Future Sequence proudly presents The Path 3.33 by DuMonde — mixed by JAMX & D.Mand. DuMonde are internationally renowned for their iconic remixes for Barthezz, Alice Deejay, Binary Finary and many more — productions that have shaped the golden era of Trance and remain some of the genres most beloved classics. Now, The Path 3.33 is a stunning Uplifting Trance Song: a soaring melody, energetic drive, and emotionally charged atmosphere that ignites pure euphoria on the dance floor. Close your eyes, feel the rush — let The Path 3.33 guide you into the light.
DuMonde note about the video: This video is inspired by the lyrics and soul of the new DuMonde track (The Path 3.33) and portrays the “day after” — the morning following a symbiotic awakening of humanity.
A mystical sign, the “333 Monk Protector,” breaks through the chaos of the modern world, connecting Europe from Lisbon to Istanbul.
The journey moves through cities in Portugal, Italy, Spain, the United Kingdom, the Netherlands, Germany, Turkey, France, Belgium, the Vatican, Denmark, and Greece, making one thing clear: despite growing divisions, we are one.
The final chapter unfolds in the gardens of Versailles, where the cycle of life becomes visible — from children at play, to lovers hand in hand, to the quiet twilight of age. A reminder of how fleeting time is, and that in the end, we are all part of the same cycle.
[content title="Summary" label="Overall Score"]DuMonde’s The Path 3.33 (JAMX & D.Mand Mix) is a masterclass in Uplifting Trance artistry, delivering an extraordinary listening and dance floor experience that resonates on both a technical and emotional level. This 142 BPM hard trancer is a testament to the duo’s legacy, combining precision sound design, euphoric melodies, and a driving rhythmic structure that keeps energy levels soaring. Below is a breakdown of the track’s performance across all critical criteria. The track’s rhythmic foundation is impeccable. The powerful kick drum, layered with tightly compressed percussions and syncopated hi-hats, establishes an energetic pulse that drives the listener forward. The groove is enhanced through rolling offbeat basslines and carefully placed clap/snare patterns, creating a hypnotic dance-floor momentum that encourages physical movement, perfect for aerobic or fitness-based routines. DuMonde’s signature melodic approach shines here. Expansive supersaw leads and lush harmonic pads interweave to form a rich sonic tapestry. The central melodic hook is instantly memorable, fostering high emotional engagement. Trance melodies like this have been linked to positive emotional stimulation, releasing dopamine, which can elevate mood and improve motivation during exercise or wellness activities. The track’s structure is meticulously crafted. Build-ups employ filtered sweeps, rising white noise, and rhythmic gating to incrementally raise tension before the massive drops. Each transition feels seamless, contributing to the track’s dynamic storytelling. The breakdown, featuring a poignant male spoken vocal sample, provides a brief emotional respite before catapulting the listener into euphoric release. From start to finish, The Path 3.33 maintains a relentless energy profile. Strategic modulation of intensity—through breakdowns, risers, and explosive drops—ensures the track never stagnates. This energy flow mirrors principles in exercise music design, where fluctuating intensity levels sustain engagement and endurance. The mixdown exemplifies professional trance production. Each element occupies its own frequency space, with crisp highs, full-bodied mids, and a deep, punchy low end. The basslines are tight and controlled, while the lead synths are expansive without overpowering the mix. Subtle use of reverb and delay creates spatial depth, allowing the track to envelop the listener. While adhering to trance conventions, the track distinguishes itself through its emotional spoken sample and dramatic harmonic progression. The arrangement tells a sonic story, gradually shifting from darker, driving elements to luminous, uplifting sections. Creative use of stereo imaging and reverb tails immerses the listener in a three-dimensional soundscape. Delays, phasers, and subtle pitch modulation build a sense of motion and expansiveness, perfect for large-scale club or festival playback. Despite its high-energy profile, the track maintains impressive dynamic balance. The loudness is competitive for club settings yet leaves room for transient impact in kicks and snares. This careful mastering ensures clarity without listener fatigue, which is beneficial for extended listening in wellness and fitness sessions. From its opening bars, The Path 3.33 draws listeners into an immersive trance journey. The atmospheric pads and cinematic effects create a sense of elevation and escapism, which research correlates with stress reduction and enhanced mindfulness during rhythmic activities. The combination of euphoric synths and emotional vocal sample evokes nostalgia and triumph. Studies in music psychology show that uplifting music with predictable patterns and harmonic resolution can increase serotonin levels, improving mental well-being. DuMonde’s distinctive style—energetic yet soulful—is fully present. The fusion of hard trance drive with anthemic emotion contributes to the track’s enduring artistic identity. The track’s flow from intro to outro feels like a deliberate journey. The progression from tension to release and eventual resolution mirrors the narrative structure often seen in peak-time trance classics. The male spoken vocal is used sparingly but effectively. It enhances the emotional arc of the track without distracting from the instrumental intensity, adding a layer of human connection. Memorable melodic motifs and a driving rhythm guarantee high replay value. This quality makes the track a perfect candidate for fitness playlists or meditation through movement sessions. Engineered for massive sound systems, the track thrives in large venues. Its blend of power and clarity ensures impactful crowd reactions. Thoughtful DJ-friendly intros and outros provide clean, extended sections for harmonic mixing and layering, making it versatile for live performances. At a steady 142 BPM, the track is easy to beat-match with other trance or hard dance productions, ensuring seamless integration in DJ sets. The track’s structure presents multiple clean cue points and looping options for live remixing or extended club play. The dynamic energy peaks and troughs are perfectly balanced to incite peak-time euphoria and collective crowd response. Such music elevates mood and synchronizes group movement, amplifying the social bonding effects of music. Scientific studies show that high-tempo, harmonically rich music like uplifting trance can enhance mood, reduce stress, and support cognitive flow states (Thoma et al., 2013; Chanda & Levitin, 2013). Regular engagement with energetic music during fitness or dance-based wellness classes improves motivation and endurance (Karageorghis & Priest, 2012), while fostering emotional catharsis and social connection. #PureGold Loveit[/content]
Suggested Bibliography Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193. Karageorghis, C. I., & Priest, D. L. (2012). Music in sport and exercise: An update on research and application. Sport Sciences Reviews, 40(1), 44–55. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
In 1999, "Follow Me" emerged produced by Claus Terhoeven (Cosmic Gate), Erich Schmeier, and Andre Wevers. This Anthem quickly became a worldwide club hit, with iconic mixes by Timo Maas, Cosmic Gate and DJ JamX & De Leon’s DuMonde. It was released on Drizzly Music Sublabel "Club Guerilla".
Twenty-six years later, the very known producer DuMonde, JAMX, and D.Mand have reunited the legacy with a contemporary rework of their classic mix. The new version is high-energy and primed for primetime, built to ignite main stages and festival arenas.
As with the original, the melody remains infectious and instantly recognizable, delivering 100% euphoria from intro to outro. A fresh production sensibility sits alongside beloved motifs, ensuring both nostalgia and modern club dynamics.
Green Court had in the 1990s and 2000s, together with Marc Dawn and De/Vision, several successful tracks in the Media Control Charts.
About the remixer : German Hard Trance project DuMonde emerged in 1997 as a collaboration between René Dumont, Jürgen Mutschall, and Dominik de León. With a powerful blend of euphoric melodies and driving energy, the project quickly carved out a space in the international trance scene. Their early release Tomorrow (1998) became a breakthrough success, entering Germany’s Top Ten and appearing on numerous major label compilations worldwide. Further success followed with subsequent singles as See the Light (1999) and Just Feel Free (Tomorrow 2000).
In early 2001, René Dumont left the group. DuMonde continued as a duo, releasing iconic trance tracks as Never Look Back, Memory, God Music, Human, and Ich will raus / Let me out —timeless anthems still heard in clubs today.
Their remixes for Binary Finary, Alice Deejay, Push, and Barthezz showcased their distinct sound and secured their place in the golden era of trance. Mutschall (aka JAMX) and de León (aka De Leon) became key figures in shaping the early 2000s German trance scene.
After disbanding in 2007 to pursue solo careers, DuMonde made a surprise comeback in 2024 with Sometimes. Now led by founding member Jürgen Mutschall and joined by producer Daniel Körber (aka D.Mand), DuMonde is once again pushing trance forward—honoring their roots while embracing the future.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Green Court meets DuMonde - Follow me (JAMX & D Mand Rework 2K25) [/item]
[content title="Summary" label="Overall Score"]The 2025 rework of “Follow Me,” crafted by the legendary DuMonde aka JAMX and D.Mand, is a masterclass in modern trance production. At 143 BPM, the track immediately propels listeners into a state of high-energy euphoria, perfectly aligning with the ethos of festival-ready, mainstage anthems. The rework intelligently condenses its arrangement compared to the original, delivering a more compact punch designed for instant impact in both live sets and digital playlists. From a technical production perspective, the track demonstrates exceptional rhythm, groove, and drive. Layered percussive elements and a tight kick-bass relationship create a propulsive low-end foundation, ensuring seamless energy flow across transitions, drops, and build-ups. Harmonic layering is meticulously executed, with arpeggiated synths and shimmering pads that maintain melodic hooks while providing a rich stereo field. The sound design stands out with modern trance textures—crystalline leads, warm midrange plucks, and atmospheric sweeps—crafted to produce both emotional depth and club-ready impact. The arrangement and structure are highly cohesive, dynamically balancing tension and release. Shorter segments and strategic cue points allow DJs to integrate the track effortlessly into live sets, while carefully-engineered transitions maximize crowd reaction potential. The use of effects and spatial processing—such as stereo delays, reverb swells, and automated filter sweeps—immerses the listener in a multidimensional soundscape, enhancing both atmosphere and emotional resonance. Beyond its club and festival suitability, this rework has notable applications in fitness and wellness contexts. High-BPM electronic music has been shown to elevate heart rate and endurance, supporting performance in cardio workouts, spin sessions, and high-intensity interval training (HIIT). Research by Karageorghis & Priest (2012) highlights how rhythmic, high-tempo music can increase motivation and reduce perceptions of effort during exercise. Furthermore, the euphoric melodic structure of trance music has been associated with positive effects on mental health, including stress reduction and mood enhancement, due to the release of dopamine and endorphins during engaging music experiences (Koelsch, 2010). Listeners may also experience an immersive flow state, where the combination of dynamic range, harmonic development, and pulsating rhythm promotes focus and emotional uplift. This makes the track a valuable addition not only to DJ sets but also to playlists for wellness classes, guided movement sessions, and mindful high-energy activities. In conclusion, “Follow Me (JAMX & D Mand Rework 2K25)” exemplifies the perfect balance between nostalgia and innovation. It manages to honor the original’s legacy while delivering a contemporary sonic experience suitable for festivals, clubs, fitness environments, and even mental wellness applications. Its technical precision, emotional impact, and physiological benefits underscore why this rework is a 10/10 across all evaluated criteria. #PureGold Love IT [/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis (Part I and II). International Review of Sport and Exercise Psychology, 5(1), 44–79.
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131–137.
Thaut, M. H. (2005). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. Routledge.
Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511.
Blood, A. J., & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. PNAS, 98(20), 11818–11823.
DuMonde’s return to ZYX Trance with their JAMX & D.Mand’s remix of “Dying Of The Light” featuring Shaun Baker is a game-changer for DJs. This remix, set at 142 BPM, masterfully blends hard and uplifting trance, making it essential for both genres. The tough basslines and techy kick drums create a powerful dancefloor foundation, while metallic, bouncy drums add complexity. The main section features synthy stabs and an epic breakdown with orchestral strings and synths, enhanced by Shaun Baker’s compelling narration. The intense build-up and explosive beats deliver the classic DuMonde sound, with a rough final section perfect for transitioning between uplifting and harder trance sets. An instrumental version is also included, offering DJs versatility. This remix is a must-have for infusing sets with timeless energy and emotional resonance.
Dimitris Kechagias Review: [review top="1"] [item value="10"]DuMonde - Dying Of The Light (feat. Shaun Baker)(JAMX & D.Mand Remix)[/item]
[content title="Summary" label="Overall Score"]DuMonde’s return to ZYX Trance with JAMX & D.Mand’s remix of “Dying Of The Light” featuring Shaun Baker is a masterclass in modern trance production. Clocking in at 142 BPM, the track is meticulously designed for DJs seeking a perfect blend of hard and uplifting trance. The foundation of the remix lies in its rhythm, groove, and drive, with techy kick drums and tough basslines forming a relentless backbone. Metallic, bouncy percussion layers add dynamic movement, creating a sense of propulsion that keeps the dancefloor alive. Throughout the mix, the BPM remains consistent, ensuring seamless syncing and effortless integration into professional sets. The melodic hooks and harmonic layers shine in the main breakdown, where soaring synth stabs meet orchestral strings for an epic and cinematic effect. Shaun Baker’s vocal narration is used with precision, adding emotional resonance without overpowering the instrumental energy. The harmonic depth is further enhanced by carefully placed pads and atmospheric effects, which contribute to the track’s immersive quality and spatial design. Each melodic element is deliberately layered to maintain cohesion and storytelling, creating a journey that flows naturally from one section to the next. Transitions, drops, and build-ups are executed with surgical precision. The track features a dramatic orchestral breakdown that builds into an explosive peak, delivering the signature DuMonde energy. Filter sweeps, risers, and perfectly timed effects contribute to the tension and release, while the drop lands with maximum impact. The final section leans into rougher, hard-trance elements, a clever production choice that allows DJs to transition from uplifting to more aggressive set directions. Cue points and loop potential are abundant, giving performers versatile control in live environments. From a technical standpoint, the sound design and production quality are top-tier. The mix maintains excellent dynamic range and loudness balance, ensuring that every element—kicks, basslines, synths, and vocals—sits in its own space without compromising overall punch. The use of stereo imaging and reverbs enhances the track’s spatial character, creating a three-dimensional listening experience. Effects are utilized not as gimmicks but as narrative tools, contributing to the track’s cohesion and artistic identity. Overall, this remix is a testament to DuMonde’s enduring creativity and JAMX & D.Mand’s technical prowess. It excels in atmosphere, energy flow, and crowd reaction potential, making it a must-have for both club and festival settings. With its emotional resonance, catchiness, and replay value, “Dying Of The Light” stands out as a versatile and timeless addition to any trance DJ’s arsenal, complete with an instrumental version for even greater performance flexibility. #PureGold Love IT[/content]
DuMonde makes a powerful return with Dying Of The Light (feat. Shaun Baker) on ZYX Trance, blending hypnotic 303 acid lines with the evocative vocals of Shaun Baker, famed for Explode. At 142 BPM, the track boasts gritty, layered basslines, tech-infused drum patterns, and DuMondes signature resonant, tribal-style kick. The intense 303 acid lines, crafted with dynamic modulation, create a squelchy, hypnotic groove that bridges euphoric synths with pulsating beats. Shaun Bakers poignant spoken vocals add emotional depth, while an alternate instrumental version highlights DuMondes intricate soundscapes. Dying Of The Light is a hard trance masterpiece, solidifying DuMondes legendary status with Shaun Baker emblematic vocals out now on ZYX Trance!
Dimitris Kechagias Review: [review top="1"] [item value="10"]DuMonde - Dying Of The Light (feat. Shaun Baker)[/item]
[content title="Summary" label="Overall Score"] DuMonde makes a powerful return with "Dying Of The Light" (feat. Shaun Baker) on ZYX Trance, a track that masterfully intertwines technical prowess with emotional resonance. This hard trance masterpiece, set at an energetic 142 BPM, showcases DuMonde's signature production finesse and Shaun Baker's evocative vocal delivery, creating a compelling auditory journey. The track’s foundation is built upon hypnotic 303 acid lines, meticulously crafted through dynamic modulation techniques. These acid sequences employ varying resonance and cutoff settings, producing a squelchy, pulsating groove that ebbs and flows with hypnotic intensity. The modulation effects are not merely for aesthetic; they serve as a bridge, seamlessly connecting euphoric synths with the track’s driving beats. Beneath the acidic layers lies a bedrock of gritty, textured basslines. DuMonde employs multi-layering techniques, blending analog-style sub-bass with midrange growls that enhance depth and warmth. The basslines interact fluidly with tech-infused drum patterns, where crisp hi-hats, sharp snares, and meticulously programmed percussions create a rhythmic complexity that propels the track forward. Central to "Dying Of The Light" is DuMonde's resonant, tribal-style kick drum—a hallmark of their sound. This kick is crafted with precision, balancing punch and warmth to ensure it cuts through the dense mix without overpowering other elements. The kick’s resonance adds a primal, pulsating energy, anchoring the track’s high-frequency elements. Shaun Baker’s poignant spoken vocals infuse the track with emotional gravitas. His delivery is raw and heartfelt, contrasting beautifully with the mechanical precision of the instrumental. The vocals are processed subtly, with slight reverb and delay effects that enhance their presence without diminishing their authenticity. For enthusiasts seeking a pure instrumental experience, the alternate version strips back the vocals, placing DuMonde’s intricate soundscapes at the forefront. Here, the nuanced synth work shines, revealing layers of arpeggios, atmospheric pads, and evolving textures that might be missed beneath the vocal mix. "Dying Of The Light" is not just a hard trance track; it’s a testament to DuMonde’s enduring legacy in the genre. Their blend of technical mastery and emotional storytelling, enhanced by Shaun Baker's emblematic vocals, cements this release as a standout on ZYX Trance. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
DuMonde returns with a fresh yet familiar sound! Born from experimenting with vocal samples and epic melodies, their latest track bridges their classic style with a modern twist. Originally crafted as DJ bootlegs, the effortless creativity evolved into a monumental production. Experience the sound that defines DuMonde’s exciting new chapter!
[content title="Summary" label="Overall Score"] Legendary hard trance duo DuMonde returns with their highly anticipated release, “Light Beyond The Shadows.” Renowned for their dynamic soundscapes and groundbreaking tracks, DuMonde has consistently pushed the boundaries of trance music since their inception in the late 1990s. Collaborating with iconic artists such as Talla 2XLC and releasing on esteemed labels like High Contrast Recordings, DuMonde has established itself as a cornerstone in clubs and festivals globally. “Light Beyond The Shadows” marks DuMonde’s triumphant return, embodying the fervor and energy of their classic sound while embracing the innovations of contemporary trance. The track is a powerful hard trance anthem, reminiscent of their late 1990s classics, yet imbued with a modernized style that will captivate both novices and seasoned enthusiasts. Featuring robust techy basslines, raw drums, a punchy kick, and exceptional synths, the track culminates in a breathtaking breakdown. This breakdown is adorned with cinematic effects, emotive strings, and an inspiring male spoken vocal sample that conveys a message of hope and perseverance in the face of adversity, leading into grand swirling synths that evoke a sense of awe and exhilaration. The euphoric climax of the track is tailored for large audiences, enhanced by a melancholic pizzicato piano melody that adds a profound emotional depth. “Light Beyond The Shadows” transcends its status as a mere track, embodying an immersive experience that solidifies DuMonde’s legendary status within the trance music realm. With this release, DuMonde positions itself to reclaim its dominance in clubs and festivals, showcasing its unique sound to the forefront of the global trance stage. This unforgettable track possesses the potential to become an anthem, a timeless classic etched in the hearts of fans worldwide. Join the resurgence of DuMonde’s legacy as “Light Beyond The Shadows” graces the airwaves and dance floors, leaving an indelible mark on the trance music landscape. #PureGold Love IT [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
About DuMonde:
DuMonde is a German trance and hard trance project established in 1997 by musicians Jürgen Mutschall (JAMX) and Dominik de León (De Leon). Their debut single, “Tomorrow,” contributed to the late 1990s surge in popularity of trance music in Europe. Subsequent singles, including “See The Light,” “Never Look Back,” and “God Music,” along with successful remixes for acts such as Binary Finary, Sash!, Rank 1, Push, and Alice Deejay, solidified their position as prominent figures in the mainstream German trance scene. In 2007, the duo decided to pursue solo careers.
DuMonde made a comeback in 2024 with the release of the single “Sometimes.” The current iteration of the project comprises founding member Jürgen Mutschall, who is assisted by studio collaborator D.Mand, a German producer and audio engineer.
DuMonde, a German trance and hard trance project established in 1997 by musicians Jürgen Mutschall (JAMX) and Dominik de León (De Leon), gained prominence with the success of their debut single, “Tomorrow.” This marked their entry into Europe’s late 1990s embrace of the trance music genre. Subsequently, they released subsequent singles such as “See The Light,” “Never Look Back,” and “God Music,” along with a series of successful remixes for renowned acts like Binary Finary, Sash!, Rank 1, Push, and Alice Deejay. This contributed to their status as influential figures within the mainstream German trance scene. In 2007, the duo decided to pursue solo careers. DuMonde made a comeback to the music industry in 2024 with the release of the single “Sometimes.” The current iteration of the project comprises Jürgen Mutschall, the founding member, with studio assistance provided by compatriot Daniel Körber (D.Mand), a German producer and audio engineer.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Dumonde - Never look back (Rework Mmxxv Extended) [/item]
[content title="Summary" label="Overall Score"] Dumonde, following their successful collaboration with Talla 2XLC, returns with their inaugural release of 2025 on their influential label, F8Tunes. This brilliant rework of their international anthem, “Never Look Back” (Rework Mmxxv Extended), breathes new life into the classic. The original track, renowned for its formidable basslines, epic synths, and harmonious blend of English and German female vocals, captivated audiences for years. Now, in 2025, “Never Look Back” emerges with a fresh and rejuvenated rework. The bassline retains its strength while incorporating a psychedelic trance edge, complemented by a razor-sharp kick, punchy drums, and an exceptional arrangement that builds tension towards the breakdown. Enshrouded in a cinematic and mysterious atmosphere, the brilliant colorful synths and unforgettable vocals, which seamlessly blend spoken phrases with a catchy singing-along melody, create a palpable sense of excitement and elevate the dancefloor to new heights. The climax is powerful and well-crafted, ensuring an uninterrupted dance experience that leaves listeners in a state of euphoria. Dumonde’s sound deserves further recognition, and we eagerly anticipate future releases that may include reworks of classic tracks and new compositions. #PureGold Love IT
[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
That’s Trance proudly presents the long awaited, and fans requested collaboration between the label owner Talla 2XLC and the legendary DuMonde aka Jam X from Koblenz, Germany. DuMonde started as common project between Jürgen Mutschall and Dominik De Leon. Nowadays the project carries on with Jurgen as the driving force and D.Mand as the co-producer. Recently Jam X had a massive hit on A State Of Trance with Unique. The track was included on Armin’s van Buuren legendray ASOT compilation too. Now it’s the right time for the good friends Talla 2XLC and DuMonde to meet for the ultimate hard trance anthem Sometimes on That’s Trance. The track adopts the well known ultra tough and hard metallic kick along with that deep pounding bass and earth shaking drums creating the unmistakable tough beat that characterize the DuMonde style from the late 90’s. The anthemic razor shap synthy riff appears recalling trance classics and bringing to the surface waves of uncontrollable nostalgia.
The breakdown is long, cinematic with huge hair raising synths, big atmospheric orchestral strings and fantastic male spoken vocals, with great lyrics that any trance fan will identify for sure. Lyrics invite us to look back and reflect on our relationships with our friends from the past comprising moments of happiness and sadness with crazy laughs and sometimes tears as well. Deep thought provoking lyrics that talk straight into human soul, and definitely will bring havoc on any trancefloor. The climax is euphoric and highly energetic as it can get, with pounding beats, raw basslines and the fantastic synthy hook doing the right damage. Old trance fans will be delighted to check it out, and hopefully the new trance friends will appreciate it, and feel the instant hook, with that very personal unique sound of DuMonde & D.Mand, who deliver the first version of Sometimes. We are looking forward for the Talla 2XLC remix as well. DuMonde meets Talla 2XLC with the nostalgic Sometimes on the rocking JamX & D.Mand Mix is out now on That’s Trance.
Lyrics
Sometimes it was hard
Sometimes so crazy
Sometimes we laughed
And other times we just cried
But now, I reflect and look back at this time with great joy
No regrets
I think not, that anything or something was wrong.
Old has gone, and the new has just begun
For the past shapes the future and can not be forgotten, the new is different, but somehow not.
Yesterdays Friends are gone, and today’s friends have just arrived
Sometimes it was hard
Sometimes so crazy
Sometimes we laughed
Sometimes we just cried
Read the interview about the track with JAMX/DuMonde HERE
Jürgen Mutschall a.k.a. JamX began his dj’ing career playing „Neue Deutsche Welle“ and „Italo Disco“ diversifying into House, Funk, Soul, R&B and Hip Hop. In 1990 he became a resident at Mega Club Centre EXTRA in Koblenz between Frankfurt and Cologne.
In the mid nineties he began focusing on developing his musical career. Opening a record store called Vinyl Underground he started organising house parties in the area. While doing this he met de Leon with whom he teamed up to work on his first productions.
In 1994 he produced Alice in Fashionland / Last Autumn, under the name "Chakomo" co-produced with Oliver Rockstedt, before his decision to team up with Dominik and form DuMonde.
At the end of 1997 they had formed DuMonde and released the Trance single Tomorrow which gained widespread support from both DJs and radio stations alike . DuMonde came to the attention of German Trance legend Talla 2XLC which lead to them remixing Push’s Universal Nation and Love’s Coming Down. Founding the Chaos label to release JamX’s Das Licht, Keep it that way and De Leon’s – Hold it & Fate the JamX and De Leon partnership was producing tracks instantly sought after on the club scene.
Together with Chaos JamX & De Leon pressed on with DuMonde releasing tracks such as See the Light and Just feel free, together with a string of remixes including remixing for the acclaimed Japanese vocalist Ayumi Hamasaki which bought their talent to a market outside Germany.
In 2002 the production duo signed up with the German Record label Superstar Recordings releasing Never look back a title symbolic of their new moves forward, moves that would eventually see them creating their own respected label F8T and a string of dance classics.
For a Decade Dumonde were recognised as one of the foremost production and Dj duos on the trance scene, from production collaborations with artists such as Lange and gigs at God’s Kitchen Gatecrasher, Velfarre and other major venues globally they spent the last ten years at the top until deciding to go their own way as solo artists in December 2007.
Nowadays Jurgen is producing and Djing under the name JAMX/DuMonde with D.Mand as he co-production partners delivering amazing tracks including the stunning Unique that Armin van Buuren has selected for his top record label A State Of Trance.
Now it’s the right time for the good friends Talla 2XLC and DuMonde to meet for the ultimate hard trance anthem Sometimes on That’s Trance. The track adopts the well known ultra tough and hard metallic kick along with that deep pounding bass and earth shaking drums creating the unmistakable tough beat that characterize the DuMonde style from the late 90’s.
After our 9 hour extended feature on DuMonde music on our radio show Trance Anthology streamed on 1mix radio and Evosonic Radio we ask Jurgen to answer our interview in order to find out what the future holds for the beloved trance project and of course the background story of their collaboration with Talla 2XLC for the epic Sometimes.
1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.
JAMX/DuMonde: 1. I turned my passion into my career.
2. to have been to many places in the world because of the music and as a DJ.
3. that my son and his friends are coming to parties where I play and celebrate my music with many others
Jurgen with his son at Nature One
2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
JAMX/DuMonde: It was my dream to be a DJ when I was a child.
Another dream was to play my own music as a DJ and to inspire people with it. At first it was house music, but I was actually open to all kinds of electronic music. Trance/hard trance was not planned at the beginning, I did not expect that everything would somehow be so great
3-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
JAMX/DuMonde: There weren't really any heroes for me. I had a record store, and i liked a lot of styles there, and from a lot of different producers. But I found Non Eric (DJ Dag) very good in the early. 90s, and Jam El Mar was also inspiring.
4-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
JAMX/DuMonde:La Esperanza - Sven Vath built a very Beautiful Song, the delicate transitions of the parts, the melody, and the energy, that was special.
Cosmic Gate - The Drums, I like the kick, the calm and yet the driving force in the build-up, the surprise when the sound comes in the middle section and when the kick starts again, that was special, and the two are still very nice guys.
Der Dritte Raum - Trommelmachine.
I like the energy and all elements of the song, it has everything, tribal, techno, trance, house.
5-Dimitris: It would be fantastic to talk about your latest track with Talla 2XLC - Sometimes out now on That's Trance. Please tell us how this awesome track came about and the story behind it.
JAMX/DuMonde: A brand new song is coming soon. I had a very good conversation with Dominik de Leon.
Dominik produces very successfully in a different genre, his company is doing wonderfully and he is very happy with it. That's why after so many years we agreed that I would represent DuMonde alone and be allowed to produce under the name again.
DuMonde is now back, of course with my friend Daniel Körber alias D. Mand. Of course it's a challenge, as DuMonde was actually always Dominik's and my pen. The new task is to reach this level and even develop it further.
Daniel and I talked a lot, tested, were dissatisfied, rejected and despaired - after all, there are almost 20 years between us. But now it's done. We tried to rethink the old way, I wrote the melody and the lyrics, added Shaun Baker as the voice, Talla 2XLC is involved and the result is a track that fits in with the old songs and also the new trance / hard trance. the text is also a homage to my past and also the future, yes there are a lot of words, but sometimes not everything can be said in one sentence. it was very important to me to see this comeback for DuMonde as very personal, but this text also fits with many others and you could also see it as advice. so it will be a small rebirth of DuMonde. The fact that the title is "DuMonde meets Talla 2XLC - Sometimes" makes me particularly proud, because Talla and I never lost touch, we were always in touch privately too and we always had a lot of fun.
Now it remains to be seen whether this type of production has a chance with the trance people, but the reactions are great and we are honored by that.
6-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?
JAMX/DuMonde: I think about 6 months all in all, it was somehow never good enough, but at the end of the day we were both happy
7-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.
JAMX/DuMonde: As with all productions, personal egoism is in the foreground, how do we achieve not 80% but 100%, the arrangement and also the selection of the sound was not that easy, but in the end we were satisfied with the first track after such a long time.
8-Dimitris: If you would have the opportunity to change something in your track and maybe to do a new remix what elements are you unhappy with and you are going to change? Is there any artist that you feel would be fantastic to remix this track and why?
JAMX/DuMonde: Personally, I wouldn't change anything, I really. like Aly & Fila, this would definitely be a remix with a lot of feeling and passion
9- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?
JAMX/DuMonde: Old synthesizers are hardly affordable these days. Since our hardware at the time was split between Dominik and me, I was more of a DJ and Dominik was more into it, I was left with the Waldorf Q. However, it has some sounds in it that were made especially for us by the programmer Wolfram Franke, which is why this device is a really nice piece of equipment for reviving old school sounds. It is probably a compromise between old and new.
Many young, talented producers nowadays use all the same (VST) synths with the same patches and the same techniques, so you don't stand out. We have always stood out in terms of sound technology and we want to keep it that way. It is of course much more complex, but it is worth the work for us. We have always used Cubase as a composition workstation and of course we also use all the common VST plugins.
10-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
JAMX/DuMonde: I prefer spoken texts, short and concise, I don't really want too much singing, the music should drive and speak for itself
11-Dimitris: Are there any vocalists/singers on electronic dance music you aspire to work with?
JAMX/DuMonde: Not at the Moment
12-Dimitris: Please choose the most powerful lyrics ever included in a dance track and why these lyrics have touched you so deeply and have a special meaning for you?
JAMX/DuMonde: Aly & Fila - Somebody loves you,
This is a song that really touches me. Some of our productions and remixes also touch me.
There are a lot of emotions and memories associated with them, for example Rank1 - Symsonic. When I play this remix of ours, emotions often run through me.
13-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
JAMX/DuMonde: A State of Trance is a label that is very well accepted in the scene, releasing it there was a good step in the right direction. The new track will be on "Thats Trance" on ZYX. I'm extremely. proud of that, this label embodies the pure trance or hard trance style just like a few other labels, but it belongs to a very good friend of mine and that's why agreeing to release it on Talla 2XLC's label was a step I took without thinking too much, even though a few other labels were also very interested.
14-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.
JAMX/DuMonde: Yes, I have a few labels, including our label
"F8tunes" which Dominik and I founded in 2002. Most of our own songs are published there. There is also B2TR Records, which comes out now and again and which I personally like. My son Philipp also has his label Resistanc3 on this platform. He produces his own songs in the hip hop genre and writes and performs most of the vocals himself, which makes me very proud. The most successful songs are:
DuMonde - Never Look Back
JAMX & De Leon - Can u dig it
DuMonde - See the Light
DuMonde - Tomorrow
15-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
JAMX/DuMonde: If our new music still resonates with people, we will definitely continue working on putting our style, along with other new ideas, into an album, so why not?
16-Dimitris: Can you pick up your all time favorite album or compilation and tell us why you adore it so much?
JAMX/DuMonde: My head is full of music, there are too many to name just one, but Daft Punk - Random Access Memories is one of those favorites.
17-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?
JAMX/DuMonde: Every now and then I send photos out via Facebook or Instagram, and other news via these platforms. I don't think much about bookings. I only accept a few requests, only really good events and with organizers I can rely on. We used to play all over the world, and there were clubs there that we would have been better off leaving. Now I only want to play in places where I enjoy it. I'm not the youngest anymore, so I'm careful. Sometimes I play twice a month, sometimes not at all, not because there are no requests, but because it just doesn't work. I've played at so many parties and seen so much that whatever comes next has to work out, otherwise I won't do it. I don't want to be arrogant, but I give so much energy in, say, 1.5 hours that I simply can't and don't want to do that every day. Often there are requests for 12 or more hours of flying, and that's not the end of the trip, so l have to overcome myself. But when I play, my heart is in it and I love it, sometimes even with my eyes closed.
18-Dimitris: Do you have any gigs/festival performances confirmed so far for 2024 in which ones are you most excited to perform and why?
JAMX/DuMonde: There have been a few, Scott Bond's
"Reebooted" and "Nature one" were highlights.
I'll soon be playing at the open air in Garbsen am See at the "Outside World". I'm also looking forward to playing with Madwave in Bern in Switzerland and seeing old friends again in a club where l've played before. It's sure to be passionate. I'm also looking forward to the Techno Club on October 3rd. So it won't be boring.
On the other hand, I only accept a handful of offers, I have had so many gigs in my life and in so many different countries. I just want to be able to choose what I have high hopes for and it's not about the money
19-Dimitris: Please share your most funny and most serious incident that happen to you during your DJ or LIVE PA performance?
JAMX/DuMonde: Sorry, but that would go too far. I have experienced so many funny, unbelievable things in 44 years as a DJ that I simply cannot say what was the best.
20-Dimitris: Are you happy about the quality of the tracks released in your preferred music genres? Please justify your answer with your opinion about it!
JAMX/DuMonde: I have been involved with other music for years. To be precise, I very rarely play new tracks. When I started DJing again two years ago, I noticed that although the sound had been refined, trance had basically remained stagnant. I have had so many requests over the last few years. Why don't you carry on with the old, unmistakable DuMonde sound? And yes, somehow I feel like carrying on now. In Daniel I have found a great person who loves music as much as I do and especially the style and also the lyrics and melodies that I write or just hum to him. He has now understood this so well that it is moving more and more in the old direction with a new touch. The really old DuMonde style will probably no longer exist; that was just Dominic and me, but Daniel and I are rewriting DuMonde and that is opening up new possibilities.
21-Dimitris: If you expect to have a steady income from your music productions are you satisfied with the way that royalties system works particularly regarding streaming revenue? Do you believe that artists get what they deserve from streaming providers/DJs playing your tracks in gigs/radio and selling music in physical formats like CDs/Vinyl or digitally.
JAMX/DuMonde: I think that many artists today can be happy to get any money at all for their old productions. Back then, there were occasional re-pressings of individual LPs or CDs. Then you could buy them. Today you can listen to almost any song at any time and the artist gets a few cents for it. Of course it could be a bit more, but at least it's something. Yes, the billing system of radio stations, for example, could be better monitored because they also earn their money through advertising and by playing old or new songs. They fill their programs with music, so they should also bill properly.
22-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.
JAMX/DuMonde: I can say with a clear conscience. I learned my job. At first I earned very little money from it. I always had to make sure that the dance floor was full, always had to make sure that the cash register was full at the end of the evening. We always had to make sure that people were happy when they went home, we learned how to mix, how to make good transitions, how to observe the dance floor, how to bring our feelings into the evening and how to have fun ourselves. Everything took place in the club, 7 days a week. During the day we went to record shops and listened to new music. In the evening we hoped that these new records would work in the club too. Today there are very few clubs, only big events, so this path to becoming a good DJ is no longer so easy. All I can say is get your friends, throw parties, make sure you have fun that evening and don't pretend. Do what your heart tells you. If you want to be successful, do good marketing and you'll be in business, it's a shame but true.
23-Dimitris: Many producers and DJs offer online masterclasses or teach to music production & DJing courses. Do you believe is essential to take part in any of these courses to develop your skills? Are you are offering any of these services? or other related services like ghost-producing or mastering? please tell us about these activities
JAMX/DuMonde: I think that courses that deal with production, to learn the craft, are definitely good, but they don't give you a hit, they just teach you how to produce. With DJing, that's exactly what it's like, you learn to make transitions, maybe make transitions in the right place, but that doesn't make you a good DJ, as I said, a good DJ works from the heart and reaches his audience, of course these courses aren't for that. I don't offer these courses.
24-Dimitris: Is there a club classic that you would like to remix or rework in 2024? Do you attempt often to do your own bootlegs of classics?
JAMX/DuMonde: Daniel and I have just re-released Ayu - Trauma and also Never look back, but these are only intended for my DJ set and will not be released.
25-Dimitris: How much do you care if your fans or followers like your productions? Do you struggle with the audience reception of your tracks and is this thought adds extra pressure on you and discourage you too?
JAMX/DuMonde: It is important to me to keep followers or fans of our music, but ultimately I produce from my head, my feelings, and I do it in the hope that we like it first and foremost. If someone else doesn't like it, then that's just the way it is. You can't please everyone's taste anyway, but of course I'm happy when the music is well received and when people really like it.
26-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
JAMX/DuMonde: My or our music is hardtrance, driving, full of emotion and energy until the tender middle part, after which it just goes off and with a smile on your face.
27-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?
JAMX/DuMonde: No, not anymore. I work normally during the day and I really enjoy it. I'm also a youth football coach and I do that with heart and passion. We only produce music on the side, but of course we do it with the necessary seriousness and passion.
28-Dimitris: Do you believe that audience should be banned from constantly taking photos or videos during DJ sets or are you happy with these activities?
JAMX/DuMonde: No, why? Of course it is sometimes uncomfortable when you have just sweated so much and then you just look so worn out but that's life. Beauty is fleeting. Age comes anyway, so if you want to take photos, go ahead and do them and if the photos turn out nice, so what?
29-Dimitris: Do you prefer small clubs or huge festivals to perform? in which festivals or clubs you aspire to play in the future?
JAMX/DuMonde: I like both, a small club with 400 people and a party crowd is great. Festivals like Nature One are always great, everything is fun when you have the right people, no matter how many there are.
Dimitris: Your message & wishes for Flux Bpm Online readers.
JAMX/DuMonde: Thank you for your time and interest if you have read it. I hope you stay loyal to Dimitris and continue to support Flux as you have done so far. All the best to you!
Thanks so much to Jurgen for his friendship, support with fantastic music and his precious time devoted to answer in this long and very informative interview.
