Showing posts with label will atkinson. Show all posts

05:04:00

 


Will Atkinson is a boundary-defying force in electronic music. While others are confined by genre labels, he moves freely, refusing to be pigeonholed. Is he tech, trance, techno, electronica, progressive, experimental? He is all of them—and so much more. His sound embodies versatility, innovation, and a fearless dedication to musical exploration, making him a standout presence in the global electronic scene.

His discography includes explosive tracks such as “Pat Butcher,” “Mesmerize,” “Subconscious,” and “Rush,” which have become staples in both underground clubs and major festivals. Tracks like “Particles” and “Pipe Dreams” showcase his ability to weave intricate melodies with driving energy, while remixes for artists across the trance and techno spectrum further highlight his adaptability.

As a DJ, Will Atkinson has captivated audiences across the globe with high-energy sets at legendary festivals and clubs, including A State of Trance, Luminosity Beach Festival, Creamfields, and Dreamstate. His live performances are journeys through sound, blending his original productions with carefully curated selections that transcend genres. Whether delivering peak-time festival anthems or deep, hypnotic late-night sets, Will’s ability to read and move a crowd cements his reputation as a true master of the decks.

With a career defined by fearless experimentation and an ever-growing catalog of genre-spanning releases, Will Atkinson continues to push the boundaries of electronic music, inspiring fans and fellow artists alike.




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Will Atkinson & Barthezz - On The Move [/item]
[content title="Summary" label="Overall Score"]Will Atkinson’s reinterpretation of Barthezz’s classic “On The Move” delivers a high-octane, 145 BPM neo-rave experience that masterfully blends nostalgic melodic elements with cutting-edge production techniques. The track is a powerhouse of modern trance and techno-influenced sound design, featuring punchy kicks, metallic basslines, and raw, industrial drums. The heavy use of acid synths creates a vibrant, kinetic energy that drives the track forward, while the breakdown pays homage to the original with its instantly recognizable melodic riff. Atkinson’s approach to layering harmonically rich pads and using dynamic automation in the build-ups showcases his technical precision, ensuring seamless transitions and unrelenting momentum throughout the track. From a production standpoint, “On The Move” excels in sound design and spatial imaging. Carefully sculpted EQ curves allow the plucky acid lines to shine without overwhelming the low-end punch of the kick and sub-bass. Reverb and delay are used sparingly to create depth in the breakdowns and climaxes, while stereo imaging techniques give the mix an expansive and immersive quality. The overall dynamic range is well-managed, balancing club-level loudness with clarity, making it both DJ-friendly and engaging for headphone listening. Its arrangement reflects a deep understanding of dancefloor psychology: powerful drops, subtle mid-build energy shifts, and crowd-pleasing melodic callbacks. Scientifically, high-BPM and rhythmically engaging tracks like this have been shown to positively influence mood, physical energy, and cognitive engagement. Research in music therapy and exercise science suggests that electronic dance music at tempos above 130 BPM can enhance endurance and motivation during fitness sessions (Karageorghis & Priest, 2012). Moreover, the repetitive rhythmic structures and euphoric climaxes of trance and techno tracks can trigger dopamine release, contributing to feelings of flow and emotional elevation (Salimpoor et al., 2011). For wellness and mental health, listening to or engaging physically with music of this intensity has been associated with stress reduction and increased endorphin activity, making tracks like “On The Move” ideal for high-energy workout classes, dance therapy sessions, or simply elevating one’s mood. In conclusion, Will Atkinson’s “On The Move” is not just a modernized tribute to a classic anthem but an expertly produced, scientifically uplifting experience. Its technical mastery, immersive sound design, and high-energy drive make it a stand-out release for both DJs and listeners seeking an adrenaline-fueled musical journey. #PureGold Love iT[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
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[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Thaut, M. H. (2005). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. Routledge. 




Additional info:

02:57:00

 


World-renowned DJ and producer Ferry Corsten has officially announced a spectacular celebration of “25 Years of Gouryella,” set to take place during the Amsterdam Dance Event on October 24. This special day event promises to be a landmark occasion for trance music enthusiasts and electronic dance music lovers alike.

In collaboration with Transmission Festival and Dance Valley, both iconic brands with which Ferry Corsten shares a longstanding and rich history, the event is crafted to deliver a truly unique and immersive experience.

The stellar lineup features an array of electronic music’s finest artists, including:

Cosmic Gate – Celebrated for their dynamic sound and global hits

Aly & Fila – Masters of uplifting trance with an international fanbase

Will Atkinson – Known for his high-energy sets and innovative tracks

Ruben de Ronde – A staple in the trance scene and a melodic maestro

Daxson – A rising star delivering powerful and emotive performances

Adding an extra layer of excitement, the event will feature a mystery guest whose identity will be revealed at the show, ensuring anticipation and surprise for attendees.

Tickets are on sale now, and with the buzz surrounding this milestone celebration, fans are encouraged to secure their spots early.

Don’t miss the chance to be part of dance music history! Join Ferry Corsten and friends as they take you on a journey through 25 years of Gouryella’s timeless legacy.

For ticket information and event updates, visit HERE.

#25YearsOfGouryella #ADE2025 #FerryCorstenLive




Additional info:





06:20:00

 


Greggs Tuesday night have hosted an exclusive DJ performance from acclaimed UK dance music artists, Schak and Will Atkinson, to celebrate the release of their new track with Abi Flynn: ‘Yesterday’. The performance was held “after hours” within Greggs’ iconic Northumberland Street shop during a unique “lock-in” style event, open to fans on a first-come-first-served basis. The duo made a splash by delivering a back-to-back DJ set and were joined by artist and vocalist Abi Flynn who delivered a live performance of ‘Yesterday’.

In partnership with events company Lab54, the event kicked off at 10pm and saw the Greggs shop transformed into an intimate club setting. Fans formed queues to experience the unique “lock-in” event that saw fellow British DJ and producer Charlie Boon start the night with a thirty-minute warm-up set before Schak and Will Atkinson delivered an exhilarating euro-trance inspired set led by new track ‘Yesterday’. The track was released on Friday 3rd May on Armada Music where it was selected as the coveted “Hottest Record” by Danny Howard on BBC Radio 1’s Dance Party show.

This isn’t the first time Schak has performed in an unexpected “venue”, as the high-energy performer has made waves across the region in previous years with guerilla style performances on the Shields Ferry, Tyne and Wear Metro and even inside B&Q. Schak, in addition to the other artists, even donned Greggs aprons and caps to mark the occasion!

Discover HERE ▶ https://armada.lnk.to/YesterdayYA


Dimitri Kechagias review:
[review top="1"]
[item value="10"] Schak & Will Atkinson x Abi Flynn - Yesterday[/item]
[content title="Summary" label="Overall Score"]Schak & Will Atkinson x Abi Flynn collaborate for the ultimate nostalgic feel good balearic trancer called Yesterday. The track combines sounds from the late 90's with balearic melodies and even feel good pizzicatto riffs. The breakdown unleashes some massive colorful euphoric synthy stabs along with carefree piano chords merged perfectly with the pop touched female vocals with soulful and radio friendly tone. The result is a record that can be played again and again and not getting bored from it even for a second. Already championed by the beloved BBC Radio 1. #PureGold Love IT [/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]



About Will Atkinson

Will Atkinson, the king of high-energy party music, defies genre boundaries with his vibrant, boundary-pushing sound. With a foundation in trance, he explores hard trance, tech trance, melodic trance, and more. A natural entertainer, his priority is creating music focused on high energy and fun. His multifaceted talents as a producer, DJ, and storyteller have earned him global appeal. Post-pandemic, he breathes fresh air into the clubbing scene, engaging audiences worldwide. With 20 Beatport number ones and over 100 BBC Radio 1 plays, Will has solidified his place in the industry. His debut album, "Last King of Scotland," topped charts and his extensive discography is filled with hits. Championed by industry peers, he collaborates with rising stars and releases music on prestigious labels. His recent single, "Summer ID," received widespread acclaim and airplay. Will's tour schedule includes performances at major festivals and clubs worldwide, solidifying his status as a global phenomenon.

Connect with Will Atkinson:


About Schak

Greatly inspired by his Newcastle roots, Schak’s music is influenced by the distinctly Northeast sound of music subculture Makina; an energetic blend of happy hardcore, scouse house, donk, and rapid-fire MC-ing. Schak’s music also provides a cathartic outlet for ravers and invokes a deep sense of community that he continues to project in his artistry. 2023 has already been huge for Schak, with highlights including his legendary Mixmag Lab stream that treated a ballistic crowd to his second single “Inferno” and performing an official halftime set before the historic Newcastle United vs. Southampton game at the Carabao Cup in St James’ Park. Continuing his upward trajectory, the producer enjoyed a busy summer of Ibiza dates, alongside Patrick Topping and Calvin Harris, in addition to performances at festivals like Creamfields, Nass, Hideout, and more.

Connect with Schak:



About Abi Flynn

Abi Flynn is a UK based soul/rnb music artist, vocalist and topliner. Abi has made ripples in the UK soul/jazz scene for many years, supporting the likes of Funkadelic, Roy Ayers, Soul II Soul and more. Her upcoming debut album was created throughout her journey with cancer in her twenties and brings life and soul to finding beauty within a adversity.

Her most recent success, however, has been found in the commercial house and dance music world. As the mystery voice behind platinum selling global hit 'Believe Me' (Navos), silver-selling ‘So Much In Love’ (D.O.D) and countless other chart hits, Abi's smooth, melodic vocals and irresistibly catchy toplines have taken the dance world by storm.

Abi’s next chapter will be focused on bringing together these two sides of her artistry, telling her story and bringing her gifts to the world in a way that impacts.


Connect with Abi Flynn:

Greggs

Greggs is a leading UK food-on-the-go retailer with more than 2,300 shops nationwide and approximately 25,000 employees across the business. 

The company was founded in 1939 by John Gregg, then delivering fresh eggs and yeast, by pushbike, to the families of Newcastle. Greggs has since grown to become a nation's-favourite and much-loved British brand. 

Greggs has always been committed to doing the right thing by its people, partners and the communities it serves. In the sixties Greggs launched its first free ‘pie n peas supper’ for older residents in Gateshead, an initiative that still runs today and continues to support the elderly within the communities Greggs operates in. The Greggs Breakfast Club, launched in 1999, provides schoolchildren with free wholesome breakfasts each school day and today supports almost 52,000 children through its 800 Breakfast Clubs, across the UK. These, and many more initiatives, are supported through the Greggs Foundation, our dedicated grant-making charity that aims to build stronger, healthier communities in the areas we operate. 

As a food-on-the-go retailer, Greggs continues to specialise in daily fresh shop-made sandwiches, and savouries baked fresh in the shop ovens throughout the day. These are further complemented by popular products and ranges including freshly ground coffee, breakfast, confectionery and evening menu items. Greggs also offers a healthier options range which includes a selection of gluten-free, vegan-friendly and lower calorie products. 

Greggs has a delivery partnership with both Just Eat and UberEATS enabling customers to enjoy their Greggs favourites via order and delivery. Greggs’ Click + Collect offering provides customers with the ability to select their shop and collection time slot of choice and allows them to order a range of Greggs products in advance, ready for collection when they arrive at our shops.

Greggs successfully launched its new website and Greggs App, including its enhanced loyalty proposition. Customers can now earn stamps and rewards across all menu categories, on both walk-in and Click + Collect purchases. Deployment of its new Customer Relationship Management capabilities will allow teams to talk to customers like never before and continue Greggs journey to give additional and personalised services and offers across multiple channels.

About Armada Music

Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 40,000 tracks, built up across twenty-plus years of specialized dance music exploitation.

Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Loud Luxury, Sunnery James & Ryan Marciano, Tensnake, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. The label also takes great pride in major achievements such as Armin van Buuren’s GRAMMY nomination for ‘This Is What It Feels Like’, Loud Luxury and Brando’s ‘Body’ surpassing one billion streams on Spotify and breaking artists such as Lost Frequencies into global stardom.

Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a truly global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent.

In 2023, Armada Music launched BEAT Music Fund, the world’s first dance music investment company, that acquires catalogs with the mission of honoring, representing and reinvigorating them. BEAT’s portfolio will continue to grow; in the first six months following its launch, BEAT acquired the catalogs of, among others, electronic music star ARTY, house and techno pioneer Kevin Saunderson’s KMS Records, legendary NYC-based house label King Street Sounds and chart-topping producers Chocolate Puma.

Additional info:

06:28:00

 


Strap yourself in and keep your loved ones close, because Will Atkinson’s latest on Armada Music is one hell of a ride. With conspicuous offbeat bass, feisty synths and a rhythm executed at breakneck speed, ‘Seatbelt’ is a full-throttle celebration of life.


Dimitri Kechagias review:
[review top="1"]
[item value="10"]Will Atkinson feat. La La Fiesta - Seatbelt [/item]
[content title="Summary" label="Overall Score"]Will Atkinson is one of the most imaginative and successful underground trance DJ who does his big jump to the mainstream. His second offering for the big Ibiza dancefloors and daytime radio playlists is featuring La La Fiesta on vocals called Seatbelt. If you like it fast and furious like a crazy ride then this bomber is for your ears and feet only. Old school infusions merged with rave infused organ riffs and ultra catchy vocals work perfectly to raise the blood pressure to the maximum. Will doesn't take life seriously and his humorous attitude is truly refreshing against all the posers and glamour seekers. Its definitely a big record that will find its way to dancefloors and mainstream audiences. #PureHurricane Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]



Additional info:

05:38:00


 A highly sought-after rave record that’s been piling on the support ahead of release, Will Atkinson’s debut track on Armada Music can supercharge any party. With a relentless offbeat bass, a nostalgic vocal and surging synths, ‘Summer ID’ will make any crowd go mental.

Find it on beatport HERE


Dimitri Kechagias review:
[review top="1"]
[item value="10"]Will Atkinson - Summer ID [/item]
[content title="Summary" label="Overall Score"]Will Atkinson is well known face in the trance scene but as it seems his latest track Summer ID on Armada Music will take him all the way to the top of the UK Top 40 chart. It's already embraced from big UK  radio stations and deserves all the recognition. First of all sounds so home cooked as your favourite mother dish that includes the ingredients you adore. Energetic banging basslines, thumping offbeat kicks and on top energetic synths with eurodance style female voices and spoken male vocals carry you all the way back to the good old days. It's of course nostalgic but at the same time is highly energetic, euphoric, feel good and ready to get plays in clubs and football matches. As trance gets the recognition it deserves artists like Will Atkinson will become even more recognised adding their cool underground experience in the pop dance domain. #PureGold LoveIT   [/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]



Additional info:

13:42:00

If you have enjoyed Somna & Sarah de Warren’s Satellites single as much as we did, you are for sure also going to love this Will Atkinson rework. Upbeat and danceable, what more can you ask for?

 Find it here: ⚡️ https://blackhole.lnk.to/satellitesrmx



Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Somna & Sarah de Warren Satellites (Will Atkinson Remix)[/item]
[content title="Summary" label="Overall Score"]Somna & Sarah de Warren incredible Satellites gets the Will Atkinson Remix treatment. Will so far is always to the point delivering beautiful uplifters. His latest one is powerful energetic production applying the simple and infectious kick and basslines from the early 2000 trance classics. He even adds a wonderful old school riff that will take you back for sure and send  you to the future of trance. The euphoric synthy stabs in the breakdown uplift your mind and take you all the  way to the top. If you search for an instant classic with mesmerizing vocals by the beloved Sarah de Warren then better don't miss this exceptional piece that pays tribute to the classics in a futuristic direction. Will rocks once again! #PureGold Love IT[/content]
[/review]



Additional info:

02:29:00

 


Our brother Alex Di Stefano returns to VII to deliver a stunning remix of Will Atkinson's seminal anthem Seventh Heaven. This is balls out power trance that races along to epic peak crescendos with heart exploding melodies, produced in Alex's devastatingly powerful signature style. A phenomenal trance rocket to mark the end of a remarkable summer.



Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"] Will Atkinson - Seventh Heaven (Alex Di Stefano Remix) [/item]
[content title="Summary" label="Overall Score"]VII continues to unleash some nuclear club anthems and the brand new one is the stunning Alex Di Stefano Remix remix on Will Atkinson's seminal Seventh Heaven. It's full on turbo charged trancer with his usual tribal techy groove, pulsating basslines and incredible long breakdown that allow the main synthy melodies to spread all over the place along with the magnificent old school vocal sample. The climax is trance at its very best hands in the air and so amazingly feel good recalling the good golden days of trance. Alex is one of the most consistent producers and so far everything that is released under his name is highest caliber trance that you can think of guarantee to take you on board for a journey that is melodic, euphoric but still with dark undertones to keep firmly underground. #PureGold Love IT [/content]

03:37:00

Will Atkinson; the 25 year old responsible for over 80 Radio 1 airplays since 2008, the man who engineered over 90 records between 2011 and 2013, the teenager who began producing at 14 and the boy who began mixing records at the age of 7...

Championing Judge Jules as one of the main reasons he got into Dance music after striking up a relationship following one of his gigs in 2008, Jules gave Will his first ever radio airplay, playing his track ‘Perpetual Sunrise’ back in 2008. This relationship continued with Will joining Judge Jules to play at Digital, Newcastle with the event recorded live as part of BBC Radio 1’s In New Music We Trust. 

Will has since racked up over 80 BBC Radio 1 airplays from likes of Judge Jules, Pete Tong, Kutski & Simon Patterson. His track ‘Cloud Surfing’ was played 6 times over 6 consecutive weeks. His work has claimed numerous Number 1 spots on Beatport in the Trance,  Psy-Trance & Breaks charts his productions have been signed to some of the biggest record labels with releases on Armada, FSOE, Subculture, Perfecto Fluoro, Spinnin Records, Vandit and Monster Records. Official remixes for Paul van Dyk, Ferry Corsten, Aly & Fila, John O’Callaghan, Giuseppe Ottaviani, Simon Patterson & Alex Morph top off Will’s very impressive discography to date. 

With so many successful release’s & remixes to his name, Will has developed a string of A-list supporters. Armin van Buuren, Tiesto, Eddie Halliwell, Paul Oakenfold, Simon Patterson, Judge Jules, John O’Callaghan, Paul van Dyk, Sander van Doorn have all shown support to his music. 

Not content with what he has already achieved in the industry he created the alias ‘Darkboy’. Darkboy was created to focus on the darker, psychedelic elements of Trance. The first release under this new alias was signed to Perfecto Fluoro, “Darker Shades of Black” hit number 1 on the Beatport Psy-Trance chart. 

2011 & 2012 he Engineered & co-wrote over 60 tracks & performed in USA, South Korea, Mexico, BAT festival Argentina, Luminosity, Poland, Iceland, Godskitchen, The Arches, Coloursfest & Goodgreef with 2013 saw his debut Spain, Hungary, Ibiza & 3 Beatport Top 10 releases.

2014 was one of his biggest year  with tours in Australia, USA, festivals in Holland, Poland & Argentina.

His natural talent and un-rivalled passion for music with hard work is set to make him future star in the scene so keep your eyes peeled & expect a lot more from Will Atkinson very soon. 

His latest releases are entering thick and fast the top places of the beatport trance chart and the crowds adore him so we ask for an interview with him and we are glad he found  the time to do it and his answers are great like his music. Big love for the Scottish trance hero!



Interview is written and conducted by Dimitri Kechagias, music journalist and 1mix radio host 

Dimitri: First of all it would be great to take us for a trip in your childhood and tell us if you have ever think back then to have this great career in the electronic music scene and when exactly you start developing a passion for djing and producing?

Will: Most people know that it was my Mam that got me into Dance music. Way ahead of the times! I grew up on the small island of Orkney. Northern North up in Northern Scotland ha. There was literally no scene so I was sitting myself listening to Radio 1 on Friday nights back when I was 10 or 11. It was either Football or Music and I chose the Music. I was messing around with records at the age of 10 and producing at 14.

Dimitri: In your bio one name crops up as your mentor and that is Judge Jules. Would u like to tell us his opinion for him, how did you met up and what advise he gave you back in these days?

Will: Jules really took me under his wing during the late 00’s. I had been listening to his Radio 1 show religiously most Saturday nights. Since meeting him for the first time which was coincidentally opening Orkney’s first Nightclub, I was sending him music week in week out. I’d love to hear some of the tripe now. The best advice he gave me was to find your own sound, and create music with a character. I think that pays testament to the sound that he has always pushed.



Dimitri: Have you attended any college to learn how to produce or you are self taught? Where and when did you learn your tricks in the trade of producing top tunes?

Will: I’m 100% self taught and I take a lot of pride in that. At the same time I’ve never turned down the chance to work with other producers and engineers. Experience is invaluable, don’t ever turn your nose up at it. I finally made the difficult but inevitable move from Orkney when I was 18 and attended college just outside Glasgow. That was working with bands, running live gigs and recording sessions. Totally unrelated to what I’m doing now, but definitely an interesting couple of years. I made the call of dropping out after 2 years and moving into Glasgow and just throwing myself into it. Frightening but the best thing I did. Passion and Persistence is the key.

Dimitri: Do you have your own studio? What kind of equipment and what software you use for your productions? 

Will: It’s literally an old mic booth which I’ve used as a studio for the last 4 years. No windows, No air con, No internet. It’s served me well but I’m moving early next year literally into the room next door 

It’s leased to me by the Soma Records/Pressure crew so you see some pretty cool faces floating about up here. I’m producing music with Ableton and have access to a cool source of samples. I’m mainly writing with Zebra and Spectral. Really organic sounding. I’ll be looking to bring in some outboard synths next year when I have the space!  

Dimitri: Are there any suggestions that you would like to make to those who design music software? Do you find certain limitations that should be tackled and improved?

Will: I guess I’m lucky to be gifted with a good ear so any problems I can usually find my way round it. I guess I’m holding out on certain synths to be upgraded to 64bit so I can throw everything at it, but even then, I’m finding less is more ;)

Dimitri: You have releases on many record labels that performed very well at the beatport charts. It would be top notch to pick your all time will atkinson production and remixes Top 10?

Will: 
1. Mesmerise (Feat. Rowetta)

2. Through Spirit



3. Limitless (With Nick Callaghan)



4. Victims



5. Numb The Pain



6. Game Over

7. Sharpshooter



8. Heartfelt

9. Fresh Meat

10. Sun Slip

Dimitri: Can you recall which track took the most time to finish and which track was produced super fast and became success?

Will: Limitless with Nick Callaghan was hands down the longest both of us have spent on any track. It was more a statement than anything. It took at least 2 months solid graft and a few all nighters - in the end were just glad to have it finished. The quickest was my Darkboy rework of Human Resource - Dominator. I made it whilst taking the train down to a gig in Manchester. It took me about 3 hours and I played it out on the night. Outrageous.

Dimitri: You produce wide variety of trance subgenres. In which of the many subgenres you feel more comfortable and more excited to produce?

Will: Right now I’m really buzzing on a crossover Techno Trance vibe. Not to be confused with Tech-Trance ;)



Dimitri: Your latest release on FSOE recordings is the first ever vocal trance release. How did you decide to work with Rowetta on vocals? Are there specific reasons that make the production of a vocal track more intense and demanding from instrumental trance tracks?

Will: I first became aware of Rowetta when I was sitting in my living room watching the X-Factor back in 2004. The first time hearing her I could immediately hear her voice in a Trance record and told myself one day I’d work with her. Fast forward 10 years I had these really cool chords and a catchy top line but with it was missing something. This year it finally clicked what was missing - a mesmerising vocal hook. I emailed her on the off chance she would be up for collaborating and she replied the same day to say she was interested in working together. I sent her a rough demo and some lyrics I had written out and she was really cool to work with them and put her own twist on them. We booked out a studio near Manchester for 8 hours to lay down the vocals but we had it nailed in 45 minutes. 5 takes. Mesmerise was born. She’s an absolute genius in the scene and was at the heart of the Madchester era and still tours with The Happy Mondays. Her voice is perfect. So much depth and soul, something Trance lost many years ago in my opinion. It’s literally the track I always wanted to write. Wouldn't change a single thing about it. 

Dimitri: Are you going to produce more vocal trance tracks and have you approached any vocalists that you admire?

Will: I have approached another Vocalist I’m really loving and we are going to start working on something next year. I can also confirm that I’ll be working with Rowetta on a follow up to Mesmerise next year which I’m extremely excited about. 

Dimitri: Mainline is the name of your radio show. In what ways your show is different from other radio shows and are u going to introduce anything new in the coming weeks?

Will: The Mainline Show is basically me talking bollucks for 2 hours over a pile of good records. I build the show up the way I envision a night out in a club. First we find ourselves in the Front Room where I showcase some of my favourite current vibes in House music for the first half hour. There is also a Back Room section dedicated to the more darker vibes of my musical mind before finally finding ourselves in The Main Room rounding the show into a frenzy before settling back down with a more obscure pick. There is numerous features in between but you should go check it out for yourself. Catch it every 1st Wed of the month: www.soundcloud.com/willatkinson

For people who prefer all the “Whack” without the Chat, The Mainline Mix covers all things banging exactly 2 weeks after The Mainline Show. 



Dimitri: You play in many wonderful countries and places so I will go with the obvious question which countries are your favourite to play and why?

Will: Obviously the standard answer to this question is Argentina. But other recent places like Singapore and Sydney have also been really cool vibes. 

Dimitri: Everybody is concerned for the rise of the big festivals and the death of the local club scenes. Do you think that is this the case or you feel that still trance clubs are strong in UK?

Will: I only have to look a couple miles into Glasgow City Centre to answer that. Having seen The Arches follow suit in the recent trend of clubs closing their doors. And after hearing of more places following suit, it wouldn't surprise me. There seems to be a couple of new nights popping up here and there but it’s not definitely not great right now for Trance in UK Clubs. The biggest nights happen every 6 weeks or so now. Compared to House and Techno weekly sell outs, its a no brainer really. The Trance scene needs to refine itself. 

Dimitri: You are coming from Glasgow but you are a global citizen travelling to spread your message of love. Would you like to see Scotland independent or you prefer to be part of the UK?

Will: Everyone seemed to turn into a politician as soon as the independent vote came around. I don’t know too much about it but I would personally like to see independence for Scotland. A chance to vote in a government we actually want sounds good to me.

Dimitri: From your dj sets so far in which club or festival you had the best time delivering it and for what reasons this experience is unforgettable?

Will: Clubs like The Arches, Digital in Newcastle, Kelly’s @ Portrush and Magic in Buenos Aires have been standout moments in my career without a doubt.

Dimitri: Which tracks we have to expect in the coming months and which clubs or festivals that you are booked you are looking forward to perform?

Will: I’m working on new music for Subculture, Kearnage and also getting into a more melodic phase. I also have collaborations with Bryan Kearney, Grum and also remixes for Freedom Fighters underway. It’s all about next year. 



Thanks to Will for finding the time to reply on this demanding interview

Thanks very much to William Daniel for organising this interview

Additional info:

01:00:00

Progressive future star Khen was given the task to remix the killer 'Sharpshooter' which is set to become one of Will Atkinson's deadliest productions to date.

The talent from Tel Aviv yet again shows why his productions regularly receive such rapturous acclaim as he effortlessly transforms 'Sharpshooter' into an intricate slice of shimmering progressive beauty.

Khen's intelligent reinterpretation provides a different flavour to the original which will strike a chord with those who truly appreciate the more hypnotic and deeper side of the electronic music spectrum.

Support from Cattaneo, Guy J, Max Graham and more. Dive in. 



Dimitri Kechagias review: Subculture had an incredible year in 2014 with numerous releases topping the highest places at the main download shops trance charts. The latest release on the label attempts to continue where the latest John O Callaghan  The Saw EP has left us off. The upcoming melodic progressive producer Khen service his surprising translation into the deep realms of electronic music for the uplifting banger Sharpshooter. Melodic deep progressive music was always difficult to categorise as either house or trance. As I understand it, melodic deep progressive music is appropriate for deep trance and deep progressive house sets. Khen departs for an unresting dark gloomy moody journey with deep haunting basslines, chunky groovy driving bassline, dark synthy hooks and only light of hope is in the breakdown when the original melodic theme appears to tease and please but within the ambient landscapes that Khen includes in order to relax the mind and calm your senses in order to accept with great ease the driving dark and cold climax that continues on the same vein as the first part. There is no excitement involved as the producer attempts to tell his story in his own deep, serious and subtle way by offering the top Sharpshooter to progressive community to enjoy as well.  Quality from start to finish for the deep dark trance audience. #PureGold Love IT

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