Showing posts with label Mike S.. Show all posts

03:45:00

 


With "Trick This," Mike S. aka Chris Maico Schmidt releases a clean, minimalist techno single on valhall records. His original mix impresses with focused drums, a dry bassline, and a straightforward groove that unfolds consistently.

The Studiogegner Remix takes a different approach, emphasizing rhythmic detail over brute force. Playful accents, minimal percussion, and a relaxed yet precise flow give the remix its own identity and subtle tension.

VRE009 represents functional underground techno with character – reduced, thoughtful, and timeless.

Track List / Infos: Mike S. – Trick This
01. Mike S. – Trick This (Original Mix) 05:32 min.
02. Mike S. – Trick This (Studiogegner Remix) 06:21 min.




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Mike S. - Trick This [/item]
[content title="Summary" label="Overall Score"] Mike S.’s “Trick This,” released on Valhall Records, stands out as a masterclass in minimalist techno, demonstrating an intricate balance between rhythmic precision and creative subtlety. The original mix, clocking in at 133 BPM, immediately captivates with its tight, focused drum patterns and an assertive, dry bassline that establishes a steady foundation for the track’s progression. The groove remains hypnotically consistent, creating a sense of controlled drive that propels the listener forward. This rhythmic clarity is enhanced by the track’s seamless energy flow, with each transition and subtle build-up executed in a way that maintains momentum without the need for excessive drops or overbearing peaks. The absence of melodic clutter allows the few harmonic accents to shine, lending the track a sense of spatial depth and understated harmonic resonance, while the Studiogegner Remix at 137 BPM takes a more detailed, percussive approach, swapping raw kinetic force for nuanced rhythmic interplay and fluid structural evolution. From a production standpoint, the track’s technical execution is exemplary. The sound design is precise and purposefully restrained, emphasizing clean, high-resolution drum programming, carefully sculpted low-end dynamics, and an impeccable balance of dynamic range and loudness. Spatial effects and reverbs are used sparingly but effectively, enhancing immersion without overwhelming the minimal aesthetic. The mixdown demonstrates a keen awareness of club and festival playback requirements, ensuring that the track translates with both power and clarity over large sound systems, while its BPM consistency and smooth intro/outro structures make it highly mixable for DJs. Its arrangement reflects an original artistic identity, with storytelling embedded in the gradual layering and release of elements, demonstrating that even in the absence of vocals or overt melodies, emotional resonance can be achieved through texture and motion alone. Beyond the dance floor, “Trick This” offers positive implications for mental well-being and fitness environments. Scientific studies have shown that electronic music with repetitive rhythmic structures at steady tempos can enhance focus, increase endorphin release, and support physical performance in exercise or wellness classes (Karageorghis & Priest, 2012; Thaut et al., 2015). The hypnotic, immersive qualities of minimalist techno have also been linked to meditative states and stress relief by promoting flow experiences and synchronized neural oscillations (Koelsch, 2014). This makes “Trick This” not only a functional underground club weapon but also a track that can contribute positively to mental health, fitness motivation, and structured movement practices such as spinning or rhythmic yoga. #PureGold Loveit[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]

Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thaut, M. H., et al. (2015). Neural basis of rhythmic entrainment in movement disorders. Neuroscience, 11(6), 592–600.
Koelsch, S. (2014). Brain and Music. Wiley-Blackwell.




06:56:00

 


28 Years of Beats, Passion, and Evolution: Inside Evosonic Radio with Mike S. 🎶

Step into the dynamic world of Evosonic Radio as we celebrate an extraordinary 28-year journey with none other than Chris Maico Schmidt aka Mike S., the driving force behind the station's revolutionary sound. In this candid interview, Mike reflects on milestones that shaped the station—from its rebellious roots in 1997 to its fearless commitment to underground electronic music.

Discover how Evosonic maintains its authentic vibe while embracing global expansion, the secrets behind curating boundary-pushing content, and the raw moments that tested their spirit. Mike even teases bold future projects—yes, broadcasting from space might just be on the horizon!

For long-time fans and curious newcomers alike, this interview offers a rare glimpse into the heartbeat of a station that’s not just survived but thrived without ever following the rules. Get ready to journey through time, beats, and the unwavering passion that defines Evosonic Radio.


Dimitris: When you look back on 28 years of Evosonic Radio, what stands out as the most significant milestone in the station's history?

Mike : Honestly, it’s the fact that we’re still doing radio the same way we did back in 1997—about 90% of the time. EVOSONIC has never followed the traditional radio playbook. We don’t stick to rigid formats. Instead, we give our music editors and DJs the freedom to shape their shows. That’s how we bring the freshest club sounds straight into our listeners’ living rooms, 24/7. Our programming covers all sorts of styles within electronic music.

Dimitris: How has electronic music’s evolution influenced Evosonic Radio’s programming and direction over the years?

Mike : Honestly? It hasn’t. We’ve always been about the underground. We play what’s hot now, just like we did back then. And we’re just as passionate about the sounds of yesterday as we are about what’s coming next.

Dimitris: The anniversary event features a diverse lineup of artists. How did you put together this special list?

Mike : It’s pretty simple—our lineup is made up of our radio hosts and artists and collectives we’re friends with. If people find it special, then we’ve done something right.

Dimitris: How have you managed to keep Evosonic Radio’s original identity intact while expanding globally and reaching new audiences?

Mike : It’s all about staying true to who we are while being open to reinvention. We’re curious about new ideas, but we don’t jump on every trend. We form our own opinions, but we also listen to others. Respect is key. Looking back, it’s kind of like walking a tightrope—every single year.

Dimitris: What exciting projects or developments can Evosonic Radio listeners look forward to as you start the next chapter?

Mike : We’re planning to broadcast from space. Seriously.

Dimitris: Mike, when you reflect on 28 years of Evosonic Radio, which personal moments are especially memorable to you?

Mike : Ha, ha, ha… answering that could take forever. If I ever write a book about it—which has been on my mind quite a few times—that’s where you’ll find all the stories, down to the smallest detail. I promise.

Dimitris: How has the station’s mission or vision evolved since the beginning?

Mike : At first, we were focused on the business side of things. Now we operate as an association, but our goal has always been the same: preserving our cultural heritage.

Dimitris: Evosonic Radio has seen a lot of technological changes over nearly three decades. Which of these developments has influenced your experience as a radio host the most?

Mike : None, really, when it comes to hosting. But as a DJ? Moving from lugging around 30 kg of vinyl records to just using a USB stick—that’s been a game-changer for me.

Dimitris: Can you think of a particularly challenging time for the station and how you managed to get through it?

Mike : Not too long ago, I dealt with some people who attacked me personally and publicly. They’re still spreading false stories because I removed them from the Evosonic platform—for good reason, I might add. They were misusing it for their own egos. How did I handle it? I didn’t respond at all. It was easy because these were people no one really takes seriously. Looking back, my mistake was not realizing sooner what kind of negativity I’d let in.

Dimitris: How do you curate content with such a diverse range of programs and artists while maintaining Evosonic’s unique vibe?

Mike : It’s pretty straightforward. I look for the unusual, the different. It HAS to be outside the norm and something I genuinely like. You’ve got to know, love, and live the music to present it on Evosonic.

Dimitris: What role has feedback from the community played in Evosonic Radio’s development over the years?

Mike : A huge role. Honestly, we probably wouldn’t still be around if it weren’t for our listeners. Their words have kept me going when I felt like giving up. Here’s an example:

Back in 1997, I was just 17. Someone at my apprenticeship said, "Hey, if you change the audio frequency on DSF, you can pick up this 'illegal' radio station… ;)))" Boom! Parents asleep, little Tobi connects the stereo to the TV, hits record—Evo Pool Update! 😍😍 Roch Dadier… Massimo… Chris Liebing… It’s Friday night! 🚀🚀🚀 Hearing your voice again feels so good. The jingles have been with me my whole life and always will be. Huge respect for sticking with it. 🙏🏼🙏🏼🙏🏼🤗🤗🤗

Dear Evosonic Team,

I’m 43 now and grew up with your station. The countless hours spent with friends, recording your broadcasts—we can’t even count them, and we’ll never forget them. Your music has shaped my life in a lasting way.

Dimitris: Are there any special shows or collaborations planned for this milestone that you feel really capture the spirit of Evosonic Radio?

Mike : Honestly, all of them do.

Dimitris: What do you think the future of radio looks like, and what role will Evosonic play in it?

Mike : As long as electronic music exists, Evosonic will be part of the scene. Whether it’s still called "radio" down the line—I don’t know. Evosonic will only disappear when I pull the plug.

Dimitris: Are there any behind-the-scenes stories from the past 28 years that you’ve never shared publicly but that really capture the essence of Evosonic?

Mike : Those stories will be in the book… if I ever get around to writing it.

Dimitris: Finally, what message would you like to share with your long-time listeners and the new audience tuning in for the 28th anniversary?

Mike : Read this once a week: https://de.wikipedia.org/wiki/Harmonie

Thanks so much to Mike for his time to reply in this very detailed interview! Enjoy the very special shows celebrating 28 years of Evosonic Radio.




28 years of Evosonic Radio - and not a bit quieter!

THE BEAT GOES ON - AND THE BEST IS YET TO COME!

Evosonic Radio celebrates its 28th birthday - ON AIR, of course!
From Wednesday, 30.04.2025, from 5 pm to Sunday, 04.05.2025, 11 pm.
Not continuously, but with lots of familiar faces - er, voices - and lots of specials.




Included shows & artists:

Dudelsaladt with dudelsaladt. Groovegsus & Friends und Groovegsus. Like that Underground with miKech. Ohral On Air with Maxie König and Hardy Heller. The Drum and Bass Dimension with K-Lyde. MikeLike with Chris Maico Schmidt. Treibessenz with Noah Levin. 1zimmerapartment with Aus der Reihe tanzen. Flux House Anthems Only with Dimitri Kechagias. deKai with Dirty Techno Talk (ohne Talk). Jarweiler with Jörg Arweiler. Absoulute Beach with DJ of 69. Klima und Kohle with Henrik te Heesen, Christian Kammlott. Ad Libitum with Detlef Keller. Midnight Flow with Manikin. Deep & Soulful with Andy Baar. City of Drums Radioshow with Tom La Mer and Alexisalexander. Deepnight Station with Phil Harmony. Mixcult with Kirill Matveev. N.O.X.II and Rick Richter live aus dem Bunker. Dave Reyas with The Fifth Element. Cologne Drum and Bass Radio with Thixotrop. Jackfruit Radioshow with Dompe. Dirk Herzberg with Electronic Xperience. Drucklust with Dynasty Traxx. People of Ramba Zamba with Ponchmann and Markus König. Wo ist Walter? with Walter Marinelli and Alpha’s Crazy Sounds [Rerun] with Alpha. The last birthday show this year is also the first show after Alpha’s return to its old time slot.


Additional info:

04:03:00

 


Mike S. Debuts on City of Drums Black Label with Explosive Peak Time Techno Single Most Wanted City of Drums Black Label proudly welcomes Mike S. to its roster with his electrifying debut release, Most Wanted. A relentless Peak Time Techno weapon, this track is set to ignite dance floors with its driving energy, pounding basslines, and hypnotic synth work. But behind this release lies a story that goes far beyond the music. Mike S. is none other than Chris Maico Schmidt, a well-known name in the electronic music scene and the mastermind behind the legendary Evosonic Radio. While Chris has made a name for himself under his real name, Most Wanted marks his first official release as Mike S. on City of Drums Black Label. For Mathias, the label head, this release is more than just another track—its a full-circle moment. I first met Mike back in 1998 at the Save the Evosonic Radio parties. We shared the stage that night—he played right after me. Now, decades later, I have the honor of releasing his first track as Mike S. on my label. Its incredible how things come together in life. Most Wanted embodies everything peak-time techno stands for—relentless energy, hypnotic grooves, and a raw, uncompromising sound that takes listeners on a journey. This release is not only a testament to Mikes production mastery but also a nod to the enduring spirit of the underground scene. With Most Wanted, Mike S. is making a statement—one that will not be ignored. The release is now available on all major platforms. Get ready for a sonic assault that will leave no survivors.




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Mike S. - Most Wanted [/item]
[content title="Summary" label="Overall Score"]Mike S.'s latest track is a testament to his legendary status in the world of electronic dance music. This anthem showcases a meticulous balance of technical mastery and creative innovation, making it a must-listen for any techno enthusiast. From a production standpoint, the track is a masterclass in sound design. The drum section is solid and thumping, providing a relentless energy that forms the backbone of the track. These drums are complemented by powerful, tech-driven basslines that drive the track forward with an infectious energy. The rough kick adds a layer of raw intensity, creating a firm foundation for the track's progression. One of the standout elements is the array of synth lines. These are not just fillers but are crafted with precision, contributing to the track's dynamic range. The synths are accompanied by an array of sonic effects, adding layers of depth and intrigue. The initial minimalist approach allows each component to shine, ensuring that nothing feels overdone or out of place. As the track progresses, the first breakdown introduces a majestic, swirling synth lead. This pivotal moment serves as a gateway to the track's magnificent climax, heightening the listener's anticipation. The synth lead is not just a mere accompaniment but a central element that elevates the track, creating a sensory awakening that energizes any dance floor it touches. The track's crescendo is furious and relentless, embodying a perfect storm of electronic elements that coalesce into a euphoric peak. The production is impeccably polished at 136 BPM, a tempo that makes it a versatile addition to any tech trance DJ's set. This track is not only a peak-time techno banger but also offers a techy flavor that can enhance any set with its meticulous production and dynamic energy.Overall, Mike S. delivers a piece that is not just music but an experience, described aptly as #PureGold. It is a track that resonates with power, innovation, and energy, cementing its place as a quintessential addition to the techno genre. Love it! Absolutely.[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]






Additional info:

13:09:00

 




Since 1983, a DJ, since 1990, a label owner of Evosonic Records, and a lecturer at the VibrA School of DJing from 2004 to 2018, he was awarded the German Dance Award in 2000.

He has released seven albums, over 80 singles and EPs, and over 50 remixes. As of 2024, he has released three DJ mix CDs on labels such as Harthouse (Frankfurt, Mannheim, Berlin), BluFin Records, Evosonic Records, City of Drums Black Label, Volume Berlin Records, Valhal Records, Vorwärts Musik, and Holy Chaos Records.

He achieved No. 1 and No. 2 rankings on the UK Underground Dance Charts and multiple Top Ten rankings on the iTunes and Beatport Charts.

Since 1997, he has been the driving force behind Evosonic Radio, the world’s first 24/7, 7-day-a-week electronic music radio station. Evosonic has since expanded its reach globally via the internet since 2015.

He has performed live and as a DJ in various countries, including Hungary, Great Britain, Switzerland, France, Austria, South Africa, Denmark, Russia, the Czech Republic, Croatia, the United States, Spain, and Italy.

He has also performed at numerous festivals, including those in the following countries (selection): Hungary, Great Britain, Switzerland, France, Austria, South Africa, Denmark, Russia, the Czech Republic, Croatia, the United States, Spain, and Italy. 

**Notable Events and Clubs that he has performed through the years:**
* Christopher Street Day 2022
* Zug Der Liebe 2022
* Loveparade 1993, 1997, 1998, and 1999
* Omni 3
* Unity Rave 2
* Transmission Rave
* Union Rave
* Heart of Gold
* Eskalation II
* Hardtrance Experience
* Space Woodstock

**Legendary Clubs (Selection):**
* Der Weiße Hase/Ritter Butzke/Exit/Tresor - Berlin
* Odonien - Cologne
* Lacota - Bristol
* Airport Würzburg
* Aufschwung Ost-Kassel
* Brennerei - Dresden
* Dorian Gray/Musikhalle/Omen - Frankfurt
* Königsburg-Krefeld
* Tribehouse - Neuss
* Nachtwerk/Charterhalle/Alabama Halle/Ultraschall - Munich
* Oxa/Grodoonia - Zurich
* The Phönix - Manchester


Best of 2024 by Chris Maico Schmidt

1-Best of tracks from other artists in 2024.

a) Identify the most exceptional tracks from other artists released in 2024. 

Mike S. : Mathias Schaffhäuser - Fancy Grey (Sonimun Remix) - Ware Records

Michelle Gurevich - Party Girl (Sainte Vie Remix) - Sainte Vie

Sandhog - Berlin - Exploited Club

Avision - Good Time - Ellum

Leon Capeta - Escandaleza (Original Mix) - Brise Recordings

1-Best self-produced/personal tracks of 2024

b)Explain your choices for the best 2024 personal productions. 

Mike S. : 1zimmerapartment - Eternelle (Break of Dawn Mix) - BluFin Records

Chris Maico Schmidt - Luderichstrasse 31 - BluFin

Mike S., 1zimmerapartment - Tanzen (Liebe Mix) - Evosonic Records

Chris Maico Schmidt, Noah Levin - Herniated Disc - Dicular


2) Best Artist of 2024 (DJ & Producer)

Mike S: 

Mathias Schaffhäuser

Timo Maas

Avision

Barry Coleman

Mikerobenics

3-a) Best Remixes of 2024

Mike S.:

Fleetwood Mac - Dreams (Budakid's Hyper Dream Edit) - Bootleg

Mikerobenics - The Cat and the Canary (Noah Levin Rework) - Blufin Records

Psycho Weazel - Mains D'argile ft. Curses (Marvin & Guy Remix)

3-b) Your best self-produced remix of 2024

Mike S: Mark Enchanty - Loving Peter (1zimmerapartment Remix) - BluFin Records

3-c) Best Remixer(s) of 2024:

Mike S. : 

The Electronic Advance & DJ Nasty Deluxe

Mike S.

4) Best New Talent of 2024 (DJ or Producer):  

Mike S: 

Noah Levin

5-a) Best Electronic Dance Music Album of 2024: 

Mike S.: Underworld - Strawberry Hotel

5-b) Best Electronic Dance Music Compilation of 2024. Please elaborate on the criteria used to select this compilation. Are the mixing processes of the tracks high quality and proficient? Is the track listing imaginative and creative?

Mike S.: Mike S., 1zimmerapartment - Tanzen (The Remixes Part 1 & 2) - Evosonic Records (EVO1001 & 1002)

5-c:Best artwork of 2024: singles or albums.  

Mike S.:

Mike S., 1zimmerapartment - Tanzen (The Remixes Part 1) - Evosonic Records (EVO1001)

Mike S., 1zimmerapartment - Tanzen (The Remixes Part 2) - Evosonic Records (EVO1002)

6) Best Electronic Dance Music Label of 2024

Mike S.: BluFin Records

7)Best music composition software and hardware of 2024. Explain your selection.

 Mike S.: Ableton Live 12

8)Share your most valuable technical advice and production techniques from 2024, specifically related to DJing or music production.

Mike S.: Take more time for your productions

9)Share the most valuable advice you received in the personal or music business that significantly contributed to your career advancement in 2024. This guidance can help others grow professionally.

Mike S: Always keep going. Always reinvent yourself and pursue the goal of becoming the best DJ and/or always reaching the top 5 in the Beatport charts.

10)Could you share your plans for 2025, including future releases, tracks, albums, collaborations, and DJ gigs? We’d love the details.

Mike S: To find the joy of music again.

Less trivial music productions.

New album.

Evosonic Radio with studio in Berlin.

Dimitris: Please send your message and wishes for 2025 to our esteemed readers.

Mike S.: Don't take yourselves too seriously, practice more tolerance and respect for others and have a lot more fun and humor. 


Additional info:
https://chrismaicoschmidt.de
https://linktr.ee/chrismaicoschmidt
https://linktr.ee/evosonicradio

04:36:00

 


The setting of the trilogy is an initially dystopian-seeming world where dancing is diminishing. It shows the authentic hero's journey of protagonist Patrizia Battistella (voice of 1zimmerapartment) across the dance floor. Situated between history and fiction, documentary sequences mix with dramaturgical sound patterns.

The melodrama by Mike S. kicks off with the classical techno production 'Tanzen (Disco Lazer Mix)'. The powerful composition immediately induces dance stimulation, the increasing dynamism promises hope. 'Tanzen (Liebe Mix)' focuses on interview recordings. Unidealized musical sequences de-mythify dancing as the ultimate answer, yet warm harmonies affirm an optimistic outlook. 'Tanzen (Disco Lazer Instrumental)' comes without any audio comments. The exhilarating carefreeness leaves the sensation as if nothing ever happened.

(“This description should not be taken too serious. Although the core of the text is based on facts, the way we described it is unspeakably exaggerated. The german version sounds even more out of touch with everything”.)

01 Tanzen (Disco Lazer Mix) – 06:03 Min
02 Tanzen (Liebe Mix) – 07:18 Min
03 Tanzen (Disco Lazer Instrumental) – 07:34 Min 
04 Tanzen (Die Interviews) – 03:30 Min

All Tracks written and produced by Chris Maico Schmidt. Lyrics and Vocals by Patrizia Battistella.
The story behind „Tanzen“

I came up with that idea one day – a short conversation between two people: „Hey?“

„Hmm..“

„Do you know what I noticed?“

„Nah.. What?“

„There is far too little dancing.“

And then – more to the listener – Person 1 continues:

„And so we dance“.

After that just music, with a very driving and kinda hard beat, eventually „And so we dance“ is repeated.
Mike did somehow not share my vision and found something was missing over a very long period of time. Until one night I was at a private party and had my small mic which i can plug to my iPhone with me. So I asked almost everybody one by one, one after the other, what dancing meant to them. The answers were fantastic, so genuine and pure and although some answered the same things, like „freedom“ for example, it is very personal and individual. And Mike was pleased.

By the way – he used my first take, which i sent to him only to demonstrate my idea. So there is not even a second person, I’m poorly imitating a casual talk. Patrizia Battistella


Dimitri Kechagias review:
[review top="1"]
[item value="10"]Mike S., 1Zimmerapartment – Also Tanzen Wir EP [/item]
[content title="Summary" label="Overall Score"]The superb duo of Patrizia and Mike S. return as 1Zimmerapartment with Also Tanzen Wir EP. Tanzen (Disco Lazer Mix) is the powerful highly energetic pounding melodic techno version. Rough kicks, pumping heavy basslines, tough metallic drums merged beautifully with colorful synths along with sharp synthy stabs in the background and warm strings along with spoken vocal samples and even acid touches to make it even more dirtier. The record is powerful, motivating and definitely a must play in every techno set this summer. It has great drive and energy building perfect bridge between the past and the current club sounds. For those who wish to connect just with the music there is an excellent instrumental mix too. On the other hand Tanzen (Liebe Mix) moves in the nostalgic late 90's trance territory. Superb euphoric synths with pumping basslines, thumping kicks, playful grooves and the excellent vocal snippets that work perfectly in harmony to drive the crowd insane and make them start dancing and prancing of course. Die Interviews is cool addition for DJs who wish to use it as an acapella tool and add some phrases in their mixes. Two brilliant versions of arty eclectic energetic and crowd friendly techno and trance. #PureGold Love IT [/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]



Additional info:
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