Showing posts with label Drum & Bass Reviews. Show all posts

21:58:00

 


Cheat Codes join forces with ALTÉGO and Hannah Boleyn on Miss Me, a bright and infectious dance-pop release built around a playful interpolation of Kiss Me. Driven by catchy hooks and feel-good energy, the track blends modern club production with a nostalgic twist.

With a string of global hits including No Promises, Pretty Girl, and Sex, Cheat Codes bring their signature crossover appeal, while ALTÉGO add their viral touch, backed by millions of TikTok followers and massive mash-up success. Hannah Boleyn’s distinctive vocal performance ties it all together, continuing the momentum of her widely supported releases.

Discover  ▶ HERE 



Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Cheat Codes x ALTÉGO x Hannah Boleyn - Miss Me [/item]
[content title="Summary" label="Overall Score"]Cheat Codes, ALTÉGO, and Hannah Boleyn collaborate on “Miss Me,” a vibrant dance-pop track that exemplifies superb technical craftsmanship and musicality across every aspect of production. The rhythm, groove, and drive of the record are immediately infectious, propelled by a tight drum and bass foundation that maintains clarity and punch throughout. The percussion elements are carefully layered to create a dynamic flow, perfectly synchronized to keep club and festival audiences moving, while also appealing to casual listeners at home. The track’s melodic hooks and harmonic layers stand out, with a playful interpolation of “Kiss Me” serving as a nostalgic anchor, supported by lush synths, airy pads, and well-placed harmonic counterlines that give the track depth and color. Transitions, drops, and build-ups are executed with pristine attention to timing and energy management. The producers employ subtle risers, filtered sweeps, and rhythmic breaks to create anticipation, followed by explosive yet controlled drops that feel both euphoric and fluid. The energy flow and momentum remain seamless from start to finish, aided by precise BPM consistency that makes the track exceptionally DJ-friendly, with ample cue points and looping potential for live performances. Sound design and production quality radiate warmth and clarity, as each element occupies its space in the stereo field, benefiting from careful EQing and spatial effects that achieve a rich, immersive listening experience. Originality in arrangement and structure is evident, as “Miss Me” balances familiar pop sensibilities with underground drum and bass energy. The use of effects and spatial design, including tasteful reverb tails, stereo panning, and subtle delay modulation, enhances the immersive qualities of the mix, drawing the listener into a sonic environment that feels both intimate and expansive. The dynamic range and loudness balance are handled with mastery, allowing the track to hit hard in club systems while maintaining musicality in headphones and wellness settings. Atmosphere and emotional resonance are heightened by Hannah Boleyn’s standout vocal performance, which pairs expressive delivery with crystal-clear recording and subtle processing. Her performance lends the track cohesion and storytelling, while lyrical phrasing combines with the instrumental energy to evoke sensations of joy, nostalgia, and euphoria. These qualities directly contribute to the track’s catchiness, high replay value, and ability to spark positive emotional responses. From a psychological and wellness perspective, research has shown that listening to high-energy, rhythmically consistent music can elevate mood and improve mental health by stimulating dopamine release and enhancing feelings of reward (Salimpoor et al., 2011). Studies also indicate that music with strong rhythmic elements and predictable energy flow can improve workout performance, promote endurance, and regulate breathing in fitness contexts (Terry et al., 2020). “Miss Me,” with its propulsive beats, vibrant melodies, and festival-ready energy, is not only a dancefloor weapon but also a track that could boost physical performance in spinning, HIIT, or aerobic classes, while simultaneously uplifting mood and reducing stress levels. Overall, “Miss Me” demonstrates exceptional creativity, cohesion, and artistic identity, translating into a track that is impactful in clubs, wellness sessions, and private listening alike. Its technical polish, emotional resonance, and adaptability position it as a standout in contemporary dance music. #PureGold Loveit[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Terry, P. C., Karageorghis, C. I., Curran, M. L., Martin, O. V., & Parsons-Smith, R. L. (2020). Effects of music in exercise and sport: A meta-analytic review. Psychological Bulletin, 146(2), 91–117.
Zatorre, R. J., & Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(Supplement 2), 10430–10437.




Additional info:
linktr.ee/cheatcodes1

20:47:00

 


Maor Levi, one of Anjunabeats' most beloved talents, returns to the label with 'Reflect Reliquified / Illumina Reliquified'.

Maor has been a semi-regular contributor to Anjunabeats since 2006, and in that time he has helped to define the modern sound of the label. Maor first signed to Anjunadeep at the age of 15 with 'Lital', before jumping across to Anjunabeats. He's since produced a continuous stream of club hits for the label including classics like ‘Shapes’ and ‘Won’t Say No’.

Last year, Maor collaborated with fellow Anjunabeats stalwarts Ilan Bluestone and Giuseppe De Luca on 'Ignite', the title track from Ilan's latest studio album. An electrifying blend of hypnotic melodies, soaring vocals, and explosive drops, the track earned support from the likes of Armin van Buuren, Ferry Corsten, Farius, Kyau & Albert, Ronski Speed, Ruben de Ronde and many more.

Now, Maor returns to the label with drum & bass reworks of his classic Anjuna tracks 'Reflect' and 'Illumina'. Originally released on Anjunadeep in 2007, 'Reflect' and 'Illumina' have since gained support from Tiësto, Paul van Dyk, Darude, Cosmic Gate, The Thrillseekers and many more.
"I called these reworks 'Reliquified' because they’re not remixes, they’re dissolutions. Old ideas broken down, melted, and reformed into something darker, more aggressive, and more alive.

'Reflect' and 'Illumina' kept their essence, but the sound design, rhythm, and energy were liquified/remixed into modern versions with a new identity." - Maor Levi
Maor Levi’s 'Reflect Reliquified / Illumina Reliquified' is out now on Anjunabeats.

Buy/Stream 'Reflect Reliquified / Illumina Reliquified': HERE




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Maor Levi - Reflect Reliquified / Illumina Reliquified [/item]
[content title="Summary" label="Overall Score"]Maor Levi’s “Reflect Reliquified / Illumina Reliquified” breathes new life into his classic Anjunadeep releases, transforming them into a masterclass of modern drum & bass production. The tracks immediately impress with their rhythm, groove, and drive, propelling the listener into a kinetic soundscape that feels tailored for both the dancefloor and personal listening sessions. The grooves are tightly constructed, with syncopated drum patterns and punchy basslines that maintain BPM consistency and make live mixing seamless for DJs. The transitions and build-ups are fluid and purposeful, with drops that maintain dynamic energy, allowing for natural cue points and loop potential in professional sets. The melodic hooks and harmonic layers showcase Levi’s signature musicality, now reimagined through a darker and more aggressive sound design. The lush atmospherics and spatial effects create a three-dimensional listening experience, immersing the audience in sonic details that reward repeated plays. This spatial design enhances the cohesion and storytelling of the tracks, as each build and breakdown feels like a narrative moment guiding the listener through a journey of tension and release. The dynamic range and loudness balance are handled with precision, maintaining high-energy impact without compromising clarity. From a production standpoint, the originality of arrangement and structural reinvention stands out. Levi’s approach to “Reliquified” versions goes beyond a standard remix—he effectively deconstructs the original elements, reforming them into new musical organisms with a distinct artistic identity. The layering of effects, percussive accents, and evolving textures not only raises the tracks’ festival and club suitability but also enhances their emotional resonance. This emotional impact translates into powerful physiological responses; studies suggest that music with strong rhythmic drive and harmonic complexity can boost dopamine levels and reduce stress (Menon & Levitin, 2005), supporting mental well-being. The immersive atmosphere and energetic flow make these tracks suitable for fitness and movement-based wellness classes, where synchronization of physical activity to music has been linked to improved endurance and mood (Karageorghis & Priest, 2012). The high replay value and catchiness ensure that the experience deepens with each listen, offering both cognitive stimulation and emotional catharsis. In social settings like festivals or gyms, the crowd reaction potential is immense—participants are likely to experience heightened motivation and flow states due to the music’s dynamic energy and entrancing sound design. In sum, Maor Levi’s “Reflect Reliquified” and “Illumina Reliquified” are not only artistic triumphs but also serve as evidence of music’s ability to enhance human experience, from the dancefloor to the mind-body connection in wellness practices. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:

Menon, V., & Levitin, D. J. (2005). The rewards of music listening: Response and physiological connectivity of the mesolimbic system. NeuroImage, 28(1), 175–184.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.




Additional info:

05:40:00

 


‘On The Beach’, the timeless classic from York, gets reimagined to a full-force drum and bass banger. Courtesy of Matrix and Futurebound, two long-serving scene mainstays who are no strangers to crafting up charting hits, this tracks ties the evergreen appeal of the original to a sizzling production so high-octane it sends every crowd into a frenzy.






Dimitris Kechagias Review:
[review top="1"]
[item value="10"]York x Matrix & Futurebound - On The Beach [/item]
[content title="Summary" label="Overall Score"]‘On The Beach’, the timeless classic from York, receives an electrifying reimagining as a full-force drum and bass banger, courtesy of the seasoned maestros, Matrix and Futurebound. Known for their chart-topping prowess, this dynamic duo brings an unparalleled level of technical mastery and innovative flair to the track, seamlessly blending the evocative charm of the original with the pulsating energy of modern electronic production. Diving into the technical intricacies, Matrix and Futurebound employ a meticulously crafted drum pattern, characterized by rapid-fire breakbeats and precision-engineered snares that inject relentless momentum. The bassline, a signature element of their style, is sculpted with razor-sharp modulation techniques, creating a dynamic, rolling undercurrent that anchors the track’s high-octane vibe. Layering plays a pivotal role in the production process. Ethereal synth pads and atmospheric textures are woven throughout, paying homage to York's original melodic motifs while enhancing the sonic depth. The duo employs side-chain compression techniques to create a breathing effect, allowing the kick drum to punch through the dense mix with clarity and impact. Advanced sound design techniques are also evident. Matrix and Futurebound utilize granular synthesis and sophisticated filtering to manipulate vocal chops, adding a futuristic, almost hypnotic quality to the track. This is complemented by strategic automation of effects like reverb, delay, and phasing, which add dynamic shifts and keep the listener engaged from start to finish. The final production boasts immaculate mastering, with a well-balanced frequency spectrum that ensures both the sub-bass and high-end elements shine without overpowering each other. The crystal-clear mixdown, combined with the track’s relentless energy, guarantees a crowd-pleasing anthem that resonates on dancefloors worldwide. ‘On The Beach’ stands as a testament to Matrix and Futurebound’s technical prowess and creative evolution, transforming a beloved classic into a drum and bass masterpiece that captivates both nostalgic fans and new listeners alike. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]






Additional info:

15:49:00

 


Changing Faces, aka Oliver Vasko, makes his debut on Anjunabeats with a fresh drum & bass rework of ‘Rush’ by SØNIN and BLR, featuring vocals from Brieanna Grace.


With over a decade of production experience with some of dance music's biggest names, SØNIN is no stranger to breaking into the charts, with previous tracks ‘Passion’ and ‘Nano’ securing #1 in the Beatport Top 100 Trance charts. His releases have gained support from trance legends such as Armin van Buuren, Jason Ross, Ferry Corsten, W&W and many more. Having recently played Fabric, London as well as multiple US shows on the Anjunabeats After Dark Tour at the end of last year, SØNIN returned to Anjunabeats with a three-way collaboration with ‘Rush’.

BLR, aka Leon Bolier, has worked alongside some of the best in the industry, including Tiesto & John Summit. “‘Rush’ came to be when Anton (SØNIN) sent me an idea he was working on and I got introduced to Brieanna" says BLR. "I forwarded the instrumental idea to Brieanna to work on and the resulting demo was SO good I asked Anton if I could implement my own ideas to this and make this a collab."

Before release, ‘Rush’ had already seen extensive support, being debuted by Above & Beyond at Group Therapy 600 in Mexico City to 14,000 people. Being only one of only two non-Above & Beyond ID's from the vaunted performance, the track was a standout moment in the set. Since its release, the track has amassed over 500,000 streams and gained support from top tier acts such as David Guetta and Dimitri Vegas & Like Mike, just to name a few. 

Slovak DJ and producer, Changing Faces has made a growing name for himself in DnB with his production, live shows as well as his work with brands like Allstars and UKF. His recent release, ‘Worlds Apart’, featured notable vocalist Cameron Hayes, who fans might recognise from her previous hit collaborations with Dimension and Wilkinson. With this latest release, Changing Faces continues his rapid growth with his first release on Anjunabeats, offering a new take on a trance main floor banger.

SØNIN & BLR feat. Brieanna Grace ‘Rush’ (Changing Faces Remix) out now on Anjunabeats.





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]SØNIN & BLR feat Brieanna Grace - Rush (Changing Faces Remix) [/item]
[content title="Summary" label="Overall Score"]Drum N'Bass is experiencing a remarkable resurgence, and the anthem "Rush" by SØNIN & BLR featuring Brieanna Grace has found a dynamic new dimension through the masterful remix by Changing Faces. This version is not just a remix—it's a meticulously crafted sonic journey that elevates the original's core elements while infusing it with relentless energy and precision. From a technical standpoint, Changing Faces demonstrates exceptional prowess in sound design and arrangement. The remix opens with a finely layered atmospheric intro, employing subtle pads and reverb-drenched textures that create a sense of anticipation. The transition into the drop is seamless, utilizing a strategic combination of risers, white noise sweeps, and meticulously timed drum fills that build tension effectively. The drum programming is particularly noteworthy, featuring tightly compressed snares with sharp transients that cut through the mix, supported by rolling, syncopated hi-hats that maintain rhythmic momentum. The kick drum is punchy, sitting perfectly in the low-end spectrum without overpowering the sub-bass, which is rich, warm, and glides smoothly to add depth and movement. Changing Faces skillfully manipulates the vocal stems of Brieanna Grace, applying dynamic EQ, spatial reverb, and slight pitch modulation to ensure the vocals remain front and center without clashing with the dense instrumentation. The use of sidechain compression is evident, allowing the kick to breathe within the mix while maintaining the track’s overall sonic density. The remix’s arrangement supports its cinematic appeal, with well-placed breakdowns that offer a contrast to the high-energy sections. These breakdowns utilize minimalistic elements, such as isolated vocals and ambient synth layers, to create emotional peaks and valleys, enhancing the track’s anthemic quality. In terms of mixing and mastering, the track boasts a crisp, polished finish. The stereo imaging is expansive, with wide panned synths and percussion elements creating a three-dimensional soundscape. The mastering process has achieved a loudness that’s competitive yet dynamic, preserving the track’s intricate details and avoiding the pitfalls of over-compression. Overall, Changing Faces’ remix of "Rush" is a testament to expert production techniques and creative artistry. Its unstoppable drum n' bass energy, combined with cinematic flair and high-class execution, makes it not only a club banger but also a track that could seamlessly fit into a TV series or film soundtrack. #PureGold indeed. Love IT [/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]




Additional info:
https://www.instagram.com/soninsoninsonin/
linktr.ee/blrofficial
https://www.instagram.com/changingfacesdnb/
https://www.anjunabeats.com
https://store.anjunabeats.com/
https://www.facebook.com/anjunabeats
https://www.x.com/anjunabeats
https://www.instagram.com/anjunabeats
https://twitch.tv/anjuna
https://soundcloud.com/anjunabeats
https://reddit.com/r/AboveandBeyond
https://www.discord.gg/anjuna

21:45:00

 



Previously a bootleg, the collab has been highly-requested for over a year

Due to huge demand from fans, drum and bass talents 1991 and Subsonic have officially released their long-awaited rework of Ian van Dahl’s 1999 classic ‘Castles In The Sky’. Dropping today on Armada Music, this release follows months of dominating main stages at major festivals like Ultra, Tomorrowland and EDC Orlando in 2024.

Pairing Martine Theeuwen (aka Marsha)’s iconic vocal line with a dream-like reinterpretation of the original melody and the signature drum-and-bass elements that define both artists’ styles, this certified anthem—already supported by scene frontrunners like Sub Focus and Dimension—is primed to become a staple in drum-and-bass sets for years to come.

1991 said: “Two years on and ‘Castles in the Sky’ is finally being released! This collab has taken various forms and has been played out countless times over the past couple of years but it’s now ready to be put out into the world and we’re so happy that you all can finally listen to it in full.”

Subsonic added: “I was introduced to ‘Castles In The Sky’ growing up through my parents, it’s one of their favourites from the era and coincidentally, also one of mine. It's so good to see our spin on it finally released to the world.”
The release comes at an exciting time for British drum and bass artist 1991 who is coming off the back of headlining an Australia tour with Culture Shock. In addition to releasing original music, 1991 has earned a reputation for reimagining classics in his own style. ‘Castles In The Sky’ follows successful transformations of Supermode’s ‘Tell Me Why’ and Mason & Princess Superstar’s ‘Perfect (Exceeder)’—the latter played by Armin van Buuren during Ultra Miami 2024 and David Guetta at Tomorrowland. 1991 is a quarter of drum and bass supergroup WORSHIP who will headline the iconic Red Rocks later this year as the venue’s first drum and bass headliners.






Dimitris Kechagias Review:
[review top="1"]
[item value="10"]1991 & Subsonic - Castles In The Sky[/item]
[content title="Summary" label="Overall Score"] 1991 and Subsonic’s rework of Ian van Dahl’s ‘Castles In The Sky’ on Armada Music is a spectacular blend of classic elements and modern, high-energy drum and bass. The track’s vibrant rhythm, deep and groovy basslines, fresh and dreamy melody, intricate synth work, expertly crafted breakdown, intense drop, high energy, seamless sound design, and immersive atmosphere make it a must-listen. The track delivers numerous goosebumps-inducing moments from start to finish. It resonates deeply with fans of all ages. This rework stays true to the original while adding a fresh, inventive twist. With infectious hooks and captivating sound, it’s perfect for radio play. Martine Theeuwen’s iconic vocal line adds a nostalgic yet refreshing element. Its catchy tune and powerful beat make it a classic anthem in the drum-and-bass genre. ‘Castles In The Sky’ by 1991 and Subsonic is an extraordinary rework that pays homage to the original while carving out its own place in the drum and bass world. With support from scene leaders like Sub Focus and Dimension, it’s set to leave an indelible mark. Whether you’re a long-time fan or new to the scene, this track is sure to captivate and inspire. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]



About 1991:

London-based DJ and producer 1991 has quickly become a standout artist in drum & bass, known for his vibrant fusion of hooky melodics, heady emotions and high-impact production on tracks such as 'Jungle' with Alex Hosking and 'The Feeling' with Rudimental, AR/CO & PNAU. 

1991’s contemporary signature has taken him around the world, attracted over a million monthly listeners on Spotify, and scored multiple Hottest Record titles on Radio 1. Humbled and hugely motivated by the ever-growing crowds of passionate, engaged D&B fans he plays to every week, he’s at the forefront of one of the genre’s most exciting chapters to date. From extensive tours of North America, Asia and Australia and New Zealand to performances at iconic coveted events and venues such as EDC Las Vegas, Tomorrowland, Let It Roll, Drumsheds and Wembley Arena, 1991 is currently hitting his stride as one of the most prominent new-generation D&B headliners to have emerged in recent years.

Connect with 1991:




About Subsonic:

An emerging force in the drum and bass scene from the UK. Subsonic was immersed in diverse sounds from a young age. He began experimenting with electronic music production during his teenage years, gradually honing his skills and developing a passion for producing high-energy tracks.

From his originals like “Last Time”, “Launchpad” to his remixes of ‘Left to Right” or Dom Dolla’s “Miracle Maker” his versatility and creativity has been thoroughly showcased. cementing his status as a promising new talent.

As Subsonic continues to hone his craft and evolve. His future in the music industry looks incredibly bright. With a growing discography and an expanding fanbase, he is poised to become a major player in the genre. Subsonic's journey is just beginning.

Connect with Subsonic:


About Armada Music

Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 40,000 tracks, built up across twenty-plus years of specialized dance music exploitation.

Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Loud Luxury, Sunnery James & Ryan Marciano, Tensnake, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. The label also takes great pride in major achievements such as Armin van Buuren’s GRAMMY nomination for ‘This Is What It Feels Like’, Loud Luxury and Brando’s ‘Body’ surpassing one billion streams on Spotify and breaking artists such as Lost Frequencies into global stardom.

Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a truly global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent.

In 2023, Armada Music launched BEAT Music Fund, the world’s first dance music investment company, that acquires catalogs with the mission of honoring, representing and reinvigorating them. BEAT’s portfolio will continue to grow; in the first six months following its launch, BEAT acquired the catalogs of, among others, electronic music star ARTY, house and techno pioneer Kevin Saunderson’s KMS Records, legendary NYC-based house label King Street Sounds and chart-topping producers Chocolate Puma.

Additional info:


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