Ironically perhaps, ‘Finding Me’ owes its existence to a period of profound creative doubt on Ciaran McAuley’s behalf. After years of forward momentum, the Irish artist found himself questioning not only his own direction, but his relationship with music itself. At that crossroads, rather than forcing (what now only had the appearance of) progress, he chose to pause and fully acknowledge the rift. Then he turned into its headwind and harnessed that turbulence as the start-point for his recalibration.
And that became the core of ‘Finding Me’.
That type of reset often requires a little help from your friends and Ciaran found a wealth of that through a truly standout cast of collaborators. Amongst that cadre are studio mainstays like Paul van Dyk, Roger Shah, Ferry Tayle, and Sean Tyas, and singer-songwriters like Audrey Gallagher, Christian Burns, Sue McLaren, Zara Taylor, Sarah Howells, Clara Yates, Deirdre McLaughlin and Shelby Merry.
The follow up to 2022’s ‘Permission To Exhale’ is here, and it’s about as honest as honest gets.
Amongst the album’s track titles, ‘Finding Me’s primary through-line isn’t hard to spot. Numbers like ‘Alone’ (with Chloe) and ‘Runaway’ (featuring Sean Tyas & Clara Yates) reflect on the period where McAuley confronted his growing disconnect head-on, even going so far as to abandon substantial tranches of already-recorded material. That moment of reset is echoed in ‘Why Do We Hide’ (sung by Deirdre McLaughlin), which questions the human urge to conceal self-doubt. ‘The Road Less Travelled’ (on which he partners with Ferry Tayle) makes a quiet statement about authenticity over alignment. This thread resolves naturally on the album’s title track (one of his two ‘Finding Me’ collaborations) with singer-songwriter Zara Taylor.
“Finding Me’s ‘false start’, says Ciaran “came at a time when I felt lost in many areas of my life, foremost amongst them music and my relationships”. As they say, “to be found, one must first be lost”, and I certainly related more to the latter around that time.
I was at a fork in the road, and I knew I needed to look inward for the answers. So, I set out to ‘find me’, exercising, getting outdoors more and surrounding myself only with the ones who lift me. That, over time, allowed me to re-discover my ‘good old self’; the sounds I love, and the arrangements that’ll forever pull at my heartstrings.”
That inner reset also opened up a space for Ciaran and his singer-songwriters to address some of their more personal fractures. Rather than arriving with fixed concepts out of the gate, McAuley and his vocalists went back and forth sharing their own experiences and allowing those exchanges to inform the lyrics that followed. As the album progresses, it gives rise to affirmation songs like ‘Finding You’ (with Amos & Riot Night), ‘You’re Enough’ (sung by Christian Burns) and ‘Not Letting You Go’ (further combining the talents of Roger Shah & Sue McLaren).
Among ‘Finding Me’s many highlights is Ciaran’s reteaming (after ‘Someone Like You’) with Paul van Dyk. Through the sleek instrumental meeting point of ‘When I Found You’, McAuley’s melodic sensibilities and van Dyk’s signature propulsive architecture brilliantly reestablishes that creative rapport.
The album’s final quarter brings Ciaran’s journey to a resolution point of sorts. ‘Stay’, ‘Fool’s Gold’, ‘Hurricane’, and ‘The Party’ move away from more overt forms of introspection and lean into more opaque lyrics. This allows their meaning to emerge through tone, phrasing, and musical interplay rather than direct statement. Collectively, they close ‘Finding Me’ in a resolutely assured fashion, leaving room for listener and clubber alike to interpret what lies behind the words.
‘Finding Me’ stands as Ciaran McAuley’s most self-defined album to date — a record shaped by trust and the confidence to begin again. It’s available to order here blackhole.lnk.to/FindingMe
Hailing from Liverpool, AMOS & RIOT NIGHT, aka David McClelland, has cemented his place in the global trance scene with his signature uplifting and high-energy sound. Inspired by legends such as Paul van Dyk, Aly & Fila, and Sean Tyas, David's productions have seen him release on top-tier labels including Future Sound of Egypt, Vandit, Subculture, Regenerate, Nocturnal Knights, Pure Trance, Armada, Afterdark, Deep In Thought, VII, and High Voltage. His collaborations and remixes for industry icons such as Paul van Dyk, Sean Tyas, and Ciaran McAuley further highlight his status as a leading name in the genre. With an ever-growing catalogue of dancefloor anthems, AMOS & RIOT NIGHT has achieved five Beatport Trance Top 10 hits - two of which reached the Top 5 - solidifying his reputation as a powerhouse producer. His music has been championed by the biggest names in the scene, including Armin van Buuren, Aly & Fila, Paul van Dyk, Sean Tyas, John O'Callaghan, John Askew, and Giuseppe Ottaviani. In 2024, he collaborated with Paul van Dyk & Matt Noland on Shine Together Now, further demonstrating his ability to craft top-tier trance anthems.
As a DJ, David has taken his sound worldwide, making his Argentina debut in 2022 and playing at some of the most renowned events in the Trance circuit. In 2023, he performed at the Shine Ibiza closing party after Paul van Dyk— a career-defining moment that showcased his ability to captivate crowds on the biggest stages. 2024 marked another landmark year with his debut at Luminosity Beach Festival, adding to an impressive résumé that includes performances at Trance Sanctuary, Gatecrasher, LA's Intricacy, and Evolution Events in Liverpool.
With four new releases planned for 2026, demand for AMOS & RIOT NIGHT is rising— not only as an artist and writer but also for his production skills, which set him apart. What truly distinguishes David is his creative base: a dedicated studio space in Aberdeenshire, Scotland. Set within a 140-year-old former blacksmith's workshop, the studio combines cutting-edge analog equipment with breathtaking views of the Aberdeenshire countryside. Currently undergoing a full refurbishment, the space is being transformed with world-class acoustic design by the same team who recently completed work at Abbey Road Studios. This fusion of heritage, innovation, and elite craftsmanship ensures that every production resonates with unparalleled depth and clarity, making the studio itself a defining part of David's artistry.
In 2025, David also joined Strategia Management, marking a new chapter in his professional journey. As part of his team growth, this partnership strengthens his global positioning and ensures his continued rise as both a producer and performer.
As his journey unfolds, one thing is certain —AMOS & RIOT NIGHT's impact on the global Trance scene is only getting stronger.
In the ever-evolving world of Trance music, few artists have carved as distinct a path as AMOS & RIOT NIGHT, the alias of Liverpool-born producer and DJ David McClelland. From his early fascination with the euphoric sounds of Tiesto, Paul van Dyk, and Ferry Corsten, to releasing tracks on industry-leading labels like Future Sound of Egypt and Pure Trance, David’s journey is a testament to his passion and perseverance. With chart-topping releases, collaborations with icons like Paul van Dyk and Sean Tyas, and performances at prestigious events including Luminosity Beach Festival and Shine Ibiza, AMOS & RIOT NIGHT has become a recognized force in the global Trance scene. In this exclusive interview, David reflects on his beginnings, creative process, industry perspectives, and the milestones that continue to define his career.
Let's start with your journey into the world of electronic dance music. Understanding your roots and early influences helps us connect with the artist behind the sound.
Dimitris: How did your journey into the electronic dance music (EDM) scene begin, and what were the key influences that shaped your style?
Amos & Riot Night: So yeah, I've been involved in Trance now for the best part of 15 years, but much more seriously within the last decade, I would say. Back when I started, Trance was very much a dominant force on the UK charts from classic tracks from the likes of Tiesto, Paul van Dyk, Ferry Corsten, and Mauro Picotto. These were the sounds that I would say introduced me to what I later discovered to be Trance; however, it wasn't until around 2008/09 that I properly discovered that it was.
Around that time, I'd picked up a Trance Nation compilation from Ministry of Sound and then discovered many more artists. By around 2010/11, I was really getting into Armin van Buuren's tracks from around that era; his Mirage album was released, and then I found other artists through him who'd either released via Armada or whose tracks had been played on ASOT. Near enough everyone I'd found through him: Sean Tyas, Aly & Fila, John O'Callaghan, Simon Patterson, John Askew, Daniel Kandi, to name but a few. As I got more into the scene, I then slowly began connecting with many other producers/DJs around 2012/13. As I started going to events, I then got to know near enough everyone who I know now. Over a decade later, and I'm still here.
Dimitris: How has your understanding of the electronic music culture changed from when you started to where you are now?
Amos & Riot Night: There has definitely been a shift, but more so in the way it's being consumed now, which consequently has had a direct impact on the music being produced. My overall observations are that music is being made squarely to get reactions on social media, whereas to me, the music should absolutely come first and foremost.
Yes, social media is important in order to ensure your music reaches a much broader audience. But it shouldn't be at the detriment of the music quality. Nor should I feel the music be only made just to get online reactions.
Dimitris: Which piece of music equipment or software can you not live without, and why?
Amos & Riot Night: I have to say since it's been released this year, the Arturia JUP8000V has been a staple within my productions this year. Not many have been able to truly replicate that specific tone of the original JP8000, the synth that many consider as the 'holy grail' of Trance. After all, many iconic records were produced using this very synth, so now to have a very faithful replica of it in software form is nothing short of incredible.
Dimitris: Could you please elaborate on the inspiration behind Thoughts that is your collaboration with TheMina out now on FSOE? How does it align with your current artistic aspirations?
Amos & Riot Night: I'd been a huge fan previously of Fady & Mina's prior work when they were very prolific within the scene. I deeply admired their storytelling quality to Trance and I felt that this style of Trance had been missing for such a long time within recent years.
Me & Mina had toured together years ago and we performed on the same lineup for Have Faith In Trance back in 2017. We've remained in contact since, but I know that Mina had a lot of personal issues that he'd been dealing with for a good while. We then got back in contact again after he'd released a solo single in 2023 called 'Genesis' and we had talked about working on something together.
It wasn't until this year that we actually got to work on something. I'd written the initial melody back in March, but then my personal life got turned upside down, and I'll be honest, this year has been a real struggle. Through it all, music is the one thing that has kept me going, and I knew that melody could make a real impact and even more so, it was meant to be for this.
When Mina then started working on the production for it and then sent me the first demo, straightaway I knew it would be a biggie. We went back and forth on it for a few weeks before I'd then played it in LA in May. It got a big reaction then, but we made some slight tweaks before finalising it completely. A month later, Fadi was headlining at Luminosity Beach Festival, so we'd sent the track over to him the day before his set. He was all over it, and he's been hammering it nearly every set since June! Every single time it's been played out, the response to this has been incredible, and even when I've been there when Fadi's played it out, it's overwhelming.
Dimitris: How do you stay motivated and creatively inspired amidst the fast-paced nature of the EDM scene?
Amos & Riot Night: I think for me, it's important to at least have a steady flow of releases, so I do plan for around 6-8 a year, give or take. I may not always be working on anything at a given point in time, nor can I really force anything out. That said, there may be tracks that I may have started a long time before but never got around to finishing for whatever reason or another. I may find some gold in the rubble of unfinished projects, and it could turn out to be a biggie. This has definitely been the case for me over the years.
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
Amos & Riot Night: There's a lot incoming as we speak, as I have 4 releases already locked in for 2026. I'll be kicking off the new year with a huge collab on Pure Trance Neon with 2 of Poland's most exciting trance artists. Then, I'm back on Nocturnal Knights in February with a rather twisted vocal tech number.
There are also 2 more coming from me on FSOE in 2026, including a track with 0Gravity, with whom I'll be going B2B at Trance Sanctuary in March in the main room at HERE @ Outernet in London. That venue is absolutely insane, and to be gracing the main room with my home label with my good mates is such an honour. We're actually planning some new exclusive material for that set, so watch this space!
I'm currently wrapping up a project with Adam Ellis right now that I'm pretty excited about, and I need to wrap up a project with Hugh Tolland that's been long overdue in the making - 9 years to be specific.
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
Amos & Riot Night: Watch this space as there may be some of these happening!!! Can't say too much, but I'm making some plans for big projects! Don't want to jinx anything.
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
Amos & Riot Night: Personally, it's not something I've really explored within my own projects, and if I'm honest, it's not something I'm overly keen on. Music to me is one art form that should remain as human as possible, especially if something so personal has inspired what I've written. Plus, I've got a lot of skills as a musician anyway, with years of performing and practicing that I don't really feel I need to engage with it creatively. It could help for some starter points, but that's as far as it goes.
Dimitris: What inspired you to transition from producing to DJing, or did both passions develop simultaneously?
Amos & Riot Night: Yeah, both really came around at the same time, though production slightly earlier. I always wanted to make my own music as I was purely fascinated by synths in particular. I heard many brilliant tracks over the years and always thought, 'if these guys can make music like that, so can I'. DJing was purely a means of being able to perform these records live without going all out for a full live setup. It also gave me the chance to play out other records that I deeply admire as well. Over a decade later, and I'm still at it!
Dimitris: How do you handle unexpected challenges during a live set, such as equipment malfunctions or shifts in crowd energy?
Amos & Riot Night: Argh, this actually happened to me earlier this year in May while I was performing in LA. Tara Louise was performing live alongside me; she'd just finished her second song, and I was about to mix into the final song of her live set. The power completely cut out on the main sound system - no idea what happened, but the decks were still playing.
Luckily, Tara hadn't started singing her final song of her set, so that would have been really awkward if the sound cut out while she was performing! So I'd said to Tara in the moment, ‘ just wait until the sound's back on,’ which thankfully didn't take long; then we just started at the same point where we'd left off. Thankfully, everything went all fine from there.
Dimitris: Which mixing style do you prefer—long transitions, quick cuts, harmonic mixing, or another technique? How do you decide which style suits a particular set?
Amos & Riot Night: Honestly, it depends on not only the set and the audience but also the types of tracks I'm playing out in that moment. For harder, tech-based tracks, I tend to opt for more quick mixing just to keep things as interesting as possible. It can be quick mixing when I'm playing out some melodic stuff, but it depends on the energy levels of each record for me to decide.
Dimitris: Reflecting on your career, what has been your most memorable DJ set and what made it stand out for you personally?
Amos & Riot Night: Of this year, I would probably have to say my return to LA back in May. It had been 6 years since I was last out there, and a lot happened for me personally that at this point, it felt like the right time. V
Dimitris: Have you ever been inspired or influenced by another DJ’s set that left a lasting impact on your approach to performances? If so, could you share that experience?
Amos & Riot Night: I wouldn't say whether or not that particular set influenced how I perform per se, but it was a pivotal set in my journey within Trance. That set being Activa & Jon O'Bir's open to close in Glasgow back in 2017. That to me is an absolute masterclass. Track selection was absolutely perfect, mixing was flawless, and it was a real journey from start to end going through many different cycles.
Dimitris: How do you integrate your own productions into your DJ sets to create a signature live experience?
Amos & Riot Night: Near enough every one of my sets always features my own productions. But it's always a case of which ones to play when I'm out. Often, I may save some exclusives for bigger shows, and I would often dig out some of my past tracks that I've not played for years. It just depends on my audience and how they respond.
Dimitris: Thank you so much for taking the time to share your journey, insights, and experiences with us. Your thoughtful responses will surely inspire and resonate with fans and fellow artists alike. We truly appreciate your contribution to the electronic music community and look forward to witnessing your continued success!
From his early days of collecting Trance compilations to achieving international recognition, AMOS & RIOT NIGHT’s journey captures the heart of electronic music culture. In our conversation, he shared how his style was shaped by the legends of Trance, the importance of keeping music authentic in the era of social media, and how collaborations like Thoughts with TheMina are both personal and impactful. He also offered insight into navigating live performance challenges, staying motivated creatively, and his plans for an exciting 2026 with multiple releases and high-profile performances. As David continues to evolve his sound and expand his global presence, his commitment to meaningful, human-driven music ensures that his influence on the Trance scene will only grow stronger.
I want to express my deepest gratitude to David for taking the time to answer this interview.
I also want to thank Stuart at FSOE for organizing this interview.
FSOE recordings along with Trance Sanctuary are thrilled to announce the highly anticipated FSOE London event, taking place on Saturday, March 21st, 2026, hosted by Trance Sanctuary. This day-to-night celebration of the very best in Trance will unfold across two iconic venues in the heart of London: Here at Outernet for the daytime event and The Lower Third for the official afterparty. Fans can look forward to an unforgettable experience featuring exclusive back-to-back sets and world-class performances from the FSOE family.
Event Details
Daytime: 1:00 PM – 9:00 PM | Here at Outernet, London
After Party: 9:00 PM – 3:30 AM | The Lower Third, London
Global Trance icons and founders of the Future Sound of Egypt (FSOE) label, Aly & Fila are known for their euphoric soundscapes, anthemic melodies, and emotional sets that have headlined festivals around the world.
Amos & Riot Night b2b 0Gravity
A thrilling back-to-back performance featuring the uplifting energy of Amos & Riot Night alongside the fresh, high-octane sound of 0Gravity. Expect a dynamic blend of euphoric and driving Trance.
Craig Connelly
Renowned for his melodic and emotional productions, Craig Connelly’s performances are a journey through uplifting and vocal Trance, earning him global acclaim and chart-topping releases.
Paul Thomas
A master of progressive sounds and the driving force behind FSOE UV, Paul Thomas brings a sophisticated mix of deep, melodic, and atmospheric Trance to the dance floor.
Sean Tyas b2b Darren Porter
This rare back-to-back set will combine Sean Tyas’s signature high-energy sound with Darren Porter’s powerhouse uplifting style, promising a peak-time experience like no other.
Xijaro & Pitch
Known for their emotional and cinematic approach to Trance, Xijaro & Pitch deliver deeply moving performances that resonate with fans across the globe.
After Party – The Lower Third
Sean Tyas
Returning for a solo performance, Sean Tyas will deliver a late-night set full of driving rhythms, showcasing his expertise in high-octane Trance.
Steve Allen
A leading name in uplifting Trance, Steve Allen’s sets are packed with euphoric melodies and festival-ready energy.
Kinetica
Bringing his signature blend of tech and uplifting Trance, Kinetica will keep the afterparty moving with cutting-edge sounds.
Elucidus
Expect driving beats and emotionally charged melodies from Elucidus, one of the rising stars of the FSOE roster.
Hamza
Closing the night with a burst of energy, Hamza brings a versatile Trance sound, seamlessly blending melodic and driving elements.
A Full Day of Trance Excellence
From the euphoric melodies of Aly & Fila to the high-energy firepower of Sean Tyas and Darren Porter, FSOE London 2026 promises to deliver a celebration of Trance music like no other. With cutting-edge sound and lighting in a state-of-the-art venue, followed by an intimate afterparty experience, this is an event that fans will not want to miss.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Amos & Riot Night, Sequence Six - As Tides Change [/item]
[content title="Summary" label="Overall Score"]UK & US artists Amos & Riot Night and Sequence Six join forces for an extraordinary uplifting trance masterpiece titled 'As Tides Change', released under the prestigious FSOE label. This collaboration stands as a testament to the meticulous production techniques and technical prowess that both acts bring to the table. Clocking in at a high-energy 140 BPM, the track is a quintessential example of uplifting trance crafted with precision. The driving basslines are layered meticulously, employing sidechain compression to create a pulsating dynamic that breathes life into the rhythm section. The bass grooves seamlessly with the thumping drums, whose tight snares and crisp hi-hats are enhanced using transient shaping to maintain punch and clarity amidst the dense mix. The pounding kicks, processed with subtle saturation and EQ enhancement, provide the solid foundation that uplifts the harmonic elements. These kicks cut through the mix without overpowering, thanks to careful frequency carving and dynamic range control. One of the standout features of 'As Tides Change' is its summery, warm, and tender string arrangements. These strings are likely synthesized with lush reverb tails and layered with atmospheric pads to build an expansive soundscape that evokes a sense of open skies and endless horizons. The strings transition smoothly, using automation to control filter sweeps and reverb decays, adding depth and emotional resonance. The euphoric synth hook, the heart of the track, is crafted with rich, detuned saw waves, processed through stereo widening techniques and harmonic exciters to create an addictive, full-bodied sound. The melody is carefully structured to escalate emotional intensity, using chord progressions that resolve beautifully, fostering a sense of uplifting euphoria. Throughout the track, automation plays a crucial role in maintaining energy flow—modulating parameters like filter cutoff, reverb wetness, and delay feedback during breakdowns and build-ups. These techniques ensure dynamic contrasts that keep the listener engaged, transitioning from serene, atmospheric introspections to explosive, dancefloor-ready climaxes. 'As Tides Change' encapsulates the essence of pure uplifting trance, offering an auditory journey filled with freedom, motivation, and hope. Its expertly layered production, combined with heartfelt melodic content, makes it a standout track that resonates profoundly with both casual listeners and trance aficionados. #PureGold Love IT. [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
[content title="Summary" label="Overall Score"]Amos & Riot Night & Inoblivion's first-ever collaboration, "False Awakening," makes a powerful debut on FSOE, showcasing the artists' dedication to high production standards and technical mastery. This 140 BPM uplifting trance anthem expertly blends nostalgic trance elements with modern production techniques, creating a track that resonates with both seasoned trance enthusiasts and new listeners. The foundation of "False Awakening" lies in its meticulously crafted basslines. The big, pulsating driving basslines are engineered using layered sub-bass and mid-bass frequencies, providing both warmth and punch. These are complemented by tightly compressed, thumping kick drums that maintain clarity and prevent frequency overlap—a hallmark of professional trance production. The rhythm section features pounding drums with carefully EQ'd transients to ensure crispness without overwhelming the mix. The magical piano chords are processed with reverb and subtle delay effects, creating an ethereal, atmospheric quality that adds emotional depth. These chords are harmonically aligned with the big, uplifting synths, which utilize sawtooth waveforms layered with supersaw patches to achieve that rich, expansive trance sound. The sunkissed strings are likely crafted using a combination of virtual string libraries and synthesized layers, enhanced with modulation effects like chorus and phaser to add texture and movement. Choral voices, treated with stereo widening techniques and reverb, float atop the mix, adding a celestial quality that enhances the track's emotional impact. The mesmerizing breakdown is a masterclass in dynamic contrast. Cool breakbeats are introduced, featuring syncopated hi-hats and snare rolls, providing rhythmic variety. Underneath, delicate piano melodies intertwine with guitar riffs—both processed with reverb and delay to maintain spatial coherence. The reintroduction of choral voices and the gradual build-up of big, epic synths lead seamlessly into an outstanding climax, marked by a euphoric release of energy and melodic resolution. Overall, "False Awakening" stands out as a meticulously produced anthem, blending technical precision with emotive artistry. Its complex layering, dynamic progression, and pristine sound design make it a standout track destined to be one of the big anthems for the summer. #PureGold #LoveIT [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
'Finding You', the new instrumental trance gem from Ciaran McAuley, Amos & Riot Night on Black Hole Recordings, features evolving melodies and driving basslines. Its sophisticated arrangement and emotional depth prove that instrumental trance can resonate deeply with listeners.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Ciaran McAuley with Amos & Riot Night - Finding You [/item]
[content title="Summary" label="Overall Score"]Ciaran McAuley, Amos & Riot Night's latest release, "Finding You," under Black Hole Recordings, is a masterclass in modern instrumental trance production. This 140 BPM euphoric uplifting trance track not only captivates through its melodic flow but also showcases exemplary technical proficiency and innovative production techniques. The track opens with meticulously layered tough metallic basslines that establish a robust foundation. The basslines are crafted using advanced synthesis techniques, likely employing subtractive synthesis with carefully modulated filters to achieve their gritty texture. Complementing these are the pounding kicks, which are probably processed with precision compression and transient shaping to maintain clarity and punch amidst the dense mix. Thumping drums, constructed from a mix of synthesized and sampled percussive elements, add dynamic energy. These drums benefit from intricate EQing and stereo imaging, ensuring each hit occupies its own space within the frequency spectrum, thereby enhancing the overall rhythmic drive. The breakdown section is where the production truly shines. Airy harps, crafted with high-resolution sample libraries or granular synthesis, float over an emotional piano theme that exudes a cinematic aura. The piano's timbre suggests the use of high-quality virtual instruments with realistic velocity layering and reverb settings that create an expansive, ambient soundscape. Adding an exotic flair are chorus vocals, subtly processed with reverb and delay effects to maintain an ethereal presence without overpowering the mix. Massive pluck synths, essential to the trance genre, are designed using complex modulation matrices and unison detuning, building tension effectively as the track approaches its climactic "hands-in-the-air" moment. The overall arrangement reflects a sophisticated understanding of trance dynamics—balancing tension and release, harmonic progression, and textural variation. Production techniques such as sidechain compression ensure that the kick drum remains prominent, while automated filter sweeps and reverb tails contribute to the track's evolving nature. "Finding You" radiates spring feel-good vibes, enriched with strong Balearic influences that evoke nostalgia and unity on the dancefloor. The track is not just a testament to the emotional depth of instrumental trance but also a showcase of cutting-edge production craftsmanship, making it a standout piece in the contemporary trance landscape. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Hailing from one of the most famous cities in the UK, a place that is steeped in musical history, Liverpudlian trance artist AMOS & RIOT NIGHT aka David McClelland is one of the trance scenes rising talents.
In his adolescence, hearing trance for the first time on euro dance TV channels, he discovered the iconic sounds of Paul van Dyk, Armin van Buuren, Ferry Corsten and Above & Beyond. In his teens, as a young drummer in a metal band David discovered a great love for rhythm, add to that the melodic sounds of trance and it wasn't long until he was hooked on a genre and scene that would go on to shape his late teens, 20's and beyond.
After the digital era took full hold in the late 2000's, a new trance sound with an exciting wave of artists to go with it caught David's attention and led him even further down the trance path. Artists such as Sean Tyas, John O'Callaghan, Aly & Fila, John Askew, Activa, Daniel Kandi to name a few. His keen interest in this new sound soon became a creative urge, a want to learn production, it was time to dive in and make his take on this magical but even more driving modern trance sound.
As with many digital producers, DJing came later and the AMOS & RIOT NIGHT project was born in 2013 as the budding producer teamed up with Paul Holden (AMOS) who was David's (RIOT NIGHT) original studio collaborator and DJ partner. After a great 6 years as a duo, it was 2019 when he decided to go solo. David kept the A&RN name as it was already picking up pace in the trance scene with releases on labels such as Silent Shore, Defcon, Critical State and Extrema.
The AMOS & RIOT NIGHT sound can be described as a super fresh, uplifting, emotional and very much melody driven style, with loads of uptempo energy. A production focused sound, which is how David first met trance master Sean Tyas who has become a mentor in his production career, from feedbacking demos and championing A&RN tracks from early on, to releasing his tracks on his massive Regenerate label. Other labels David has unlocked since going solo are the impressive AVA White, Always Alive, High Voltage, Monster Tunes, GO Music, Deep In Thought, VII, Vandit, Subculture and the giant FSOE main label
DJ support is coming in from a who's who in the global scene with radio and live gig plays by Armin van Buuren, Aly & Fila, Paul van Dyk, John O'Callaghan, Sean Tyas, Giuseppe Ottaviani, Simon Patterson, Solarstone, Sneijder, John Askew, Will Atkinson (BBC RADIO 1), Mark Sherry, Jordan Suckley, Activa, Alex M.O.R.P.H., Manuel Le Saux, Craig Connelly, Daniel Kandi, Ferry Tayle, Paul Denton, Will Rees, Allen Watts, Greg Downey, Dan Stone and many more.
The proud achievements are coming in thick and fast for AMOS & RIOT NIGHT. From hearing his music being played at massive events such as Dreamstate, Luminosity, The Gallery @ Ministry of Sound and Gatecrasher, to the scouse spinner featuring on popular compilations by VII, FSOE 650, 10 Years of AVA and a collaboration feature with Manuel Le Saux for his album. Becoming a regular on Sean Tyas’ Regenerate label is also up there with his proudest moments.
DJ wise A&RN has picked up some great gigs so far with many more to come in 2021 and beyond. Playing to his home city crowd at Back To The Anthems, Gatecrasher @ Garlands and WeAreYou with names such as Judge Jules, Jan Johnston, Signum, Lost Witness, Sneijder, Shugz, David Rust, Liam Wilson. Already having made debuts in London @ Trance Sanctuary with Sean Tyas and Sam Jones, Ibiza @ Connected boat party with Andy Moor and even further afield his LA debut @ Intricacy.
Having already hit the top 10 on Beatport trance three times and with a string of new singles, collaborations, plus a debut artist album in early planning, AMOS & RIOT NIGHT has become a much-loved name around the scene with a rapidly growing artist profile, helping him climb through the ranks of global trance music.
The latest release of Amos & Riot Night is his collaboration with Lucy Star on FSOE. We are delighted that both artists have agreed to participate in this interview to discuss their collaboration. In this interview, Amos highlights his top three career accomplishments, including his performance at Luminosity and his collaboration with Paul van Dyk. His latest release, “Calling Out For You,” features Lucy’s vocals and explores the theme of pursuing one’s dreams in the music industry. The production process involves collaborating with the vocalist to ensure that their vocals are prominent before crafting the club mix.
Amos & Riot Night discusses the challenges of producing a track with a new singer, their preferred music composition tools, and upcoming gigs in 2025. They express their dissatisfaction with the current royalty handling system and emphasize the importance of proper registration for fair compensation. Additionally, they share their thoughts on music genres, the value of online masterclasses, and the impact of phone usage during DJ sets. We encourage you to read their insightful responses in this interview.
Dimitris: Hi there! Could you share with us your top three accomplishments or objectives that you are most proud of achieving in your career as an electronic music producer?
Amos & Riot Night: Recently, it would definitely be making my debut at Luminosity last year in Zandvoort. This was somewhere I'd wanted to play for a long long time since I first went over 10 years ago. To be playing at the Trance Mecca is unbelievable and words can't really describe how insane that whole experience was!
Working with Paul van Dyk last year on the Shine Ibiza anthem alongside Matt Noland was an incredible experience. After the huge success of our debut single together Lomond in 2021, we had no real intentions on doing any followups. That all changed when the team at Vandit reached out to us asking for new material from us both, so we made an early version on what became Shine Together Now. Paul absolutely loved it that he wanted to be a part of it, so how can we say no to that?
Still writing/producing after over a decade in the business is still a dream come true that I've not given up at this, even though I've come close so many times, closer than many realise. Something's always pulled me back in to just keep going at it.
Dimitris: Could you share the motivations that led you to pursue a career in DJing or producing electronic dance music?
Amos & Riot Night: I remember hearing a lot of earlier Trance tracks, not knowing the names of the records at all, and just being blown away by the sounds. It wasn't until years later that I found all of these tracks out by name. What led me to producing was an outlet of me always wanting to write/produce my own records.
At the time I was starting out, I was still playing drums in rock/metal bands, but I always wanted to do electronic music after getting my first Roland synth for my 15th birthday. When I then found out what the music was and who was producing the records, I then came to the conclusion that 'If these people can make records like this, so can I'. Here we are over a decade later and I'm still here.
Dimitris: Could you tell me about your latest release Calling Out For You on FSOE? I'm curious about what inspired you during its creation and would love to hear more about the thought process behind the track.
Amos & Riot Night : Me & Lucy initially connected via Instagram and we got talking about potentially working together on a record. When I first caught wind of some of Lucy's previous work, I really liked how relatable a lot of her lyrics can be. Tonally, I felt that her vocal style would work well for Trance, so we got together writing some ideas at the piano and going back & forth on the lyric writing, which is a first for me as I've never been involved in anything lyrically in the past. With Lucy being based in my home city, Liverpool, it just made sense for us to get together and write the song in person.
Lucy: David and I were inspired by the concept of chasing your dreams and encapsulating the emotional rollercoaster and challenges on the way. Specifically, this song is the music industry being notoriously hard to break into, I think it is a theme that a lot of people can relate to. I started out doing indie-folk style songs inspired by the likes of James Blunt, Paolo Nutini, Ed Sheeran, Taylor Swift etc. In the past few years, my sound has transitioned to more of an indie rock sound inspired by the likes of Hayley Williams and Florence + the Machine and Avril Lavigne. Prior to working with David, I had never written anything in the Trance genre. It’s a whole new world and I’m so excited and proud to be part of the Trance community now. David did a fantastic job with the production. I love how the vocals within Trance music are often very ethereal. David played me a lot of his favourite songs and I was inspired by the meaningful lyricism. The majority of my individual songs are centred around the topic of heartbreak and loss specifically in the context of a romantic relationship. I like to empower people to thrive after leaving a bad situation.
‘Calling Out For You’ is quite a different topic to my usual heartbreak anthem. I usually write my songs using the acoustic guitar and what I found really interesting working with David was the implementation of the piano. David found some really beautiful piano chords and together, we bounced ideas off of each other. This is the first time I’ve ever written a song with someone and it was an incredibly fun experience. We were very honest with each other if we didn’t think a certain lyric or certain melody quite fit. When we both agreed on the final version, we both got really excited because we were so on the same page, haha!
Amos & Riot Night: Yeah, I remember during the writing and the recording process I was genuinely beaming from ear to ear as I knew that it would be a special record! At that point, it was purely piano and vocals and I hadn't even thought about how to produce the club mix. I then knew that I had to make the vocal centre stage and for it to really stand out, rather than me going full throttle bosh, which is so easy to do let's be honest. Nowadays when I'm working on vocal records, the song really has to stand out its own right before being translated into a Trance track. A lot of the time, I find that so many Vocal Trance tracks don't stack up as songs on their own as the vocal is placed over the top of an already produced track.
Dimitris: Could you give me an idea of how long it usually takes to produce a track? Also, I’d love to hear a simplified overview of your production process.
Amos & Riot Night: When working on vocal records, nowadays I would write some basic chords on a piano getting an idea for what works for it being a song. I'd then send it to a vocalist/songwriter and see if they really like it, then start to work on the songwriting from there. Once that's absolutely nailed on and I get the vocal back, I'll then start to craft the club mix around that vocal. At least that way, there's no pressure on anyone needing to write to it being a Trance track, per se. I would much rather have the song speak for itself and stand on its own merit.
Dimitris: Could you share more about any specific technical challenges or obstacles you faced while producing that track? I'm really curious to hear about your experiences and how you overcame them!
Amos & Riot Night: I would say the challenge really was working with someone completely new to Trance as it is out of the comfort zone for singer/songwriters if they've never been involved in this or any other Dance music. I have to say Lucy absolutely smashed this out the park though!
Dimitris: I'm curious to know which music composition tools you like to use. Do you have a preference for certain software or hardware, and what makes them your favorites? Also, I've noticed a trend where more people are producing music with analogue equipment and minimizing digital software use. What do you think about this shift?
Amos & Riot Night: I've been working on Ableton now for over a decade, though it's only become my primary DAW of choice within the past 6 years. I don't own any hardware, so can't really comment on this as such.
Dimitris: Could you share any confirmed gigs or festivals you’ll be playing at in 2025? Also, I’d love to know which ones you’re most excited about and the reasons why. Thanks!
Amos & Riot Night: Kicking off 2025 on home turf as I bid farewell to Evolution in Liverpool at Meraki, the brand that I setup 6 years ago, but we're going out with a bang. Sean Tyas will be headlining with a 3 hour set with Noonix opening proceedings and myself & Robbie Graham going B2B.
Buzzing to be coming back to Trance Sanctuary on March 22nd for their FSOE event, where I'll be playing their afterparty alongside James Dymond, Sean Mathews, Stowers & Cooper and Hamza. Main event is absolutely stacked too and it's a sellout!
Few more gigs lined up overseas, which hopefully I'll be able to share more about very soon!
Lucy: Absolutely! The dates are still to be confirmed but David and I will be playing at International Pop Overthrow festival in summer 2025. Very excited!
Amos & Riot Night: Yes, this will actually be the first time officially us performing our song together! It won't be as me DJing, however as this will be purely an acoustic/stripped back performance. Taking it right down to the very foundations.
Dimitris: Are you happy with how royalties are currently handled for your music, especially when it comes to streaming income? Do you think you’re getting a fair deal from streaming platforms, DJs playing your tracks at events, radio broadcasts, and retailers selling your music in physical and digital formats?
Amos & Riot Night: You want the honest answer? No. Simply put, I wouldn't survive on streaming alone. It would help if all producers registered their songs with their country's performance rights organisations (PROs) and for all DJs to register their tracklists each time they perform. That way, no one loses out. If anything, this really should be mandatory across the board.
Dimitris: Many producers and DJs offer online masterclasses or courses on music production and DJing. Do you think participating in these is crucial for improving your skills? Are you currently offering any courses or related services like ghost-producing or mastering? I’d love to hear more about what you’re up to!
Amos & Riot Night: Yes actually I've recently started doing production tuition with clients from worldwide. It's a first for me actually doing anything like this at a more serious level and I'm really enjoying sharing my knowledge with others as I know that people can truly learn. It's also a way of me giving back to the Trance community after over a decade of experience.
Dimitris: Can you tell us if your music fits into a specific genre like trance, house, or techno, or do you prefer to break the mold? Also, what do you think about artists mixing different styles to create something new and unique?
Amos & Riot Night: My music very much is Trance through and through, though of course there is room for experimentation if the project I'm working on absolutely calls for it. As for mixing different styles, as long as it all makes sense sonically and cohesively, then yeah I'm for that. I will say that I do find so many hybrid tracks just done for the sake of blending genres and it's not always executed well at all. There's definitely a time and a place for it, but it's got to be absolutely right.
Dimitris: Is making music your main job, and do you have the freedom to step away from it when needed? If not, what other work do you do to help support yourself?
Amos & Riot Night: Currently, no. I do still work fulltime externally, though I do like the job that I do and I've been in that field for around 6 years.
Dimitris: Do you think it's a good idea to limit constant photo or video-taking during DJ sets from fans, or are you okay with it?
Amos & Riot Night: There've been several videos circulating, particularly events with massive production where the focus is all on the visual aspect and everyone's not moving or dancing. Just looking purely through their phones for the entirety of the night. That's not a good look at all. I think it's this aspect that's brought about this 'resistance' to it. I know that certain big name DJs have been pushing this 'no phones' concept, which really should let people live in the moment. Some big clubs, even recently, have a 'no phone' policy as well.
Dimitris: What kind of venue do you enjoy more for your performances: intimate club settings or big festival stages? Also, are there any particular festivals or clubs where you dream of playing one day?
Amos & Riot Night: Both equally serve a purpose and I enjoy playing at both. However, I love playing at intimate venues as I can get really up close and personal with everyone who's there.
Thanks so much to David aka Amos & Riot Night and Lucy for their stunning answers.
Thanks to Stuart at FSOE for organizing this wonderful interview.
Amos & Riot Night and Lucy Starr Release Captivating Vocal Trance Track "Calling Out For You" on FSOE
FSOE is thrilled to announce the release of "Calling Out For You," the latest vocal trance collaboration from renowned producers Amos & Riot Night and the incredibly talented vocalist Lucy Starr. This track is now available on all major streaming platforms.
With its euphoric melodies and Lucy Starr's mesmerizing vocals, "Calling Out For You" captures the essence of trance music, taking listeners on a captivating auditory journey. The single, released under the banner of FSOE, is set to be a memorable addition to the discography of Amos & Riot Night, known for their emotive and high-energy productions.
Aly & Fila, the masterminds behind FSOE, are proud to feature Amos & Riot Night and Lucy Starr on their label. "Calling Out For You" epitomizes the label's commitment to showcasing groundbreaking and emotional trance music that transcends boundaries and connects with listeners worldwide.
The track's hauntingly beautiful lyrics and uplifting beats are expected to resonate with audiences globally, promising to be a fan favorite.
"We are incredibly excited to have worked with Lucy Starr on this track," said Amos & Riot Night. "Her vocal talent brings an unparalleled depth to the music, making 'Calling Out For You' a truly special release."
Dimitris Kechagias Review: [review top="1"] [item value="10"]Amos & Riot Night with Lucy Starr - Calling Out For You [/item]
[content title="Summary" label="Overall Score"]Amos & Riot Night collaborate with the renowned Lucy Starr for the captivating 138 BPM vocal trance track, “Calling Out For You.” The production boasts exceptional techniques, with a meticulously crafted arrangement that elevates the track to an instant success. Energetic basslines, bouncy kicks, and powerful drums are complemented by ethereal strings and warm strings, culminating in a breakdown that allows Lucy Starr’s vocals to shine. The lyrics delve into profound themes that resonate with listeners, captivating their minds and fostering a sense of connection. Piano chords, cinematic strings, and intricate sonic design build anticipation, culminating in an euphoric climax that will leave trance enthusiasts spellbound. This vocal trance stands as a testament to the artistry of electronic music, elevating listeners to a state of euphoria and acceptance within the global community of electronic music enthusiasts. #PureGold Love iT [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
About Amos & Riot Night:
Amos & Riot Night is an acclaimed trance duo known for their dynamic and emotionally charged productions. They have captivated audiences worldwide with their distinctive sound, earning a reputation as one of the leading acts in the trance music scene.
About Lucy Starr:
Lucy Starr is a celebrated vocalist in the electronic music industry, known for her soulful and powerful voice. Her collaborations have consistently topped the charts, and she continues to enchant fans with her unique ability to convey deep emotion through her singing.
Hailing from one of the most famous cities in the UK, a place that is steeped in musical history, Liverpudlian trance artist AMOS & RIOT NIGHT aka David McClelland is one of the trance scenes rising talents.
In his adolescence, hearing trance for the first time on euro dance TV channels, he discovered the iconic sounds of Paul van Dyk, Armin van Buuren, Ferry Corsten and Above & Beyond. In his teens, as a young drummer in a metal band David discovered a great love for rhythm, add to that the melodic sounds of trance and it wasn't long until he was hooked on a genre and scene that would go on to shape his late teens, 20's and beyond.
After the digital era took full hold in the late 2000's, a new trance sound with an exciting wave of artists to go with it caught David's attention and led him even further down the trance path. Artists such as Sean Tyas, John O'Callaghan, Aly & Fila, John Askew, Activa, Daniel Kandi to name a few. His keen interest in this new sound soon became a creative urge, a want to learn production, it was time to dive in and make his take on this magical but even more driving modern trance sound.
As with many digital producers, DJing came later and the AMOS & RIOT NIGHT project was born in 2013 as the budding producer teamed up with Paul Holden (AMOS) who was David's (RIOT NIGHT) original studio collaborator and DJ partner. After a great 6 years as a duo, it was 2019 when he decided to go solo. David kept the A&RN name as it was already picking up pace in the trance scene with releases on labels such as Silent Shore, Defcon, Critical State and Extrema.
The AMOS & RIOT NIGHT sound can be described as a super fresh, uplifting, emotional and very much melody driven style, with loads of uptempo energy. A production focused sound, which is how David first met trance master Sean Tyas who has become a mentor in his production career, from feedbacking demos and championing A&RN tracks from early on, to releasing his tracks on his massive Regenerate label. Other labels David has unlocked since going solo are the impressive AVA White, Always Alive, Monster Tunes, GO Music, Deep In Thought by VII, Vandit, Subculture and the giant FSOE main label
DJ support is coming in from a who's who in the global scene with radio and live gig plays by Armin van Buuren, Aly & Fila, Paul van Dyk, John O'Callaghan, Sean Tyas, Giuseppe Ottaviani, Simon Patterson, Solarstone, Sneijder, John Askew, Will Atkinson (BBC RADIO 1), Mark Sherry, Jordan Suckley, Activa, Alex M.O.R.P.H., Manuel Le Saux, Craig Connelly, Daniel Kandi, Ferry Tayle, Paul Denton, Will Rees, Allen Watts, Greg Downey, Dan Stone and many more.
The proud achievements are coming in thick and fast for AMOS & RIOT NIGHT. From hearing his music being played at massive events such as Dreamstate, Luminosity, The Gallery @ Ministry of Sound and Gatecrasher, to the scouse spinner featuring on popular compilations by VII, FSOE 650, 10 Years of AVA and a collaboration feature with Manuel Le Saux for his album. Becoming a regular on Sean Tyas’ Regenerate label is also up there with his proudest moments.
DJ wise A&RN has picked up some great gigs so far with many more to come in 2021 and beyond. Playing to his home city crowd at Back To The Anthems, Gatecrasher @ Garlands and WeAreYou with names such as Judge Jules, Jan Johnston, Signum, Lost Witness, Sneijder, Shugz, David Rust, Liam Wilson. Already having made debuts in London @ Trance Sanctuary with Sean Tyas and Sam Jones, Ibiza @ Connected boat party with Andy Moor and even further afield his LA debut @ Intricacy.
Having already hit the top 10 on Beatport trance three times and with a string of new singles, collaborations, plus a debut artist album in early planning, AMOS & RIOT NIGHT has become a much-loved name around the scene with a rapidly growing artist profile, helping him climb through the ranks of global trance music.
Amos & Riot Night aka David McClelland latest releases includes his remix on Ciaran McAuley anthem Tears Don't Mean You're Losing on FSOE and his firestorming collaboration with Daniel Kandi Finally Able on Regenerate. We are glad that David is back with us to answer some fresh questions about his latest tracks. As always enjoy his answers.
1-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Amos & Riot Night: When I started out production back when I was 16, it was purely with the intention of producing stuff with my old rock/metal bands I was in, as well as getting to know some basics on synthesis and trying to maybe incorporate some of that into the rock stuff. By that point, I already had a Roland SH201 synth (miss that unit!) and was getting to grips with that.
I had a massive soft spot for Trance and I remember hearing a lot of Trance tracks around 2011/2012 and seeing videos online from YouTube at that same time, some of which by the very top names in the scene. Straightaway, I thought if these guys can make music like that, then so can I. DJing came slightly later on, purely as a way for me to showcase what I was all about musically. When I started going out clubbing, I then got to know more about what tracks worked well at what moments and how to build a set, etc. Everyday's still a learning day for me in this game
2-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Amos & Riot Night:Sean Tyas - one of a kind. A real gent! Insane sound design and always looking out for new ideas!
Activa - goes without saying. Tight. Driving. Melodic. Still sounds fresh!
Third one, I'm gonna go way off course here and say Liam Howlett. Leagues ahead of everyone else. The stuff he's been doing with Prodigy still sounds so fresh to this very day, especially Fat of the Land
3-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
Amos & Riot Night: There's too many, but on the spot, here we go:
The one that really started it all. Ferry Corsten's remix of the Adagio For Strings. As everyone's aware, Trance was hugely popular in the UK Charts around 1998-2003/04. Often, it was used to the background music of TV programmes. I first heard it to the background of a segment on an old CBBC programme called SMart - an art programme introducing kids to the world of arts and crafts. So yeah, this segment I specifically remember was all about capturing motion in drawing, and Ferry's remix was used as the background for it. I just remember hearing that in the background and being completely blown away by the sounds used, as well as of course the melodies that really took it to the next level up. I didn't know the name of the record itself until I was 14 and that's when I really started down the rabbit hole of rediscovering Trance. Still blows me away to this day.
Gareth Emery feat. Lucy Saunders - Sanctuary (Sean Tyas Remix) - it was the very first production that I personally remember from Sean. Level of detail into that remix is just next level. Still sounds just as big today!
Tough one on the last one. Erm, I'll go with Simon Patterson - Miss You. I could've gone for any around that same time, i.e. Taxi, Us, Mood Swing. This especially has everything that I really like about Trance. Emotion, power, drive. Even the twisted Tech elements before going to that lush piano break and then to that main melody!
4-Dimitris: It would be fantastic to talk about your remix on Tears Don't Mean You're Losing on FSOE. Please tell us the background details of this remix.
Amos & Riot Night: It was last year when Ciaran had approached me asking to remix one of his previous releases on Future Sound of Egypt, specifically Tears Don't Mean You're Losing. He always liked that track, but felt like he needed something with a little bit more punch for the clubs.
I knew straightaway that it needed to be a little bit more tougher, certainly in the kick/bass, but that emotion still needed to be there from the original that Ciaran did. Only things I really used from the original were the piano/vocals/guitars - these elements were key to make it known that this was 'that track'. Melody was completely brand new for it and I decided to go for a bit more of an oldskool Trance vibe, akin to some of the Trance being released around 2003/2004. Ended up coming out with this almost Nu-NRG inspired melody and the sound choice for it really showed that sorta sound! Then added my normal chord plucks where needed and just went from there!
5-Dimitris: How long it took you to produce this remix and can u describe the production process in simple steps?
Amos & Riot Night: In the case of the remix for Ciaran, production wise, this took no longer than a week or 2 I would say! It was one of those where everything just came together very quickly rather than trying to force anything out. It helped that I already had the parts there from Ciaran's original to give me a headstart. He then worked on the final master for it at his end and it turned out pretty big!
6-Dimitris: Also you just released the excellent Finally Able on Regenerate with Daniel Kandi. How this great track came about?
Amos & Riot Night: This time I'm teaming up with iconic producer Daniel Kandi. So about 2 years ago, Daniel was over in the UK for snooker related stuff, and we spoke at the time about meeting up and working on a track together. I mean, when in Rome right? He's always someone I've highly admired production wise over the years since I started out producing when I was 16/17 and now to be working with him and releasing with him is bit of a dream come true really! Double meaning to the 'Finally Able' name. Daniel was 'finally' using Ableton for the first time when we started the initial production phase, though he then did his magic finalising it in FL once I had the arrangement done at my end after our first session. The other part of the title is that I was finally able to speak my truth and that I can finally be my 100% real self.
So there we are :-)
7-Dimitris: Can u tell us about the production process of Finally Able too?
Amos & Riot Night: As for 'Finally Able', we both started it in person in an absolute sweat box of a studio in Sheffield. We got the main melodic parts of it laid out all in the first session as well as some of the foundations. I then took the project back home to Liverpool with me and arranged it out in full. There some bits specifically that Daniel had agreed to work on, i.e. transitions and of course the final mix/master. When I arranged it, I then sent over the parts to him for him to work his magic. Took a few sessions to get it right over a good while, but by the time the final master was sent, we knew we had a big one!
8-Dimitris: Did you had any particular difficulties accomplishing Finally Able or any specific technical challenges or obstacles that you had to overcome during its production.
Amos & Riot Night: I guess in the case of 'Finally Able', we had a great first session, but then because me & Daniel live in different countries, trying to get the time to work on the project wasn't always easy because we both had a lot going on in our lives, but we finally got it over the line!
9-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
Amos & Riot Night: Both equally! I am very fussy with vocals though as the songwriting has to be absolutely spot on.
10-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?
Amos & Riot Night: Ah I'm all over the artwork that Sean did for 'Finally Able'! It really captured the emotion in that perfectly. I'm finally on the other side of all the bullshit that came before me and I'm finally able to just be myself.
11-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Amos & Riot Night: I'll answer this in 2 ways. The 3 labels which have influenced my sound the most
Without question: Anjunabeats (specifically from 2005-2009)
This was for me its absolute peak of the proper melodic Trance. So many beautiful, yet equally powerful tracks that got released during that time! Some of them still stand the test of time to this very day. They still continue to be an absolute powerhouse in the industry, albeit different direction, but hugely admire them all the same.
Discover (2006-2011 era) - look, if you see some of the artists that have come out from that label and where they are now, it's plain to see why. Clean, tight, melodic, driving. Straight to the point.
Vandit - still equally as influential to me as it was when I first started out. So many iconic tracks released on that label. I'm proud to have had a release on there! Who knows when I'll be back! We shall see :-)
Which labels are my top right now?
Future Sound of Egypt - it's actually 3 years since my first release with them alongside Robbie Graham. Pretty much has been my mainstay since 2020 and long may it continue!
Borderline - the quality just coming out of that label is right up there as being the best right now! I've always been a huge fan of Activa since starting out production years ago and when he brought back Borderline, I just knew that the gear on that label will be just absolutely top class. Setting the standards right now. Consistent
Regen - no bias. Again, setting the standards for me! I'm always beaming ear to ear when I receive new music from Regen every time and Sean really knows how to get good quality control - so it's no surprise!
12-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
Amos & Riot Night: Argh I've been toying with the idea of an album on and off for some time, but due to other commitments, work, family life, etc, I've not really had a chance to properly think about it. It's not just something where I can easily bang a load of tracks together and bam, there's an album. It has to be a lot more to it. A real journey from start to end.
13-Dimitris: Are you happy about the quality of the tracks released in your preferred music genres? Please justify your answer with your opinion about it!
Amos & Riot Night: Don't get me wrong I'm all about Trance, but it really does need a massive overhaul and better quality control. Saying that though, there's a lot of shit in every genre. You just have to really trawl through and find the good stuff. It may be sitting there when you least expect it.
That being said, as great as it is that music production has become more accessible to others, when producers use templates and change only the key and the melody. I'm sorry that's fucking lazy. No wonder I see folk bitching about it, especially at the highest level.
Always start from scratch peeps.
14-Your current Top 3 tracks with short comment:
Amos & Riot Night:Ben Gold - Rest of Our Lives (Paul Webster Remix) - without question, the tune of the summer! Just a proper feelgood track, banging kick/bass, driving with a huge singalong chorus. Just how I like it!
Sneijder - Dawn - definitely older Discover meets early 2000s Trance. Really liking the gated riffs on this one!
Adrian Boland - Follow the Path - this one is due out very soon and I've been hearing snips of this from Adrian over a 2year period. He was that close to not putting this out, but damn the melody on this is just something special! It's a rarity that a Trance track genuinely leaves me beaming ear to ear from start to finish. This is definitely one of them! Really takes you on a journey! Huge props to Adrian for not giving up!
15-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
Amos & Riot Night: I'd definitely say I was Trance through and through. I will listen to anything and anything as a listener as long as it puts a big smile on my face. I often draw on other styles for inspiration, especially from a lot of rock music. Liquid DNB as well. I'm all about fusing bits and pieces together, but as long as it all makes sense sonically, then I'm easy.
Thanks so much to David for his precious time to answer this great interview.
Thanks so much to team FSOE for arranging and thanks to Regenerate team too.
Ciaran McAuley - Tears Don't Mean You're Losing (Amos & Riot Night Remix)
