside the fresh, high-octane sound of 0Gravity. Expect a dynamic blend of euphoric and driving Trance.
Craig Connelly
Renowned for his melodic and emotional productions, Craig Connelly’s performances are a journey through uplifting and vocal Trance, earning him global acclaim and chart-topping releases.
Paul Thomas
A master of progressive sounds and the driving force behind FSOE UV, Paul Thomas brings a sophisticated mix of deep, melodic, and atmospheric Trance to the dance floor.
Sean Tyas b2b Darren Porter
This rare back-to-back set will combine Sean Tyas’s signature high-energy sound with Darren Porter’s powerhouse uplifting style, promising a peak-time experience like no other.
Xijaro & Pitch
Known for their emotional and cinematic approach to Trance, Xijaro & Pitch deliver deeply moving performances that resonate with fans across the globe.
After Party – The Lower Third
Sean Tyas
Returning for a solo performance, Sean Tyas will deliver a late-night set full of driving rhythms, showcasing his expertise in high-octane Trance.
Steve Allen
A leading name in uplifting Trance, Steve Allen’s sets are packed with euphoric melodies and festival-ready energy.
Kinetica
Bringing his signature blend of tech and uplifting Trance, Kinetica will keep the afterparty moving with cutting-edge sounds.
Elucidus
Expect driving beats and emotionally charged melodies from Elucidus, one of the rising stars of the FSOE roster.
Hamza
Closing the night with a burst of energy, Hamza brings a versatile Trance sound, seamlessly blending melodic and driving elements.
A Full Day of Trance Excellence
From the euphoric melodies of Aly & Fila to the high-energy firepower of Sean Tyas and Darren Porter, FSOE London 2026 promises to deliver a celebration of Trance music like no other. With cutting-edge sound and lighting in a state-of-the-art venue, followed by an intimate afterparty experience, this is an event that fans will not want to miss.
Ciaran McAuley, Sean Tyas, and Clara Yates deliver a stunning vocal trance masterpiece with 'Runaway,' out now on Black Hole. Featuring Clara's unforgettable voice and a message of hope and escape, this one is set to dominate. Don't miss it!
Dimitris Kechagias Review: [review top="1"] [item value="10"]Ciaran McAuley, Sean Tyas & Clara Yates - Runaway [/item]
[content title="Summary" label="Overall Score"]Ciaran McAuley, Sean Tyas, and Clara Yates have crafted an exceptional vocal trance masterpiece with "Runaway," released under Black Hole Recordings. This track exemplifies the pinnacle of uplifting trance, intertwining Clara's unforgettable vocals with a message brimming with hope and the yearning for escape. From a technical standpoint, "Runaway" operates at a driving 140 BPM, the hallmark of classic uplifting trance. The production kicks off with energetically pulsating basslines, meticulously side-chained to create that distinctive pumping effect that keeps the rhythm dynamic and engaging. The thumping drums are crafted with layered percussive elements, providing both depth and clarity, while the punchy kicks cut through the mix with precision, anchoring the track firmly on the dancefloor. The euphoric synth layers are a standout feature. Utilizing rich, detuned saw waves, likely processed through lush reverb and delay effects, the synths build an expansive, atmospheric soundscape. The use of pluck synths during the breakdown adds a delicate, melodic texture, contrasting beautifully with the more aggressive leads that dominate the drop. Clara Yates' vocals are seamlessly integrated into the track, processed with subtle reverb and delay to give them space without overwhelming the mix. Vocal chops and harmonies are layered during the chorus sections, enhancing the emotional resonance of her performance. Her voice acts as both the emotional core and a melodic instrument, guiding listeners through the track's peaks and valleys. The breakdown is a cinematic journey in itself. Emotionally touching piano chords introduce a moment of introspection, layered with ethereal background vocals that add a choral depth. As the breakdown progresses, swirling synths rise to the forefront, accompanied by sweeping filter automation that gradually opens up the sound spectrum. This crescendo leads to a euphoric climax, characterized by "hands in the air" energy, where Clara's vocals soar once more, flawlessly complementing the instrumental intensity. Overall, "Runaway" is a testament to the meticulous production techniques of Ciaran McAuley and Sean Tyas, combined with Clara Yates' captivating vocal artistry. It's a track that not only dominates the trance scene but also resonates deeply with its audience, earning its #PureGold status. #LoveIT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Spencer Newell joins the other Degenerates with a total face-melter called Focus One...and we're pretty sure you're probably not ready for what this one is about to unleash. You've been warned!
[content title="Summary" label="Overall Score"]Spencer Newell, renowned for his uplifting trance masterpieces, ventures into harder territory with his latest track, "Focus One," released under the Degenerate label. This 139 BPM powerhouse is a testament to Newell's versatility and prowess in electronic music production, embodying the spirit of a harder anthem meticulously crafted for peak-time energy. The track kicks off with an assertive introduction, marked by heavy, hard-hitting basslines that are tightly compressed to enhance their punch and clarity. These basslines, layered with precision, create a dense low-end presence that drives the track's aggressive momentum. The raw, pounding kicks are sculpted using advanced layering techniques, combining multiple kick drum samples—each EQ’d separately—to achieve a robust and resonant thump that cuts through the mix without overwhelming other elements. Complementing the rhythmic foundation are rough, textured percussions, crafted through a blend of synthesized hits and processed acoustic samples. These percussive elements add a gritty texture, enhanced by subtle saturation and transient shaping to maintain their sharpness and impact across different playback systems. Cool vocal samples are interwoven sparingly, treated with time-stretch effects and reverb tails to add a haunting, ethereal quality that contrasts the track's otherwise raw sonic landscape. Beneath the aggressive exterior lies a cool, uplifting synth melody that introduces a dynamic shift. This melody is synthesized using analog emulation plugins to capture that warm, vintage feel synonymous with old-school hard trance. The melody's modulation, achieved through automated filter sweeps and LFO-driven pitch variations, injects a sense of drive and intensity, bridging the gap between nostalgic trance vibes and modern hard dance energy. As the track progresses to the breakdown, Newell showcases his melodic prowess with an anthemic lead supported by melodramatic synth stabs. These stabs are crafted using layered saw waves, processed through chorus and delay effects to enhance their emotional impact. The transition into the peak-time climax is masterfully executed, with acid layers introduced through resonant 303-style synth lines, automated to build tension and aggression. These acid elements, combined with uplifting synths and epic, reverb-laden strings in the background, create a rich, expansive soundscape. The production techniques employed in "Focus One"—from meticulous EQing and dynamic processing to creative sound design and arrangement—culminate in an energetic, dynamic, and hard-hitting anthem. Spencer Newell's ability to fuse technical precision with emotional resonance makes this track not just a hard dance record, but an anthem in the making. #PureGold Love iT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
In 2017, 'All Over Again' introduced the Plumb & Bryan Kearney combination to the Dance scene. We can't deny it was a match made in heaven and it quickly became one of the Trance tracks that kept on receiving momentum from fans.
Now 6 years later, it's time for established artist Sean Tyas and upcoming one, Dave Elston, to reimagine this anthem to an energetic and uplifting remix.
Dimitri Kechagias review: [review top="1"] [item value="10"] Bryan Kearney & Plumb - All Over Again (Sean Tyas & David Elston Remix)[/item]
[content title="Summary" label="Overall Score"]Bryan Kearney & Plumb instant trance anthem All Over Again get the Regenerate crew make over by Sean Tyas & David Elston. The result is an exceptional record with turbo energetic basslines, pounding drums, thunderbolling kicks and slamming synths while on top melancholic pianos lead to the atmospheric and very cinematic breakdown. Perfect to relax for a while and concentrate on Plumb's heartbreaking vocal that is ready made to make you cry if u feel a bit sentimental like me. Underneath the synths slowly tease the audience until to come out in the open and explode out of any proportions. The climax is pure, clean, feel good and highly memorable moment that will stay in your heart and mind for long! Exceptional version for sure. #PureGold Love iT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Dimitri Kechagias review: [review top="1"] [item value="10"]Somna & Nic Toms - Until the End (Sean Tyas pres. abSTrakt Remix)[/item]
[content title="Summary" label="Overall Score"]The recently released album by Somna was a pleasant surprise for many as there is great variety of styles and production techniques. Now more great remixes are added with Sean Tyas remixing the fantastic Somna & Nic Toms track Until the End under his abSTrakt alias. His 134 BPM version successfully merges the sweet female touching vocals with intense heavy hard hitting basslines, rough techno kicks and raw metallic drums while in the breakdown the dark moody vocal shines on top of the cinematic strings and warm piano chords followed by distorted moody synthy stabs. His climax is heavy and dystopian with plenty of acid overtones and dynamism that in a way translates the dark side of the lyrics. Sean Tyas never disappoints and this remix is packed with creativity and attitude. #PureGold Love IT [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Shugz & Will Rees join forces to create "Skedaddle", a tech infused thrill ride of a track sure to get the full attention of anyone nearby when this one drops
Enjoy!
Dimitri Kechagias review: [review top="1"] [item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [item value="10"]Shugz & Will Rees - Skedaddle [/item]
[content title="Summary" label="Overall Score"]Shugz & Will Rees collaboration on Regenerate is one for the books for sure. Skedaddle is 142 BPM brilliant euphoric hybrid of heavy metallic basslines, techno kicks and hard style drums creating the danceable foundation to put fire on the dancefloor. The melodic layers slowly appear and prepare the ear for the honey in the breakdown. And this is very sweet and creamy full of great atmosphere and gig euphoric synths leading in the highly energetic euphoric uplifting section until to move to the more techy acid infused crazy to the core outro section. When two really able artists collide then the results will make the crowd feel the energy deep inside. #PureGold Love IT[/content]
Hailing from one of the most famous cities in the UK, a place that is steeped in musical history, Liverpudlian trance artist AMOS & RIOT NIGHT aka David McClelland is one of the trance scenes rising talents.
In his adolescence, hearing trance for the first time on euro dance TV channels, he discovered the iconic sounds of Paul van Dyk, Armin van Buuren, Ferry Corsten and Above & Beyond. In his teens, as a young drummer in a metal band David discovered a great love for rhythm, add to that the melodic sounds of trance and it wasn't long until he was hooked on a genre and scene that would go on to shape his late teens, 20's and beyond.
After the digital era took full hold in the late 2000's, a new trance sound with an exciting wave of artists to go with it caught David's attention and led him even further down the trance path. Artists such as Sean Tyas, John O'Callaghan, Aly & Fila, John Askew, Activa, Daniel Kandi to name a few. His keen interest in this new sound soon became a creative urge, a want to learn production, it was time to dive in and make his take on this magical but even more driving modern trance sound.
As with many digital producers, DJing came later and the AMOS & RIOT NIGHT project was born in 2013 as the budding producer teamed up with Paul Holden (AMOS) who was David's (RIOT NIGHT) original studio collaborator and DJ partner. After a great 6 years as a duo, it was 2019 when he decided to go solo. David kept the A&RN name as it was already picking up pace in the trance scene with releases on labels such as Silent Shore, Defcon, Critical State and Extrema.
The AMOS & RIOT NIGHT sound can be described as a super fresh, uplifting, emotional and very much melody driven style, with loads of uptempo energy. A production focused sound, which is how David first met trance master Sean Tyas who has become a mentor in his production career, from feedbacking demos and championing A&RN tracks from early on, to releasing his tracks on his massive Regenerate label. Other labels David has unlocked since going solo are the impressive AVA White, Always Alive, Monster Tunes, GO Music, Deep In Thought by VII, Vandit, Subculture and the giant FSOE main label
DJ support is coming in from a who's who in the global scene with radio and live gig plays by Armin van Buuren, Aly & Fila, Paul van Dyk, John O'Callaghan, Sean Tyas, Giuseppe Ottaviani, Simon Patterson, Solarstone, Sneijder, John Askew, Will Atkinson (BBC RADIO 1), Mark Sherry, Jordan Suckley, Activa, Alex M.O.R.P.H., Manuel Le Saux, Craig Connelly, Daniel Kandi, Ferry Tayle, Paul Denton, Will Rees, Allen Watts, Greg Downey, Dan Stone and many more.
The proud achievements are coming in thick and fast for AMOS & RIOT NIGHT. From hearing his music being played at massive events such as Dreamstate, Luminosity, The Gallery @ Ministry of Sound and Gatecrasher, to the scouse spinner featuring on popular compilations by VII, FSOE 650, 10 Years of AVA and a collaboration feature with Manuel Le Saux for his album. Becoming a regular on Sean Tyas’ Regenerate label is also up there with his proudest moments.
DJ wise A&RN has picked up some great gigs so far with many more to come in 2021 and beyond. Playing to his home city crowd at Back To The Anthems, Gatecrasher @ Garlands and WeAreYou with names such as Judge Jules, Jan Johnston, Signum, Lost Witness, Sneijder, Shugz, David Rust, Liam Wilson. Already having made debuts in London @ Trance Sanctuary with Sean Tyas and Sam Jones, Ibiza @ Connected boat party with Andy Moor and even further afield his LA debut @ Intricacy.
Having already hit the top 10 on Beatport trance three times and with a string of new singles, collaborations, plus a debut artist album in early planning, AMOS & RIOT NIGHT has become a much-loved name around the scene with a rapidly growing artist profile, helping him climb through the ranks of global trance music.
Amos & Riot Night aka David McClelland latest releases includes his remix on Ciaran McAuley anthem Tears Don't Mean You're Losing on FSOE and his firestorming collaboration with Daniel Kandi Finally Able on Regenerate. We are glad that David is back with us to answer some fresh questions about his latest tracks. As always enjoy his answers.
1-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Amos & Riot Night: When I started out production back when I was 16, it was purely with the intention of producing stuff with my old rock/metal bands I was in, as well as getting to know some basics on synthesis and trying to maybe incorporate some of that into the rock stuff. By that point, I already had a Roland SH201 synth (miss that unit!) and was getting to grips with that.
I had a massive soft spot for Trance and I remember hearing a lot of Trance tracks around 2011/2012 and seeing videos online from YouTube at that same time, some of which by the very top names in the scene. Straightaway, I thought if these guys can make music like that, then so can I. DJing came slightly later on, purely as a way for me to showcase what I was all about musically. When I started going out clubbing, I then got to know more about what tracks worked well at what moments and how to build a set, etc. Everyday's still a learning day for me in this game
2-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Amos & Riot Night:Sean Tyas - one of a kind. A real gent! Insane sound design and always looking out for new ideas!
Activa - goes without saying. Tight. Driving. Melodic. Still sounds fresh!
Third one, I'm gonna go way off course here and say Liam Howlett. Leagues ahead of everyone else. The stuff he's been doing with Prodigy still sounds so fresh to this very day, especially Fat of the Land
3-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
Amos & Riot Night: There's too many, but on the spot, here we go:
The one that really started it all. Ferry Corsten's remix of the Adagio For Strings. As everyone's aware, Trance was hugely popular in the UK Charts around 1998-2003/04. Often, it was used to the background music of TV programmes. I first heard it to the background of a segment on an old CBBC programme called SMart - an art programme introducing kids to the world of arts and crafts. So yeah, this segment I specifically remember was all about capturing motion in drawing, and Ferry's remix was used as the background for it. I just remember hearing that in the background and being completely blown away by the sounds used, as well as of course the melodies that really took it to the next level up. I didn't know the name of the record itself until I was 14 and that's when I really started down the rabbit hole of rediscovering Trance. Still blows me away to this day.
Gareth Emery feat. Lucy Saunders - Sanctuary (Sean Tyas Remix) - it was the very first production that I personally remember from Sean. Level of detail into that remix is just next level. Still sounds just as big today!
Tough one on the last one. Erm, I'll go with Simon Patterson - Miss You. I could've gone for any around that same time, i.e. Taxi, Us, Mood Swing. This especially has everything that I really like about Trance. Emotion, power, drive. Even the twisted Tech elements before going to that lush piano break and then to that main melody!
4-Dimitris: It would be fantastic to talk about your remix on Tears Don't Mean You're Losing on FSOE. Please tell us the background details of this remix.
Amos & Riot Night: It was last year when Ciaran had approached me asking to remix one of his previous releases on Future Sound of Egypt, specifically Tears Don't Mean You're Losing. He always liked that track, but felt like he needed something with a little bit more punch for the clubs.
I knew straightaway that it needed to be a little bit more tougher, certainly in the kick/bass, but that emotion still needed to be there from the original that Ciaran did. Only things I really used from the original were the piano/vocals/guitars - these elements were key to make it known that this was 'that track'. Melody was completely brand new for it and I decided to go for a bit more of an oldskool Trance vibe, akin to some of the Trance being released around 2003/2004. Ended up coming out with this almost Nu-NRG inspired melody and the sound choice for it really showed that sorta sound! Then added my normal chord plucks where needed and just went from there!
5-Dimitris: How long it took you to produce this remix and can u describe the production process in simple steps?
Amos & Riot Night: In the case of the remix for Ciaran, production wise, this took no longer than a week or 2 I would say! It was one of those where everything just came together very quickly rather than trying to force anything out. It helped that I already had the parts there from Ciaran's original to give me a headstart. He then worked on the final master for it at his end and it turned out pretty big!
6-Dimitris: Also you just released the excellent Finally Able on Regenerate with Daniel Kandi. How this great track came about?
Amos & Riot Night: This time I'm teaming up with iconic producer Daniel Kandi. So about 2 years ago, Daniel was over in the UK for snooker related stuff, and we spoke at the time about meeting up and working on a track together. I mean, when in Rome right? He's always someone I've highly admired production wise over the years since I started out producing when I was 16/17 and now to be working with him and releasing with him is bit of a dream come true really! Double meaning to the 'Finally Able' name. Daniel was 'finally' using Ableton for the first time when we started the initial production phase, though he then did his magic finalising it in FL once I had the arrangement done at my end after our first session. The other part of the title is that I was finally able to speak my truth and that I can finally be my 100% real self.
So there we are :-)
7-Dimitris: Can u tell us about the production process of Finally Able too?
Amos & Riot Night: As for 'Finally Able', we both started it in person in an absolute sweat box of a studio in Sheffield. We got the main melodic parts of it laid out all in the first session as well as some of the foundations. I then took the project back home to Liverpool with me and arranged it out in full. There some bits specifically that Daniel had agreed to work on, i.e. transitions and of course the final mix/master. When I arranged it, I then sent over the parts to him for him to work his magic. Took a few sessions to get it right over a good while, but by the time the final master was sent, we knew we had a big one!
8-Dimitris: Did you had any particular difficulties accomplishing Finally Able or any specific technical challenges or obstacles that you had to overcome during its production.
Amos & Riot Night: I guess in the case of 'Finally Able', we had a great first session, but then because me & Daniel live in different countries, trying to get the time to work on the project wasn't always easy because we both had a lot going on in our lives, but we finally got it over the line!
9-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
Amos & Riot Night: Both equally! I am very fussy with vocals though as the songwriting has to be absolutely spot on.
10-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?
Amos & Riot Night: Ah I'm all over the artwork that Sean did for 'Finally Able'! It really captured the emotion in that perfectly. I'm finally on the other side of all the bullshit that came before me and I'm finally able to just be myself.
11-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Amos & Riot Night: I'll answer this in 2 ways. The 3 labels which have influenced my sound the most
Without question: Anjunabeats (specifically from 2005-2009)
This was for me its absolute peak of the proper melodic Trance. So many beautiful, yet equally powerful tracks that got released during that time! Some of them still stand the test of time to this very day. They still continue to be an absolute powerhouse in the industry, albeit different direction, but hugely admire them all the same.
Discover (2006-2011 era) - look, if you see some of the artists that have come out from that label and where they are now, it's plain to see why. Clean, tight, melodic, driving. Straight to the point.
Vandit - still equally as influential to me as it was when I first started out. So many iconic tracks released on that label. I'm proud to have had a release on there! Who knows when I'll be back! We shall see :-)
Which labels are my top right now?
Future Sound of Egypt - it's actually 3 years since my first release with them alongside Robbie Graham. Pretty much has been my mainstay since 2020 and long may it continue!
Borderline - the quality just coming out of that label is right up there as being the best right now! I've always been a huge fan of Activa since starting out production years ago and when he brought back Borderline, I just knew that the gear on that label will be just absolutely top class. Setting the standards right now. Consistent
Regen - no bias. Again, setting the standards for me! I'm always beaming ear to ear when I receive new music from Regen every time and Sean really knows how to get good quality control - so it's no surprise!
12-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
Amos & Riot Night: Argh I've been toying with the idea of an album on and off for some time, but due to other commitments, work, family life, etc, I've not really had a chance to properly think about it. It's not just something where I can easily bang a load of tracks together and bam, there's an album. It has to be a lot more to it. A real journey from start to end.
13-Dimitris: Are you happy about the quality of the tracks released in your preferred music genres? Please justify your answer with your opinion about it!
Amos & Riot Night: Don't get me wrong I'm all about Trance, but it really does need a massive overhaul and better quality control. Saying that though, there's a lot of shit in every genre. You just have to really trawl through and find the good stuff. It may be sitting there when you least expect it.
That being said, as great as it is that music production has become more accessible to others, when producers use templates and change only the key and the melody. I'm sorry that's fucking lazy. No wonder I see folk bitching about it, especially at the highest level.
Always start from scratch peeps.
14-Your current Top 3 tracks with short comment:
Amos & Riot Night:Ben Gold - Rest of Our Lives (Paul Webster Remix) - without question, the tune of the summer! Just a proper feelgood track, banging kick/bass, driving with a huge singalong chorus. Just how I like it!
Sneijder - Dawn - definitely older Discover meets early 2000s Trance. Really liking the gated riffs on this one!
Adrian Boland - Follow the Path - this one is due out very soon and I've been hearing snips of this from Adrian over a 2year period. He was that close to not putting this out, but damn the melody on this is just something special! It's a rarity that a Trance track genuinely leaves me beaming ear to ear from start to finish. This is definitely one of them! Really takes you on a journey! Huge props to Adrian for not giving up!
15-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
Amos & Riot Night: I'd definitely say I was Trance through and through. I will listen to anything and anything as a listener as long as it puts a big smile on my face. I often draw on other styles for inspiration, especially from a lot of rock music. Liquid DNB as well. I'm all about fusing bits and pieces together, but as long as it all makes sense sonically, then I'm easy.
Thanks so much to David for his precious time to answer this great interview.
Thanks so much to team FSOE for arranging and thanks to Regenerate team too.
Ciaran McAuley - Tears Don't Mean You're Losing (Amos & Riot Night Remix)
Active Limbic System, is an exciting trance duo, formed by George Tripas and Michalis Patakas.
They produce an uplifting, tech-trance and psy-trance blend, which has nailed them signings on labels like FSOE, Regenerate, Nocturnal Knights Music, ITWT, Perfecto Fluoro, Monster Tunes, Mental Asylum Records, Outburst Records , Discover Dark and more.
They've also gained support by big names of the scene, with Paul Van Dyk , Paul Oakenfold,Sean Tyas, Solarstone, Indecent Noise, Mark Sherry, Christopher Lawrence among others.
They're laying down their own path on the trance map, with the peak of high quality trance music as their destination. Will you follow them to the, or are you going to stay lost?
Active Lymbic System strike back on Regenerate, the label headed by Sean Tyas with the stunning hard uplifter Venus. It sounds the perfect opportunity to talk with them and discover how the beautiful Venus came about.
1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.
Active Lymbic System: We are in the trance scene almost 13 years so the 3 most important achievements are 1)Playing last year the warm up b2b set among with our pal Chris Oblivion, for the legend Paul Van Dyk, at a massive gig hosted by FSI Events. 2)Last year again, playing the warm up b2b set with Chris Oblivion, for Giuseppe Ottaviani (twice) and Liquid Soul, hosted again from FSI Events. check here3)Signing this year, our new upcoming one called Venus, at a legend of the trance scene, as Sean Tyas is and his label Regenerate Records.
2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Active Lymbic System: As we mentioned to our last years interview to you, Active Limbic System is a duo, its me George Tripas and my pal and brother lets say, Michalis Patakas. Our meeting was a karma and so it continues with the same flame and passion as before 13 years when we started it.
3-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Active Lymbic System: For me its Paul Van Dyk, LSG (Oliver Lieb) and Paragliders. For Michalis is Astral Projection, Man With No Name and Etnica...
4-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
Active Lymbic System: 1)Astral Projection - Mahadeva 2)The euphoric ones Anjunabeats, Enhanced, Vandit and such labels were releasing on early 00s and names like Paul Van Dyk, Daniel Kandi, Sunny Lax, Dan Stone of that period 3)The Muses Rapt - Spiritual Healing
5-Dimitris: It would be fantastic to talk about Venus released on Regenerate. Please tell us how Venus came about and what was the idea behind it.
Active Lymbic System: Our new one called Venus which is coming out on July 7th from Sean Tyas, Regenerate Records, is a track which has been working for a year now. It passes many changes and steps so it can be perfect for release.
6-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?
Active Lymbic System: As I mentioned to the preview question we worked on it for a year now. The first step is the melody cause trance needs a catchy melody to be cool for the fans. Then the lead and the low end of the track.
7-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.
Active Lymbic System: The difficulty was with the melody and the lead which wasnt so catchy and has changed several times before it reaches todays formation.
8-Dimitris: If you would have the opportunity to change something in your track and maybe to do a new remix what elements are you unhappy with and you are going to change? Is there any artist that you feel would be fantastic to remix this track and why?
Active Lymbic System: Since this track is coming out on Sean Tyas label, we would love to see a remix from him, it should be ideal.
9- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?
Active Lymbic System: We use Propellerhead's Reason, the 10th version of it which gives you the opportunity to add vsts cause the 5th version we were using before didn't have this credit.
10-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
Active Lymbic System: We haven't released any vocal track and its in our plans we can make one in the near future.
11-Dimitris: Are there any vocalists/singers on electronic dance music you aspire to work with?
Active Lymbic System: Def JES, Emma Hewitt , Victoriya but there are so many out there which we might commit grievance towards them of not mentioning.
12-Dimitris: Please choose the most powerful lyrics ever included in a dance track and why these lyrics have touched you so deeply and have a special meaning for you?
Active Lymbic System: I (George) will choose the lyrics of last years number one vocal trance for me which is Sneijders ''Need You Here'' cause it talks about the loss of a loving person. Its really harmful losing someone you love.
13-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?
Active Lymbic System: The artwork is MASSIVE....the designer couldnt imprint it better than he did...and of course the artwork is really important for us cause it def can attract listeners. We are already receiving messages from fans that they are looking forward to listen to it cause of the artwork.
14-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Active Lymbic System: The 3 top labels are FSOE , Regenerate and Borderline. FSOE and Aly & FIla who are behind it are 2 legends of the trance scene who's label has huge impact to the scene and we were really honored releasing last year our collaboration with our pal Niko Zografos to them. Sean Tyas is another legend of the scene, having more than 20 years in it and his label Regenerate has a huge impact to the scene too, releasing massive uplifting ones and we were really happy when he approved our new upcoming one. Borderline is the label which we were really happy that came back in the scene last year cause behind it is another legend of trance, as Rob Stevenson aka Activa is and we were really enthusiastic when Activa asked from us last year to re-release ''Xibalba'' (came out 11 years ago) with a fresh mixing and mastering.
15-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?
Active Lymbic System: Nowadays social media is the best way to promote your music. It is good that we are a duo and I am responsible for it and we believe the best one is Instagram.
16-Dimitris: Do you have your own radio show/podcast/twitch stream or Vlog(video blog)? If yes please give us a comment about it and how long it take you to prepare for it and if you are always excited to produce it?
Active Lymbic System: We used to have a radio show but we stopped it cause of luck of time. When we find some free time about every 2-3 months, we are making a podcast which has a 2-3 hours duration, selecting the best according to our taste from the past months and this one we call it Moments With Trance and you can find it to our official soundcloud page.
17-Dimitris: Please share your most funny and most serious incident that happen to you during your DJ or LIVE PA performance?
Active Lymbic System: The most funny incident took place some years back when I (George) put the last track of my set and I got down to the stage dancing with the fans.
18-Your current Top 3 tracks with short comment:
Active Lymbic System:
1)Will Rees & Asteroid - Exhilarate (Extended Mix)[Afterdark] massive melody and energy on this one....
2)Peetu S - Mental Component (Extended Mix)[Outburst] one of the most underrated artists out there and for the lovers of tech trance this tune is so filthy and techy that you gonna love for sure....
3)Leben... I Feel You (Aly & Fila Remix)[Sleepingroom Musik] really massive uplifting remix to a classic one by Aly & FIla...
19-Dimitris: If you expect to have a steady income from your music productions are you satisfied with the way that royalties system works particularly regarding streaming revenue? Do you believe that artists get what they deserve from streaming providers/DJs playing your tracks in gigs/radio and selling music in physical formats like CDs/Vinyl or digitally.
Active Lymbic System: Unfortunately the income from our releases is very low I must say its nothing compare with the time we spend for a track to be completed. That's why we are doing it as a hobby and its better that way otherwise is really stressful depending your income on music.
20-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.
Active Lymbic System: We would just say to believe to themselves and to work hard to achieve their goals if you work hard with respect to others then your dreams will come true one day, so hard work, patience and respect.
21-Dimitris: Is there a club classic that you would like to remix or rework in 2023? Do you attempt often to do your own bootlegs of classics?
Active Lymbic System: We were thinking of remixing this huge classic one, Fictivision & C-Quence - Symbols, if we find any free time in the future, we might work on it.
22-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?
Active Lymbic System: As we mentioned before music is for us just a hobby and not our main job. George is working for the Greek air force and Michalis is a civil engineer
23-Dimitris: Do you believe that audience should be banned from constantly taking photos or videos during DJ sets or are you happy with these activities?
Active Lymbic System: We grow up on the golden age of 90s in music and its a little bit weird for us but life goes on and we have to pass it without any negative thoughts or actions although the fans are loosing the magic moment of it while they spend time taking videos or photos all the time.
24-Dimitris: Do you prefer small clubs or huge festivals to perform? in which festivals or clubs you aspire to play in the future?
Active Lymbic System: Both are awesome since you are feeling the fans vibes....we would def aspire to play at Luminosity in the future.
25-Finally summer is around the corner choose for us your favourite holiday destination and share with us your most unforgettable holiday experience(good/bad)
Active Lymbic System: George is spending his holiday vacation with his family at Karistos South Evia which has amazing beaches and you can also combine sea and mountain adventures. Michalis doesnt have a particular place for his holidays it depends on his mood and the company he will go with.
Dimitris: Your message & wishes for Flux Bpm Online readers.
Active Lymbic System: A huge thanks to Dimitris and his blog for supporting our music and giving us the opportunity through this interview to come closer to our fans and we would like to thank also all the trance fans and not only who are supporting our sound buying it and we assure them that we shall continue releasing massive trance and making feel happy and full of energy while listening to it cause trance is the way to smile.
Thanks so much to Active Lymbic System for their answers