Showing posts with label Lost Language. Show all posts

03:44:00

 


Patrick Evans is based in Plymouth (UK) and is making his mark on the progressive and melodic techno scene. He has had releases/signings on labels such as Perfecto Black, Elpida music, Melodic Beats Recordings, E=MC2 Recordings and has more forthcoming, including collaborations and remix duties. Patrick's musical influences include Stephan Bodzin, Carl Cox, Above & Beyond, Lane 8, Ferry Corsten, BICEP, Avira, gardenstate, Framewerk, Cosmic Gate, Markus Shulz, Sander Van Doorn, Paul Oakenfold and Arty to say a few. Patrick has already gained attention from Zone Magazine being featured regarding his productions and has had support from leading acts such as Ferry Corsten, Paul Van Dyk, Paul Oakenfold and more.


Patrick Evans: Here is my Top 10, There are some great tracks here.

"Broken" from myself and Paul Hawcroft had gained support from Ferry Corsten on his Resonation Radio 065 and Paul Van Dyk on his VOYNC Sessions 807 and much more. DMC World Magazine featured this on their site too!

A lovely track from Daniel Wanrooy called "Time" signed to Flashover Recordings, If you are into your trance this is certainly one to purchase. A techy edge vibe with warm bass and great vocals.

I have to mention Jake Grace and his stunning track "Skyverse" signed to Redux138, with its punchy bassline, lush pads and crisp percussion everything combines in perfect harmony to an epic climax.

My track "Once Again" with Chris Green signed to EVE Records is also one of my favourites mostly because myself and Chris had fun making it and seeing Chris develop as an artist over the past year with his other releases has only pushed him to collaborate with other artists.

My next release incoming on Paul Oakenfolds, Perfecto Black. A collaboration between myself and Zy Khan that we call 'Awakening'. due out on June 9th really looking forward to this.


I hope you enjoy my top 10.

TOP 10

Number 10
Jake Grace - Skyverse [Redux 138]


Number 9
Klur - Apologue Nights In Bloom [Colorize Enhanced]


Number 8
Sherpa - Tears [Perfecto Black]


Number 7
Estiva - Via Infinita [Colorize Enhanced]


Number 6
Steve Jones - I Want More (Patrick Evans Remix) [Lost Language]


Number 5
Patrick Evans & Chris Green - Once Again [EVE Records]



Number 4
Patrick Evans - Straight Ahead - [Perfecto Black]


Number 3
Daniel Wanrooy - Time [Flashover Recordings]


Number 2
Patrick Evans - Apollo [Prognosis]


Number 1
Paul Hawcroft & Patrick Evans - Broken [Elpida Music]


Additional info:

13:13:00
00.00-01.00 Audio Noir

Since quietly appearing on the scene at the beginning of 2013, Audio Noir has slowly built up a strong reputation for creating atmospheric and dance floor friendly productions. In a short space of time, Audio Noir has gained support by many of the industries most notable DJ's; including: Paul Oakenfold, Solarstone, Airwave, Gai Barone, M.I.K.E Push, Matan Caspi & many more. Having received his "lucky break" by signing on with the ultra classic label - Bonzai Progressive, Audio Noir has gone from strength to strength releasing material on other respectable labels such as Perfecto, J00F & Green Martian, EDM Ravers & more. Releasing quality productions & remixes regularly, the Adelaide based producer shows no signs of letting up with his a number of releases so far on the finest progressive house and progressive trance imprints.



Tracklists and comments from Audio Noir
1.Bedrock - Heaven Scent – Original Mix
2.Leftfield Feat. John Lydon – Open Up _ Original Mix
3.Castle Trancelot – Indoctrinate – Original Mix
4.Peter Lazonby – Wavespeech – Junior Vasquez Mix
5.Inner City – I Believe – Laurent Garnier Mix
6.P.V.D – Beautiful Place – Original Mix
7.L.S.G – Netherworld – Vinyl Cut
8.Diddy – Small World – Trade Handbag Mix
9.Goldie – Inner City Life – RITM Vocal Cut

Bedrock - Heaven Scent. I've met John a few times, a surprisingly quiet, unassuming type of guy! Yet, he's deadly in the studio! the first release on Bedrock - Johns imprint - had to be special. And it was! A lovely balance of dark & light. One of my favourite examples of raw energy within a track! I added the silence acapella on a whim! I think it sounds ok!

Leftfield Feat. John Lydon – Open Up: Leftfield is one of my fav artists. Period! he's diverse, edgy and is somehow able to market his appeal to a broad audience. Some feat. Considering he's music was never meant to be crossover material Open up is notorious - as when it was released California was on fire! The vocals, Burn Hollywood burn were seen as the ultimate insult, although that was clearly not the intention. Just unlucky... or lucky timing! All the publicity gave the track a cult following! Still stands the test of time today. Solid, tight arrangement. Buffet of subtle sounds. BOOM!

Castle Trancelot – Indoctrinate – Original Mix:  Indoctrinate... Patrick Prins wrote this. He's music was almost always cheesy. Then he did this and shocked everyone! A haunting, deep progressive track which was prominent any any prig DJ's box during those mid - 90s. The production is fairly simple. Yet the arrangement and elements a far from easy. Indoctrinate stands out to me because its a deceptively brilliant tune! (Listen closely!)

 Peter Lazonby – Wavespeech – Junior Vasquez Mix: The ultimate example of a slam dunk, in your face piece of music! A rare excursion from Junior Vasquez from the depths of Twilo to progressive house! A very unique arrangement with a wonderful example of breaking down a track to almost nothing! A bold and massive remix that in my opinion outshone the original. Vasquez was known for his tuff, dark tribal house, deep house. So to come out with a remix of this calibre in a truly progressive genre, gained my respect for him greatly. Rock-solid production.

Inner City – I Believe – Laurent Garnier Mix: Inner City is one of my fav acts of all time. With countless hits and remixes. Yet Laurent Garnier grabbed this track by the balls and reconstructed it completely. Inner City - I BelieveLaurent Garnier Remix A deep, acid laced, atmospheric gem that still stands out today. I always got the impression that Laurent could produce something like this & polish it within a day! Laurent if anything, is a master storyteller. Something I'm trying to do with my productions today. Twists, turns, unexpected sounds, drops. He's a true journeyman. Especially his older material. Which I've studied many times!

 P.V.D – Beautiful Place – Original Mix: PVD has been around forever! How is this guy now? 70!!! So many productions a DJ could put in their top 10 all time favourites. I chose Beautiful Place as its a fine example of his more mellow side (aka Love Stimulation) and also because the key mix really flows nicely! What I love about PVD is that he always seems to find the right balance in his sound selection. Not as bold as some producers maybe, but he's literally guaranteed to deliver a polished, warm sounding production, regardless if its progressive house or trance. This piece of music is another great example of lush atmospherics, bright, purposeful piano & heavy synth work & FX all coming together in unison. A PVD classic!

 L.S.G – Netherworld – Vinyl Cut: I've met Oliver twice. I've been lucky to meet a lot of great producers. Some of them sadly, no longer with us. Oliver is all business. You can see that in his productions and this track is a great example. He has formula book and this is a wonderful example of less is more. Something I still struggle with sometimes! Netherworld is a serious track. Mystical, deep & energetic at the same time. I never did like its original tempo. I always pitched it down few BPM. I've heard other DJs do the same. By doing this, for me - it makes this track become a true progressive-trance anthem. Just wonderful sounds. You get the impression his has a vault full of unused and unheard elements just waiting to be unleashed! Oliver Lieb is a powerhouse. A writing & recording machine! Who knows how many releases he's been involved in. Perhaps over 1000. he has so many aliases.

 Diddy – Small World – Trade Handbag Mix: Small world. Now thats an interesting one! Written in a bedroom by a clubber named Richard who visited Trade. A UK hard house (Although somewhat cheesy) club. Every so often Trade would release a beautiful piece of music that was far beyond the hard hitting beats of cheesy bangin' trance/hard house. Yet here is the thing. This beautiful track was NEVER released. Of all the records I own, YES! As in 12" vinyl. This was one of the most sort after. Djs have offered me $100s and $100s for this track. Rumoured to be only 250 copies of this test pressing ever made. This track back in the day could have been released on a dozen well know label imprints. But it never happened. Richard's Alias for this track was "Diddy". So he quickly received a cease & desist order (STOP!)from the other Diddy! (Puff Diddy)

 So Diddy, as an artist, was in some respects over before it began. For me, Small World incapsulates the feel of the 90s perfectly. When there were still so many sounds to find, ideas to create and styles to produce. Well before the ideas began to dry up & become harder to find. Long before the cycles of music production became smaller and smaller. This track is simple. It really is. No hidden trickery, no over production. Just face-value reminiscent, nostalgic chords, classic 90's piano. Casio synths (All the rage back then) a fanatic percussive groove over a 909 kick. I would even recommend this track as a template for your own piano/trance productions. One of the best examples I can think of for creating a beautiful track out of sheer simplicity & brilliant conceptualisation.

Goldie – Inner City Life – RITM Vocal Cut: A vocal, atmospheric masterpiece. So sad that Diane Charlemagne passed away a few years back. She was an indelible talent. (Most likely better know for leading the top-40 dance group - Urban Cookie Collective. (I've got the key, I've got the secret) Yeah, that one! One of my fav vocalists of all time and the reason I wanted to finish off this set with a mellow feel. However beyond the vocal is a wonderful production team called RITM. Or more widely know as Rabbit In The Moon. Most ppl won't realise this but these guys.., from Florida USA were amongst the first producers to truly focus on progressive house out of the US. Look up their incredible back catalogue. Their remixes were always so clever. Often using street scene and sounds FX normally reserved for a movie. To this day, I still often use subtle sound FX or lifescapes in my tracks. (Subways, busy cafe, plane flying overhead, etc)

Additional info:

01:53:00

We can't get enough of PETER STEELE here at LOST LANGUAGE, with his sound epitomising what we look for when it comes to classy, driving trance.

The original mixes of NIRVANA and ZEN received immediate support from SOLARSTONE, WILL ATKINSON, and CRAIG CONNELLY, with NIRVANA having an early release on BEN LOST's EXHIBITION VI compilation.

We couldn't be happier with JOHN DOPPING's return to the label, teaming up with STEELE for a pumping, twisted rework of ZEN, complete with a cameo from SALON magazines favourite skeptic.

It's great to have JAMIE BAGGOTT's back in the EL EL fold too, with a deep NORTHERN EXPOSURE-esque remix of NIRVANA, another one that has received support on SOLARSTONE's PURE TRANCE radio show.

Heaven and earth last forever.
They are unborn.
So ever living.

EL EL





Dimitri Kechagias review:
[review top="1"]
 [item value="10"]Beat and Rhythm[/item]
 [item value="10"]Basslines and Groove[/item]
 [item value="10"] Melody [/item]
 [item value="10"] Synths [/item]
 [item value="10"]Breakdown[/item]
 [item value="10"]Climax  / Drop / Crescendo / Pay off moment[/item]
 [item value="10"]Intensity, Drive and Energy[/item]
 [item value="10"]Sound-design and Arrangement[/item]
 [item value="10"]Overall Atmosphere[/item]
 [item value="10"]Goosebumps / Shivers moments[/item]
 [item value="10"]Emotional affinity and heartfelt moments[/item]
 [item value="10"]Originality and Inventiveness[/item]
 [item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
 [item value="10"]You can’t get this memorable track out of your head[/item]
 [item value="10"]It has potential to become an anthem or a classic[/item]
 [item value="10"]Peter Steele - Zen & Nirvana[/item]
 [content title="Summary" label="Overall Score"]Peter Steele has manage to build great reputation for himself with support from the hottest names in trance community. His productions are classy and elegant with very nice melodic content and solid arrangement that ensures maximum satisfaction. Nirvana is powerful middle range uplifting trancer with driving energetic basslines, thumping drums while on top he adds hi-nrg synths, gated trancy voices and superb rhythm that recall old school trance vibes. Zen goes for deeper melancholic drive with heavenly voices, superb synthy lines progression upon the deep haunting basslines and wobbly pumping organic tribal drums.  The remixes are well produced too with Zen getting the psy trance treatment with razor sharp basslines, plenty of acid overtones and great energetic groove that will hook you instantly for that spiritual fast and furious ride. Jamie is slowing doing the original Nirvana and goes for the ultimate dark moody tripping out version with superb trancy overtones keeping things simple and minimal for an unforgettable moment on the dancefloor. Quality package of the highest order. #PureGold Love iT [/content]

01:27:00


It's been four years since BEN LOST mixed EXHIBITION V, a release that marked his full-time return to the label after 'the sabbatical to end all sabbaticals', and seventeen years since LOST001 was released when he first took hold of the reigns as an "eager, wide eyed trance foal".

Since the labels inception, he's made no secret of his desire to mine that late 90's 'Golden Age of Trance' vibe, albeit with crisp, modern production techniques - "never drowning in nostalgia, happily treading water" - something BEN LOST has captured here on EXHIBITION VI, his fourth and most recent in the series.

Tim Bourne's 'Unconditional' remix of Guardians of Valhalla set's a wistful, melancholic mood reminiscent of those deeper moments on Tiesto's early ISOS compilations, with Relaunch's unreleased rework of Funny Place Called Life finding a home four tracks deep, alongside Labyr1nths remix of Audio Noir's Lonely Empire, both of which nod to the techier side of EL EL's sound.

Ben Lost
The transition from 'Beyond the Horizon' into Simon Templar's 'Oblivion Part 2' has an old school drop that we'll never tire of, and wouldn't have been found had BEN LOST "foolishly stuck to mixing in key", with The Monastery, Weaver of Black Noise and Violetta having become something of a trilogy in their own right, his "Gull into Last Trip to Paradise", Oakey geeks.

Peter Steele and 3 Access & U feature more than once, and deservedly so, epitomising EL EL's classy, driving trance ethos - check Nirvana, Machine and We Are One - and in the energy soaked third quarter, Mac & Monday deliver a slamming remix of Jamie Baggotts 'Exodus', before Paradox - another hugely talented UK prog star - gets the D-Code treatment on his Can't Change the Wind release, featuring a late night chin wobbler of a breakdown, a proper moment and an HQ highlight.

BEN LOST says; "EXHIBITION VI will be my 4th in the series, always presented as a puzzle, with every inclusion having a fresh LL catalogue number, but once I'd found the corners, the rest came together, with tracks and remixes appearing in my box just when I needed them. Chris Porter's stunning rework of Tilt's Angry Skies and the acid bounce of Paul Hawcroft's Evolution being perfect examples of this, not to mention Peetu S's capital 'T' Trance remix of Inner Laugh, a deliciously sacrilegious way to end the comp".
"I'm really proud of this compilation and all the artists featured, and without going into too much detail, I wasn't even sure if this mix would see the light of day, as music gave way to more pressing, personal struggles, but despite operating in what seems like an entirely different time zone to those on the outside, I feel LOST LANGUAGE can go on, on and on......way beyond this landmark, 150th release." - Amen.
"Infinite love to all the artists, labels and fans for their passion and patience along the way".
- Lost Language / Ben Lost - September 2017. 

Tracklisting
1. Darkskye - Guardians of Valhalla [Tim Bourne Unconditional Remix]
2. Paul Hawcroft - Evolution
3. Audio Noir - Lonely Empire [Labyr1nth Remix]
4. Relaunch - Funny Place Called Life [Exhibition Remix]
5. Tim Bourne - Beyond The Horizon
6. Simon Templar - Oblivion (Part 2)
7. Darkskye - The Monastery [Simon Templar Remix]
8. Dark Sahara - The Weaver Of Black Noise [CBM Remix]
9. 3 Access & You - Violetta
10. Jamie Baggotts - Exodus [Mac & Monday Remix]
11. Peter Steele - Nirvana
12. Paradox - Can't Change the Wind [D-Code Remix]
13. 3 Access & You - Machine [Peter Steele Remix]
14. Ovnimoon - We Are One [3 Access & You Remix]
15. Tilt - Angry Skies [Chris Porter Remix]
16. Roland Klinkenberg - Inner Laugh [Peetu S Exhibition Remix]

Release Date: 06 Oct 2017

Additional info:

11:18:00

The very talented underground trance dj and producer Relaunch is about to release his second album in his own record label Relaunch Music that he recently established. With support from the greatest trance djs  in the industry and releases on magnificent labels like Bonzai Progressive, Saturate Audio, Lost Language and more Relaunch new album will be welcomed from the fans of real underground trance sound that carry your senses and mind away and invites you to escape from what we all accept us being reality. I'm very glad that Maik aka Relaunch accepted the challenge to reply in my interview and here you can read it with the hope that you will discover maybe sides of his career that you may don't know already. If you are introduced to his music from this interview why not to contemplate this first contact with his album Experience that will definitely  inspire and elevate your inner self. Enjoy reading his great answers.

Interview is written and conducted by Dimitri Kechagias, Music Journalist and radio host at 1mix radio.

Relaunch Music


Dimitri: It would be great to take us on a journey back in time and let us know when was your first ever contact with electronic music and when you took the decision to get involved and start producing it as well.

Relaunch: That`s really long ago as it was in the early 90ies, when exploring the HR3 Clubnight (radio show) with Fenslau & Väth. But the real “aha” experience with electronic music happened when visiting the Dorian Gray club at Frankfurt Airport for the first time. I remember Torsten Fenslau/Mark Spoon playing on this event and before this evening I really couldn't`t imagine what impact this music could have in a club. But after their sets I was infected with the electronic music virus and I bought two 1210 (plus mixer), started collecting vinyl's in different record stores around and in Frankfurt and began with DJing, then in the late 90's with producing.

Dimitri: Why you were attracted to trance as music genre and what elements in this genre you like the most?

Relaunch: The best way to transport emotions with music is with melodies, so this is my preferred way to include feelings/experiences/emotions into a track. But I really like techno, too. Emotions can be transported with techno music as well, but as there are the more minimal melodies, emotions work different in techno tracks.

Dimitri: Can you list for us the most influential electronic music producers and composers who had a serious impact on your productions and what elements in their music you appreciate the most?

Relaunch: They really hit the spirit of the era

90s: Eye Q/Harthouse , Jam & Spoon , Lazonby, Emmanuel Top, Fenslau, Nosie Katzman, Marino Stephano, Hildenbeutel, Väth, Transa, Resistance D, Cosmic Baby, Underworld.

Around 2000 (with Prog Trance) I was fascinated from the groove and the prog trance elements: Vinyl Labels like Method, Vapour, Plastic Fantastic, BozBoz, Global Underground, Plusquam, Beatfreak, Bedrock, Sumsonic, Yoshitoshi, Cyber, Deconstruction, Shinichi, Lost Language, Automatic …but the list could be even bigger…..

Dimitri: Your first album was called Two Minds released on Mistique Music. What kind of feedback you got for this album and are there any lessons learnt from the production experience you got from this album?

Relaunch: The feedback was very good and it had an extended stay at Beaport's chart. If I learnt something from the production of Two Minds ? For sure, but these lessons were not in mind for “Experience”, as this album production was completely different.

Dimitri: You had releases on top labels like Bonzai Progressive and JOOF. Would you like to pick up from your releases your absolute Top 3 favourite ones?

Relaunch: Yes, gladly, I included Lost Language as well:
1. One Love (Lost Language)



2. Allure (JOOF)



3. Dream Remote (Bonzai)



Dimitri: You decided to set up your own record label Relaunch Music. I wonder why you took that decision and if you think that an artist can be record label at the same time. The advantages and disadvantages of an artist to have his own label.

Relaunch: First of all I must say that managing a Record label plus being artist is really a lot of work. But I had to go this way as I wanted to create a playground where I have the freedom to do with them whatever I want. I often thought about edits, remixes or transformations of my original tracks, which couldn't happen due to different reasons. Now my own label is opening these closed doors for more creativity.

Dimitri: Your second album is called Experience and includes 17 tracks including  electronica and progressive trance tracks. How long took you to produce this album and did you work on it full time?

Relaunch: I finished my last remix around October 2014. Since then I worked on the album beside my day job, so it took more than a year from writing/conception over producing to mastering.

Dimitri: Which track was the easiest to produce and which one was the most difficult that took you longer period?

Relaunch: I worked on every single track a lot, so it’s a hard question, but maybe “So am I” was one of the easier productions, “Coco Loco” was one of the more difficult productions as I had to do some different versions before being satisfied.



Dimitri: Can you describe us the way that you produce a track? From which elements you start and how do you build it up until to reach the complete track.

Relaunch: I often start a production with a synth jam session to have a melody, harmonies and bassline to build the rest of the track around. But it also works when beginning with bass drum and bassline. Both processes have their (dis -) advantages, as it`s important to have the elements of a track (including bass drum, claps, hi hat etc.) on the same pitch.

Dimitri: What kind of software and hardware set up have you used to produce the album and have you made any upgrades in your studio from your previous album?

Relaunch: No, it wasn't necessary to make a studio upgrade for the album. Before big projects like an album production I spend days on finding sounds, programming and sound design, especially on my hardware synths. If I do that, I'm having enough new sounds. I'm using a mixture out of analog and digital equipment in my studio, my favourites are Dave Smith Prophet, Novation Mininova & Kore (even it contains a lot of bugs).

Relaunch - Experience
Dimitri: Can you take us on a journey through the album and give us a short comment about each track of the album:

Relaunch: 
01. One of those Days (relaxed beginning of the album, classic instruments like piano and saxophone is the parolee)
02. Manja (groovy & flowing prog trance with funny arranged voice snippets)
03. Coco Loco (is sounding like a cocktail ;)
04. Story Modus (flowing Progressive Trance)
05. Blue Sky (Mixture out of breaks, Trance and Chill Out)
06. Crawl Space (Mixture out of Progressive, Trance & Breaks)
07. Experience (Headline Track of the album)
08. So am I (groovy & flowing track with jazzy break & breaks ;)
09. Green (Green is in da house)
10. Fusion (Album Edit) (pure Trance, written around 2000 produced 2015/16)
11. Sunspirit (Prog Trance, written around 2000 produced 2015/16)
12. The suffering of a Fool (deep progressive Techno)
13. Rhythm (Progressive Techno)
14. Perception (Album Edit) (Do you remember Prologue?) 
15. Cast from the Past (Melodic track mixed with some psy vibes)
16. Maracana (Balearic Vibes)
17. Late night or early Morning (Closing Track of the album)



Dimitri: Why you have felt that you need to produce an album rather than just singles? Why an album is important for your career?

Relaunch: An album shows a different and more detailed spectrum of an artist and tells another story than singles or EPs. I really like the album format due to more creativity.

Dimitri: Are there any tracks that are not included in the final tracklisting? If yes please tell us the reason.

Relaunch: Yes, there are some, because they need some more work and album is complete. But they will be released for sure, I'm planning with Relaunch Music 003 an “Epilogue” Release to be published after the album.



Dimitri: Do you have someone special that you send your tracks after producing them to listen to them and give you honest opinion?

Relaunch: No, as it doesn't work for me. If I would consider single opinions it would change my music in a way I don’t want. I want the pure Relaunch sound for my releases.  I'm just speaking about musical content actually. The quality of a production is another thing. When I started releasing tracks I always showed these my friend Eric Sneo (who is a brilliant DJ, producer & Mastering Engineer and he has that reference hardware spectrum analyser!) which is more precise than software tools. After analysing my tracks with it he gave me really good instructions how to improve the sound quality. That helped a lot !

But I'm getting the best feedback if I`m having the chance to test unreleased tracks live on the dancefloor. With the feedback of a crowd I can always see if a track works or not.



Dimitri: You have produced some fantastic remixes for various artists like the legends Jam & Spoon, Andy Ling, Airwave, Gai Barone and more. Would you like to tell us how do you treat usually the remixes? Do you think is essential to respect the original or you prefer to recreate it in your own style?

Relaunch: Thank you - that depends on the original. Jam & Spoon`s “Follow Me” for example can`t be made better, as it`s an all time classic I had to produce as close to the Original as it could be, without sounding the same and still having a bit of Relaunch flavour. When remixing an actual track I like it to recreate it in my own style, still respecting the original.









Dimitri: Are you working on any remixes at the moment and for which record labels?

Relaunch: I'm not working on it yet, but I actually confirmed a remix for Neptune Project.

Dimitri: Do You feel that trance will come back strong in Germany or you believe that the trance wave in Germany has gone for good?

Relaunch: I don`t believe that trance (I'm definitely not talking about commercial “EDM” or something, which is far away from real trance music in my opinion) will come back strong in Germany. In the last years it stays on a solid and constant level, so trance is more underground again (except the big festivals and events), so I think this is a kind of “self-cleaning” process, as real trance almost seemed to be dead some years ago.



Dimitri: What is your opinion about social media like facebook, twitter, Instagram? Do you understand them as having positive effect in your career?

Relaunch: Yes absolutely, these social media can be annoying but the positive marketing effects aren't to dismiss.

Dimitri: Are there any plans to follow the release of the album with club or festivals tour? 

Relaunch: I'm in the planning phase, and I'm actually in contact with promoters and booking agencies, but didn't fix anything since now. So if there are promoters or booking agencies who are reading this interview and might be interested in a cooperation – don’t hesitate to contact me with your ideas.



Dimitri: In which clubs or festivals you have performed so far and which one is your absolute favourite and why?

Relaunch: I have performed at Tomorrowland 2015, some gigs in UK and different clubs in Germany, but my absolute favourites are closed since a long time, unfortunately – Dorian Gray (Frankfurt Airport) and Paramount Park (near Frankfurt). Both clubs and crowds had this special vibe I couldn’t find anywhere else.



Many thanks to Relaunch for his time to reply in my questions in such an informative way.

Additional info:
https://www.facebook.com/Relaunch.Music
https://twitter.com/RelaunchMusic
https://soundcloud.com/relaunch-music
https://pro.beatport.com/artist/relaunch/126554

05:38:00




ALLY BROWN makes his EL-EL debut under the PARADOX moniker, with a real nod to a sound we were pushing back in 2002-3, when U&K, PROBSPOT, LEAMA & MOOR et al were crafting a fresh take on lush, melodic, prog-trance.

OVNIMOON'S remix goes for the jugular, with a typically lazer-kissed PSY-FI rework - "breakdown's are for pussies" - we hear. Either way, it's a belter, and we'd expect no less from our man in CHILE.

DECODE's remix is full of bounce, making excellent use of the originals plucked melody and atmospheric vocal sample. Crisp production and a beautiful breakdown makes this the go to remix for those who like their pSY with a small P and their Trance with a big(ish) T.




Dimitri Kechagias review:
[review top="1"]
 [item value="10"]Beat and Rhythm[/item]
 [item value="10"]Basslines and Groove[/item]
 [item value="10"] Melody [/item]
 [item value="10"] Synths [/item]
 [item value="10"]Breakdown[/item]
 [item value="10"]Climax  / Drop / Crescendo / Pay off moment[/item]
 [item value="10"]Intensity, Drive and Energy[/item]
 [item value="10"]Sound-design and Arrangement[/item]
 [item value="10"]Overall Atmosphere[/item]
 [item value="10"]Goosebumps / Shivers moments[/item]
 [item value="10"]Emotional affinity and heartfelt moments[/item]
 [item value="10"]Originality and Inventiveness[/item]
 [item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
 [item value="9"]You can’t get this memorable track out of your head[/item]
 [item value="9"]It has potential to become an anthem or a classic[/item]
 [item value="10"]Original mix[/item]
  [item value="10"]Ovnimoon remix[/item]
 [item value="10"]Decode remix[/item]
 [content title="Summary" label="Overall Score"]Original mix is deep melodic progressive trance in the most classic and classy way. Travelling, dreamy, spacious and sparkling to the fullest. Ovnimoon remix is tougher, sharper, demanding and dominating full on progressive trance with that psy touch. Lastly Decode remix goes all the way to the melodic psy trance direction with energizing and truly hair raising style. Love It.[/content]
[/review]

Additional info:
www.facebook.com/djallybrown
www.facebook.com/DeCodeOfficial
www.facebook.com/3access.you
http://www.facebook.com/LostLanguageRecordings
http://www.facebook.com/benlostmusic
https://twitter.com/LostLanguageRec

05:16:00

Did we mention that LOST LANGUAGE turns SIXTEEN this year? Well we do, so here's PART TWO of our FOUR PART 'SUITE XVI' series.

FINLAND's SIMON TEMPLAR is first up, with a stunning remix of TILT's 'ANGRY SKIES'. MARIA NAYLER's vocal sits beautifully over a typically dark and brooding TEMPLAR groove, before that monumental riff steps onto the floor, eye's closed, hand's raised, ciggy in a wobbly jaw.

JAMIE BAGGOTTS (who has his own LL debut forthcoming) has reworked our first ever LOST LANGUAGE release - ORIGIN's 'WIDE EYED ANGEL' - adding his trademark chunky prog sound, with an early seal of approval from MATT HOLLIDAY and GAI BARONE.

Australia's AUDIO NOIR has remixed PETE LAZONBY's 'SACRED CYCLES' for the first time since PROBSPOT turned his hand to it back in 2003 (?), with the unreleased JAAP LIGHART DUB of BARRAKA's 'SONG TO THE SIREN' rounding things off.


Dimitri Kechagias review:
 [review top="1"]
 [item value="10"]Beat and Rhythm[/item]
 [item value="10"]Basslines and Groove[/item]
 [item value="10"] Melody [/item]
 [item value="10"] Synths [/item]
 [item value="10"]Vocals and Lyrics[/item]
 [item value="10"]Breakdown[/item]
 [item value="10"]Climax  / Drop / Crescendo / Pay off moment[/item]
 [item value="10"]Intensity, Drive and Energy[/item]
 [item value="10"]Sound-design and Arrangement[/item]
 [item value="10"]Overall Atmosphere[/item]
 [item value="10"]Goosebumps / Shivers moments[/item]
 [item value="10"]Emotional affinity and heartfelt moments[/item]
 [item value="10"]Originality and Inventiveness[/item]
 [item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
 [item value="10"]You can’t get this memorable track out of your head[/item]
 [item value="10"]It has potential to become an anthem or a classic[/item]
 [item value="10"]Angry Skies(Simon Templar remix)[/item]
 [item value="10"]Wide Eyed Angel(Jamie Baggotts remix)[/item]
 [item value="10"]Sacred Cycles(Audio Noir remix)[/item]
 [item value="10"]Song To The Siren(Jaap Lighart Dub mix)[/item]
 [content title="Summary" label="Overall Score"]The 2nd instalment of new and rare remixes on Lost Language classics includes 4 exciting versions. Firstly Simon Templar dives deeper and delivers the perfect deep progressive trance make over of the hair raising anthem. Jamie Baggots provides the deep atmospheric and highly mysterious inspiring anthem Wide Eyed Angel. Audio Noir retouches the eternal classic Sacred Cycles. He respects the original and enhance its potential even more. Laslty Jaap version to the Song To The Siren is deep haunting progressive trance beauty that will raise the hair from your back instantly. Love It [/content]
[/review]

Additional info:
http://www.facebook.com/LostLanguageRecordings
http://www.facebook.com/benlostmusic
https://twitter.com/LostLanguageRec

04:51:00


LOST LANGUAGE turns sixteen this year, so what better way to celebrate our legal right to buy a lottery ticket and join the armed forces, than with a FOUR PART orgy of resprayed EL-EL classics. 
The TL for PART ONE speaks for itself - with J00F dude INSERT NAME adding a chunky, tribal feel to the KLINKENBERG classic. Deep, tight and wholly worthwhile. 

NICHOLAS BENNISON gives TILT's 'I DREAM' some real pump, with a remix that has already seen support from PURE TRANCE LAZARUS - SOLARSTONE. 

LA's CASEY RASCH throws some acid on MANMACHINE's 'BURNER', while ASTRO D and CHRIS OBLIVION turn in a clever re-rub of ACCADIA's 'INTO THE DAWN'.







Dimitri Kechagias review:
[review top="1"]
 [item value="10"]Beat and Rhythm[/item]
 [item value="10"]Basslines and Groove[/item]
 [item value="10"] Melody [/item]
 [item value="10"] Synths [/item]
 [item value="10"]Breakdown[/item]
 [item value="10"]Climax  / Drop / Crescendo / Pay off moment[/item]
 [item value="10"]Intensity, Drive and Energy[/item]
 [item value="10"]Sound-design and Arrangement[/item]
 [item value="10"]Overall Atmosphere[/item]
 [item value="10"]Goosebumps / Shivers moments[/item]
 [item value="10"]Emotional affinity and heartfelt moments[/item]
 [item value="10"]Originality and Inventiveness[/item]
 [item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
 [item value="10"]You can’t get this memorable track out of your head[/item]
 [item value="10"]It has potential to become an anthem or a classic[/item]
 [item value="10"]Inner Laugh [Insert Name Remix][/item]
 [item value="10"]I Dream [Nicholas Bennison Remix][/item]
 [item value="10"]Burner [Casey Rasch Remix][/item]
 [item value="10"]Into the Dawn [Astro D and Chris Oblivion Remix][/item]
 [content title="Summary" label="Overall Score"]The classics from the beloved trance label Lost Language are back with brand new rare remixes. Insert Name deliver a magnificent, dark, hypnotic, moody, full of substance and depth progressive house meets psy trance version. Nicholas Bennison remix on I Dream applies the original themes upon the sharp kick, punchy basslines and rolling grooves for the ultimate uplifting melodic psy trance uplifting spiritual experience. Casey Rasch Remix on Burner is the dark psy tech remix that will burn festival arenas and set fire on trance clubs.  Lastly the Greeks Astro D and Chris Oblivion provide an outstanding version of Into The Dawn that is energizing, inspiring and hair raising  as it merges pure with psy trance to deliver  the stunning bulldozer remix. #PureGold Love It[/content]
[/review]

Additional info:
http://www.facebook.com/LostLanguageRecordings
http://www.facebook.com/benlostmusic
https://twitter.com/LostLanguageRec


10:26:00
Miro's 'Paradise' was originally released on HOOJ CHOONS in 1998, a pivotal track in an era defined by blissed out house and proto-prog trance, popularised at legendary super-clubs such as RENAISSANCE, CREAM and GATECRASHER............So it's been a long time coming, but 17 years later we finally have (what we consider) to be a perfectly worthy package of new mixes.

MINDWAVE tee's off with his 'BALEARIC-PSY' interp - a lush, bubbling remix that was featured on compilations from both ACTIVA and BEN LOST in 2014.

DEEPFUNK goes life aquatic on the flip, with his much sought after remake clocking up exclusive early plays on SOLARSTONE's SOLARIS INTERNATIONAL radio show.

LA's hugely talented Casey Rasch provides LOST135 with a happy ending, kindly delivering a harder edged PSY take on things via his WAX remix, as well as a darker, more progressive re-rub on his WANE rework.

“How small these rescued tides appear! Earthly delights flow in torrents. Each object offers paradise.”
― André Breton, The Magnetic Fields

EL-EL.

Dimitri Kechagias review: Lost Language reveals the exceptional package of the brand new remixes of the classic Paradise by Miro produced by the coolest artists around. Firstly Mindwave provides the melodic psy vocal trance version which stands out straight away. Rolling drums, psy trance kicks and superb synthy riffs along with the hypnotic vocals deliver the hypnotic sparkling sound that glows in the night and brings the right frame of mind on any pure trance dj set. Casey Rasch brings to the table two very different versions. His Wane remix is the more dark progressive 132 BPM edition with tribal grooves, pulsating basslines, superb danceable rhythm, emotional stand out sound and spacey atmosphere that manage easily to absorb to its own mystic mythical soundscapes. Watch out for the brilliant fat energetic climax that will please the progressive trance ears. His Wax remix is the straight forward uplifting meets psy tech trance version that is dynamic and full on perfect for the big peak time moments of your dj set. Both remixes showcases Casey's ability to provide trance that matters. Lastly Deepfunk remix is an even deeper, techier, moody 120 BPM edition that is more dark and spacey with acid synthy lines, the memorable classic vocals, sensitive electronic melodies and haunting atmosphere that stands out from the rest! This is what I call Trance, #PureGold Love it





22:49:00



DARKSKYE specialises in moody, pensive techno, and we reckon 'The Monastery' is up there as one of the darkest tracks we've ever released on Lost Language. Funeral Techno at it's finest.

Fast becoming one of EL-EL's favourite DJ's and Producers, Finland's SIMON TEMPLAR provides us with a killer remix that harks back to the BONZAI / PLASTIC BOY era of Trance.

JOHNNY AEMKEL turns in a stunningly taut, minimal interpretation, utilising the main riff to great effect - taking things even darker, with shades of BEN FROST in the bleak (mid summer) breakdown.

'My imagination is a Monastery and I am it's Monk' - KEATS

EL EL 15.

Dimitri Kechagias review: Lost Language is all about the right textures of trance anthems. The brand new release The Monastery from Darkskye will please wide variety of electronic music fans. Firstly is the stunning 10 minutes original version that is definitely a very imaginative version with tribal techno grooves, melodramatic drums, haunting atmosphere and stunning long breakdown with orchestral classical music strings, heavenly voices and elegant sound textures. Simon Templar remix is driving energetic progressive trance version that has psy trance infusions and great pounding percussion with hi-nrg industrial basslines. The main dark moody synthy melodies are added wonderfully to create an exceptional hypnotic version that mesmerise the listener with its luscious atmosphere and the brilliant playful spacey sound that make you feel like surfing on the finest epic synthy waves. This is the real sound of #PureTrance. Lastly Johnny Aemkel remix is an exceptional slice of dark minimal techno make over that will manage easily to surround the listeners and make them feel absorbed in its magical sound spheres. Late progressive techno essential tool that will please those who can move under the surface and reach deep inside. #PureGold Love It

Additional info:

22:27:00

LISA LASHES - a true hero of the scene. Technically gifted, with an effortlessly broad musical ear, covering a plethora of genres throughout her illustrious career, spanning more than 18 years... and still holding the title of the only woman to break into the TOP 10 of the DJ MAG TOP 100.

Her most recent sets have showcased a well refined, no nonsense TECHNO sound - heads down, heavy on the energy - and it's the techno edge of Lisa's musical cube we're treated to here, in the first of a new batch of SPACE MANOEUVRES 'STAGE ONE' remixes.

LISA LASHES has put an entirely fresh spin on the track, a rumbling Techno rework that CARL COX debuted at ULTRA in MIAMI this year, before bringing it home to level MANCHESTER's VICTORIA WAREHOUSE at the ALBERT HALL.

'She tore a hole in our universe, a gateway to another dimension. A dimension of pure chaos' - Event Horizon

EL-EL - IN DEEP SPACE



Dimitri Kechagias review: Lost Language delivers the outstanding remix by the beloved lady of harder trance sound Lisa Lashes on the classic Space Manoeuvres anthem Stage One. Her version is deep melodic progressive trance meets techno version with deep dark pulsating basslines, rolling pounding drums and great twisted creative application of the unforgettable easily recognisable melody of the original. Lisa Lashes provides a wonderful moody cinematic danceable hypnotic warm version that both progressive techno and trance djs will adopt in their explosive sets in their summer trance sets. It's definitely an exceptional remix that will please the trance heads and eclectic electronic music followers. #PureGold Love It 


Additional info:
http://www.facebook.com/LostLanguageRecordings
http://www.facebook.com/benlostmusic
https://twitter.com/LostLanguageRec

22:10:00

Unlike LOST135, our next release has had more mixes than we've had hot tamales, but it's a track that refuses to stagnate, with each new version bringing something fresh to the feast. The LISA LASHES Techno re-rub is a case in point.

Next up, rising star STU MORT (aka FREESOUP) takes things down a trancier, acid driven route, using the much loved PARIAH remix as his muse, freshening things up with the use of a brand new sample.

PAUL PEARSON (of ‘AND HIRST’ fame) wraps things up (for now) with a tight, rolling prog-trance interpretation - loving crafted, beautifully produced and another welcome addition to the Stage One / Pariah party.

‘Where we’re going…we don’t need eyes to see’ - Event Horizon.

THE EL-EL (ANY?) CREW. NEGATIVE. 

Dimitri Kechagias review: One of the most significant tracks of the trance movement is of course the outstanding Stage One by Space Manouevres released on the legendary Hooj Choons. The brand new remixes are coming on the legendary imprint Lost Language. First is the Stu Mort 2015 remix that is an exceptional pounding energetic dynamic melodic psy trance meets uplifting trance version that has the right dark underground atmosphere with metallic basslines and tough drum programming packed with acid overtones, swirling synths and the unforgettable vocal samples. Second remix comes from Paul Pearson who composes an exceptional uplifting melodic trance version with pounding tribal drums, pulsating driving basslines, cinematic strings, variety of synthy plucks, heavenly chorus vocals and magnificent use of the well known spoken vocal samples at the long emotional breakdown . Hypnotic powerful trance version that will please all the faithful fans of the #PureTrance sound.  Trance Classic ready for domination at the trance stages of the summer festivals. Love It


Additional info:
http://www.facebook.com/LostLanguageRecordings
http://www.facebook.com/benlostmusic
https://twitter.com/LostLanguageRec

23:14:00
1 . Fixation [Relaunch Remix]
2 . Fixation [Chris Oblivion & Astro D Remix]

LOST LANGUAGE has a big sister named HOOJ - currently absent on a journey of self discovery, last spotted in a Clapton squat - and we’ve been casually ransacking her Trance parts ever since she left, all those moons ago.

Andy Ling's 'FIXATION’ was a staple in the legendary SASHA sets of days gone by and now RELAUNCH - fresh from releasing his ONE LOVE EP - has turned in the mother of all prog-trance mixes, utilising the original parts to great effect. Don’t be fooled by inferior cover versions currently doing the rounds, guys - this is the mix you’ve been waiting for. 

On the flip, new J00F heroes Chris Oblivion and Astro D pump things up a touch, liberally spraying their 303 seed all over ye olde trance crops.

Like psychic dogs, we wait with ham like tongue for the return of wild sister HOOJ - but until then, we’ll keep the water bowl full and the trance kennel warm.



Dimitri Kechagias review: Lost Language is one of the most celebrated trance labels of all times and Red Jerry's Hooj was one of the big labels back in the days too. Now Lost Language presents two exceptional remixes on Andy's Ling eternal all time trance classic Fixation by Relaunch and Chris Oblivion & Astro D. First of all the very talented Relaunch transforms the original into a hypnotic melodic tribal trancer with superb tribal techy pounding body shaking grooves, driving pulsating basslines and dark moody industrial atmospheres while on top hints of the classic melody of the original Fixation are revealed to increase anticipation for the breakdown where he applies brilliantly the classic hair raising synthy hook that is considered to be one of the most memorable riffs used in a trance track ever. Its one of those melodies that communicates with your subconscious straight away by waking up subliminal thoughts and energising  your imagination. When the tribal beat strikes back we are taken on board for an emotional ride of freedom and musical pleasure with that massive synthy melody elevating our being to a higher level of existence. Chris Oblivion and Astro D from Greece transform the original into a huge melodic psy trance smasher with old school psy trance kicks and drums while the bassline is sharp and to the point. The unforgettable melody is presented only in the breakdown to give us goosebumps but disappears afterwards as the climax is dark, moody acid psy trance at its very finest. Solid production refreshes the so important classic that deserves to find a new audience in the new generation of trance followers. #PureGold Love It

Additional info:

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