Internationally renowned DJ and producer Sonny Fodera unveils his latest single ‘Think About Us’, a heavyweight collaboration with D.O.D and rising vocal force Poppy Baskcomb.
This new release is the latest in a standout run of singles for Sonny on his independent label, Solotoko. His smash hit ‘Somedays’, also in collaboration with D.O.D and with Jazzy on vocals, has just been recognised with two ARIA Award nominations for Song of the Year and Best Dance/Electronic Release, having hit platinum status in both the UK and Australia, entering the Top 5 in the UK chart and earning a Song of the Year nomination at the 2025 BRIT Awards (notably the only independent release in the category). Alongside Sonny’s other recent charting hits including ‘All This Time’,‘Tell Me’, ‘Mind Still’, and ‘Asking’, Solotoko has become one of the first independent dance labels to score two UK Top 10 singles in just 12 months.
D.O.D continues to ride a wave of momentum of his own. Having sold out over 30,000 tickets across his recent US tour — including a 5,000-capacity show in Brooklyn, his biggest American headline to date — he’s cemented his status as one of the UK’s most forward-thinking producers. His catalog includes platinum-certified anthems ‘Still Sleepless’, the aforementioned ‘Somedays’ and ‘So Much In Love’, with the latter written and produced solely by D.O.D and climbing into the UK Top 20.
Meanwhile, Poppy Baskcomb is rapidly emerging as one of the most in-demand voices in electronic music. The 27-year-old singer-songwriter has become a go-to collaborator for global stars including Tiësto, Anyma, Meduza, Sub Focus, and Friction. Known for her emotive toplines and sharp songwriting, Baskcomb is in the midst of her biggest year yet, with solo material and major collaborations scheduled throughout the latter half of 2025 that will further establish her as a defining voice in the scene.
Beyond the studio, Sonny Fodera’s live schedule has defined summer 2025. He headlined the sold-out 20,000-capacity Silverworks Island in London in July — his biggest UK show to date — and went on to deliver standout sets at Longitude, Tomorrowland, Creamfields, and Emerge Festival, as well as a 18-week residency at Pacha, Ibiza. His European run also included landmark appearances at Berlin’s Ritter Butzke and Amsterdam’s Paradiso earlier this month, before heading straight into a string of headline Australian shows across Brisbane, Melbourne and Sydney. The momentum continues as he prepares to cap off the year with three arena takeovers in Glasgow, Cardiff and Manchester — with Cardiff and Manchester already sold out, with Sonny making history as the first-ever DJ to sell out the UK’s largest indoor venue, Co-Op Live. 2026 promises to be another landmark year with Sonny already confirmed as the Sunday headliner at Creamfields, in what will be an exclusive UK festival appearance.
With ‘Think About Us’, Fodera, D.O.D and Baskcomb deliver a record that captures the energy of the summer club season and promises to carry it through to the end-of-year celebrations.
Remixes by CYRIL, Sonny Fodera himself (VIP) & Franky Wah !!!
Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Sonny Fodera x D.O.D x Poppy Baskcomb "Think About Us (Remixes)[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2015). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 8(1), 44–61.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Thayer, J. F., Åhs, F., Fredrikson, M., Sollers III, J. J., & Wager, T. D. (2012). A meta-analysis of heart rate variability and neuroimaging studies: Implications for heart rate variability as a marker of stress and health. Neuroscience & Biobehavioral Reviews, 36(2), 747–756.
[review top="1"]
[item value="10"]Sonny Fodera x D.O.D x Poppy Baskcomb "Think About Us (Remixes)[/item]
[content title="Summary" label="Overall Score"] Sonny Fodera’s collaboration with D.O.D and Poppy Baskcomb, “Think About Us (Remixes),” is a masterclass in modern house production, blending euphoric energy with meticulous sound design. From the outset, the track showcases remarkable rhythm, groove, and drive, driven by expertly programmed percussive elements that maintain a strong 4/4 pulse, ensuring peak dancefloor impact. The basslines are tight yet dynamic, with a subtle sidechain compression allowing room for the vocals to breathe while keeping the low-end energy propelling forward. The melodic hooks and harmonic layers play a vital role in elevating the track. Poppy Baskcomb’s vocals are processed with precision, featuring controlled reverb tails and spatial delays that enhance the immersive quality without muddying the mix. Franky Wah’s remix version at 123 BPM leans into deeper, groovier territory with moody pads and pitched-down vocal chops, creating a hypnotic atmosphere. In contrast, Sonny Fodera’s own VIP remix at 132 BPM is an upfront festival-ready house smash, emphasizing bright synth stabs and high-energy build-ups that unleash euphoric drops. Transitions, drops, and build-ups are executed with remarkable fluidity. Automation of filters, reverb washes, and white noise risers contributes to dynamic energy flow and momentum, allowing DJs to blend the track seamlessly into a set. These transitions are crafted with both club and festival settings in mind, making the track highly compatible with cue points, loop potential, and BPM sync. From a production quality standpoint, “Think About Us (Remixes)” excels in sound design and spatial imaging. The stereo field is well-utilized, with lead elements occupying the center and supporting harmonics spread across the panorama. The tracks maintain a balanced dynamic range, achieving commercial loudness without sacrificing clarity, which is essential for both live performance and streaming platforms. The combination of punchy low-end, lush mids, and sparkling highs keeps the track sonically engaging across a variety of playback systems. Beyond its technical mastery, the track has a positive psychological and physiological impact. Studies have shown that electronic dance music, particularly in the 120–130 BPM range, can enhance mood, reduce stress, and improve cardiovascular endurance during fitness and wellness classes (Thayer et al., 2012; Karageorghis & Priest, 2015). The euphoric progressions and steady rhythmic flow stimulate the brain’s dopaminergic system, which is associated with feelings of reward and motivation. High-energy drops can trigger an emotional release, often referred to as “musical chills,” which has been linked to reduced cortisol levels and improved mental well-being (Salimpoor et al., 2011). Finally, the emotional resonance and crowd reaction potential are undeniable. Whether in a club, a festival, or a group workout setting, the track’s catchiness and replay value foster a sense of unity and collective euphoria. Its cohesion, storytelling, and artistic identity make it a shining example of contemporary house music that bridges mainstream appeal with underground credibility.#PureGold Love iT [/content]
[item value="10"]Rhythm, Groove & Drive[/item][item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2015). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 8(1), 44–61.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Thayer, J. F., Åhs, F., Fredrikson, M., Sollers III, J. J., & Wager, T. D. (2012). A meta-analysis of heart rate variability and neuroimaging studies: Implications for heart rate variability as a marker of stress and health. Neuroscience & Biobehavioral Reviews, 36(2), 747–756.
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