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05:55:00
Welcome to our exclusive interview with the talented Dan Cooper, one of the leading figures in today’s global trance music scene. From his early days mixing vinyl at just 13 years old to performing at iconic venues like Ministry of Sound and international festivals such as Full Moon Festival and Unkonscious Thailand, Dan has carved a unique path in electronic dance music. As a top 100 selling trance act on Beatstats and Label Manager for Nocturnal Knights Music.

Flux BPM Online Exclusive interview
Artist Press Photo
In Conversation With: Dan Cooper
Dan Cooper is a trance music producer and DJ from London. He is also the Nocturnal Knights Music record Label Manager, one of the top 10 trance music labels in the world. He has performed across the UK, Europe and globally playing at clubs and festivals such as the legendary Ministry of Sound, Trance Sanctuary, Pacha, Full Moon Festival, ADE, Anomaly, Egg London, SEONE, Trance Signal Germany and Unkonscious Thailand. Dan is currently one of the top 100 selling trance acts in the world on Beatstats and has released tracks on FSOE, Armada, Pure Trance, Nocturnal Knights, Amsterdam Trance and other established music labels. With 4 tracks charting in the Beatport Top 10 and numerous others in the top 20. With support from industry heavy hitters like Armin Van Buuren, Andrew Rayel, Alex Morph, Solarstone, Sean Tyas, Roger Shah, Dave Pearce, Raz Nitzan and Aly and Fila. Dan has a full release schedule for 2026 and is looking forward to sharing loads of new music with the trance family! Armin Van Buuren and others playing Dan’s music at Tomorrowland, EDC Las Vegas, Ultra, Luminosity Beach Festival, Rong Manchester, Ushuaia Ibiza and across the globe. Dan is focused on driving his Disciple of Trance radio show forward, playing new music by established and up and coming artists. He can’t wait to drive the trance music scene forward with his passion for the music and his fresh TechLift sound.
Welcome to our exclusive interview with the talented Dan Cooper, one of the leading figures in today’s global trance music scene. From his early days mixing vinyl at just 13 years old to performing at iconic venues like Ministry of Sound and international festivals such as Full Moon Festival and Unkonscious Thailand, Dan has carved a unique path in electronic dance music. As a top 100 selling trance act on Beatstats and Label Manager for Nocturnal Knights Music, he continues to push the genre forward with his signature TechLift sound. In this conversation, Dan opens up about his journey, creative process, and life philosophies, while sharing the story behind his latest release, “Mai Pen Rai,” a dynamic collaboration with the legendary Alex M.O.R.P.H. Inspired by a chance meeting at Unkonscious Festival in Thailand, the track embodies the uplifting spirit of “no worries” and reflects Dan’s vibrant outlook on life and music.
Stream & Buy Alex M.O.R.P.H. and Dan Cooper - Mai Pen Rai
Click Here to Access the Full Release Options
Dimitris: How did your journey into the electronic dance music (EDM) scene begin, and what were the key influences that shaped your style?
Dan Cooper:At 13 years old learning to mix 3 vinyls on a set of Gemini belt drive decks… fat boy slim into basement jaxx into daft punk! Before moving into speed garage and 2 step followed by some drum n bass!

My love of trance came at 18 seeing Ferry Corsten play at Ministry of Sound. Dropping Clear Blue Water in the main room! And from there grew into loving all things trance!
Dimitris: What personal values or life philosophies do you carry that also reflect in your music?
Dan Cooper: One life one world! Enjoy both! I have a very happy outlook on life. Personal trauma has taught me to keep smiling and embrace life, enjoy being alive!
Dimitris: How has your understanding of the electronic music culture changed from when you started to where you are now?
Dan Cooper: Ignore the politics and those that get a thrill from complaining. Stay positive and remember why you fell in love with the music!
Dimitris: Which piece of music equipment or software can you not live without, and why?
Dan Cooper: Serum! I love the creativity it offers.
Dimitris: Can you share an unforgettable incident from your career—whether funny, unexpected, or challenging?
Dan Cooper: This summer while playing Moon Baze Festival in Amsterdam… I was pretty tired and closed my eyes while laying on the floor backstage… next thing I know I’m waking up to Ram spraying me in the face with a bottle of water! One way to wake up!
Dimitris: Could you please elaborate on the inspiration behind the track Mai Pen Rai with Alex M.O.R.P.H. that is out now on FSOE? How does it align with your current artistic aspirations?
Dan Cooper: I’d been a fan of Alex M.O.R.P.H. For many years… I remember playing one of his tracks the first time I played Ministry of Sound back in 2007! And his Tomorrowland set in 2019 is one of the best crafted trance sets I’ve ever heard. Anyway we started chatting at a few festivals we were playing at but a conversation in Thailand while playing Unkoconsious Festival led us to start throwing ideas back and forth and eventually Mai Pen Rai was born! Which means ‘No worries’ in Thai! Absolute pinch me moment working with Alex!
Dimitris: Have you produced any new tracks since the one we're discussing in this interview? If so, could you share the inspiration behind them?
Dan Cooper: Lots of music in the works… a couple of upcoming releases with Mauro Picotto, including a remix of his track with Giuseppe Ottaviani Ibiza Dream that’s been hammered across the world! A collab with Rene Ablaze and some other collabs that were debuted at Luminosity Beach Festival this year that I have to keep under wraps for now! As well as my own solo stuff! Exciting times!
Dimitris: Could you describe your current approach to music production and how it has evolved over the years?
Dan Cooper: I definitely try to be more structured in my approach… with so much going on I need to make sure I set aside specific days each month I dedicate to studio time. But my brain is constantly thinking about music… writing down any ideas that I have or anything that inspires me!
Dimitris: What are some of the challenges you face when producing music, and how do you overcome them?
Dan Cooper: Time! Managing a record label, DJing, producing, work and life takes up so much time. As I mentioned above… being structured and organized as possible!
Dimitris:How do you stay motivated and creatively inspired amidst the fast-paced nature of the EDM scene?
Dan Cooper: I just love the music. Love all genres and listen to all! That’s keeps the creativity flowing! Some ideas work and some don’t. I don’t ever want two of my tracks to sound the same.
Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?
Dan Cooper: I don’t really know what the end destination is… I just want to enjoy the ride! Continue to grow and enjoy what I do!
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
Dan Cooper: I’ve mentioned a few collabs above but gig wise… we have Entrance at the Beach in September, then our Massive Nocturnal Knights event at ADE. Then 2027 currently taking bookings, looking to grow the NK live event port folio and also a Dan Cooper Asia tour is being worked on! We’re also growing the NK Label family this year! More news coming soon!
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
Dan Cooper: There are so many amazing artists in the trance scene and I’d love to work with as many of them as possible. But it’s about time we did a Dan Cooper and Ram track! And also one with Richard Durand who is one of the all time greats would be legendary! And my good friends Collide1, Ralphie B and Frank Waanders have got to be up there!

Also think I need to get one done with Luvstruck or Frankyeffe… 🤘
Dimitris: How do you incorporate new trends or technologies in your music while maintaining your unique sound?
Dan Cooper: Listening to other music and other genres for inspiration but always bringing it back to my sound! Then it’s trial and error… what works and what doesn’t… so much doesn’t make it to a release!
Dimitris: What message would you like to share with your fans and the broader trance community about your journey and vision?
Dan Cooper: Just a thank you for anyone that has danced with me, listened to me, followed me or liked a post!
Dimitris: How do you see the current state of the electronic music industry, and what changes would you like to see?
Dan Cooper: It’s bigger than ever! More parties and more dancing!
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
Dan Cooper: I’d like to see more control over music made solely by AI have more regulation and stop flooding streaming services with it! AI is a great tool and can be embraced but having tracks solely made by AI and algorithms isn’t great!
Dimitris: How do you feel about the shift towards streaming platforms for music consumption—do you think it's beneficial for artists?
Dan Cooper: It makes music more accessible for all but does take the thrill of hunting for new music away… as tastes are fed by algorithms and what they think you want to hear or what the big labels a shoving down your throat… we just need to keep it real, hunt for new music, support smaller artists and use the technology wisely!
Dimitris: How important do you find online tutorials and classes for aspiring producers, and do you engage in any form of music education yourself?
Dan Cooper: Huge! YouTube is your friend! I’m forever looking up ways to make sounds!
Dimitris: How do you maintain a balance between your personal life and your music career?
Dan Cooper: It gets harder and harder! My phone never stops! I have to remind myself (or Nicole my wife reminds me) to put it down and to quote Armin ‘be in the moment’.
Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?
Dan Cooper: Remember to stay happy and positive!
Dimitris: What inspired you to transition from producing to DJing, or did both passions develop simultaneously?
Dan Cooper: I came back to both after suffering some personal trauma… it’s what I love. Working with Ehren Stowers on our Stowers and Cooper project really started opening up my love for producing!
Dimitris: Can you walk us through your DJing process—from track selection to live mixing? How do you curate a set that resonates with different audiences?
Dan Cooper: I love energy! My style of mixing is taken from my garage days where a switch in basslines builds the energy. So more bass cuts than a smooth blends!
Dimitris: What are some essential DJ techniques you’ve mastered over the years, and how have they evolved with emerging technologies?
Dan Cooper: I’ve been DJing since I was 13… you can learn everything on technology but reading a crowd is a skill that takes time! Spend more time watching the crowd and interacting than looking down and tweaking an eq!
Dimitris: How do you handle unexpected challenges during a live set, such as equipment malfunctions or shifts in crowd energy?
Dan Cooper: It happens! Get on with it! I may be screaming in my head but I try not to let it show on my face!
Dimitris: What are some essential DJ techniques you’ve mastered over the years, and how have they evolved with emerging technologies?
Dan Cooper: I’ve been DJing since I was 13… you can learn everything on technology but reading a crowd is a skill that takes time! Spend more time watching the crowd and interacting than looking down and tweaking an eq!
Dimitris: Which mixing style do you prefer—long transitions, quick cuts, harmonic mixing, or another technique? How do you decide which style suits a particular set?
Dan Cooper: Quick cuts and harmonic mixing! But ever set needs a few long blends… all depends on how the crowd are going and what they need!
Dimitris: How do you incorporate effects, loops, and EQ adjustments to add depth and dynamics to your live mixes?
Dan Cooper: I don’t over use them… sometimes to add atmosphere and tension but as 90% of my sets are my own productions, remixes or mash ups… if I wanted FX on the track I’d have already put them there!
Dimitris: Do you prefer beatmatching manually or using sync features? How do these choices impact your creative flow during performances?
Dan Cooper: I do both… depending on the mix, the track, the monitors, the decks, the sound system.
Dimitris: How do you seamlessly blend different genres or tempos within a set to keep the energy consistent and engaging?
Dan Cooper: I play music I love. Sometimes it works sometimes it doesn’t… but majority of the time it does!
Dimitris: Reflecting on your career, what has been your most memorable DJ set and what made it stand out for you personally?
Dan Cooper: There’s been some I absolutely love… but this years set at ministry of sound for Trance Sanctuary is possibly one of my most complete sets ever! Up on my SoundCloud! The energy in the room was unreal!
Dimitris: Have you ever been inspired or influenced by another DJ’s set that left a lasting impact on your approach to performances? If so, could you share that experience?
Dan Cooper: I try and take different things from different DJs… but two I’ll mention… Mauro Picotto’s use of basslines in the mix to drive energy! Rams ability to interact with a crowd! Alex M.O.R.P.H. For his ability to pull on every emotion!
Dimitris: What cues do you look for in the crowd to gauge their energy and adjust your set accordingly?
Dan Cooper: I like to look across a crowd and find someone enjoying that moment ensuring I make eye contact and enjoy that moment with them!
Dimitris: How do you handle moments when the crowd’s energy dips? What strategies do you employ to reignite the vibe?
Dan Cooper: Always have a collection of go to tracks to get the crowd bouncing again!
Dimitris: What DJ equipment or software do you consider indispensable, and why does it hold such significance in your performances?
Dan Cooper: Pioneer CDJ3000s or CJD3000x’s industry standard!
Dimitris: How do you integrate your own productions into your DJ sets to create a signature live experience?
Dan Cooper: 90% of my sets are my own productions, remixes or mash ups so it’s quite seamless!
Dimitris: How do you manage the creative balance between producing new tracks in the studio and preparing for high-energy DJ gigs?
Dan Cooper: Planning and keeping organized!
Dimitris: Does your approach to music production change based on the feedback or experiences you gain from live performances?
Dan Cooper: I’ve changed multiple tracks after the first time I’ve played them live… looking what’s worked and what hasn’t!
Dimitris: Please tell us your final statement to our readers who will read this interview. Thank you so much for taking the time to share your journey, insights, and experiences with us. Your thoughtful responses will surely inspire and resonate with fans and fellow artists alike. We truly appreciate your contribution to the electronic music community and look forward to witnessing your continued success!
Dan Cooper: Hopefully see you soon on the dance floor!
Our interview with Dan Cooper offers a fascinating glimpse into the heart and drive of an artist who lives and breathes electronic music. From his reflections on overcoming personal challenges and balancing life with a demanding creative career, to his philosophy of positivity and constant evolution, Dan’s story is as inspiring as his music. His latest track, “Mai Pen Rai” with Alex M.O.R.P.H., perfectly captures his energy and passion, while hinting at the exciting collaborations and performances ahead. As Dan expands his creative horizons with upcoming releases, international gigs, and a growing Nocturnal Knights label family, one thing is certain: his journey is just as exhilarating as the music he brings to dance floors worldwide. Hopefully, we’ll see you soon on the dance floor!
Thanks so much to Stuart at FSOE for organizing this interview and thanks to Dan Cooper for his great answers.
Buy / stream Alex M.O.R.P.H. and Dan Cooper - Mai Pen Rai
Click Here to Access the Full Release Options
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03:32:00
Flux BPM Online is excited to present an exclusive interview with Desyfer, a veteran DJ and producer whose career spans over three decades in the electronic music scene. Known for his emotive blend of melodic techno and progressive house, Desyfer discusses the evolution of his sound, his creative process in the studio, and his approach to storytelling through both production and live DJ sets.

Flux BPM Online Exclusive interview
Artist Press Photo
In Conversation With: DESYFER
Desyfer is a veteran DJ and music producer with over three decades in the electronic music scene. Renowned for his emotive blend of melodic techno and progressive house, he brings depth, atmosphere, and club energy to his sets. His monthly show, Into The Light on Proton Radio, highlights his forward-thinking selections and exclusive productions.
As a producer, Desyfer’s work has appeared on iconic labels like Black Hole Recordings, Magik Muzik, Sony, Ministry of Sound, and Solaris. He first gained recognition in the early 1990s with the track Phoenix – Rise Up, and has since earned global support from leading DJs including Sasha, John Digweed, and Paul Oakenfold. His releases have topped charts, with tracks like Falling Around Me, Paradise, and Do You Believe reaching notable positions on Beatport and the UK Top 100.
Performing across the world, from Eden Ibiza and Ultra Croatia to Ministry of Sound in London, Desyfer’s DJ sets are known for their melodic storytelling and adaptability to both intimate clubs and festival stages. With contributions to film soundtracks, advertising campaigns, and a legacy of influential releases, Desyfer continues to evolve while connecting generations of listeners through timeless electronic music.
Flux BPM Online is excited to present an exclusive interview with Desyfer, a veteran DJ and producer whose career spans over three decades in the electronic music scene. Known for his emotive blend of melodic techno and progressive house, Desyfer discusses the evolution of his sound, his creative process in the studio, and his approach to storytelling through both production and live DJ sets. We explore his collaboration with Sue McLaren on the track Gravity, insights into his sound design techniques, how he balances software and hardware in the studio, and his vision for the future of electronic music. Alongside sharing production tips and career advice for aspiring artists, Desyfer offers a heartfelt perspective on consistency, emotion, and connection as the foundations of a lasting musical legacy.
Stream & Buy Desyfer & Sue McLaren - Gravity 
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Dimitris: How does your track Gravity with Sue McLaren reflect the evolution of your sound since you first started producing music?
DESYFER:When I first started producing, I was focused on making records that worked on the dancefloor. Over the years I've realised that the tracks people remember are the ones that make them feel something. Gravity represents that evolution perfectly. It still has the energy and groove needed for DJs, but emotionally it's on another level. Working with Sue McLaren allowed me to build the production around a vocal that genuinely tells a story rather than simply sitting on top of the music.
Dimitris: What specific sound design choices in this track highlight your growth as an artist?
DESYFER: I've become much more restrained. Earlier in my career I probably tried to fill every space, whereas now I'm happy to let the music breathe. The atmosphere comes from carefully layered pads, evolving textures and subtle movement rather than lots of individual elements competing for attention. Every sound has a purpose.
Dimitris: Which synthesizers, plugins, or software did you rely on most for crafting the core sounds of this track?
DESYFER: My productions are built primarily in Ableton and Logic Pro. I regularly use Serum, Komplete and Omnisphere alongside Logic's own instruments. For processing I rely on FabFilter, Valhalla reverbs, Soundtoys and various Waves plugins. It's never about using the newest plugin—it's about choosing the right sound that serves the emotion of the record.
Dimitris: How do you integrate hardware synthesizers or drum machines with your software setup during production?
DESYFER: These days my workflow is primarily in-the-box because software has become so powerful that it allows me to move quickly without interrupting the creative flow. That speed means ideas are captured while they're fresh, which is incredibly important when inspiration strikes. That said, I still love bringing hardware into the process. The Vector Synth is an absolute joy to experiment with and can produce some wonderfully unexpected textures, while the Arturia MicroFreak is brilliant for creating quirky sequences and evolving sounds that I might not have discovered otherwise. I also use Ableton Push as a more hands-on way of developing ideas, playing melodies and experimenting with rhythms. For me, it's about combining the flexibility of software with the spontaneity and fun that hardware brings to the creative process.
Dimitris: Can you walk us through your process for designing the lead melody or bassline—what tools, both hardware and software, did you use?
DESYFER: Everything starts with emotion. I'll usually begin on the piano, finding a chord progression that creates the feeling I'm looking for. Once that emotional foundation is there, the lead melody naturally follows. The bassline is designed to support both the groove and the harmony, locking everything together without overpowering the vocal.
Dimitris: How has your use of effects processing—whether through analog gear or digital plugins—evolved, and how did it shape the atmosphere of this track?
DESYFER: I've learned that effects should enhance rather than distract. Automation plays a huge role in my productions now. Reverbs open up at key moments, delays evolve naturally, filters build anticipation and subtle modulation keeps sounds moving without listeners necessarily noticing why the track feels alive.
Dimitris: Did you experiment with any new sound design techniques, such as granular synthesis, resampling, or analog modulation, in this production?
DESYFER: Rather than chasing unusual techniques, I focused on refining what already works. The biggest experimentation came from layering multiple textures together and constantly adjusting automation throughout the arrangement so the track feels like it's evolving from beginning to end.
Dimitris: How do you approach layering sounds to create depth and texture, and what specific methods or hardware did you apply in this track?
DESYFER: I like each layer to occupy its own frequency range and serve a different purpose. One pad might provide warmth, another movement, another width. When they're blended carefully, they create a much bigger sound than any single synth could achieve on its own.
Dimitris: Were there any challenges in syncing hardware with your DAW or achieving a cohesive mix between analog and digital elements? How did you overcome them?
DESYFER: The biggest challenge was making sure Sue's incredible vocal remained the emotional centrepiece while still delivering enough power for club systems. That balance took plenty of refinement, but it was worth every minute because the vocal and production now complement each other rather than competing.
Dimitris: When listeners hear this track, what subtle sound design details or hardware-driven elements do you hope they’ll notice that reflect your technical growth as a producer?
DESYFER: I hope listeners notice how the track slowly unfolds. There are small evolving textures, background harmonics and tiny automation changes that reveal themselves after repeated listens. Those details aren't there to show off production skills—they're there to make the record feel more human and immersive.
Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?
DESYFER: The momentum has been incredible over the past couple of years. I've now achieved sixteen UK Official Chart Top 100 singles, and my focus is continuing to push that even further. Alongside new releases, I'm building the DESYFER brand internationally through more radio support, live performances and collaborations.
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
DESYFER: There's plenty of new music on the way, including more original material alongside carefully selected collaborations with exceptional vocalists. I'm also looking forward to playing more festivals and club events while continuing to grow my monthly Proton Radio show.
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
DESYFER: There are so many talented artists I'd love to work with. Creatively, artists like Yotto, Sasha, Lane 8 and David Guetta have all influenced me in different ways. Vocally, I love working with singers who can genuinely move people emotionally, just as Sue McLaren has done on Gravity.
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
DESYFER: AI is an incredible creative tool when it's used to enhance ideas rather than replace them. I already use AI for brainstorming, artwork concepts, marketing ideas and improving workflow. Ultimately though, emotion, storytelling and human experience are things technology can't replicate, and that's what connects people to music.
Dimitris: What message would you like to share with your fans and the broader EDM community about your journey and vision?
DESYFER: Success rarely happens overnight. I've spent years consistently releasing music, learning, improving and believing in the long-term vision. My goal has never been to chase trends—it's been to create timeless records that people still connect with years later.
Dimitris: How do you maintain a balance between your personal life and your music career?
DESYFER: I'm fortunate because music never feels like work. Alongside being an artist, I'm also a mental health counsellor, and that actually helps keep me grounded. Both careers are ultimately about connecting with people emotionally, just in different ways.
Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?
DESYFER: Consistency beats talent if talent isn't consistent. Finish music, release it, learn from every record and keep improving. Build genuine relationships within the industry, be patient, and remember that careers are built over years—not weeks.
Dimitris: Can you walk us through your DJing process—from track selection to live mixing? How do you curate a set that resonates with different audiences?
DESYFER: I always prepare extensively before a performance, but I never over-plan. I use Rekordbox to organise all my promos and new music, analysing the key, BPM and energy levels of each track. From there, I'll take them onto my decks and spend time mixing different combinations together, developing playlists that flow naturally and tell a story. That preparation gives me a solid foundation, but once I'm in front of a crowd, I want the flexibility to read the room and adapt. My sets are built around creating a journey with emotion, energy and dynamics rather than simply playing one big track after another. If people leave remembering how the set made them feel, then I've done my job.
Dimitris: How do you manage the creative balance between producing new tracks in the studio and preparing for high-energy DJ gigs?
DESYFER: They feed each other perfectly. Time in the studio develops ideas that I can test live, while every DJ set teaches me something about energy, pacing and what connects with an audience.
Dimitris: Does your approach to music production change based on the feedback or experiences you gain from live performances?
DESYFER: Absolutely. Playing to different audiences constantly teaches me about arrangement, tension, release and emotional impact. Every performance becomes valuable research that influences the next production.
Dimitris: Please tell us your final statement to our readers who will read this interview. Thank you so much for taking the time to share your journey, insights, and experiences with us. Your thoughtful responses will surely inspire and resonate with fans and fellow artists alike. We truly appreciate your contribution to the electronic music community and look forward to witnessing your continued success!
DESYFER: Firstly, thank you to Flux BPM for inviting me to share my story. I'd also like to thank everyone who's supported my journey so far—from the DJs who play my music, to the radio stations, labels and, most importantly, the listeners. Every stream, every download and every message means more than people realise. I genuinely believe the best is still to come, and I can't wait to share the next chapter with everyone.
Through this in-depth conversation, Desyfer reveals the passion and discipline that have driven his remarkable journey—from early chart-topping releases to global performances and his acclaimed monthly show, Into The Light on Proton Radio. His emphasis on emotional resonance, measured sound design, and audience connection illustrates why his music continues to inspire both fans and fellow producers. As he looks ahead to new collaborations, releases, and live events, Desyfer remains committed to creating timeless electronic music that transcends trends and connects generations of listeners. Thank you for joining us for this inspiring interview with one of electronic music’s most dedicated storytellers.  Thanks so much to Stuart at FSOE for organizing this interview and thanks to Desyfer for his answers and his great guest mix that will be streamed on 1mix and Evosonic Radio soon.
Buy / Stream Desyfer and Sue McLaren - Gravity
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02:12:00
Exclusive interview with SKYDA: His latest single, “Solar,” released via FSOE Argento, reflects this vision perfectly—offering listeners a journey through rich harmonics and dancefloor-ready momentum. In this exclusive interview, SKYDA opens up about his creative journey, inspirations, challenges, and the story behind “Solar.

Flux BPM Online Exclusive interview
Artist Press Photo
In Conversation With: SKYDA
SKYDA is a UK-based trance and progressive producer known for blending uplifting melodies, driving grooves and emotional songwriting into modern club-focused records. His music has been released on respected labels including FSOE Argento, Pure Trance, Nanostate Music and Addictive Sounds.
His productions have received support from some of the biggest names in electronic music, including Paul van Dyk, Aly & Fila, Ferry Corsten, Solarstone, Darren Tate, Dan Stone and Kyau & Albert. His tracks have been featured on radio shows and in DJ sets from leading artists across the trance scene, helping SKYDA build a growing international profile.
Combining melodic depth with dancefloor energy, SKYDA continues to refine a distinctive sound that draws influence from both classic trance and modern progressive music. With a steadily expanding catalogue of releases and support from leading artists across the genre, he is continuing to establish himself as an emerging talent within the UK trance and progressive scene.
In the rapidly evolving world of trance and progressive music, UK-based producer SKYDA has emerged as a promising new voice, blending uplifting melodies, driving grooves, and heartfelt emotion into his productions. With releases on acclaimed labels like FSOE Argento, Pure Trance, Nanostate Music, and Addictive Sounds, SKYDA’s sound bridges the timeless energy of classic trance with the freshness of modern progressive. His latest single, “Solar,” released via FSOE Argento, reflects this vision perfectly—offering listeners a journey through rich harmonics and dancefloor-ready momentum. In this exclusive interview, SKYDA opens up about his creative journey, inspirations, challenges, and the story behind “Solar.”
Stream & Buy SKYDA - SOLAR 
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Dimitris: How did your journey into the electronic dance music (EDM) scene begin, and what were the key influences that shaped your style?
SKYDA:I grew up in the 1990s, during what many would consider the golden era of trance and dance music. From a very young age, I would go to roller discos and spend most of my time standing by the DJ booth, fascinated by the music. Those big Ibiza classics from that era were definitely my earliest inspiration.

As I got older, I became heavily influenced by the big-room and progressive house sound of around 2010–2015, particularly artists such as Swedish House Mafia, Avicii and Kryder, while still maintaining my love for trance.

I started producing music around 2017, by which point I was especially drawn to the progressive trance and “Trance 2.0” sound being released by labels such as Enhanced and Anjunabeats. I’m still very passionate about that style today and try to keep elements of that sound alive in my own productions.
Dimitris: What personal values or life philosophies do you carry that also reflect in your music?
SKYDA: Perseverance is probably the value that reflects most strongly in both my life and my music. I’ve been producing for a long time, and there have naturally been plenty of setbacks, doubts and periods where progress felt slow, but I’ve always believed in continuing to improve and trusting the process.

I also try to stay true to the music I genuinely love rather than simply following whatever is popular at the time. For me, music should create a real emotional connection and take the listener on a journey. That sense of emotion, optimism and determination is something I always try to bring into my productions.
Dimitris: How has your understanding of the electronic music culture changed from when you started to where you are now?
SKYDA: When I first became interested in electronic music, I mainly saw it from a fan’s perspective -the tracks, the DJs, the clubs and the excitement surrounding it all. Since becoming a producer, I’ve gained a much greater appreciation for everything that happens behind the scenes.

I now understand how much patience, consistency and collaboration are involved, from the artists and labels to the DJs, promoters, radio hosts and listeners who support the music. I’ve also realised how important genuine relationships and community are within the scene. It can be a competitive industry, but there are also many people who genuinely want to support each other and help good music reach a wider audience.

More than anything, I’ve learned that progress rarely happens overnight. Building a career and developing your own sound takes time, so it is important to enjoy the journey and appreciate each milestone along the way.
Dimitris: Which piece of music equipment or software can you not live without, and why?
SKYDA: This may be a bit of a boring answer but I would have to say by DAW - Ableton Live is the one piece of software I could not live without. It is what I use to create all of my music, and it is the only DAW I have ever worked with, so over the years it has become a completely natural part of my creative process.
Dimitris: Can you share an unforgettable incident from your career—whether funny, unexpected, or challenging?
SKYDA: One of the most unforgettable moments was at my first gig. Around ten minutes before I was due to play, I discovered that all of my cue points had disappeared. I had to quickly go through my tracks and recreate as many as possible on the fly before starting my set.

It was definitely not the calm introduction to DJing that I had imagined, but once I started playing, everything went smoothly. Looking back, it was a valuable lesson in staying composed, adapting quickly and always being prepared for something unexpected to happen.
Dimitris: Could you please elaborate on the inspiration behind the track SOLAR out now on FSOE Argento? How does it align with your current artistic aspirations?
SKYDA: The track stays very true to the music I genuinely love. It carries a lot of the progressive trance and “Trance 2.0” influence that first inspired me to produce, even though that sound is not necessarily at the forefront of current trends.

It was heavily inspired by some of my favourite tracks and artists from that era. At the same time, I wanted to take those influences and express them in a way that still felt personal rather than simply recreating the past.

Artistically, my aim is to continue developing a sound that feels authentic to me, and this track is probably the strongest reflection of that so far. Out of everything I have produced, it feels the most like “me.
Dimitris: Have you produced any new tracks since the one we're discussing in this interview? If so, could you share the inspiration behind them?
SKYDA: I currently have four tracks in the pipeline at various stages of development. They are all influenced by the music I am listening to most at the moment, particularly releases from labels such as FSOE Argento, Euphonic, Enhanced and Anjunabeats.

I generally try to take inspiration from current tracks and production styles while still adding my own identity and ensuring the end result feels true to my sound.
Dimitris: Could you describe your current approach to music production and how it has evolved over the years?
SKYDA: My approach has evolved massively over the years. For the first few years, I was mainly experimenting, going around in circles and making a lot of tracks that were not particularly good. I then found a few well-structured production courses, which helped me move up a level.

Looking back, I probably followed advice and production “rules” a little too closely at times, which may have held me back creatively. It can also be difficult because you often hear trusted producers giving completely different advice on how to achieve the same result. I think the only real solution is to try different approaches and discover what works best for you.

I spent a long time figuring that out, and I am probably still doing so to some extent. However, I now feel that I have developed my own process. Some parts are techniques I have learned and continue to follow closely because they consistently work for me, while others are methods I have adapted and developed for myself.

More than anything, I now try to focus on enjoying the process and not placing as much pressure on myself as I used to. That can still be difficult because I am very invested in progressing and succeeding, but I have learned that the best results usually come when I am enjoying what I am creating..
Dimitris: What are some of the challenges you face when producing music, and how do you overcome them?
SKYDA: One of the biggest challenges I face is maintaining an objective perspective. Whether I am producing or mixing, listening to the same section repeatedly can really affect my judgement. Even if you listen to a track by one of your favourite artists over and over again, you will eventually become tired of it, and that effect can be even stronger with your own music.

For me, the key is to try to finish tracks within a reasonable timeframe before I become overly critical or start to dislike them. I also take regular breaks and switch between multiple projects, which gives my ears and mind a rest from a particular track. When I return to it with a fresh perspective, it is usually much easier to identify what is working and what still needs improving.
Dimitris: How do you stay motivated and creatively inspired amidst the fast-paced nature of the EDM scene?
SKYDA: For me, staying motivated comes down to having a routine and sticking to it. I get up in the early hours and do my music production before work because I know that is when I am at my most focused and productive. Making that time part of my daily routine helps me remain consistent.

Staying creatively inspired comes quite naturally to me. I simply listen to the music I love, whether that is current stuff or older stuff. That usually gives me the excitement and motivation to get back into the studio and create something of my own.
Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?
SKYDA: The main aim is to keep building momentum and releasing more music that feels genuinely true to me. I have several tracks in progress at the moment, so I would love to see those find the right homes and continue developing my sound with each release. I would also like to play more gigs and gradually build that side of things alongside producing. I am ambitious and would love to reach bigger labels and stages in the future, but I am also trying to focus on taking things one step at a time, improving with every track and enjoying the progress as it comes.
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
SKYDA: For me right now, the focus is all about production. I feel it is important to consistently get music signed by respected labels so I can become more established within the scene. Hopefully, if that side of things continues to go well, opportunities for collaborations and live performances will come naturally from it.
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
SKYDA: I mean, you would always love to collaborate with your heroes, wouldn’t you? But honestly, it is not something I have given a great deal of thought to yet. I am quite tunnel-visioned at the moment and mainly focused on improving my own production skills and getting to where I want to be as an artist.
Dimitris: How do you incorporate new trends or technologies in your music while maintaining your unique sound?
SKYDA: Reluctantly, if I’m honest! I do think it is important to stay modern, but not at the expense of losing your own identity. Stylistically, I probably lean more towards the older progressive trance sound, especially with the scene moving away from Trance 2.0 and towards more melodic and techno-influenced styles.

For me, it is really about finding a balance between staying true to the music I love and bringing in enough modern production ideas to make sure it still feels current
Dimitris: What message would you like to share with your fans and the broader trance community about your journey and vision?
SKYDA: Honestly, I feel like the journey has only just begun. I am grateful for everyone who has supported the music so far, and I am excited to keep improving, releasing more tracks and seeing where it all leads.
Dimitris: How do you see the current state of the electronic music industry, and what changes would you like to see?
SKYDA: I think the electronic music industry is in a really interesting place. There is so much music being released and technology has made it easier than ever for artists to create and share their work.

At the same time, I do think there can be too much focus on following whatever sound is currently popular. Trends will always be part of music, but I would like to see more artists feel confident enough to develop their own identity rather than feeling pressured to fit into a particular style.

For me, the most exciting music usually comes from artists who take inspiration from what is happening now but still put something personal into it. I think the scene will always keep evolving, and hopefully there will continue to be space for a wider range of sounds within it.
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
SKYDA: I think AI will eventually become capable of producing genuinely incredible tracks, which is slightly worrying! It is developing so quickly that it may well affect my day job in the future, never mind music production.

That said, I would like to think fans will always value music made by real people, particularly in more niche scenes like ours where listeners tend to care about the artist, the story and the emotion behind a track.

I have used tools that incorporate AI, such as Ozone for mixing and mastering, and I have definitely used ChatGPT for troubleshooting and general production advice. That is about as far as I have gone with it so far. I did once ask it to create a chord progression, but it was terrible.
Dimitris: How do you feel about the shift towards streaming platforms for music consumption—do you think it's beneficial for artists?
SKYDA: I think streaming is brilliant for listeners because it gives people instant access to almost any music they want, and it can definitely help artists reach a much wider audience.

From an artist’s point of view, though, the payment side is obviously a problem. The amount artists earn per stream is incredibly low, especially once everyone involved has taken their share. So while streaming is great for discovery and exposure, I am not sure it is especially beneficial financially unless you are generating huge numbers.
Dimitris: How important do you find online tutorials and classes for aspiring producers, and do you engage in any form of music education yourself?
SKYDA: They were really important for me in the early stages, although I think it depends a lot on the person, how naturally musical they are and how they prefer to learn.

I have done quite a few courses over the years, starting with Toolroom Academy, as well as full track walkthroughs from producers such as Rodg and Jaytech, which I found really useful. I also did a Bass Kleph course early on that helped me a lot at the time.

More recently, I have moved towards direct mentoring with more experienced producers. I find that really valuable now because the feedback is specific to my own music and helps me identify the areas I need to improve to bridge that final gap.
Dimitris: How do you maintain a balance between your personal life and your music career?
SKYDA: Honestly, it mainly means getting a little less sleep! I get up early and do around two hours of production before work every weekday, then usually around four hours each morning at the weekend. I stick to that routine pretty religiously whenever possible.

Doing it early in the morning means I can stay consistent with music without it taking over the rest of my work or personal life.
Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?
SKYDA: Have a plan, create some structure and build a routine that you can realistically stick to. Progress can feel very slow at times, so consistency is probably the most important thing. Keep learning, keep making music and never give up.
As SKYDA continues to carve his path in the trance and progressive scene, “Solar” stands as a bold statement of his artistic identity: emotionally resonant, melodically driven, and true to the music he loves. With new tracks in the works, a growing international following, and a commitment to perseverance and authenticity, SKYDA shows no signs of slowing down. Fans can look forward to more releases, deeper journeys through sound, and a future that shines as brightly as “Solar.” 
Thanks so much to Stuart at FSOE for organizing this interview and thanks to SKYDA for his answers and his great guest mix that was streamed on 1mix and Evosonic Radio.
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