Showing posts with label Conor Holohan. Show all posts

07:05:00

 

Conor Holohan is rapidly emerging as a prominent figure in the global trance music scene. Renowned for his high-energy DJ sets and emotionally resonant productions, Conor infuses every performance with raw energy and melodic finesse, earning him a devoted fan base and industry recognition. In a remarkably short span, he has secured releases on some of trance’s most esteemed labels, including John O’Callaghan’s Subculture, Black Hole Recordings, and Giuseppe Ottaviani’s GO Music. His signature sound—an electrifying blend of driving rhythms and uplifting melodies—continues to captivate trance enthusiasts worldwide. Conor’s exceptional DJ skills have taken him to iconic venues across Europe, including a memorable set at Liberation London at the legendary Fabric. He has shared the stage with trance legends such as Paul van Dyk, John O’Callaghan, and Bryan Kearney, solidifying his reputation as a rising force in both the DJ booth and the studio. With his momentum building and unwavering passion for the craft, Conor Holohan is poised to become one of trance music’s defining voices in the years to come.





We’re thrilled to welcome Conor back to Flux BPM Online for an exclusive interview as he shares insights into his creative process, details behind his latest Subculture release, “My Own Eyes,” and his aspirations for the future of trance music.

Dimitris: How does your new track reflect the evolution of your sound since you first started producing music?

Conor Holohan: This track represents a real turning point for me because it strips everything down to the core of what I love about making music. When I first started producing, I was experimenting with layers and complex textures, trying to find my voice. Over time, I’ve learned that my sound is strongest when it’s honest and uncluttered. With this release, I focused on creating something raw and pure, letting each element have its space. It reflects the confidence I’ve gained in trusting simplicity and the evolution of my style toward a more authentic expression of who I am as an artist.




Dimitris: Which synthesizers, plugins, or software did you rely on most for crafting the core sounds of this track?

Conor Holohan: I produced the track in Cubase, drawing heavily on a variety of powerful synths. For the core sounds, I relied on Sylenth, Spire, Diva, Omnisphere, and Nexus. Each played a key role in shaping the overall texture and feel of the track.

Dimitris: How do you integrate hardware synthesizers or drum machines with your software setup during production?

Conor Holohan: I usually stick to using drum samples rather than integrating hardware synthesizers or drum machines with my software setup. This approach keeps my workflow simple and efficient, focusing on arranging and processing high-quality samples within the software environment.

Dimitris: How has your use of effects processing—whether through analog gear or digital plugins—evolved, and how did it shape the atmosphere of this track?

Conor Holohan: Over time, my approach to effects processing has shifted from relying heavily on analog gear to a more hybrid workflow that combines the warmth of hardware with the precision and flexibility of digital plugins. For this track, I focused on using Omnisphere for its lush textures and layered atmospheres, while also experimenting with delay and reverb plugins to create a spacious, immersive feel. The vocal hook I created became the centerpiece, and by processing it with subtle modulation and ambient effects, it really tied the mood of the track together.

Dimitris: How do you approach layering sounds to create depth and texture, and what specific methods or hardware did you apply in this track?

Conor Holohan: This time around, I focused on quality over quantity. I chose fewer layers but made sure that each sound had its own strong character and occupied a distinct space in the mix. I started with a solid foundation—rich, full bass tones combined with a clear rhythmic element. Then I carefully introduced mid-range textures and subtle atmospheric layers, using panning and reverb to give a sense of dimension. For this track, I leaned on a combination of analog synths and digital production tools, shaping each sound with EQ and compression so they complement each other rather than compete. The result is a cleaner, more impactful arrangement where every element feels intentional and contributes to the overall depth and texture.



Future Plans:

Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?

Conor Holohan: I’m excited about the year ahead! My primary goal is to release more music on Subculture in 2026, continuing to share tracks that reflect my evolving sound and connect with listeners worldwide.

Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?

Conor Holohan: I’ve got some exciting plans ahead! Alongside the shows I have lined up for this year and next, I’m also working on new music that I hope to release soon. I’m exploring a few collaboration opportunities with artists I really admire, and I’m eager to bring some fresh sounds to my audience. Plus, I’m planning to expand my live performances to new cities and venues, creating a more immersive experience for fans.

Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?

Conor Holohan: Absolutely! I’ve always admired the work of John O’Callaghan, Paul Denton, Nikolauss, and Lostly, so collaborating with any of them would be a dream come true. Their styles align perfectly with the kind of music I love to create, and I think working together could bring out something really special. I haven’t had the chance to explore those collaborations yet, but it’s definitely on my list for the future.

Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?

Conor Holohan: I believe AI technology is going to play a major role in the future of electronic music production, especially in areas like sound design, composition, and creating unique textures that might be hard to achieve manually. I’ve already started experimenting with it—AI actually generated the vocal hook for my track My Own Eyes. It’s exciting to see how these tools can spark creativity and open up new possibilities for producers.


Personal Insights:

To wrap things up, we'd love to get a glimpse into your personal life and philosophy. These insights help us understand the person behind the music.

Dimitris: How do you maintain a balance between your personal life and your music career?

Conor Holohan: Balancing my personal life with my music career is definitely a challenge, but I’ve found a rhythm that works for me. I work full-time and I have a young family, so I dedicate most of my music time to the evenings or whenever I can carve out free moments. Over the past few months, I’ve built a routine that allows me to stay consistent without sacrificing family time. It’s really been paying off because I feel more focused, and I can see my music improving with every session.




Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?

Conor Holohan: My biggest advice is to stay true to yourself and develop your own sound. Take your time to learn the craft, because growth in this industry is a gradual process. Don’t be afraid to reach out for guidance when you feel stuck—there are so many experienced producers who are willing to share their knowledge and help you along the way.

Dimitris: Can you walk us through your DJing process—from track selection to live mixing? How do you curate a set that resonates with different audiences?

Conor Holohan: Most of my sets start with a vision of the energy I want to create in the room. I like to include some unreleased tracks I’ve produced to gauge the crowd’s reaction and see how they flow in a live environment. From there, I blend a mix of new discoveries and timeless favorites, carefully balancing familiar hooks with unexpected twists. I pay close attention to the audience—reading their energy helps me decide when to build tension, when to drop something heavy, and when to pull back for a more atmospheric moment. My goal is to create a journey that feels tailored to the specific crowd, keeping them engaged and connected throughout the set.


Dimitris: Please tell us your final statement to our readers who will read this interview. 

Conor Holohan: Thank you for giving me the opportunity to speak to your readers. I hope that those who read this interview come away with a better understanding of my work and what drives me every day. I would encourage anyone with an interest in music to follow along, join the conversation, and never hesitate to reach out with questions or ideas. Your curiosity and engagement are what keep this field exciting and meaningful. Thank you again for having me, and I look forward to connecting with your readers in the future.

Dimitris: As we wrap up our conversation with Conor Holohan, several key points stand out from this insightful interview. Conor shared how his latest release, “My Own Eyes,” marks a turning point in his artistic journey, embracing simplicity and authenticity in his sound. He detailed his production process, highlighting his reliance on powerful synths like Sylenth, Spire, Diva, Omnisphere, and Nexus, as well as his thoughtful approach to layering and effects to create depth and emotion.

Conor also offered a glimpse into his forward-looking ambitions, including new releases on Subculture, potential collaborations with artists he admires, and expanding his live performances to reach new audiences. He expressed excitement about how AI is shaping the future of electronic music, even revealing that it played a role in generating the vocal hook for his new track.

On a personal level, Conor spoke about balancing a full-time job, family life, and his music career. His advice to aspiring DJs and producers was clear: stay true to your sound, take time to grow, and seek guidance when needed. Finally, he left a heartfelt message to readers, encouraging curiosity, engagement, and a passion for music.

We thank Conor for sharing his journey and insights, and we look forward to his continued rise in the global trance scene.

I want to express my sincere gratitude to the Subculture team for organizing this interview.

22:20:00

 




Conor Holohan releases his new single "INSIDE," a stunning uplifting and tech trance hybrid arriving courtesy of Dreamstate Records.

Dublin-based producer Conor Holohan is a fast-rising Irish talent that has been turning heads within the trance community, pouring his production skills into uplifting, tech and progressive trance creations. He's making his debut appearance on Dreamstate Records with his new single. "INSIDE" is a high-octane trance construction, bridging the gap between uplifting and tech with its thumping groove, lush arpeggiations, glistening padlines, and soft touches from its echoing saccharine vocal loops.








Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Conor Holohan – INSIDE [/item]
[content title="Summary" label="Overall Score"]Conor Holohan has emerged as a prominent producer in the music scene, showcasing an impressive array of productions that consistently captivate audiences. His latest release, the anthem "INSIDE," exemplifies his remarkable ability to craft tracks that are tailor-made for monumental sound systems, particularly at renowned festivals like Dreamstate. The track "INSIDE" opens with solid, pounding kicks that establish a dynamic foundation, setting the pace for a journey through complex soundscapes. The metallic basslines resonate with a vibrant energy that complements the thunderous drums, creating an irresistible rhythm that draws listeners in. Holohan’s mastery over melodic content is evident as heavenly female vocal choruses guide the composition into a profound breakdown. This section is rich with stunning sonic soundscapes, and the use of massive drum rolls combined with ethereal, synthy plucks serves to elevate the listener’s experience, touching deeply on an emotional level.
As the track progresses, it seamlessly transitions into a frenzied, rough bass-focused tech trance segment. This part is engineered perfectly to invigorate large crowds, encouraging them to move energetically to the beat. Holohan’s skill in layering melodic synthetic elements becomes apparent as he shifts the composition to cater to uplifting trance enthusiasts. The melodic synth layers provide a euphoric atmosphere, allowing fans to soar with hands raised high, fully immersed in the epic and enveloping theme that Holohan has meticulously crafted. From a technical perspective, "INSIDE" is a testament to Holohan’s proficiency in balancing complex sound structures and maintaining clarity across the sonic spectrum. The production showcases meticulous attention to detail, from the precision in drum programming to the immaculate synthesis of harmonic elements. Each component is engineered to contribute to a cohesive and powerful auditory experience. With "INSIDE," Conor Holohan not only delivers a tune worthy of the Dreamstate Records label but also pushes the boundaries of what is possible in tech trance production. His ability to blend technical prowess with creative flair results in a track that is as much a technical achievement as it is a musical triumph. "INSIDE" is indeed a pure gold production, highlighting Holohan’s potential to become a leading figure in the electronic music industry. #PureGold #LoveIT [/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]




Additional info:

21:09:00

 


Conor Holohan is an Irish Trance dj & producer

He has released on labels such as Subculture, Go Music , Black Hole recordings & more.

His latest track Physical Universe is out 9th of June on Subculture. We are glad that we have the opportunity to have an interview with him and find out about his new track and future endeavors. Enjoy reading his answers. 



1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.

Conor Holohan: - Playing Liberation at Fabric London
-

- Releasing two tracks on the Go Music master class Eps
- Signing to SUBCULTURE

2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?

Conor Holohan: I started because I was always into trance since a young age and I was always traveling to events to see my favourite DJs. I was always learning to play the decks at the after parties and getting tips off some friends. Saved up to buy my first set on Numark decks and then a few years later started to learn music production from Full Tilt studios and my good friends Shane Kinsella

3-Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?

Conor Holohan: - John O'Callaghan
                             - Bryan Kearney
                             - Giuseppe Ottaviani
                             - Carl Cox

4-Dimitris: It would be fantastic to talk about your track Physical Universe on Subculture. Please tell us how this track came about and what was the idea behind it.

Conor Holohan: I started this track with my target label in mind Subculture. I was tailoring the sounds to what i believe would suit the label. I had 2 different version of this but one was a full tecky track and the other was Uplifting one couldn't decide on which to go ahead with of my friends thought the vocal would be cool on the breakdown so I added that and decided Uplifting was the way to go. Delighted I made that decision.

5-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?

Conor Holohan: Produced over a few weeks doing a few hours here and there between my full time job and family. The track is actually very simple not to many elements in the track just all the right sounds.




6-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.

Conor Holohan: Not really. It's a very simple track.

7- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?

Conor Holohan: I use both Abelton and Cubase and I'm very comfortable with both Daws. If that's the way the movement is going I better start to learn on more analogue because the only piece of equipment I use is a midi launch keyboard.

8-Dimitris: Do you prefer instrumental dance tracks or you adore vocals? Please explain to us your position and if in your latest production you have vocals tell us how did you choose the specific singer and if it was great to work with her/him?

Conor Holohan: The vocal for  this track came from splice

9-Dimitris: If you really like to produce vocal tracks which vocalist/singer or lyricist on electronic dance music you aspire to work with?

Conor Holohan: Deirdre McLaughlin, Roxanne Emery

10-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?

Conor Holohan: Yes I love it

11-Dimitris: Can you pick your top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about them?

Conor Holohan: Subculture, Go Music, Kearnage


12-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?

Conor Holohan: Not at the moment but when I start to get more established I might consider an artist album as I've loads of track I'd love to feature on it.

13-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?

Conor Holohan: I used both Facebook and Instagram the only promotion I do is when I've a track coming up for release or post a video or pick when I'm in the studio working on new material

14-Dimitris: Do you have any gigs/festival performances confirmed so far for 2023 in which ones are you most excited to perform and why?

Conor Holohan: Playing for Sub Groove event's in Portlaoise Ireland - 17th June


15-Dimitris: Many DJs who are producers too they offer online masterclasses or teach to music production courses. If you are offering any of these services please tell us about it.

Conor Holohan: I don't offer any but I can recommend the Giuseppe Ottaviani Masterclass and Liam Willsons Teach me production portal. These both have brought on my productions so much.

16-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and the artists who are attempting to mix influences from various genres in their tracks?

Conor Holohan: Trance


17-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?

Conor Holohan: Part time as I have a full time job and a small family

Thanks to Conor for his time to answer to this interview.

Thanks to Robbie at Subculture for arranging this interview.

Additional info:
https://twitter.com/SubcultureJOC


Flux BPM Online, 2026. Powered by Blogger.