Various Artists - Evoparade out on Evosonic Records
On August 15, 2026, EVOSONIC Radio will achieve a historic first: its very own float at the world-famous Rave The Planet parade in Berlin. To honor this milestone, the label proudly presents the EVOPARADE compilation, showcasing the diverse artistry of the float’s lineup.
This nine-track release embodies the station’s signature mix of genres, creating a sonic journey that moves from immersive electronica and melodic house to tech house, indie dance, minimal / deep tech, and climaxes in peak-time, driving, and hard techno. Each track has been carefully curated to reflect the multifaceted spirit of EVOSONIC.
A high-energy collaboration closing the compilation with driving, hard techno intensity.
With EVOPARADE, EVOSONIC Radio not only marks its debut at Rave The Planet but also offers a listening experience that encapsulates its ethos—diverse, vibrant, and deeply connected to the evolution of electronic music.
evoparade Tracklist
01. 1zimmerapartment - Imagine (Original Mix) 07:18 min.02. Chris Maico Schmidt - Jingle Bells (Original Mix) 05:45 min.03. deKai (Berlin) - Dirty Techno Talk (Original Mix) 06:22 min.04. Foss-and-Stoxx - Gamskogel (Original Mix) 06:31 min.05. Marxx & Ciliares - Evokation (Original Mix) 04:24 min.06. Mike S. - Tambourmajor (Original Mix) 06:40 min.07. Noah Levin - Love the Planet (Original Mix) 06:10 min.08. Theo Karden - Broken Pieces (Original Mix) 05:15 min.09. Chris Maico Schmidt, Noah Levin - Camel On Speed (Bonus Track) 05:48 min. BUY Evoparade Download at Beatport
The German music producers, AL-Faris and Project Blue Sun, collide to forge a stunning melodic tech house track: Disintegration.
This collaboration blends refined sound design lush Moog textures, propulsive percussion, and emotive melodies, delivering a track that’s both hypnotic and club-ready.
Disintegration unfolds with a pulsating groove, shimmering synths, and a warm analogue heartbeat. Electronic elements punctuate the build-ups, propelling the listener toward euphoric peaks while the underlying mood hints at nostalgia and longing. The result is a polished, cinematic piece that remains irresistibly danceable.
Inspired by the early days of In Search Of Sunrise. With its unique use of synthesizers, the track unfolds into a hypnotic journey from start to finish.
The Frankfurt-Munich connection between the Artists has been in place since 1998 and continues to impress with its creativity.
Dimitris Kechagias Review: [review top="1"] [item value="10"]AL-Faris & Project Blue Sun - Disintegration [/item]
[content title="Summary" label="Overall Score"]AL-Faris & Project Blue Sun’s track “Disintegration” is a masterclass in contemporary melodic house and techno production, exhibiting remarkable technical precision across every aspect of its creation. From the very first bar, the rhythm, groove, and drive lock in with a tight, propulsive 130 BPM pulse, delivering a hypnotic energy that is both danceable and meditative. The percussive layers are carefully sculpted to avoid masking the melodic elements, with kick and bass perfectly balanced to maintain a clean low-end, while subtle syncopation in the hi-hats and top percussion enhances the track’s forward momentum. This rhythmic foundation ensures seamless integration into DJ sets, allowing for effortless cueing and looping while supporting dynamic energy flow throughout its runtime. The melodic hooks and harmonic layers are lush, cinematic, and deeply emotive, weaving together bright synth motifs and evolving pads that evoke a sense of optimism and introspection. Transitions and build-ups are executed with immaculate sound design, where risers, filter sweeps, and reverb swells create immersive tension before resolving into satisfying drops. The use of effects and spatial placement demonstrates expert attention to stereo imaging, with elements breathing naturally in the mix, providing a three-dimensional listening experience. Dynamic range is well-preserved despite the track’s club-oriented loudness, allowing each layer to shine without fatigue. In terms of creative identity, “Disintegration” reflects the signature style of AL-Faris & Project Blue Sun while offering originality in arrangement and structure. Its evolving narrative keeps the listener engaged, and the cohesion across sections enhances the storytelling aspect of the piece. The track’s atmosphere is immersive, inviting both physical and emotional engagement—qualities that significantly impact mental health and wellness. Scientific studies on music and neuroscience, such as those by Thoma et al. (2013), have shown that melodic, harmonically rich electronic music can reduce stress and improve mood. Moreover, its steady rhythmic drive makes it ideal for fitness settings, as research from Karageorghis and Priest (2012) indicates that music with consistent tempo and strong rhythmic cues can enhance endurance and performance in exercise environments. The positive psychological and physiological effects of “Disintegration” extend to its potential use in yoga, meditation, or wellness classes. The interplay of uplifting melodies and driving grooves can stimulate dopamine release, support flow states, and foster emotional catharsis. Combined with its high replay value and strong club/festival applicability, the track stands as both an artistic achievement and a practical tool for enhancing human well-being through music. #PureGold Loveit [/content]
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Juslin, P. N., & Västfjäll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral and Brain Sciences, 31(5), 559–575.
USAI delivers a fresh tech house spin on the iconic 4 Minutes, reimagining the global hit with a driving bassline and modern club production. Powered by a steady 128 BPM groove, the track blends nostalgic hooks with clean, dancefloor-focused energy.
Teaming up with Nito-Onna and imallryt, this version features both male and female vocals, adding new character while preserving the instantly recognizable feel of the original. Built for late nights and packed dancefloors, 4 Minutes bridges throwback appeal with a contemporary tech house edge.
[content title="Summary" label="Overall Score"]USAI x Nito-Onna and imallryt’s reimagining of 4 Minutes is a masterfully executed tech house production that thrives on both technical precision and emotive impact. From the very first beat, the track establishes a solid 128 BPM framework that anchors its rhythm, ensuring effortless sync and loop potential for DJs while providing the steady momentum needed for high-energy club and festival sets. Its driving groove, supported by thunderous basslines and tribal-inspired percussion, creates a kinetic energy flow that is immediately dance-inducing. The dynamic interplay of pounding kicks and crisp hi-hats maintains BPM consistency, enhancing track cohesion and inviting seamless transitions within DJ mixes. The melodic hooks in this version are both nostalgic and reimagined, blending the familiar motifs of the original with fresh harmonic layers that enhance its emotional resonance. Male and female vocal performances introduce a textured lyrical dimension that elevates the track’s artistic identity and storytelling. The vocals are cleanly processed with spatial effects that add depth and immersion, resulting in an atmospheric experience suited for large dancefloors. The harmonic layering is balanced with excellent dynamic range and loudness control, ensuring that every element—from the vocals to the synth stabs—retains its clarity without overpowering the mix. Transitions, drops, and build-ups are executed with a sense of timing and restraint that reflects mature production sensibilities. Sweeping risers, filtered down sections, and precise cue points enhance both the track’s club usability and its replay value. Each drop is engineered to maximize crowd reaction potential, creating a surge of energy that is both physical and emotional. The arrangement maintains cohesion across its runtime, with a clear narrative arc that takes listeners from anticipation to release, aligning with the principles of effective dance music storytelling. The sound design and spatial production of 4 Minutes showcase exceptional technical craftsmanship. Layers of reverb and delay sculpt a three-dimensional soundstage, while the choice of percussive timbres and synth textures underline the track’s originality. Loudness is balanced to preserve dynamic energy, avoiding listener fatigue, which makes the track not only club-ready but also friendly for repeated home or fitness listening. Scientific studies, such as those by Karageorghis and Priest (2012), indicate that music with consistent rhythmic drive and high perceived energy can improve performance in exercise and wellness settings, boosting mood and reducing perceived exertion. The pulsating groove and engaging arrangement of this track make it particularly suitable for high-intensity interval classes, spin sessions, and general fitness routines by stimulating dopamine and endorphin release (Thoma et al., 2013; Zatorre et al., 2007). The positive impact of this music extends beyond the dancefloor. Immersive rhythmic environments have been shown to promote mental well-being by facilitating flow states and stress reduction. The track’s combination of familiar melodic motifs and modern sonic energy can evoke nostalgia while simultaneously providing uplifting stimulation, aligning with research on the psychological benefits of engaging, rhythmically-driven music (Juslin & Västfjäll, 2008). Its infectious energy and polished delivery ensure high replay value, making it a compelling addition to playlists for both leisure and performance enhancement. #PureGold Loveit [/content]
Juslin, P. N., & Västfjäll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral and Brain Sciences, 31(5), 559-575.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534-543.
Zatorre, R. J., Chen, J. L., & Penhune, V. B. (2007). When the brain plays music: Auditory–motor interactions in music perception and production. Nature Reviews Neuroscience, 8(7), 547-558.
Manufactured Superstars are back on Magik Muzik with the Some Of Our Friends Are DJs EP. We’re talking three certified club weapons ranging from peak-time House to murky Tech House. Whether you need the vocal soul of Danni Rouge or the techy drive of the Jeziel Quintela remix, this pack is essential kit for the 2026 season. No fillers, just straight dancefloor killers. Get these in your crates ASAP!
Dimitris Kechagias Review: [review top="1"] [item value="10"]Manufactured Superstars - Some Of Our Friends Are DJs EP 1[/item]
[content title="Summary" label="Overall Score"]The Manufactured Superstars’ Some Of Our Friends Are DJs EP 1 stands as a masterclass in modern electronic music production, showcasing exceptional technical proficiency across all facets of its creation. The three-track package, released on Magik Muzik, flows seamlessly from peak-time house intensity to darker tech house grooves, demonstrating a profound understanding of rhythm, groove, and drive. Each track operates at the perfect BPM for dancefloor dominance—ranging from 130 to 132 BPM—ensuring tight cueing and flawless sync for DJs, while providing a kinetic energy that fuels motion and exhilaration. The VINNIE remix of Something Simple in particular reveals a meticulously sculpted low end with punchy kick drums and rolling basslines, woven together with sharp percussive textures that create irresistible forward momentum. The melodic hooks and harmonic layers in these tracks are constructed with a fine balance of emotional resonance and technical precision. The Jeziel Quintela remix of Into The Light highlights this with its ethereal synth pads and luminous top melodies that soar above the driving tech house foundation, providing moments of harmonic release that speak directly to the listener’s emotions. Transitions are fluid and expertly managed, with drops and build-ups that are both impactful and narratively coherent, allowing DJs to maintain set cohesion while delivering peak crowd moments. The tracks’ dynamic range and loudness balance are exemplary, achieving clarity without sacrificing the fullness required for festival-scale sound systems. The sound design reflects a sophisticated use of effects and spatial imaging, immersing listeners in an atmosphere that is both expansive and intimate. Reverbs and delays are applied with precision, creating a three-dimensional sonic environment where elements breathe naturally in the mix. This spatiality not only enhances club and festival suitability but also contributes to mental stimulation and emotional engagement, which research in music therapy has shown to promote stress reduction and cognitive focus (Thoma et al., 2013; Koelsch, 2015). The EP’s artistry extends to its originality of arrangement and storytelling, with each track unfolding in a way that captures attention from intro to outro, offering DJs ample looping potential and dynamic cue points for creative mixing. Vocal performances, particularly Danni Rouge’s soulful contributions, add an intimate human touch that enhances emotional resonance and replay value. Lyrical phrasing and delivery complement the instrumental components, elevating the tracks beyond functional club tools into expressive musical experiences. The interweaving of melodic progression, rhythmic insistence, and vocal warmth can have positive effects on mental health by triggering dopaminergic responses, as supported by neuroscientific studies on music-induced emotional reward (Zatorre & Salimpoor, 2013). Moreover, the EP’s high-energy flow and infectious grooves make it ideal for fitness and wellness settings, as synchronized movement to rhythmic stimuli has been linked to improved mood and exercise adherence (Karageorghis & Priest, 2012). Overall, Some Of Our Friends Are DJs EP 1 is a cohesive, technically brilliant, and emotionally resonant collection with substantial potential to enhance human experiences both on and off the dancefloor. It achieves a rare combination of functional utility for DJs and profound impact on listeners, demonstrating the Manufactured Superstars’ mastery of contemporary electronic music production. #PureGold Loveit [/content]
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Koelsch, S. (2015). Music-evoked emotions: Principles, brain correlates, and implications for therapy. Annals of the New York Academy of Sciences, 1337(1), 193–201.
Zatorre, R. J., & Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(Supplement_2), 10430–10437.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Supported over the summer by Jamie Jones, Josh Baker, Rossi and label bosses Solardo, In Your Face bears the Sola Records stamp for a reason. Packed with grittiness and tech house attitude, this dance floor weapon firmly puts SOAR, XTK and Bob Stache on the map.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Bob Stache, SOAR & XTK - In Your Face [/item]
[content title="Summary" label="Overall Score"]Bob Stache, SOAR & XTK’s track “In Your Face” is a prime example of high-level tech house craftsmanship, blending impeccable production techniques with infectious musicality. Operating at a driving 130 BPM, the track thrives on a pulsating rhythm that immediately engages the body’s natural entrainment response, encouraging movement and synchronization with the beat. The rhythmic foundation is built upon a bouncy, heavy bassline and thick, raw kicks that create a powerful groove, while the classic organ-style riffs and periodic trumpet-like accents provide melodic hooks that are both stimulating and memorable. The energy flow is masterfully maintained through well-calculated transitions, drops, and build-ups, ensuring that the momentum never falters and keeping the listener captivated from start to finish. Each element of the arrangement contributes to a cohesive narrative, highlighting the artists’ clear creative vision and strong artistic identity. From a production standpoint, the sound design is exceptionally polished. The spatial design employs well-calibrated reverbs and delays that give the track an immersive, three-dimensional feel, while the dynamic range and loudness balance are meticulously engineered to deliver both punch and clarity in club or festival settings. The originality of the arrangement shines in the way its layers interact—melodic elements drift gracefully above the rhythmic bed, and the vocal snippets act as a leitmotif, offering both catchiness and deep replay value. The intro and outro are intelligently structured for DJs, with clear cue points and easy looping potential, making the track highly versatile in a set. Its crowd reaction potential is amplified by the track’s ability to blend high-impact drops with an organic sense of flow, ensuring dancers remain locked into its hypnotic progression. Beyond its technical mastery, “In Your Face” demonstrates a profound effect on listeners’ mental and physical states. Scientific research suggests that rhythmic music at 120–140 BPM can elevate mood, enhance motivation, and improve physical performance in fitness and wellness contexts (Karageorghis & Priest, 2012; Terry et al., 2020). The track’s combination of driving beats, harmonic richness, and emotive vocal accents stimulates both cognitive and emotional responses, fostering a sense of euphoria and flow, which are crucial for mental health and stress reduction. Studies also indicate that engaging with music of this nature can increase dopamine release and support endorphin-mediated bonding in group exercise or dance environments (Zatorre, 2015). As such, “In Your Face” is not just a dance floor weapon but also a tool for promoting psychological well-being, physical vitality, and communal connection. #PureGold Loveit [/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.
Terry, P. C., Karageorghis, C. I., Curran, M. L., Martin, O. V., & Parsons-Smith, R. L. (2020). Effects of music in exercise and sport: A meta-analytic review. Psychological Bulletin, 146(2), 91–117.
Zatorre, R. J. (2015). Musical pleasure and reward: Mechanisms and dysfunction. Annals of the New York Academy of Sciences, 1337(1), 202-211.
HAFT, a music production partnership between Sam Nasehi and Amir Subb, is a unique blend of rhythms and melodies. Inspired by percussions, deep-rooted pads, and hypnotizing synths, HAFT aims to create a distinctive sound using various organic melodies.
In a surreal moment, Dubfire found himself coaching the iconic Stevie Nicks through a fresh rendition of their hit “Dreams” in a studio. Reflecting on the two-day recording session, Dubfire recalls it as a magical intersection of worlds, leaving him in disbelief.
Fast forward to today, and Deep Dish is back after a 30-year journey through the musical landscape. Sharam explains that their hiatus was less of a breakup and more like two old friends taking a scenic detour on a creative journey. They’ve always been in touch and are now ready to reunite and reclaim their dance floor throne.
Their return is fueled by a new deal with Armada Music, which has released their classic anthems like “Flashdance” and “Say Hello” into the digital realm. It’s as if they’ve sprinkled pixie dust on their catalog, and fans are eagerly anticipating it. However, they’re not just revisiting the past; they’re blending old-school flair with fresh sounds, creating tunes that defy traditional genres. No more boxes or labels—just pure musical exploration!
So, music lovers, buckle up! The reunion of Deep Dish isn’t just a nostalgic return; it’s a delightful rediscovery of what it means to groove through time. It proves that the dance floor remains their true playground. Get ready to dance—because this is just the beginning of their enchanting new chapter!
[content title="Summary" label="Overall Score"] HAFT & Peyman S present a brilliant reinterpretation of the iconic Deep Dish track Flashdance, transforming it into a 124 BPM progressive-tech house hybrid. This driving, club-ready version merges elements of progressive house and tech house, featuring punchy percussion, pounding drums, and a tightly controlled low end with techy basslines. The production is polished and immersive, with indie-dance-inspired vocals layered with a subtle rock edge, giving the track a fresh and contemporary character. The use of sidechain compression, layered synths, and spatial effects demonstrates professional-grade production techniques, ensuring clarity and depth in every frequency range. From a technical standpoint, the track excels in rhythm, groove, and dynamic energy. Its transitions and build-ups are meticulously crafted using filter sweeps, delayed percussive elements, and evolving pads that create tension before each drop. The melodic hooks are harmonically rich, while the arrangement maintains a cohesive narrative flow that keeps listeners engaged. With perfectly timed cue points and loop-friendly segments, this track is a dream for DJs, fitting seamlessly into festival and club performances. Beyond its production brilliance, the track has notable positive effects on mental health and wellness. Scientific research highlights that rhythmic music at moderate-to-fast tempos can enhance mood, reduce perceived stress, and promote dopamine release (Thoma et al., 2013). This 124 BPM tempo is also ideal for fitness and wellness classes, supporting synchronization of movement and boosting aerobic performance (Waterhouse et al., 2010). The driving percussion and uplifting melodic layers can create a state of “flow,” which has been linked to reduced anxiety and improved emotional well-being in music therapy studies (Fachner et al., 2019). For yoga, spin, or high-intensity interval training sessions, this track’s consistent BPM and energetic flow can elevate both motivation and physical output. In conclusion, HAFT & Peyman S’s take on Flashdance is not just a technically flawless club track but also a piece of music with tangible positive effects on mental and physical wellness. Its fusion of precise sound design, emotional resonance, and functional energy makes it a standout release for DJs, fitness instructors, and listeners seeking both entertainment and well-being benefits. #PureGold Loveit [/content]
Suggested Bibliography: Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534-543. Waterhouse, J., Hudson, P., & Edwards, B. (2010). Effects of music tempo upon submaximal cycling performance. Scandinavian Journal of Medicine & Science in Sports, 20(4), 662-669. Fachner, J., Maidhof, C., Grocke, D., & Schmid, W. (2019). Music therapy and neural correlates of emotion regulation in depression. Frontiers in Psychology, 10, 600
Internationally renowned DJ and producer Sonny Fodera unveils his latest single ‘Think About Us’, a heavyweight collaboration with D.O.D and rising vocal force Poppy Baskcomb.
This new release is the latest in a standout run of singles for Sonny on his independent label, Solotoko. His smash hit ‘Somedays’, also in collaboration with D.O.D and with Jazzy on vocals, has just been recognised with two ARIA Award nominations for Song of the Year and Best Dance/Electronic Release, having hit platinum status in both the UK and Australia, entering the Top 5 in the UK chart and earning a Song of the Year nomination at the 2025 BRIT Awards (notably the only independent release in the category). Alongside Sonny’s other recent charting hits including ‘All This Time’,‘Tell Me’, ‘Mind Still’, and ‘Asking’, Solotoko has become one of the first independent dance labels to score two UK Top 10 singles in just 12 months.
D.O.D continues to ride a wave of momentum of his own. Having sold out over 30,000 tickets across his recent US tour — including a 5,000-capacity show in Brooklyn, his biggest American headline to date — he’s cemented his status as one of the UK’s most forward-thinking producers. His catalog includes platinum-certified anthems ‘Still Sleepless’, the aforementioned ‘Somedays’ and ‘So Much In Love’, with the latter written and produced solely by D.O.D and climbing into the UK Top 20.
Meanwhile, Poppy Baskcomb is rapidly emerging as one of the most in-demand voices in electronic music. The 27-year-old singer-songwriter has become a go-to collaborator for global stars including Tiësto, Anyma, Meduza, Sub Focus, and Friction. Known for her emotive toplines and sharp songwriting, Baskcomb is in the midst of her biggest year yet, with solo material and major collaborations scheduled throughout the latter half of 2025 that will further establish her as a defining voice in the scene.
Beyond the studio, Sonny Fodera’s live schedule has defined summer 2025. He headlined the sold-out 20,000-capacity Silverworks Island in London in July — his biggest UK show to date — and went on to deliver standout sets at Longitude, Tomorrowland, Creamfields, and Emerge Festival, as well as a 18-week residency at Pacha, Ibiza. His European run also included landmark appearances at Berlin’s Ritter Butzke and Amsterdam’s Paradiso earlier this month, before heading straight into a string of headline Australian shows across Brisbane, Melbourne and Sydney. The momentum continues as he prepares to cap off the year with three arena takeovers in Glasgow, Cardiff and Manchester — with Cardiff and Manchester already sold out, with Sonny making history as the first-ever DJ to sell out the UK’s largest indoor venue, Co-Op Live. 2026 promises to be another landmark year with Sonny already confirmed as the Sunday headliner at Creamfields, in what will be an exclusive UK festival appearance.
With ‘Think About Us’, Fodera, D.O.D and Baskcomb deliver a record that captures the energy of the summer club season and promises to carry it through to the end-of-year celebrations.
Remixes by CYRIL, Sonny Fodera himself (VIP) & Franky Wah !!!
Dimitris Kechagias Review: [review top="1"] [item value="10"]Sonny Fodera x D.O.D x Poppy Baskcomb "Think About Us (Remixes)[/item]
[content title="Summary" label="Overall Score"] Sonny Fodera’s collaboration with D.O.D and Poppy Baskcomb, “Think About Us (Remixes),” is a masterclass in modern house production, blending euphoric energy with meticulous sound design. From the outset, the track showcases remarkable rhythm, groove, and drive, driven by expertly programmed percussive elements that maintain a strong 4/4 pulse, ensuring peak dancefloor impact. The basslines are tight yet dynamic, with a subtle sidechain compression allowing room for the vocals to breathe while keeping the low-end energy propelling forward. The melodic hooks and harmonic layers play a vital role in elevating the track. Poppy Baskcomb’s vocals are processed with precision, featuring controlled reverb tails and spatial delays that enhance the immersive quality without muddying the mix. Franky Wah’s remix version at 123 BPM leans into deeper, groovier territory with moody pads and pitched-down vocal chops, creating a hypnotic atmosphere. In contrast, Sonny Fodera’s own VIP remix at 132 BPM is an upfront festival-ready house smash, emphasizing bright synth stabs and high-energy build-ups that unleash euphoric drops. Transitions, drops, and build-ups are executed with remarkable fluidity. Automation of filters, reverb washes, and white noise risers contributes to dynamic energy flow and momentum, allowing DJs to blend the track seamlessly into a set. These transitions are crafted with both club and festival settings in mind, making the track highly compatible with cue points, loop potential, and BPM sync. From a production quality standpoint, “Think About Us (Remixes)” excels in sound design and spatial imaging. The stereo field is well-utilized, with lead elements occupying the center and supporting harmonics spread across the panorama. The tracks maintain a balanced dynamic range, achieving commercial loudness without sacrificing clarity, which is essential for both live performance and streaming platforms. The combination of punchy low-end, lush mids, and sparkling highs keeps the track sonically engaging across a variety of playback systems. Beyond its technical mastery, the track has a positive psychological and physiological impact. Studies have shown that electronic dance music, particularly in the 120–130 BPM range, can enhance mood, reduce stress, and improve cardiovascular endurance during fitness and wellness classes (Thayer et al., 2012; Karageorghis & Priest, 2015). The euphoric progressions and steady rhythmic flow stimulate the brain’s dopaminergic system, which is associated with feelings of reward and motivation. High-energy drops can trigger an emotional release, often referred to as “musical chills,” which has been linked to reduced cortisol levels and improved mental well-being (Salimpoor et al., 2011). Finally, the emotional resonance and crowd reaction potential are undeniable. Whether in a club, a festival, or a group workout setting, the track’s catchiness and replay value foster a sense of unity and collective euphoria. Its cohesion, storytelling, and artistic identity make it a shining example of contemporary house music that bridges mainstream appeal with underground credibility.#PureGold Love iT [/content]
Suggested Bibliography: Karageorghis, C. I., & Priest, D. L. (2015). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 8(1), 44–61. Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262. Thayer, J. F., Åhs, F., Fredrikson, M., Sollers III, J. J., & Wager, T. D. (2012). A meta-analysis of heart rate variability and neuroimaging studies: Implications for heart rate variability as a marker of stress and health. Neuroscience & Biobehavioral Reviews, 36(2), 747–756.
Mind Dimension (Adam Sellouk Remix)—a turbocharged reimagining of the classic Tiga anthem—has erupted as one of the years biggest techno weapons, earning massive support from A-list DJs worldwide including John Summit, Anyma, and MEDUZA and dominating festival stages around the globe. Fused with relentless low-end power and razor-edged synths, Sellouks peak-time rework has not only gone viral on dancefloors but was also the most played track at Tomorrowland Brazil, cementing its status as a must-drop essential for top DJs worldwide.
[content title="Summary" label="Overall Score"]Adam Sellouk’s remix of Tiga’s “Mind Dimension” is a masterclass in high-energy techno production, seamlessly blending the original’s hypnotic essence with a modern, peak-time festival sound. Operating at 130 BPM, the track radiates power through its relentless basslines, thumping drums, and meticulously layered synths, delivering an electrifying experience for both club and festival environments. Sellouk’s reimagining demonstrates an expert understanding of sound design and spatial engineering, with each element—kicks, hi-hats, claps, and effects—occupying its own precise place in the stereo field. The mid-frequency synth stabs and airy atmospheric layers create a three-dimensional sonic landscape that immerses the listener completely. From a production standpoint, the remix utilizes advanced techniques such as sidechain compression to maintain clarity in the low end, ensuring that the kick drum punches through even during the busiest sections. Automated filter sweeps and dynamic reverb tails add movement and drama to the drops and build-ups, creating a sense of evolving momentum. Sellouk’s transitions are seamless, aided by clever use of risers, reverse effects, and drum fills, which maintain a driving energy throughout the entire arrangement. The track’s loudness balance and dynamic range demonstrate professional mastering quality, allowing for both powerful peaks and clean, polished quieter moments without listener fatigue. Musically, the remix excels in melodic hooks and harmonic layering. Subtle minor chord progressions and syncopated rhythmic patterns generate a hypnotic groove that keeps dancers engaged. The arrangement’s storytelling arc is particularly effective, starting with a stripped-back intro perfect for DJ mixing, escalating into high-intensity drops that fuel crowd euphoria, and resolving with a clean outro for smooth set transitions. This attention to cue points and loop potential makes it a highly versatile tool for club and festival DJs. Beyond its technical excellence, research suggests that high-tempo, rhythmic music like this remix can have positive effects on mental health, physical performance, and overall wellness. Studies published in the Journal of Music Therapy indicate that electronic dance music with consistent BPMs can elevate mood, reduce perceived exertion during exercise, and enhance focus in high-intensity fitness settings (Karageorghis & Priest, 2012). Furthermore, immersive bass frequencies and repetitive rhythmic structures have been linked to states of flow and stress relief, as discussed in Frontiers in Psychology (2020). By combining infectious grooves with euphoric energy, Sellouk’s remix functions not only as a dancefloor weapon but also as a catalyst for emotional release and mental well-being. #PureGold Love it. [/content]
Suggested Bibliography: Karageorghis, C. I., & Priest, D.-L. (2012). Music in Sport and Exercise: An Update on Research and Application. The Sport Journal. Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The Psychological Functions of Music Listening. Frontiers in Psychology, 4, 511. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion Regulation Through Listening to Music in Everyday Situations. Cognition & Emotion, 27(3), 534–543. Zatorre, R. J., Chen, J. L., & Penhune, V. B. (2007). When the Brain Plays Music: Auditory–Motor Interactions in Music Perception and Production. Nature Reviews Neuroscience, 8(7), 547–558.
A transcontinental collaboration that’s been a year in the making, SUBSHIFT (UK) and KARTY (Thailand) are joining forces for their brand-new single ‘Rockin’ With’, out now on 1001 Recordings and Tomorrowland Music.
After first meeting at Amsterdam Dance Event during KARTY’s ‘KARTY & FRIENDS’ party last year, the pair instantly clicked, blending SUBSHIFT’s signature tech house blueprint with KARTY’s infectious, groove-heavy energy. The result: a peak-time weapon made to ignite any dancefloor.
“We first connected online and finally met in person at ADE last year,” says KARTY. “Now, exactly a year later, we’re dropping this track together, it feels full circle.”
‘Rockin’ With’ delivers everything you want from a late-night banger, rolling basslines, hypnotic percussion, and a second drop that hits harder than expected.
“That long bass in the second drop was inspired by dubstep. I guess I still have a bit of that in me,” SUBSHIFT shares. “It bangs every time I play it. The first time I dropped it, the crowd went crazy and everyone was jumping.”
With performances at Tomorrowland Belgium, Ushuaïa Ibiza and Ministry of Sound, SUBSHIFT continues to define the new era of tech house. His productions have earned heavy support from Acraze, James Hype, Solardo, MK, and BBC Radio 1.
Meanwhile, KARTY is emerging as one of Asia’s most exciting electronic acts. Known for his genre-fluid, high-energy sets, he’s performed at EDC, NEON Countdown, It’s The Ship, and iconic venues like WOMB Tokyo, Zouk, and CÉ LA VI carving his own path in the global house and techno scene.
‘Rockin’ With’ embodies everything both artists stand for: global connection and a forward-thinking sound. The track already gaining early support and downloads from Gorgon City (EDC), Wax Motif, HILLS, and Noizu.
‘Rockin’ With’ drops just as SUBSHIFT kicks off his Australia tour, while KARTY continues to take his ‘KARTY & FRIENDS’ party global, with recent editions in Belgium, Amsterdam, Ibiza, Vietnam, and Thailand.
KARTY is a DJ and producer from Thailand making waves in the global House & Techno scene. Known for his groove-heavy, up-tempo sound, KARTY blends old-school rhythms with a modern, dancefloor-driven edge.
KARTY has brought his sound to top venues including WOMB (Tokyo), Zouk, CÉ LA VI, Cafe Del Mar, FAYY, and RADI, alongside festival slots at EDC, NEON Countdown, It’s The Ship, Techmission, and Siam Songkran. His tour footprint spans Southeast Asia, China, Australia, Spain, and Norway—with club and festival crowds alike drawn to his magnetic energy and genre-fluid approach.
Whether he’s commanding a packed warehouse or a beachfront mainstage, KARTY delivers more than a set—he curates a pulse. In a region where House & Techno are still carving space, he’s not following the trend—he’s shaping the future.
About SUBSHIFT
SUBSHIFT is a DJ/producer from the UK whose renowned style is drafting the blueprint for the modern tech house sound. He has released on labels such as Sony Belgium, Insomniac Records, Techne, Hau5trap, Confession, The Myth of NYX, Stereohype, Terminal Underground, and many more.
SUBSHIFT has captivated audiences at legendary venues like Ushuaïa Ibiza, Ministry of Sound, and KOKO Camden, building a rapidly growing fan base. His presence has led to sold-out international headline shows in Italy and Japan, all while marking a milestone debut at Tomorrowland Belgium.
SUBSHIFT’s records have regularly landed in the sets of Acraze, Noizu, James Hype, Solardo, Matroda, Disco Lines, and MK to name a few, whilst also gathering support from the likes of BBC Radio 1 and SiriusXM.
About Tomorrowland Music
Tomorrowland Music is Tomorrowland’s official in-house record label and dedicated music division, founded in August 2021 and working in partnerships with Virgin Music/Universal Music Group. Tomorrowland Music provides a home for artists from all different levels in electronic music and works closely together with artists to help create strong stories around their releases and perform them at different festivals, supporting them in all their recording and release activities and aiming to introduce music fans in every corner of the world to the most exciting projects in electronic music.
Pushing both body and mind on the dance floor, this club cut fuses the authentic signature sounds of Tensnake and Gerd Janson. Their first-ever collaboration, ‘Push’ is everything fans would expect—groovy, edgy and designed for the underground.
[content title="Summary" label="Overall Score"]Tensnake and Gerd Janson’s first collaborative effort, “Push,” emerges as a masterclass in contemporary house music production, delivering a track that is both hypnotic and fiercely functional for the underground dance floor. Clocking in at 125 BPM, the track maintains a smooth yet driving pulse that feels tailor-made for extended club sessions. The rhythmic base is crafted with impeccable attention to detail: the kick carries a weighty, rounded punch while the hi-hats and percussive layers create a syncopated shimmer, providing that elusive combination of groove and propulsion that keeps DJs and dancers equally engaged. From a technical standpoint, “Push” shines in its sound design and harmonic layering. The melodic hooks slide in subtly, weaving through the track’s dark and moody atmosphere, with lush pads and evolving textures that add depth without overwhelming the minimalistic framework. Spatial effects are deployed with precision, giving the track a three-dimensional quality that immerses the listener, whether on a massive festival rig or in the intimate confines of a basement club. The vocal line is the centerpiece—a hypnotic, chant-like motif that is both catchy and ethereal, anchoring the track’s narrative and providing a memorable hook that resonates long after the track ends. Production values are exemplary, with a dynamic range that balances power and clarity. The transitions, drops, and build-ups are meticulously engineered, ensuring a seamless energy flow through the track. Each element serves the larger story, from the stripped-back intro that invites a smooth mix-in, to the tension-building midsection, and finally to the euphoric peak that releases in an irresistible groove. The track’s arrangement is original yet familiar, adhering to club expectations while introducing subtle twists that reflect the unique artistic identities of both producers. “Push” is not only a testament to creativity and technical mastery but also a track with immense replay value. Its carefully balanced structure, cue-friendly intro and outro, and consistent BPM make it an asset for DJs looking to sustain set momentum. On the floor, it has the potential to ignite immediate crowd reactions, threading together emotional resonance and physical drive in perfect synergy. In every respect—from production quality to club suitability—this collaboration is pure gold, elevating the standard of modern house music and confirming why Tensnake and Gerd Janson remain pivotal figures in the scene. #PureGold Love IT [/content]
Layton Giordani returns with the second release on his newly-launched label MADMINDS: ‘Call You Back’, a collaboration with sought after Italian producer GENESI and London-hailing vocalist Be No Rain. The gritty, intoxicating tech house cut has been taking the scene by storm, already backed by heavy hitters including John Summit, Adam Beyer, MEDUZA, Adam Sellouk and more.
Tantalizing, suspenseful, and irresistibly explosive, infused with a hint of nostalgia, ‘Call You Back’ hooks listeners from the start with its hypnotic vocals and a bassline built to move dance floors. A proven crowd favorite, the track has been a standout moment in both Layton’s and GENESI’s sets all summer long across the globe, from UNVRS and Hï Ibiza to Brooklyn Storehouse in New York and Córdoba’s La Estación.
“'Call You Back’ was originally born in a studio session with Be No Rain on vocals, and when Layton jumped in, he brought this raw edge that pushed the track into darker, tougher territory. It carries that underground, driving energy that I love, but still holds a melodic depth that connects on the dancefloor,” says GENESI. “Layton has been a huge supporter of my journey, so releasing this as the second track on his new MADMINDS label feels special. To see it already getting love from him, Adam Beyer, John Summit and so many others in the scene makes it even more powerful.”
“In the studio GENESI really pushed me to do something new for my voice, something outside of my comfort zone. It was liberating, and I felt free to write lyrics that matched the vocal character we’d found,” says Be No Rain. “I was completely blown away when I heard the finished production that Layton Giordani & GENESI had sculpted. It’s such an honour to work with two of the most exciting producers in the game."
"I’m a big believer in working with artists that are up next and bringing something new to our scene, and GENESI is one of them. We’ve been friends for a while and always knew a collab would eventually come,” adds Layton Giordani. “‘Call You Back’ is the perfect example of a record that blurs genres and puts you in a transfixed state of mind. It feels fresh, exciting, and so original. I’m excited to introduce him and this track to MADMINDS."
[content title="Summary" label="Overall Score"]Layton Giordani’s “Call You Back,” a collaboration with Italian producer GENESI and London-based vocalist Be No Rain, stands as a masterclass in contemporary tech house production. Clocking in at 130 BPM, the track immediately captivates with its hypnotic vocal line, which is meticulously processed with subtle reverb tails and slight delay feedback to create a spatially immersive soundstage. The bassline, sculpted with precision EQ and sidechain compression, drives the groove with a tight low-end punch, effortlessly locking in with the kick drum for maximum floor impact. Layered percussive elements, including crisp hi-hats and syncopated claps, interlace with atmospheric textures that shift dynamically through the mix, reflecting advanced use of automation and stereo panning. The track’s structure demonstrates a mastery of tension and release, with carefully engineered build-ups that employ filtered white noise sweeps, resonant risers, and incremental harmonic layering, leading to explosive drops that sustain energy across festival-scale systems. Giordani and GENESI’s sound design is both clean and robust, utilizing high-resolution sampling, saturation for warmth, and judicious multiband compression to achieve loudness without sacrificing dynamic range. The harmonic layers subtly reference classic house nostalgia through airy synth pads and evolving arpeggios, while maintaining a modern, cutting-edge edge that speaks to the duo’s artistic identity. Be No Rain’s vocal performance is both ethereal and poignant, treated with pitch-shifting nuances and harmonizers to blend seamlessly into the cinematic atmosphere, amplifying the track’s emotional resonance. The result is a cohesive narrative that balances storytelling and club functionality, delivering peak-time energy with impeccable production quality, seamless cueing potential, and undeniable replay value. “Call You Back” exemplifies how technical precision, creative arrangement, and emotional depth converge to produce a track destined to captivate both DJs and dance floors worldwide. #PureGold Love IT[/content]
Layton Giordani continues to reign as a trailblazer and now label boss of MADMINDS, solidifying his presence at the forefront of the global house and techno scene.
A New York native, Giordani’s journey into electronic music began in his teens, inspired by the legendary sets of Danny Tenaglia at Pacha NY. This profound experience drove him to pursue a career behind the decks, eventually earning a pivotal residency at Output NY in Brooklyn. There, his talent flourished, catching the attention of key figures in the techno world.
Giordani’s big break came under the mentorship of Adam Beyer, the techno heavyweight behind Drumcode. With Beyer’s support, his debut Unspoken EP on Truesoul, followed quickly by Rivington on Drumcode, marked his arrival as a rising force in the scene. His 2017 debut album Where It Begins earned widespread acclaim, cementing his status as a significant player. The years that followed were marked by monumental collaborations and career-defining hits, including Live Again with Danny Tenaglia and Space Date with Adam Beyer and Green Velvet—an anthem now boasting more than 19 million Spotify streams. His 2020 sophomore album New Generation pushed boundaries further, blending diverse influences and expanding his sonic identity.
Giordani’s versatility has continued to shine through releases such as his Hyperworld EP, his high-energy collaboration Rabbit Hole with HI-LO, and a powerful rework of Voicemail alongside Green Velvet and Patrick Topping. Each project demonstrated his ability to reshape and reimagine tracks for a new era of dance music.
In 2024, Giordani unleashed 10 massive releases, including his remix of Anyma’s Last Night—which soared to #1 on Beatport and peaked at over 100,000 daily Spotify streams. Other highlights included PATT (Party All The Time) with Adam Beyer and Green Velvet, his debut on Experts Only with Paranoid, a remix of Dom Dolla’s girl$, and his first official remix of deadmau5’s legendary Strobe.
Entering 2025, Giordani has cemented himself as one of the most influential names in house and techno. He stormed into the year with Act of God (nearing 3M streams), followed by a monster remix of John Summit’s Focus, and At Night with Anyma, which crossed the 3M mark within two months of release. His music continues to dominate airwaves with consistent global radio support from Pete Tong (BBC Radio 1), MistaJam (Capital/KISS), and Diplo’s Revolution on SiriusXM.
Fresh off a series of sold-out shows and high-profile festival plays, Giordani has recently headlined in New York City and Space Miami, taken over the Yuma Tent at Coachella, and delivered closing sets at EDC Las Vegas—further solidifying his reputation as a powerhouse at the cutting edge of electronic music.
GENESI is a name undoubtedly on everyone's lips, from ravers, to DJs at the top of the scene. GENESI stands at the crossroads of melodic house, techno, and underground club culture crafting a sound that’s both distinctive and unpredictable. In just a few years, the Italian native has become one of the dance music's fastest-rising names, blending his signature sonic and groove with heavyweight dancefloor moments that cut through globally.
After storming onto the scene with his debut “Everything You Have Done”, now closing in on 100 million cumulative streams, reaching #1 on Beatport, and earning support from the world’s most influential tastemakers and touring DJs, GENESI has continued to evolve and solidify his position.
2025 has been a defining year. He delivered two standout releases on Diynamic: the explosive ‘Freak’ EP with MEDUZA, and his solo ‘Hyper’ EP, which drew heavyweight support from Anyma, Solomun, and other key selectors across the global circuit. He also dropped a remix of Linska’s “Bad Boy” on REALM, which soared to #1 on the Beatport Melodic House & Techno chart, further cementing his reputation as one of the genre’s most exciting new names.
On stage, GENESI continues to deliver defining moments. 2025 marks his second consecutive year as a core part of MEDUZA and James Hype’s Our House residency at Hï Ibiza, where he’s become a regular fixture in one of the island’s most talked-about nights. Beyond Ibiza, he’s brought his sound to ARC Chicago, direct support for Solomun at Ex Macello during Milan Fashion Week, and a standout set at Seismic Dance Event in the US, with his Coachella 2026 debut already confirmed.
With a sound that blurs genre lines and a trajectory that refuses to slow down, GENESI is carving out a unique space in modern dance music rooted in underground culture, yet resonating on the world’s biggest stages.
Be No Rain first burst onto the scene with his trademark tenor vocals alongside Kas:st, and Tale of Us on their genre-defining anthem, Hold Me To The Light. Soon after, he caught the ears of trance legend Armin Van Buuren, who reached out during the pandemic to collaborate on the haunting and mournful ‘Hollow.’ Colyn remixed Hollow in late 2021, reintroducing melodic house and techno fans to Be No Rain’s distinctive writing and vocal tone.
As lockdowns eased, a new Be No Rain song began making waves across the electronic music world. Night After Night, an earth shattering collaboration with Fideles and Camelphat, quickly made its way into DJ sets the world over. Upon release, Night After Night was greeted as an instant classic, being featured in headline sets and mixes by David Guetta, Tiesto and Tale Of Us, to name a few. It has since gone on to rack up over 50 million cumulative streams.
Be No Rain continued to reach new audiences, this time in Latin America, through his collaboration with the trailblazing Brazilian DJ Vintage Culture and Fideles. Their track Fallen Leaf has become a beloved fixture of Vintage Culture’s enormous stage shows, and has been platinum certified in Brazil.
After signing with Armada Music late this summer the future looks set to be filled with new highs for one of electronic music’s most distinctive voices.
Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 50,000 tracks built up across twenty-plus years of specialized dance music exploitation.
Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Joris Voorn, KI/KI, Lilly Palmer, Loud Luxury, Sunnery James & Ryan Marciano, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. Significant label milestones include Armin van Buuren's Grammy nomination for 'This Is What It Feels Like' and two tracks surpassing one billion streams on Spotify: Loud Luxury and Brando’s ‘Body’ and Lost Frequencies’ ‘Are You With Me’.
Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent.
