Various Artists - Evoparade out on Evosonic Records
On August 15, 2026, EVOSONIC Radio will achieve a historic first: its very own float at the world-famous Rave The Planet parade in Berlin. To honor this milestone, the label proudly presents the EVOPARADE compilation, showcasing the diverse artistry of the float’s lineup.
This nine-track release embodies the station’s signature mix of genres, creating a sonic journey that moves from immersive electronica and melodic house to tech house, indie dance, minimal / deep tech, and climaxes in peak-time, driving, and hard techno. Each track has been carefully curated to reflect the multifaceted spirit of EVOSONIC.
A high-energy collaboration closing the compilation with driving, hard techno intensity.
With EVOPARADE, EVOSONIC Radio not only marks its debut at Rave The Planet but also offers a listening experience that encapsulates its ethos—diverse, vibrant, and deeply connected to the evolution of electronic music.
evoparade Tracklist
01. 1zimmerapartment - Imagine (Original Mix) 07:18 min.02. Chris Maico Schmidt - Jingle Bells (Original Mix) 05:45 min.03. deKai (Berlin) - Dirty Techno Talk (Original Mix) 06:22 min.04. Foss-and-Stoxx - Gamskogel (Original Mix) 06:31 min.05. Marxx & Ciliares - Evokation (Original Mix) 04:24 min.06. Mike S. - Tambourmajor (Original Mix) 06:40 min.07. Noah Levin - Love the Planet (Original Mix) 06:10 min.08. Theo Karden - Broken Pieces (Original Mix) 05:15 min.09. Chris Maico Schmidt, Noah Levin - Camel On Speed (Bonus Track) 05:48 min. BUY Evoparade Download at Beatport
28 Years of Beats, Passion, and Evolution: Inside Evosonic Radio with Mike S. 🎶
Step into the dynamic world of Evosonic Radio as we celebrate an extraordinary 28-year journey with none other than Chris Maico Schmidt aka Mike S., the driving force behind the station's revolutionary sound. In this candid interview, Mike reflects on milestones that shaped the station—from its rebellious roots in 1997 to its fearless commitment to underground electronic music.
Discover how Evosonic maintains its authentic vibe while embracing global expansion, the secrets behind curating boundary-pushing content, and the raw moments that tested their spirit. Mike even teases bold future projects—yes, broadcasting from space might just be on the horizon!
For long-time fans and curious newcomers alike, this interview offers a rare glimpse into the heartbeat of a station that’s not just survived but thrived without ever following the rules. Get ready to journey through time, beats, and the unwavering passion that defines Evosonic Radio.
Dimitris: When you look back on 28 years of Evosonic Radio, what stands out as the most significant milestone in the station's history?
Mike : Honestly, it’s the fact that we’re still doing radio the same way we did back in 1997—about 90% of the time. EVOSONIC has never followed the traditional radio playbook. We don’t stick to rigid formats. Instead, we give our music editors and DJs the freedom to shape their shows. That’s how we bring the freshest club sounds straight into our listeners’ living rooms, 24/7. Our programming covers all sorts of styles within electronic music.
Dimitris: How has electronic music’s evolution influenced Evosonic Radio’s programming and direction over the years?
Mike : Honestly? It hasn’t. We’ve always been about the underground. We play what’s hot now, just like we did back then. And we’re just as passionate about the sounds of yesterday as we are about what’s coming next.
Dimitris: The anniversary event features a diverse lineup of artists. How did you put together this special list?
Mike : It’s pretty simple—our lineup is made up of our radio hosts and artists and collectives we’re friends with. If people find it special, then we’ve done something right.
Dimitris: How have you managed to keep Evosonic Radio’s original identity intact while expanding globally and reaching new audiences?
Mike : It’s all about staying true to who we are while being open to reinvention. We’re curious about new ideas, but we don’t jump on every trend. We form our own opinions, but we also listen to others. Respect is key. Looking back, it’s kind of like walking a tightrope—every single year.
Dimitris: What exciting projects or developments can Evosonic Radio listeners look forward to as you start the next chapter?
Mike : We’re planning to broadcast from space. Seriously.
Dimitris: Mike, when you reflect on 28 years of Evosonic Radio, which personal moments are especially memorable to you?
Mike : Ha, ha, ha… answering that could take forever. If I ever write a book about it—which has been on my mind quite a few times—that’s where you’ll find all the stories, down to the smallest detail. I promise.
Dimitris: How has the station’s mission or vision evolved since the beginning?
Mike : At first, we were focused on the business side of things. Now we operate as an association, but our goal has always been the same: preserving our cultural heritage.
Dimitris: Evosonic Radio has seen a lot of technological changes over nearly three decades. Which of these developments has influenced your experience as a radio host the most?
Mike : None, really, when it comes to hosting. But as a DJ? Moving from lugging around 30 kg of vinyl records to just using a USB stick—that’s been a game-changer for me.
Dimitris: Can you think of a particularly challenging time for the station and how you managed to get through it?
Mike : Not too long ago, I dealt with some people who attacked me personally and publicly. They’re still spreading false stories because I removed them from the Evosonic platform—for good reason, I might add. They were misusing it for their own egos. How did I handle it? I didn’t respond at all. It was easy because these were people no one really takes seriously. Looking back, my mistake was not realizing sooner what kind of negativity I’d let in.
Dimitris: How do you curate content with such a diverse range of programs and artists while maintaining Evosonic’s unique vibe?
Mike : It’s pretty straightforward. I look for the unusual, the different. It HAS to be outside the norm and something I genuinely like. You’ve got to know, love, and live the music to present it on Evosonic.
Dimitris: What role has feedback from the community played in Evosonic Radio’s development over the years?
Mike : A huge role. Honestly, we probably wouldn’t still be around if it weren’t for our listeners. Their words have kept me going when I felt like giving up. Here’s an example:
Back in 1997, I was just 17. Someone at my apprenticeship said, "Hey, if you change the audio frequency on DSF, you can pick up this 'illegal' radio station… ;)))" Boom! Parents asleep, little Tobi connects the stereo to the TV, hits record—Evo Pool Update! 😍😍 Roch Dadier… Massimo… Chris Liebing… It’s Friday night! 🚀🚀🚀 Hearing your voice again feels so good. The jingles have been with me my whole life and always will be. Huge respect for sticking with it. 🙏🏼🙏🏼🙏🏼🤗🤗🤗
Dear Evosonic Team,
I’m 43 now and grew up with your station. The countless hours spent with friends, recording your broadcasts—we can’t even count them, and we’ll never forget them. Your music has shaped my life in a lasting way.
Dimitris: Are there any special shows or collaborations planned for this milestone that you feel really capture the spirit of Evosonic Radio?
Mike : Honestly, all of them do.
Dimitris: What do you think the future of radio looks like, and what role will Evosonic play in it?
Mike : As long as electronic music exists, Evosonic will be part of the scene. Whether it’s still called "radio" down the line—I don’t know. Evosonic will only disappear when I pull the plug.
Dimitris: Are there any behind-the-scenes stories from the past 28 years that you’ve never shared publicly but that really capture the essence of Evosonic?
Mike : Those stories will be in the book… if I ever get around to writing it.
Dimitris: Finally, what message would you like to share with your long-time listeners and the new audience tuning in for the 28th anniversary?
Dudelsaladt with dudelsaladt. Groovegsus & Friends und Groovegsus. Like that Underground with miKech. Ohral On Air with Maxie König and Hardy Heller. The Drum and Bass Dimension with K-Lyde. MikeLike with Chris Maico Schmidt. Treibessenz with Noah Levin. 1zimmerapartment with Aus der Reihe tanzen. Flux House Anthems Only with Dimitri Kechagias. deKai with Dirty Techno Talk (ohne Talk). Jarweiler with Jörg Arweiler. Absoulute Beach with DJ of 69. Klima und Kohle with Henrik te Heesen, Christian Kammlott. Ad Libitum with Detlef Keller. Midnight Flow with Manikin. Deep & Soulful with Andy Baar. City of Drums Radioshow with Tom La Mer and Alexisalexander. Deepnight Station with Phil Harmony. Mixcult with Kirill Matveev. N.O.X.II and Rick Richter live aus dem Bunker. Dave Reyas with The Fifth Element. Cologne Drum and Bass Radio with Thixotrop. Jackfruit Radioshow with Dompe. Dirk Herzberg with Electronic Xperience. Drucklust with Dynasty Traxx. People of Ramba Zamba with Ponchmann and Markus König. Wo ist Walter? with Walter Marinelli and Alpha’s Crazy Sounds [Rerun] with Alpha. The last birthday show this year is also the first show after Alpha’s return to its old time slot.
The setting of the trilogy is an initially dystopian-seeming world where dancing is diminishing. It shows the authentic hero's journey of protagonist Patrizia Battistella (voice of 1zimmerapartment) across the dance floor. Situated between history and fiction, documentary sequences mix with dramaturgical sound patterns.
The melodrama by Mike S. kicks off with the classical techno production 'Tanzen (Disco Lazer Mix)'. The powerful composition immediately induces dance stimulation, the increasing dynamism promises hope. 'Tanzen (Liebe Mix)' focuses on interview recordings. Unidealized musical sequences de-mythify dancing as the ultimate answer, yet warm harmonies affirm an optimistic outlook. 'Tanzen (Disco Lazer Instrumental)' comes without any audio comments. The exhilarating carefreeness leaves the sensation as if nothing ever happened.
(“This description should not be taken too serious. Although the core of the text is based on facts, the way we described it is unspeakably exaggerated. The german version sounds even more out of touch with everything”.)
All Tracks written and produced by Chris Maico Schmidt. Lyrics and Vocals by Patrizia Battistella.
The story behind „Tanzen“
I came up with that idea one day – a short conversation between two people: „Hey?“
„Hmm..“
„Do you know what I noticed?“
„Nah.. What?“
„There is far too little dancing.“
And then – more to the listener – Person 1 continues:
„And so we dance“.
After that just music, with a very driving and kinda hard beat, eventually „And so we dance“ is repeated.
Mike did somehow not share my vision and found something was missing over a very long period of time. Until one night I was at a private party and had my small mic which i can plug to my iPhone with me. So I asked almost everybody one by one, one after the other, what dancing meant to them. The answers were fantastic, so genuine and pure and although some answered the same things, like „freedom“ for example, it is very personal and individual. And Mike was pleased.
By the way – he used my first take, which i sent to him only to demonstrate my idea. So there is not even a second person, I’m poorly imitating a casual talk. Patrizia Battistella
Dimitri Kechagias review: [review top="1"] [item value="10"]Mike S., 1Zimmerapartment – Also Tanzen Wir EP [/item]
[content title="Summary" label="Overall Score"]The superb duo of Patrizia and Mike S. return as 1Zimmerapartment with Also Tanzen Wir EP. Tanzen (Disco Lazer Mix) is the powerful highly energetic pounding melodic techno version. Rough kicks, pumping heavy basslines, tough metallic drums merged beautifully with colorful synths along with sharp synthy stabs in the background and warm strings along with spoken vocal samples and even acid touches to make it even more dirtier. The record is powerful, motivating and definitely a must play in every techno set this summer. It has great drive and energy building perfect bridge between the past and the current club sounds. For those who wish to connect just with the music there is an excellent instrumental mix too. On the other hand Tanzen (Liebe Mix) moves in the nostalgic late 90's trance territory. Superb euphoric synths with pumping basslines, thumping kicks, playful grooves and the excellent vocal snippets that work perfectly in harmony to drive the crowd insane and make them start dancing and prancing of course. Die Interviews is cool addition for DJs who wish to use it as an acapella tool and add some phrases in their mixes. Two brilliant versions of arty eclectic energetic and crowd friendly techno and trance. #PureGold Love IT [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Barbaros, born & based in a small town near Cologne (Germany), took his first steps in DJing in the late eighties. Initially influenced by hip-hop & breakbeat that surfaced onto the German music scene, he became heavily obsessed by electronic music sounds by acts like Front 242, Depeche Mode, and New Order. In 1993 he started as resident in one of colognes greatest clubs which gave him the possibilities to design his own unmistakable musical styles.
His unique sound is hard to define but club-goers immediately take root with his progressive and deep sounds in locations throughout Germany and international hot-spots like Argentina, Turkey, Ukraine, Spain and the United States to name a few. From 1996 to 1999 Barbaros has worked at Dierks Studios, one of the better known studio complexes in Germany and has worked closely with Andre Schildt aka Dr. Lunatic and Alex Breuer aka KeeMo (a former part of Perplexer).
As a member of the project called "FCKW", a hip hop project, the works were honoured with the award for the "Best Newcomer Group" at the German Music TV "VIVA". In 1999 he founded the North Shore Music Constructions which specialized in electronic music productions and has collaborated with Bodo Felusch, Taucher, Claus Pieper aka GENLOG, Ulli Poepellbaum aka Spacekid, Markus Wesen aka ALIEN.
Events such as Nature One, Ruhr in Love, Atmospherica as well as performances in various famous German radio shows. His original work has also been released on compilations Kontor - Top of the Clubs, Cafe del Mar, Good Bye Ibiza - Sound of the Closing Parties, etc. "Secrets of Loneliness", "Captive Child", "Forever", "Green Room", "My Pain", and "Details" have been signed by music labels from Europe to the United States and have been found in DJ sets around the globe. [The bio is taken from his facebook about page]
His remix on Ferry by Matziz is out now on Evosonic Records and we found this opportunity to request an interview and we are glad he replied with so much informative answers. Not to be missed for sure!
Dimitris: When did you start your involvement with electronic dance music and which music style you are more affiliated with and why?
Barbaros: Its started in the mid 90´s. Germany was influenced with Hip Hop from the US, and I was curious of the next step making beats and music with the computer! It started with some House tunes and move over to Trance. At this time I didn't have a preferred style.
Dimitris: Did you had the opportunity to attend any kind of music production course or are u completely self taught? Do you consider that is essential for any artist to complete any production course?
Barbaros: For me it was all self taught. I am educated as a sound technician for broadcasting, but the producing part is self taught! I think its necessary to learn the basics, but creativity is hard to teach!
Dimitris: In which label was your first ever release and how did you manage to attract the attention of the label?
Barbaros: My first release was at "Clubbgroove Records" which was the label of ATB,Woody van Eyden & Spacekid. At this time I produced a lot of Stuff, and I played a lot of gigs around Germany. At one party I met Woody, and told him maybe I got some productions for him. And he invited me to his office. That's it!! :-)
Dimitris: Please pick for us your Top 5 tracks that you have produced and you consider them as being highly important for the progress of your career.
Barbaros: 1- "Secrets of Loneliness" was my first track and was licensed to some big compilations. That was my first steps in the music business.
2- "Bodo Felusch - Pancake (Barbaros Remix)" is one of my (for me personally) best productions I ever made. I still love to hear & play the track.
3 - "Cloud City" was played by a lot of DJ´s and Radio Stations.
4 - "Mirasol" is one of my most successful tracks as it entered the Top 50 i-tunes Dance Charts in Germany
5 - "Lenny Kravitz - Believe in me (Barbaros Bootleg)" made a long journey to Australia. People from down under wrote me mails, and then I realised that my audience is bigger and in far away places that I ever thought.
Dimitris: Let's focus on your remix on Ferry. Please tell us from where did you got the inspiration for this remix and what kind of music influences is including?
Barbaros: The latest release is a remix for Evosonic Records. Mike asked me for a remix, and I said yeah of course I will produce the remix.The original track is an nice downbeat, ambient track. In the break I used the original in order to include the atmosphere of the track.
Dimitris: How long it took you to produce it and was an easy or difficult process?If you have faced any difficulties please tell us about them and how did you resolved them?
Barbaros: Usually I need 2-3 days to make any remix. If the original gives me a good feeling, most of the time there are no difficulties.
Dimitris: Which was the biggest challenge that you faced during the production of this superb track?
Barbaros: The biggest challenge to remix a downbeat track to a club track is not to loose the feeling of the original downbeat version.
Dimitris: Can you describe to us the steps that you went through for the production of this remix and of any other remixes?
Barbaros: Firstly I listen to all the single tracks that I get. Next I choose the significant sounds from the original, and then I delete all the stems that I don't need. Lastly I add my own sounds and compositions, and at the end I start to arrange the remix.
Dimitris: When the remix finished did the label accepted it as it was produced?
Barbaros: No, there was no complaints from the labelside.
Dimitris: Is the quality of this remix higher than your previous remixes that you did? If yes in what ways this track sounds better than your previous one?
Barbaros: I think not! It's different, but not worse or better.
Dimitris: Do you have any friends or relatives that you send them the track before sending it to the labels?
Barbaros: I always have a couple of producers who they listen first my finished tracks or remixes
Dimitris: Can you describe to us the studio that you have produced this remix? What is your favourite hardware and software set up?
Barbaros: I am using Logic ProX DAW, and a lot of Software Plug Ins like Sylenth, ANA2 and some of the Komplete Series from Native Instruments.
Dimitris: Do you master the track yourself or the mastering is task for the record label? Do you understand mastering as being essential?
Barbaros: Most of my tracks are mastered by myself. In some cases, I leave the decision to the label if they got specific wishes. I think mastering is very important because it can infuse more dynamism into the tracks.
Dimitris: There is a growing trend of vinyl coming back for good. Would you like to see this track released on vinyl or any other of your future tracks? Do you prefer digital files or vinyl?
Barbaros: I got a lot of releases on vinyl, and yes its nice to get some future releases on vinyl. I do not think the vinyl comes back so strong. It seems so, because other genres (Pop, Rock etc) use the Retro Boom. I guess in the club scene it will not rise up.
For travelling I prefer digital mediums. But I am still buying vinyl, because I started my career with this pieces of black gold and I like them.
Dimitris: Do you have any future releases or remixes planned and when will be released?
Barbaros: There are new releases coming constantly. You can follow me in my social media to keep yourself updated :-)
Dimitris: Please note down your favourite Top 5 tracks at this moment!
Barbaros: Double Touch - Cape Cove
Newman - Tears of Rain
Sebastien Leger - Larnaka
Juan Deminicis - Bugs & Blossoms
Danitho & Athina - Spirit (Armen Miran Remix)
Dimitris: Can you recall for us your Top 3 best DJ gigs so far and the reasons that made them so special?
Barbaros: Nature One / Playing on beautiful sunset set for a nice and friendly crowd.
Dido Beach Club was my first Open Air Gig for 2000 People.
Dimitris: Can you tell us more about your radio show on Evosonic?
Barbaros: I've got my own radioshow on Evosonic.de called "Differences." Every first Tuesday of the month from 20-22h ET.
Dimitris: Best piece of advice you got in relation to your career so far and best tip you learnt recently to make your tracks better.
Barbaros: The best advice was always looking to other genres and learn from them and last but not least and one of the most important: never be overbearing, and always learn.
Dimitris: Please give us here your tips or more elaborated advice for any new artists who may read this interview and wish to get involved with the electronic music industry.
Barbaros: Be always curious, respect work from other artists,support your colleagues and have fun with creativity.
Dimitris: In 2018 the electronic music talent AVICII died and this has alerted several artists to become more health conscious. Are there any lessons to learn as an artist out from this sad event?
Barbaros: Many people around any successful artist want to do a lot of money at artists expenses. Money is not everything. The business must remain human.
Dimitris: If you are DJ or producer who travels very often to perform Live in various countries can you give us your best travel tips in order to survive the long travelling hours?
Barbaros: A lot of music and a lot of good reading stuff ;-)
Dimitris: There is a big movement for revival of classic tracks and as a result of this retro events have boomed with music policy of solely classic tracks. What is your opinion about events or stages only with classics and can you choose for us your absolute 3 favourite classics?
Barbaros: I play often this kind of events, but I have to say sometimes its too much. Because there are so many current tracks, which can make the party huge. Please don't live only in the past. Be open minded for new things. On the other hand, its funny to play (not always) some good old tracks in a set.
Marmion - Schöneberg
Twice as Nice - Overture
Sasha - Belfunk
Dimitris: Please give us your messages for our readers?
Barbaros: Be patient with what you do, be always curious and have fun with your creative process and do not try to be someone else. Be yourself!
Thanks so much to Barbaros for this wonderful interview.
