Manufactured Superstars are back on Magik Muzik with the Some Of Our Friends Are DJs EP. We’re talking three certified club weapons ranging from peak-time House to murky Tech House. Whether you need the vocal soul of Danni Rouge or the techy drive of the Jeziel Quintela remix, this pack is essential kit for the 2026 season. No fillers, just straight dancefloor killers. Get these in your crates ASAP!
Dimitris Kechagias Review: [review top="1"] [item value="10"]Manufactured Superstars - Some Of Our Friends Are DJs EP 1[/item]
[content title="Summary" label="Overall Score"]The Manufactured Superstars’ Some Of Our Friends Are DJs EP 1 stands as a masterclass in modern electronic music production, showcasing exceptional technical proficiency across all facets of its creation. The three-track package, released on Magik Muzik, flows seamlessly from peak-time house intensity to darker tech house grooves, demonstrating a profound understanding of rhythm, groove, and drive. Each track operates at the perfect BPM for dancefloor dominance—ranging from 130 to 132 BPM—ensuring tight cueing and flawless sync for DJs, while providing a kinetic energy that fuels motion and exhilaration. The VINNIE remix of Something Simple in particular reveals a meticulously sculpted low end with punchy kick drums and rolling basslines, woven together with sharp percussive textures that create irresistible forward momentum. The melodic hooks and harmonic layers in these tracks are constructed with a fine balance of emotional resonance and technical precision. The Jeziel Quintela remix of Into The Light highlights this with its ethereal synth pads and luminous top melodies that soar above the driving tech house foundation, providing moments of harmonic release that speak directly to the listener’s emotions. Transitions are fluid and expertly managed, with drops and build-ups that are both impactful and narratively coherent, allowing DJs to maintain set cohesion while delivering peak crowd moments. The tracks’ dynamic range and loudness balance are exemplary, achieving clarity without sacrificing the fullness required for festival-scale sound systems. The sound design reflects a sophisticated use of effects and spatial imaging, immersing listeners in an atmosphere that is both expansive and intimate. Reverbs and delays are applied with precision, creating a three-dimensional sonic environment where elements breathe naturally in the mix. This spatiality not only enhances club and festival suitability but also contributes to mental stimulation and emotional engagement, which research in music therapy has shown to promote stress reduction and cognitive focus (Thoma et al., 2013; Koelsch, 2015). The EP’s artistry extends to its originality of arrangement and storytelling, with each track unfolding in a way that captures attention from intro to outro, offering DJs ample looping potential and dynamic cue points for creative mixing. Vocal performances, particularly Danni Rouge’s soulful contributions, add an intimate human touch that enhances emotional resonance and replay value. Lyrical phrasing and delivery complement the instrumental components, elevating the tracks beyond functional club tools into expressive musical experiences. The interweaving of melodic progression, rhythmic insistence, and vocal warmth can have positive effects on mental health by triggering dopaminergic responses, as supported by neuroscientific studies on music-induced emotional reward (Zatorre & Salimpoor, 2013). Moreover, the EP’s high-energy flow and infectious grooves make it ideal for fitness and wellness settings, as synchronized movement to rhythmic stimuli has been linked to improved mood and exercise adherence (Karageorghis & Priest, 2012). Overall, Some Of Our Friends Are DJs EP 1 is a cohesive, technically brilliant, and emotionally resonant collection with substantial potential to enhance human experiences both on and off the dancefloor. It achieves a rare combination of functional utility for DJs and profound impact on listeners, demonstrating the Manufactured Superstars’ mastery of contemporary electronic music production. #PureGold Loveit [/content]
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Koelsch, S. (2015). Music-evoked emotions: Principles, brain correlates, and implications for therapy. Annals of the New York Academy of Sciences, 1337(1), 193–201.
Zatorre, R. J., & Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(Supplement_2), 10430–10437.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Mind Dimension (Adam Sellouk Remix)—a turbocharged reimagining of the classic Tiga anthem—has erupted as one of the years biggest techno weapons, earning massive support from A-list DJs worldwide including John Summit, Anyma, and MEDUZA and dominating festival stages around the globe. Fused with relentless low-end power and razor-edged synths, Sellouks peak-time rework has not only gone viral on dancefloors but was also the most played track at Tomorrowland Brazil, cementing its status as a must-drop essential for top DJs worldwide.
[content title="Summary" label="Overall Score"]Adam Sellouk’s remix of Tiga’s “Mind Dimension” is a masterclass in high-energy techno production, seamlessly blending the original’s hypnotic essence with a modern, peak-time festival sound. Operating at 130 BPM, the track radiates power through its relentless basslines, thumping drums, and meticulously layered synths, delivering an electrifying experience for both club and festival environments. Sellouk’s reimagining demonstrates an expert understanding of sound design and spatial engineering, with each element—kicks, hi-hats, claps, and effects—occupying its own precise place in the stereo field. The mid-frequency synth stabs and airy atmospheric layers create a three-dimensional sonic landscape that immerses the listener completely. From a production standpoint, the remix utilizes advanced techniques such as sidechain compression to maintain clarity in the low end, ensuring that the kick drum punches through even during the busiest sections. Automated filter sweeps and dynamic reverb tails add movement and drama to the drops and build-ups, creating a sense of evolving momentum. Sellouk’s transitions are seamless, aided by clever use of risers, reverse effects, and drum fills, which maintain a driving energy throughout the entire arrangement. The track’s loudness balance and dynamic range demonstrate professional mastering quality, allowing for both powerful peaks and clean, polished quieter moments without listener fatigue. Musically, the remix excels in melodic hooks and harmonic layering. Subtle minor chord progressions and syncopated rhythmic patterns generate a hypnotic groove that keeps dancers engaged. The arrangement’s storytelling arc is particularly effective, starting with a stripped-back intro perfect for DJ mixing, escalating into high-intensity drops that fuel crowd euphoria, and resolving with a clean outro for smooth set transitions. This attention to cue points and loop potential makes it a highly versatile tool for club and festival DJs. Beyond its technical excellence, research suggests that high-tempo, rhythmic music like this remix can have positive effects on mental health, physical performance, and overall wellness. Studies published in the Journal of Music Therapy indicate that electronic dance music with consistent BPMs can elevate mood, reduce perceived exertion during exercise, and enhance focus in high-intensity fitness settings (Karageorghis & Priest, 2012). Furthermore, immersive bass frequencies and repetitive rhythmic structures have been linked to states of flow and stress relief, as discussed in Frontiers in Psychology (2020). By combining infectious grooves with euphoric energy, Sellouk’s remix functions not only as a dancefloor weapon but also as a catalyst for emotional release and mental well-being. #PureGold Love it. [/content]
Suggested Bibliography: Karageorghis, C. I., & Priest, D.-L. (2012). Music in Sport and Exercise: An Update on Research and Application. The Sport Journal. Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The Psychological Functions of Music Listening. Frontiers in Psychology, 4, 511. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion Regulation Through Listening to Music in Everyday Situations. Cognition & Emotion, 27(3), 534–543. Zatorre, R. J., Chen, J. L., & Penhune, V. B. (2007). When the Brain Plays Music: Auditory–Motor Interactions in Music Perception and Production. Nature Reviews Neuroscience, 8(7), 547–558.
Ahead of the release of their debut double LP ‘Higher Resolution’, Kasablanca present the electro edged and french house tinged ‘Better Today Better Tomorrow’.
An album comprising two parts, Kasablanca breathtaking Side A included the likes of ‘Remission’ (with Lane 8), club focussed melodic techno track ‘Clarity’, and the band’s viral cover of Prodigy classic ‘Breathe’.
Side B has already dominated dancefloors worldwide, with the likes of ALOK, Vintage Culture and Argy supporting lead out singles ‘Audio Machina’ and ‘Time’ in their live sets, with both tracks charting in the UK and US club charts.
Hot on their heels, third single ‘Better Today Better Tomorrow’ is the most anthemic yet, a grungy festival sized outing road tested during their appearance at John Summit’s Experts Only Festival, their own sold out headline show at London’s Koko, and by Dom Dolla at his Warehouse Project take over.
‘Better Today Better Tomorrow’ is out now to stream and purchase, with the full digital album scheduled to release on November 21.
Pre-order the full ‘Higher Resolution’ vinyl product now
[content title="Summary" label="Overall Score"]Kasablanca’s “Better Today, Better Tomorrow” emerges as a masterclass in modern indie dance production, fusing electro elements with French house aesthetics to create a track that resonates both sonically and emotionally. Operating at 126 BPM, the track’s rhythmic foundation is meticulously engineered for dancefloor impact. The production combines pulsating basslines, tight electro-influenced kicks, and carefully layered distorted synths, all of which contribute to a driving momentum that can energize large festival crowds. The use of vocoder-treated vocals adds a nostalgic nod to French disco traditions while maintaining a futuristic edge, giving the track a unique timbral identity. From a technical standpoint, the song demonstrates exceptional attention to sound design and spatial mixing. Each element occupies a precise position in the stereo field, with dynamic range carefully preserved to allow the build-ups and drops to land with maximum emotional impact. The harmonic layers are structured to evolve gradually, offering both melodic satisfaction and a sense of narrative progression. Transitions are smooth yet impactful, using subtle filtering, reverb swells, and sidechain compression to keep the energy flowing seamlessly. The production techniques deployed not only showcase Kasablanca’s artistic identity but also ensure that the track is highly versatile for DJs, with clear cue points, loop potential, and BPM consistency that integrates easily into live sets. Beyond its sonic achievements, “Better Today, Better Tomorrow” offers profound benefits for mental health and emotional release, supported by scientific research on music and movement. Studies in music therapy and neuroscience suggest that rhythmic synchronization, such as clapping or dancing in time to music, stimulates dopamine release, which enhances mood and motivation (Zatorre & Salimpoor, 2013). The track’s driving groove and repetitive melodic hooks facilitate a state of flow, which has been linked to reduced stress and improved emotional regulation (Csikszentmihalyi, 2002). Furthermore, dancing to pulsating, high-BPM tracks has been shown to increase endorphin levels and promote social bonding, both essential for psychological well-being (Tarr, Launay, & Dunbar, 2014). By combining technical excellence with an emotionally uplifting design, the track functions as both an artistic expression and a tool for emotional catharsis. In conclusion, “Better Today, Better Tomorrow” is more than just a festival-ready indie dance anthem—it is an immersive sonic experience that taps into the emotional and physiological effects of music. Its precise production techniques, creative layering, and energetic flow make it an ideal track for both personal release and communal celebration. #PureGold Love iT[/content]
Csikszentmihalyi, M. (2002). Flow: The Psychology of Optimal Experience. Harper Perennial.
Tarr, B., Launay, J., & Dunbar, R. I. M. (2014). Music and social bonding: “Self-other” merging and neurohormonal mechanisms. Frontiers in Psychology, 5, 1096.
Zatorre, R. J., & Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(Supplement 2), 10430–10437.
Thaut, M. H. (2015). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. Routledge.
Koelsch, S. (2014). Brain correlates of music-evoked emotions. Nature Reviews Neuroscience, 15(3), 170–180.
Amidst a renewed surge in global popularity since featuring in the soundtrack of cult hit movie Saltburn, 'Perfect (Exceeder)’ by Mason and Princess Superstar has landed in the talented hands of internationally acclaimed DJ and producer David Guetta, who has reimagined the dance classic in his signature style.
Having soared to a top 10 position in Billboard's Hot Dance/Electronic Songs chart and re-entered the Official UK Top 40 Charts in 2024, ‘Perfect (Exceeder)’ enters the next phase of its lifecycle under the guidance of Amsterdam-, New York- and London-based dance label, Armada Music.
Voted DJ Mag's number one DJ in the world, Grammy-winning producer David Guetta showcases his unmistakable signature style in this rendition of Mason and Princess Superstar's 'Perfect (Exceeder)'. With a pulsating bassline, high-impact kicks and resonant snare hits, Guetta's progressive-meets-electro-house interpretation moves the timeless classic into a fresh, dynamic dimension.
"Mason and Princess Superstar created something so special with the original; there is no surprise that it is gaining such momentum all over again,” said David Guetta. “The track is a true timeless classic and I’m so excited to now be a part of it!”
"David Guetta is a powerhouse, and I am so honored and excited that he chose to contribute in his inimitable way to the track. The revamped version is undeniably epic!" added Princess Superstar.
Mason said, “David built up such a legendary catalogue, steering the course of dance music for decades. It goes without saying it's a massive honor for the track to be reworked by a star of his magnitude.”
Released in 2007, ‘Perfect (Exceeder)’ is a mashup of Dutch DJ and producer Mason’s instrumental dance track ‘Exceeder’ and Princess Superstar’s 2005 electro-pop single ‘Perfect’. In 2023, the track was featured in the Emerald Fennell-directed psychological black comedy film Saltburn, prompting a surge in social media virality leading to in excess of 50 million views across creations to date, and global popularity that led to the track entering the Official UK Top 40 Charts and Billboard’s Hot Dance/Electronic Songs chart. Testament to its global appeal, the track placed in Spotify’s Viral 50 in more than 46 countries including reaching #16 in the Global Viral 50, and elsewhere featured in the Global Top 50 in the UK and Ireland.
[content title="Summary" label="Overall Score"]Mason vs Princess Superstar playful electro house mega hit Perfect (Exceeder) gets the ultimate David Guetta treatment. The unstoppable French house legend does his best to impress as he device a very powerful groove with electro touched basslines, punchy kicks and thumping drums resembling the original groove but by sounding more festival stages friendly louder and even more anthemic to get the festival plays that this brilliant track deserves. Very subtle remix destined to do damage and attract attention from a whole new audience that follows David Guetta faithfully! #PureGold Love iT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
About David Guetta:
DJ. Producer. Artist. David Guetta is a musical trailblazer and an international icon. Currently the #4 most streamed artist on Spotify globally and with 2x Grammys awards, 13x Grammy nominations, 7x UK number 1 singles, over 40 billion global streams, 50 million records sold worldwide, and over 70 million monthly Spotify listeners to his name, he has been voted the world’s best DJ in the DJ Mag ‘Top 100’ four times and won the accolade for best electronic artist at the MTV Europe Music Awards. He achieved two Grammy nominations, topped #1 on this year’s DJ Mag Top 100, won ‘Best Electronic Act’ at the 2023 MTV EMAs, two awards at the LOS40 Music Awards, two awards at MTV EMA’s, the ‘Dance Act of the Year’ award at the iHeartRadio Music Awards and ‘DJ of the Year’ award at the NRJ Music Awards, and was additionally named #1 Producer by 1001Tracklists, as well as this year he won ‘Producer of the Year’ award by the BRITs in recognition of his production successes.
The French producer mastermind has collaborated with some of the world’s biggest stars including SIA, Nicki Minaj, Rihanna, Justin Bieber, Black Eyed Peas, Shakira, Ariana Grande, Kid Cudi, J Balvin, Becky Hill, RAYE and many more.
Guetta stormed into 2023 with his new dance smash ‘Baby Don’t Hurt Me’, with the two pop megastars Anne-Marie and Coi Leray. It arrived as the hotly anticipated follow-up to Spotify global #1 and streaming monster, ‘I’m Good (Blue)’. The track earned Guetta his eleventh Grammy nomination, receiving a nod for ‘Best Dance/Electronic Recording’, has garnered 1.8 billion global streams and simultaneously hit #1 at the US Top 40 & US Dance Radio charts. After a year of smash hits, it was only right for Guetta to see out 2023 with two final huge singles: ‘Big FU’ with Afropop sensation Ayra Starr and Chicago rap star Lil Durk, and follow-up pop single ‘When We Were Young’, an inspired new take on Supertramp’s ‘The Logical Song’ with pop megastar Kim Petras.
Elsewhere he has provided remixes for some of the world’s biggest stars including pop royalty Sam Smith & Kim Petras, Coldplay, Dua Lipa, Megan Thee Stallion and Kodak Black. He also recently delivered a dancefloor-ready remix for BTS star Jungkook’s new hit ‘Seven’ featuring Latto.
A master creative across genres, Guetta has also gone from strength to strength with his underground-focused Future Rave project alongside Morten, and he is additionally working on new music for his underground alias Jack Back.
His renowned live show experience has extended this year to headlining the main stage at Ultra Miami Festival in March, as well as his two Ibiza residencies: Hï Ibiza with Future Rave and Ushuaïa Ibiza with legendary party F*** Me I’m Famous!. He also continued with his residency at Encore Beach Club in Las Vegas and many of the world’s biggest events and festivals. Guetta also closes out the huge year with a December tour across Asia, Middle East, followed by a South America tour until the start of 2024.
While maintaining an epic level of quality for his live streams during the pandemic and lockdown, he hosted his iconic United At Home series, a number of unforgettable concerts from Paris’ Louvre Museum, the Burj Khalifa in Dubai, the Icon Brickell in Miami, and atop the Rockefeller Center, raising $2 million in donations for numerous charities.
As he continues to dominate the global charts and play some of the most exciting sets of his career, all while expanding his creative vision, exploring new sounds and evolving as an artist, David Guetta demonstrates time and time again why he is the most cherished electronic artist of our generation.
About Mason:
Giving one big finger to trends, genres and mediocrity has been Mason’s mantra for over twenty years. His studio creations and energy behind the decks are a direct reflection of this personality. Equal parts groove, melody and eccentricity the Dutchman avoids jumping on electronic music bandwagons at all costs. “I could make club music fodder all day, but that would just bore me shitless. I like to challenge myself and my audience a bit more than that!” says Mason on his production ethos.
There aren’t too many producers out there capable of making credible underground bangers and radio-friendly hits simultaneously, but Mason is surely one of them. With a palette borrowed from formative years immersed in hip-hop, house, electro, funk and disco there are no rules to his musical alchemy. It’s all about having fun and avoiding the usual clichés of the scene.
Born Iason Chronis, entertainment is in this boy’s blood. All his family ply their trade in the arts, with an actress mother, a sculptor father and a sister on stage, film and TV. It was inevitable that the young Iason would also choose a similar creative path entertaining people somehow. After singing in a famous kids TV series in The Netherlands at the age of seven - think Sesame Street without the puppets - the boy grew up hanging out in big recording studios. Fascinated by the huge desks and banks of gear his love affair with music and its technology began.
By the mid-nineties, the young Mason had started to DJ, albeit from humble beginnings. He’s proud of an early residence in a seedy Amsterdam dive where off-duty hookers and various freaks gathered to dance in the early hours. It certainly gave the rookie DJ a chance to hone his skills in front of a very tough crowd. Fast-forward a few decades and the unassuming Dutch producer/DJ is fulfilling his ambitions by creating music and playing clubs and festivals in over 50 countries and counting...
Given the Dutch trait for not shouting about one’s achievements too loudly, we’ll try and keep things low key here even though there’s a lot to tell. You may know Mason from his breakout single back in 2007 (‘Exceeder’), yet he would be the first to tell you that things have moved on a hell of a lot since those times. The boy has released three fully-fledged artist albums featuring a plethora of guest artists. He’s so far managed to persuade the likes of Roisin Murphy, Shingai Shoniwa (The Noisettes), Aqualung, Rouge Mary (Hercules & Love Affair) and Jocelyn Brown to join him. Even hip-hop royalty the like of Daryl “DMC” McDaniels, Kurtis Blow, Bam of The Jungle Brothers and Sway have found themselves on Mason records. More recent partners in crime include Stefflon Don, Alex Clare and The Manor.
Then there’s his own label, Animal Language; a musical menagerie for Mason’s weird and wonderful creations. This is usually music that is just too damn strange and obnoxious for most labels out there. It has featured ‘Refurbs’, the ‘Nite Rite’ series and scores of knarly tunes from a host of producer mates. The Animal Language boys tend to celebrate by throwing weird and wonderful guerilla raves in strange spaces. They are drunken guided tours hosted in unfashionable bars, empty stores and even buses. The so-called ‘Animal Language Raves’ have become legend on the word-of-mouth party scene in Amsterdam. They are very messy affairs.
To say this boy is prolific is a bit of an understatement. There have been scores of singles released since that one tune dropped over a decade ago. There have been several Beatport number 1’s, BBC Radio playlists and “Hottest Record in The World”. His music has been the sound bed in recent campaigns for Louis Vuitton, Google, Dior and Hyundai as well as finding itself into Hollywood movies and Netflix serials. There’s been no slacking in the studio Iason refers to as ‘the cave’. The guy is a self-confessed workaholic who thrives on the graft of creating.
This year sees Mason release his fourth artist album ‘Chroma Panorama’ with an array of amazing contributors and eclectic sounds. The recruiting includes Dragonette, Jack Garratt and vocalists from Gorillaz, Zero 7 and Girl Ray. The long player covers a lot of musical ground, being more suited to kicking back and listening rather than raving to.
There is also live act Mason & The Masonettes. Having recruited a talented trio of female vocalists, the Masonettes, are an all singing, all dancing, vocal trio that join Mason’s DJ sets. As he spins his funky, chunky blend of house this refined ensemble provide close harmony vocals, synchronised dance moves and a whole lot of sass. The Masonettes have already joined for a few shows on home turf including a slot in front of thousands at Amsterdam Pride and at the legendary Paradiso. Their single ‘Are You Ready’ even became a national radio playlisted hit in Holland.
In what is becoming a very trend driven, genre-specific world Mason constantly strives against the norm by creating music on his own terms. He pays no heed to what this month’s current media darlings are dropping nor does he wear a baseball cap or have full sleeve tattoos either. What Mason does have is a unique vibe and ‘fuck you!’ attitude to making music that is both infectious and refreshing in equal measure.
With two top 20’s under her belt including “Bad Babysitter” and “Perfect Exceeder” (#3 on the UK charts in 2006 and now in the top 40after 17 years!), Princess has recorded 7 astonishing albums and has had numerous collaborations with musicians and producers such as Armand Van Helden, Moby, Kool Keith, Prince Paul of De La Soul, Chilly Gonzales, DJ Hell, The Prodigy, Arthur Baker (“Planet Rock” with Afrika Baambata and “Blue Monday” with New Order), Stuart Price (Madonna), and more. Her dance smash with Larry Tee “Licky” was featured in two #1 movies; the Judd Apatow film “Get Him to the Greek” and “Hall Pass.” She was featured rhyming on Grandmaster Flash’s album which also featured Q-Tip, Busta Rhymes, Snoop Dogg, and other hip-hop legends. She was even also an early producer/mentor of the #1 artist Lana Del Rey. Her release “I’m a Firecracker” featured producers like the Rural, who have produced the Gorillaz and Beyonce; Nyceboy, smash producer of JLo/Fat Joe; Shawn Lee of the Ping Pong Orchestra; plus Princess’ own inimitable production.
Princess Superstar has had synch placements in TV shows such as Orange is the New Black, Ugly Betty, Sex and the City, CSI, CSI Miami, Six Feet Under, and the internationally televised Victoria's Secret Fashion Show. Her songs have been featured in movies like Bruno, Get Him to the Greek, Hall Pass, and Goal! Commercials for Christian Dior, Payless, JC Penny, and Easy Spirit have also used her tracks. Princess has collaborated with famed comedian Margaret Cho; and she was also featured on Inside Amy Schumer Season 4, rapping on a hilarious skit called “Beautiful.”
Brand endorsements have included Nike UK, Red Bull, Ben Sherman, DKNY 's Flagship store in NYC, Adidas store in NYC/Berlin, Miss Sixty in NYC, Tommy Hilfiger UK, and the Versace Runway Show in Italy.
Princess Superstar has been an active touring artist, playing in more than 20 countries to hundreds of thousands, and she has headlined festivals around the world from Coachella to Fuji in Japan. She demonstrates a broad spectrum of skills from being a live performer with a full band and stage show to also being a sought-after DJ who brings the PARTY!!!
About Armada Music
Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 40,000 tracks, built up across twenty-plus years of specialized dance music exploitation.
Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Loud Luxury, Sunnery James & Ryan Marciano, Tensnake, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. The label also takes great pride in major achievements such as Armin van Buuren’s GRAMMY nomination for ‘This Is What It Feels Like’, Loud Luxury and Brando’s ‘Body’ surpassing one billion streams on Spotify and breaking artists such as Lost Frequencies into global stardom.
Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a truly global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent.
In 2023, Armada Music launched BEAT Music Fund, the world’s first dance music investment company, that acquires catalogs with the mission of honoring, representing and reinvigorating them. BEAT’s portfolio will continue to grow; in the first six months following its launch, BEAT acquired the catalogs of, among others, electronic music star ARTY, house and techno pioneer Kevin Saunderson’s KMS Records, legendary NYC-based house label King Street Sounds and chart-topping producers Chocolate Puma.
Nicky Romero's ventured into new territory by releasing his country-inspired release "Rise" with Stadiumx featuring Matluck back in August. Now the track has received two huge remixes from dance music legends Afrojack and Thomas Gold. Each version has a unique take on the song's upbeat rhythms and organic instrumentals: Afrojack turns up the heat with his signature driving house basslines and dynamic percussion that turns "Rise" into a hard-hitting club track, while Thomas Gold's melodic approach creates a dancefloor-friendly, uplifting experience reminiscent of festival progressive anthems!
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Vocals and Lyrics[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Nicky Romero & Stadiumx - Rise (ft. Matluck) (Remixes) [/item]
[content title="Summary" label="Overall Score"]Nicky Romero & Stadiumx have done their magic tricks along with Matluck for the stunning Rise. Now is the turn of the remixers to add their glory with massive new versions. Afrojack cranks the stereo system with a powerful electro house infused version ready for big room mainstage action. Rough drums, sharp basslines, uplifting synths and great application of the encouraging and truly inspiring vocal. Afrojack has added his well known twisted beats and pieces to turn the track into a real mindstorm. Thomas Gold remix is another example of what he is capable to do as he adds his punchy rocking drums along with that future house basslines along with acid overtones leading to the atmospheric breakdown packed with nice strings, airy pads and uplifting old school piano chords. The climax is euphoric mainstage progressive house with all the right ingredients to keep the crowd interested jumping and shaking while they sing the lyrics loud and proud. #PureGold Love IT [/content]
Poppin' pills doesn't even get you close to the rush you feel when Dave Winnel's 'Acid Trippin' is emanating from the sound system. Dark and powerful with aggressive synth shots on top, this is one of those tunes you won't ever get enough of.
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Vocal samples[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Dave Winnel - Acid Trippin[/item]
[content title="Summary" label="Overall Score"] Dave Winnel goes off the hook with his latest electro house bomb called Acid Trippin. Powerful beats, wonky basslines, playful groove, weird acid overtones and great arrangement with breakbeat sequence on its breakdown along with nasty cranking sounds to explode out of any proportion. If you search for a prototype of a really strong, super solid and thick party track Acid Trippin is the one! Press play and the club erupts! #PureBassBomb Love iT [/content]
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Vocals and Lyrics[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Axwell /\ Ingrosso feat. Romans - Dancing Alone (Remixes) [/item]
[content title="Summary" label="Overall Score"]One of my favourites single by Axwell /\ Ingrosso featuring the stunning Romans vocals and lyrics Dancing Alone comes back with an impressive package of high class remixes. Firstly the upcoming CYA service the beautiful melodic dreamy progressive version with pulsating basslines, thumping drums, bouncy grooves and excellent trancy approach of the hi-nrg synthy line that simply crawls under your skin and awake your spirit. Brohug remix moves on the rough electro house territory with raw fat basslines, crunchy drums and fat stomping grooves while in the breakdown the vocal and big synthy hook is allowed to create huge buzz on the dancefloor. Lastly Minds & Machines remix turns the track into a cool break beat production with pitched vocals, creative application of the main synthy riff and travelling inspiring sounds while the last part finishes in future house fashion delivering a retro futuristic approach. #PureGold Love IT[/content]
The mighty Tiësto comes on with full force as he drops his new single, aptly titled 'WOW'. Released on his own Musical Freedom label, it's a raving piece of music, building up energy from the start with cool kicks and heavy bass. Then, the party ignites with a huge melody, dark and infectious, making sure the crowd will go crazy. Peaktime music, played to bits this summer on festival mainstages by both Tiësto and Hardwell.
Spinnin' Records - "It all starts with good music"
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Spoken Vocal sample[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Tiësto - WOW[/item]
[content title="Summary" label="Overall Score"]Tiësto never stops to impress and his latest single is absolutely explosive and is called WOW. You can expect heavy drums, rough ferocious kicks, distorted basslines and massive dark moody razor blade like synthy riff that drives the track forward. The breakdown is superb with one of the coolest spoken vocal samples that simply works and elevates the audience to the next level. The drop is right and exact to put fires on the dancefloor and bring hysteria in every mainstage that will be played in the coming months. Get ready to literally explode and just say when you jump WOW! #PureGold Love IT [/content]
Showcasing a versatile and expansive range of music, Grammy-winning dance music DJ & producer, Afrojack, has today released a new EP titled “Press Play”. The EP features cross-genre dance music from club bangers to melodic anthems to progressive-house and includes an impressive fourteen tracks. Some of the tracks are already released and others are new today. The EP is also being released on Wall Recordings.
“Press Play” is packed with live set fixtures and many collaborations with artists who are signed to Afrojack’s Wall Recordings such as Chico Rose, Chasner, DISTO and Jewelz & Sparks. Fans will enjoy progressive-House-flavored singles like ‘When You’re Gone’ and ‘2012’ to club-oriented cuts such as ‘Let It Rip’ and ‘Own Game’. As the name says, this EP will make fans ‘Press Play’ in an instant and repeat the process to prolong the magic of this fourteen-track melodic journey.
“For me, this was more of a journey to show a different side of me with the different styles of music I’ve been doing,” Afrojack said. “I’ve been playing a lot of tracks with the new artists I signed to my label in my sets, so it made sense to put out all of the music fans have been hearing since Ultra this year on the EP. You’ll hear familiar and unfamiliar sounds with some great artists and I can’t wait for the fans to hear it all.
Named the #8 DJ in the world by DJ Mag’s Top 100 DJs poll (his seventh consecutive year of appearing in the Top 10) and slated to continue that tradition through this year’s voting, Afrojack is one of the most popular dance music acts of today and a sought-after producer who’s won a Grammy for his and David Guetta’s remix of Madonna’s ‘Revolver’ and worked with everyone from Pitbull to Sting and Chris Brown. Coming from a two-year period that saw him drop an array of hits such as ‘Bad Company’ with Dirtcaps, ‘Helium’ with David Guetta and Sia, and a remix of U2’s iconic ‘Get Out Of Your Own Way’, Afrojack continues to bend genres as a musician with an admirable work ethic, huge output and peerless sense of what makes a record erupt in music scenes across the globe. Add to that the gamut of top-tier festivals he wrecks the mainstages of and you know Afrojack is in it to win it whenever he drops a new crowd favorite, let alone an entire fourteen-track EP.
Tracklist:
1. Afrojack - Bringin it back
2. Afrojack ft. Brohug & Titus - Let It Rip
3. Afrojack & MC Ambush - Step Back
4. Afrojack & Chasner - Own Game
5. Afrojack - Another Level
6. Afrojack ft. Jewelz & Sparkz & Esther Dean - When you're gone.
7. Afrojack x Jewelz & Sparks - One More Day (Nicky Romero Remix)
8. Afrojack - Time
9. Afrojack & Chico Rose – 2012
10. Afrojack - Bassride
11. Afrojack & Disto - My City
12. Afrojack & Disto - Put It Down
13. Afrojack & Ricky Breaker - Flawless Victory
14. Afrojack ft. Oliver Twizt & Angger Dimas & MC Ambush - Pop That
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Vocals and Lyrics[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Afrojack - Press Play[/item]
[content title="Summary" label="Overall Score"]Afrojack continues to impress with his worldwide hits and his album Press Play is jam packed with prime time material that any DJ or fan of big dancing beats will adore straight away. The album includes big room, dubstep, and electro house tracks that will keep dancefloors and car players pretty busy. Bringin it back is a powerful mixture of heavy dubstep beats, electronic melodies, big synthy hooks, clever vocal samples and rough distorted basslines. Let It Rip is banging booming groovy electro house with sharp basslines, stomping drums, strong vocals and playful melodies. Step Back is powerful to the bone like leaving unattended a massive bulldozer on the dancefloor without breaks to stop it. Own Game is an excessive big room monster with piano melody and pitched up vocal while the drop is big fat and ferocious to the max. Another Level makes use of robotic vocals while the drop is packed with distorted crazy basslines, heavy drums and razor sharp synths to cut you deep. When you're gone is more ladies friendly track with playful pizzicato style melody in the drop while the singing in the breakdown is smooth and romantic with piano melody to die for. One More Day is included on the fat future house meets big room and in your head Nicky Romero version that festival crowds super adore and they love to clap and jump along. Time is an excellent rave friendly track with rough stomping beats, smashing wonky basslines, cool vocal samples and very nice breakdown with trancy synthy melody perfect for time travel. 2012 is what festival big room sound is about. In your face no holes barred rough beats with harddance infusions to it. Very sweet breakdown followed by thunderous climax perfect to blow your whistles. Bassride as the track suggests is an unstoppable rough electro house smasher that relentlessly builds and keeps the audience bumping along and riding the bass. My City includes distorted vocals upon the wonky distorted basslines while the breakdown includes trap and dubstep sequences. Put It Down is dubstep with attitude that means fat, fast, furious, unconventional and outrageously gorgeous including an old school drum n bass sequence. Flawless Victory combines big synths, danceable dubstep beats and heavy bass while the drop goes the hard dance direction. Finally Pop That is raging, menacing, trap with heavy swinging rough beats while in the second part big epic synth is added to close the album in style. Afrojack service an album that represents what he plays in his sets without the pressure of delivering a worldwide hit. This is Afrojack back to his roots.[/content]
Many great international artists are on multiple Grammy award-winning dj/producer David Guetta’s list of collaborations and with his new single ‘Don’t Leave Me Alone’ he adds UK’s biggest selling debut artist of the year, Anne-Marie.
The uplifting track gives enough room for Anne-Marie’s bright vocals to shine through and is perfect to blast on hot summer days. David Guetta: ‘’Anne-Marie is an amazing artist, I’m super proud of this track and so happy we finally get to share it with the world!''
The snippet posted a couple of days ago already had the press excited with Idolator stating ‘’it could be another big hit for both of them, if the snippet is any indication. Don’t be surprised if this becomes a late summer smash.''
With ‘Flames’ and ‘Mad Love’ still in the charts, ‘Don’t Leave Me Alone’ follows a set of successful collaborations for Guetta this year including 'Like I Do’ with Martin Garrix and Brooks and 'Your Love’ with Showtek. While currently playing shows all over the world during the festival season including his Ibiza residencies at Ushuaia and Pacha, Guetta is finishing his 7th studio album which is set to release later this year.
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Vocals and Lyrics[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]David Guetta - Dont Leave Me Alone Feat Anne-Marie (Remixes) [/item]
[content title="Summary" label="Overall Score"]David Guetta collaborates with Anne-Marie for the stunning Don't Leave Me Alone that has the word summer laid back anthem written all over it! The remix package has fantastic versions to pick and drive crowds insane. David Guetta's version is tough futuristic house with slamming bassline that intrigue you to dance and let the steam go. Tom Staar translates the track into a full on monster size banger with fat pulsating basslines, thick synthy hooks and cool vocal snippets. Addictive rhythm and groove to carry big crowds up and away. Sidney Samson follows his own pathway of powerful electro house with relaxing chilling breakdown followed by hard hitting cranking climax for the mainstage experience u longing for. An excellent package for DJs to work it the next weeks to the max. #PureGold Love IT [/content]
The sonic equivalent of an apex predator, Mike Hawkins' 'Crocodile' is on a rampage. Aiming to crunch clubbers between its mighty kick-and-bass-structured jaws, this VAYPOR monster is soon to turn the club circuit into its personal hunting grounds. It's coming to get you.
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Exotic Vocals [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Mike Hawkins - Crocodile [/item]
[content title="Summary" label="Overall Score"]Mike Hawkins presents on his own label Vaypor the extremely huge anthem Crocodile. We deal here with a magnificent power stomper that is so unique, fresh and diverse that will give you pleasant surprise. Very rough drums, pulsating aggressive electro touched bassline, twinking bells melody and excellent breakdown with exotic vocal samples, old schools Prodigy like breakbeat and intense drop that will be impossible to stand still when this will be played on your favourite festival. The climax is unforgettable and to the point like Crocodiles who adore to make you sweat on the floor. #PureGold Love IT [/content]
With scorching versions from Ørjan Nilsen and not one but two remix contest winners (NOON and L.A.M), Firebeatz’s smashing offering hits the club circuit again. Each packed with high-octane sounds and tremor-like bass, these remixes will tear down several clubs an hour ‘Till The Sun Comes Up’.
Dimitri Kechagias review:
[review top="1"]
[item value="9"]Beat and Rhythm[/item]
[item value="9"]Basslines and Groove[/item]
[item value="9"] Melody [/item]
[item value="8"] Synths [/item]
[item value="10"]Vocals and Lyrics[/item]
[item value="9"]Breakdown[/item]
[item value="9"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="9"]Sound-design and Arrangement[/item]
[item value="9"]Overall Atmosphere[/item]
[item value="9"]Goosebumps / Shivers moments[/item]
[item value="9"]Emotional affinity and heartfelt moments[/item]
[item value="9"]Originality and Inventiveness[/item]
[item value="9"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="9"]Radio Friendly[/item]
[item value="9"]You can’t get this memorable track out of your head[/item]
[item value="9"]It has potential to become an anthem or a classic[/item]
[item value="9"]Firebeatz feat. Vertel - Till The Sun Comes Up (Remixes) [/item]
[content title="Summary" label="Overall Score"]Firebeatz unleash the remix package for their top notch Till The Sun Comes Up feat. Vertel. The first remix comes from the Norwegian hero Orjan Nilsen who once again proves why he is successful for so many years. His remix is 10/10 with the clever arrangement and superb sound design with cool breakdown and truly pumping with electric basslines climax. You will feel like the earth breaks in two and massive volcano erupts releasing fumes, strobe lights and gold. The contest winners deliver strong remixes but without any surprise or originality 8/10. L.A.M. goes the mainstage big room EDM direction with sweet melodic breakdown and very rough and aggressive wild hardstyle bassline. Its the best of the two remixes. NOON remix is electro house with trap breakdown that sounds fine but without being something very special to stand out. #PureBass Love IT [/content]
Fresh from wowing the audience as a peerless crowd favorite, Max Vangeli x Danny Ray's 'Made For Lovin' You' is back in fourfold. Through the exceptional remixes from Geru, K.I.D x SBM, Gaveline and FaderX, this brand-new release on NoFace sets out to dominate the club circuit again.
Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Vocals and Lyrics[/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]Max Vangeli x Danny Ray - Made For Lovin' You (Remixes)[/item]
[content title="Summary" label="Overall Score"]The awesome hit Made For Lovin' You returns with 4 to the point versions to play again and again and never feel bored from them. Gaveline provide massive big room EDM version with ferocious basslines, playful groove and cool singalong breakdown that ensures dancefloor domination. Geru goes electro house with distorted synths, raw basslines, metallic drums and old school influences. K.I.D x SBM provide electro house shocking wonky basslines, fat synths and cool breakdown followed by electro style minimal grooves. Lastly FaderX adds very dark but upfront bassline with bells like melody on top while the breakdown has French disco house rhythm until the fearsome bass is back to raise the heat on the floor. #PureGold Love It[/content]
