Anjunadeep’s esteemed electronic music duo, M.O.S., delivers their third single on UV titled “Beyond Your Mind.”
M.O.S. has established itself as a prominent force in the underground electronic music scene. Their compelling releases have been featured on globally recognized labels like Anjunadeep, Anjunabeats, All Day I Dream, and The Soundgarden. M.O.S. consistently delivers a distinctive sonic experience, characterized by their signature groovy bass lines and innovative rhythmic choices. They weave intricate and mesmerizing melodies alongside organic textures in their music. Each of their releases has achieved Top 10 status on Beatport.com in the Organic House genre, showcasing their significant impact on the niche.
Beyond the studio, M.O.S. has graced the stages of prestigious festivals, including Anjunadeep Explorations, which is ranked among the Top 100 Festivals in DJMAG. Their performances have resonated across the globe, with appearances in cities like New York, Ibiza, Hungary, Greece, Albania, Bangladesh, and more. M.O.S. has shared the stage with renowned artists such as Lee Burridge, Monolink, Audiofly, Be Svendsen, Yotto, Simon Doty, Yokoo, Space Motion, and many others.
M.O.S.’s live sets continue to deliver with their exceptional performances. Notably, they have also lent their creative prowess to remixes for esteemed artists like Above & Beyond (a two-time Grammy Nominee), Jody Wisternoff, and Christian Burns, further solidifying their position as tastemakers in the industry.
Dimitris Kechagias Review: [review top="1"] [item value="10"]M.O.S. - Beyond Your Mind [/item]
[content title="Summary" label="Overall Score"]Anjunadeep’s esteemed electronic music duo, M.O.S., returns with their third single on UV titled “Beyond Your Mind.” This 124 BPM melodic progressive house masterpiece showcases the duo’s meticulous production techniques and profound understanding of the genre's core elements. The track opens with deep, driving basslines crafted with precision to provide a solid foundation, complemented by thumping drums that maintain a pulsating groove. The confident percussion layers, featuring crisp hi-hats and sharp claps, are strategically positioned to energize the dancefloor, creating a rhythmic hypnotism essential for progressive sets. M.O.S. employs beautiful, airy harp elements that introduce an ethereal texture, seamlessly blending with smooth, warm melodies. These melodic progressions are constructed with sophisticated chord arrangements and subtle modulation techniques, ensuring that each note resonates emotionally, often evoking goosebumps. The harmonic layering and dynamic automation contribute to an evolving soundscape that holds the listener’s attention throughout the track. The breakdown section is a testament to M.O.S.'s production prowess. Here, classic Ibiza-style organic riffs make their entrance, enriched with reverb and delay effects that enhance spatial depth. The slightly stressed vocals are masterfully treated with gentle compression and EQ adjustments, ensuring clarity while adding an emotive rawness. Swirling synths, meticulously crafted with analog emulation plugins, build tension through gradual filter sweeps and pitch modulation, culminating in an epic, explosive climax that defies proportion. From a DJ’s perspective, “Beyond Your Mind” is invaluable for progressive house sets. Its dynamic structure allows seamless transitions, while the energetic build-ups and emotional breakdowns offer perfect moments to elevate crowd engagement. The high-quality production ensures it holds its own in large sound systems, delivering both punch and clarity. Stunning and mesmerizing, M.O.S.’s latest offering is not just a track but an experience. #PureGold Love IT. [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
UV, along with our friends at Rhythm Horizons, returns to London on September 13th for a very special show at the incredible Colours Venue in Hoxton. UV label bosses Paul Thomas and Das Pharaoh (Fadi from Aly & Fila) will be joined by Alex O’Rion and Quivver.
RKP, Univack, and Purrfection’s regular Benja Molina returns to UV Noir with the exceptional Astrea EP.
Benja Molina is currently one of Spain’s most prominent Progressive House producers, known for his energetic and melodic House tracks and big club Progressive House productions. Signed to esteemed labels and with a wealth of new material in the pipeline, his future looks incredibly promising. Since 2008, his exceptional quality has been evident in every aspect of his work. His collaborations with international artists have consistently reached the top of Beatport nine times. Notable supporters include Hernán Canttaneo, Dj Ruby, Topo Larocca, N- Tchbl, Paul Thomas, and Mariano Mellino.
[content title="Summary" label="Overall Score"] Benja Molina, a standout artist frequently featured on RKP, Univack, and Purrfection, returns to UV Noir with his masterfully crafted Astrea EP, comprising three mesmerizing tracks: "Astrea," "Aura," and "Feeling." This EP not only solidifies his position as a progressive house luminary but also serves as a treasure trove for DJs seeking meticulously produced, dancefloor-ready gems. Astrea (122 BPM) sets the tone as a deep, dreamy progressive house masterpiece. The track is characterized by its outstanding melodic layers, which are meticulously crafted using lush pads and ethereal synths that glide seamlessly over a foundation of cinematic soundscapes. The production process showcases advanced layering techniques, with reverb-drenched atmospheres creating a vast, immersive sonic space. The careful EQ balance ensures the melodic elements shine without overpowering the driving low-end, making it an ideal selection for progressive house DJs looking to evoke emotion and depth in their sets. Aura (123 BPM) shifts the energy slightly with a deeper, moodier groove. Its upfront, epic-like melody exudes optimism and confidence, skillfully woven into tribal-inspired grooves and buoyant basslines. The rhythmic complexity comes from the clever use of percussive elements and syncopation, creating a dynamic interplay between the kick and bass. Sidechain compression is finely tuned to allow the melody and bass to breathe harmoniously, maintaining momentum while preserving clarity. This track’s structure, with its carefully crafted breakdowns and builds, makes it a versatile tool for DJs aiming to control the dancefloor’s energy flow. Feeling (122 BPM) rounds out the EP as a quintessential progressive house track, embodying hypnotic, synth-driven melodies that evoke a sensation of weightlessness. The production shines with intricate arpeggios and subtle modulation effects that evolve throughout the track, creating a constantly shifting auditory landscape. The use of delay and reverb adds depth, while the minimalist yet impactful drum patterns provide a solid groove foundation. Its "no gravity" feeling is achieved through the meticulous automation of filters and effects, ensuring the track progresses organically, making it perfect for peak-time or after-hours sets. For progressive house DJs, the Astrea EP is invaluable, offering tracks that are not only technically polished but also emotionally resonant, capable of transforming any set into a captivating sonic journey. #PureGold Love It[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
UV, along with our friends at Rhythm Horizons, returns to London on September 13th for a very special show at the incredible Colours Venue in Hoxton. UV label bosses Paul Thomas and Das Pharaoh (Fadi from Aly & Fila) will be joined by Alex O’Rion and Quivver.
US progressive star Cendryma returns to UV Noir with the captivating new Mythica EP.
Daniel Sampson, known as Cendryma, hails from the picturesque landscapes of Oregon, USA. His music is deeply intertwined with the raw power of nature, reflecting the lush Pacific Northwest where he grew up. Rain samples, driving basslines, and darker tones evoke the region’s moody winters, creating a sound that mirrors the elements. Cendryma’s compositions are meticulously crafted, blending captivating melodies with dynamic, emotive atmospheres.
Inspired by artists like Alex O’Rion, GMJ & Matter, and Anjunadeep’s Marsh, Cendryma has forged his unique signature sound in Progressive House. He steers clear of conventional boundaries, allowing his productions to flow organically and evolve over time. His label, ‘Cydana Sounds,’ provides an intimate platform for his musical explorations. Tracks like “Function” and his debut EP Terraform/Wired have garnered recognition, while his recent release on PURRFECTION Records, “Pass Through,” is already making significant waves. As he looks to the future, Cendryma is poised to expand his influence in the global Progressive House scene. Upcoming releases on labels like Pattern and UV will continue to refine and evolve his sound, showcasing his remarkable journey.
[content title="Summary" label="Overall Score"] US progressive starlet Cendryma makes a striking return to UV Noir with the captivating "Mythica EP." This release is a testament to her meticulous production techniques, deep-rooted understanding of progressive house structures, and an ear finely tuned to both sonic and emotional resonance. The title track, "Mythica," operates at a measured 121 BPM, positioning itself as a slow-burning deep tribal house masterpiece. The production is anchored by intricate tribal percussion layers, meticulously programmed to create a dynamic rhythmic foundation. Each percussive element is crisply EQ'd, allowing the congas, shakers, and subtle bongos to occupy distinct sonic spaces without overcrowding the mix. The deep, haunting basslines are crafted with analog warmth, possibly derived from a Moog Sub 37 or similar synthesizer, providing a rich, enveloping low-end that pulses with hypnotic intensity. A hallmark of "Mythica" is its ethereal vocal textures—processed through granular synthesis and layered with reverb and delay effects to create an almost ghostly presence that floats above the mix. The melodic progression employs exotic scales with modal interchange, lending an otherworldly, evocative feel that captures the listener’s imagination. The breakdown is a masterclass in tension and release, soaked in epic synths characterized by lush pads with wide stereo imaging, processed with sidechain compression to maintain groove continuity. The drop reintroduces the groove with hypnotic rhythms and luscious melodies, underpinned by intricate automation that keeps the dynamic flow engaging throughout. "Orbitation," on the other hand, accelerates slightly to 122 BPM, offering a smooth, dreamy production ideal for peak-time progressive sets. The track features confident, dominating kick drums, likely enhanced with transient shaping and parallel compression to achieve punch without sacrificing warmth. The smooth basslines glide seamlessly, possibly crafted with a combination of sub-bass layering and mid-range harmonic saturation to ensure presence on large sound systems. Synth-wise, "Orbitation" shines with beautifully crafted melodies rich in harmonic content. The progression is thoughtfully arranged, with evolving arpeggiators and filtering techniques that introduce subtle yet impactful changes. The use of reverb tails and delay feedback adds atmospheric depth, creating an immersive listening experience. The emotional uplift is achieved through strategic chord voicings and dynamic build-ups, culminating in euphoric drops that resonate with both the dancefloor and the soul. For progressive house DJs, the "Mythica EP" holds immense value. Its versatile tracks are meticulously engineered to suit various set moments—from building atmospheric tension to driving peak-time energy. The pristine production quality ensures they translate exceptionally well in club environments, with detailed sonic textures and dynamic ranges that captivate audiences. This EP is not just a collection of tracks; it's a toolkit for crafting memorable progressive house journeys. #PureGold Love IT [/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
UV, along with our friends at Rhythm Horizons, returns to London on September 13th for a very special show at the incredible Colours Venue in Hoxton. UV label bosses Paul Thomas and Das Pharaoh (Fadi from Aly & Fila) will be joined by Alex O’Rion and Quivver.
UV label boss drops 2 contrasting tracks on the ‘Flammable’ EP. Flammable is already a big festival track this summer amongst the progressive world with support from Marsh & Nick Warren, while Resistance showcases Paul’s deeper, moody and groovier side to make a perfect foil for the release.
London based artist, co-owner and head A&R of UV, Paul Thomas is one of progressive house's pioneers. Hit singles on the likes of Toolroom, Size & Spinnin plus remixing the likes of Basement Jaxx, Deadmau5 & Tiesto have seen Paul sit at the top table of progressive for over a decade. Over the past 4 years in particular, Paul has manage to blur the lines between underground progressive house and deep trance by releasing remixes for Aly & Fila's 'Somebody Loves You' which has over 4 million Spotify streams, Aly & Fila's 'Shadow' which hit over 1 million streams on Spotify, and singles like 'Vyote' & 'Allegro' which became festival anthems for Camelphat, Carl Cox, Above & Beyond and more. All these releases came on his Paul's hugely successful UV label, launched with Aly & Fila back in 2017. Outside of UV. Paul's hit single 'Carcerem' on Anjunabeats hit 1 millions streams in 2023, while his collaboration with Miss Monique 'The Morning After' on Armada was released towards the end of 2023 also.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Paul Thomas - Flammable / Resistance EP [/item]
[content title="Summary" label="Overall Score"]Paul Thomas, the UV label boss, showcases his production mastery with two contrasting tracks on the ‘Flammable’ EP. Both tracks exemplify meticulous craftsmanship, innovative sound design, and adept arrangement techniques that make them standouts in progressive house sets. Flammable (122 BPM): This track is a festival powerhouse, already gaining traction with support from key figures like Marsh and Nick Warren. It features a strong tribal-influenced percussion foundation combined with deep, pulsating basslines. The rhythmic structure is both hypnotic and dynamic, propelled by thumping kicks that provide a solid, dancefloor-friendly groove. The melodic progression is expertly layered, with confident shifts and developments that maintain listener engagement. A significant highlight is the use of epic euphoric synths, tinged with trance-like influences. These synths are characterized by expansive, soaring leads that create an anthemic feel. The breakdown section is particularly masterful, employing choir-like vocal layers and harmonic expansions that build intensity. This crescendo leads to an electrifying climax, designed for peak-time energy with "hands-in-the-air" moments. The track’s structure reflects the rich UK progressive tradition, ensuring both emotional depth and dancefloor effectiveness. Resistance (120 BPM): Contrasting the high-energy vibe of 'Flammable,' ‘Resistance’ delves into deeper, moodier territory. This track is ideal as an opening set piece, setting an atmospheric tone with its hypnotic, lethargic melodies. The production is lush with cinematic elements—etherial effects and ambient soundscapes that create an immersive auditory experience. The arrangement features subtle dynamic shifts, using sonic textures that evolve gradually. The melodic components are understated yet captivating, designed to draw listeners into a meditative state. The track’s groove is groovy yet restrained, with warm, rolling basslines and intricate percussive details that add depth without overwhelming the mix. Both tracks benefit from high production standards—clean, well-balanced mixes with precise EQing and spatial effects. Paul Thomas utilizes advanced synthesis techniques, layering analog and digital sounds to achieve rich harmonic content. The use of sidechain compression is evident, particularly in ‘Flammable,’ to create that signature "pumping" effect that enhances the rhythmic drive. Versatility: ‘Flammable’ is perfect for peak-time energy, while ‘Resistance’ sets the mood for deeper, more introspective moments. Emotionally Engaging: Both tracks elicit strong emotional responses, whether it’s euphoria on the dancefloor or a deeper, introspective vibe. Technical Precision: The meticulous production ensures they sound phenomenal on large sound systems, with clarity and punch that DJs value. Crowd Response: The dynamic arrangements and evolving structures keep the audience engaged, making them reliable tools for any progressive set.In sum, Paul Thomas delivers pure, progressive gold with the ‘Flammable’ EP—essential additions to any discerning DJ's collection. #PureGold Love iT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
UV, along with our friends at Rhythm Horizons, returns to London on September 13th for a very special show at the incredible Colours Venue in Hoxton. UV label bosses Paul Thomas and Das Pharaoh (Fadi from Aly & Fila) will be joined by Alex O’Rion and Quivver.
Get ready for an electrifying night as UV returns to London alongside our friends at Rhythm Horizons for a spectacular event at the iconic Colours Venue in Hoxton. Mark your calendars for Saturday, 13th September, from 9 PM to 3:30 AM.
Headlining the night are UV label bosses, Paul Thomas and Das Pharaoh. Paul Thomas, renowned for his dynamic progressive house sets and exceptional productions, continues to captivate audiences worldwide. Das Pharaoh, known for his work with the legendary Aly & Fila, brings his unique blend of trance and progressive beats to the forefront, promising an immersive sonic journey.
Joining them are the incredibly talented Alex O'Rion and Quivver. Alex O'Rion, celebrated for his deep, melodic sounds and intricate productions, is sure to enchant the crowd with his hypnotic rhythms. Quivver, a stalwart in the electronic music scene, is known for his versatile style that seamlessly blends progressive house, tech house, and breaks, ensuring an unforgettable performance.
This extraordinary lineup guarantees a night filled with pulsating beats, mesmerizing melodies, and an atmosphere like no other.
Das Pharaoh (Fadi from Aly & Fila) returns to UV with this this beautiful Progressive House release ‘Holding On’ with early Support from Hernán Cattáneo, Nora en Pure, Miss Monique, Nicolas Rada, DJ Ruby, Paul Thomas & more
[content title="Summary" label="Overall Score"]Das Pharaoh makes a striking return to UV with an exceptional slice of melodic, dreamy progressive trance that stands out both in composition and technical sophistication. The track is set at 124 BPM, making it an upfront melodic house stormer that seamlessly blends tribal tech vibes with progressive trance elements, creating an immersive auditory journey. From a production standpoint, the track showcases meticulous sound design and layering. The pulsating basslines are crafted using a combination of analog and digital synthesizers, providing a rich, warm texture that forms the backbone of the composition. The bass is side-chained effectively to create that signature pumping feel, adding dynamic movement and depth to the track. Memorable melodies run throughout, constructed with lush, evolving synth pads and arpeggiated sequences that maintain listener engagement. These melodic layers are harmonically tuned to complement the bassline while maintaining their distinct identities, creating a captivating melodic interplay. Dark, synthy stabs inject an edgy, atmospheric quality, fabricated using subtractive synthesis techniques with careful modulation of filter cutoffs and resonance to achieve a gritty, textured sound. These elements are accentuated with reverb and delay effects, enhancing the spatial dimension of the track. The percussion section is another highlight, characterized by punchy, crisp hits crafted from finely-tuned samples and synthesized elements. The kick drum provides a solid, thumping foundation, while hi-hats and shakers are programmed with intricate rhythms to drive the groove forward. The use of subtle fills and transitional effects adds fluidity and maintains momentum throughout the track. A standout feature is the female vocal top lines, which serve as the "cherry on top." These vocals are processed with precision, employing EQ, compression, and time-based effects like reverb and delay to blend seamlessly with the instrumental elements while standing out emotionally and melodically. Overall, Das Pharaoh’s track is a masterclass in modern progressive trance production, combining technical prowess with artistic flair to deliver a piece that's both dancefloor-ready and emotionally resonant. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Amir Farhoudi and Saleh are two artists of Persian State, IRAN, after making music in the trance and electronic style, they decided to change their genre and now they have good success in the styles of progressive house - melodic techno and house - and organic house. obtained Cooperation with powerful labels such as UV NOIR, UNIVACK. JOOF Etc.
Their goal in making music is to create a feeling and path that others did not experience or not making, in fact they produce music with soul, unique signature and depth from heart !
Their latest track Movement Started is included on the UV Noir Dark Summer 2024 EP along with many other stellar artists. It sounds the perfect occasion to have a nice interview with them and find more about these always groundbreaking artists.
1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.
Amir Farhoudi & Saleh: Well, it is a difficult question! It depends a lot on where you live. In the current situation and according to the domestic policies of our country, we only try to create good music. This is very important and at the height of the limitation of creating great works of art, it is extremely difficult.
Maybe if our place of residence was in the middle of Europe, we would have our own stage and everything would be different!
Our biggest achievement is that we are always in the top lists in this situation and we hope it gets better day by day. New contacts, better feelings and different artistic experiences.
We believe that the best music should always be presented.
The combination of oriental instruments and its combination with modern music is always visible in our music.
We are also very happy that we are always supported by the audience
2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Amir Farhoudi & Saleh: Basically, people who are strong listeners always like to create better works and maybe new ideas in addition to listening and the good feeling they get from listening to music. For this reason, we started making many years ago and we prefer to start new works without comparing our works with others.
3-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Amir Farhoudi & Saleh: Sure ! Robert Miles, Envio, Above & Beyond
4-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
Amir Farhoudi & Saleh: Yeah ! Envio - Touched by the Sun ( is my first official remix for Armada )
Above & Beyond " Tri-State Album " Sensorica " The Artifact " In my opinion, this single and these two albums are and will be musical masterpieces. Of course, this is entirely a matter of taste. But we like the style of creating sounds and storytelling.
5-Dimitris: It would be fantastic to talk about your latest release Movement Started out on UV Noir. Please tell us how this track came about and what was the idea behind it.
Amir Farhoudi & Saleh: Sure, Movement Started, space between melodic techno & progressive house, we created this solid production for some reasons, We always have many criticisms of the repetitive state of the existing market. We preferred to create a special signature between an advanced progressive music and a pure melodic one. Almost all elements are special. The quality of the story and the background atmosphere all indicate that you will hear a wonderful music :) Regardless of the repetition and similarities of these days of music....
6-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?
Amir Farhoudi & Saleh: 3 month, making ideas, making sounds, mixing ideas, finishing our stories...
7-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.
Amir Farhoudi & Saleh: No, basically, because our main work is ghost productions and every year we make music for many artist in big labels, events etc. there is no challenge for us. Making music in different styles and signatures is part of our soul and we definitely know this path carefully
8-Dimitris: If you would have the opportunity to change something in your track and maybe to do a new remix what elements are you unhappy with and you are going to change? Is there any artist that you feel would be fantastic to remix this track and why?
Amir Farhoudi & Saleh: Well, this question is extremely difficult. Because we just released this music and any criticism from our side can have a negative effect on the audience. But my suggestion is definitely Ziger. He is really extraordinary. we really like him in power of productions !
9- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?
Amir Farhoudi & Saleh: We work with FL Studio and Live. This question is very general. Music is a spiritual need and it is your duty to make it more ideal with your own methods.
It doesn't really matter what the hardware and software are.
10-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
Amir Farhoudi & Saleh: It depends on the song. We prefer to work with special sounds like Nadia Ali, but in this last music we used short sounds just for more excitement.
11-Dimitris: Are there any vocalists/singers on electronic dance music you aspire to work with?
Amir Farhoudi & Saleh: 100 ٪ Nadia Ali, Kirsty Hawkshaw
12-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?
Amir Farhoudi & Saleh: Yes, in today's world where images represent many elements, it is definitely effective. Of course, we must consider that these images will not guarantee the quality of the song! we really love our 3 latest relase Artworks by UNIVACK, UV NOIR & SKYTOP
13-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Amir Farhoudi & Saleh: We really like UNIVACK | UV NOIR | Rose Avenue. In these 3 labels, the music speaks to the audience and this is respectable. Regarding UV, we definitely like tracks of this label and it has a very powerful team with a good signature !
14-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.
Amir Farhoudi & Saleh: Yes, we started a label. Touch Music. We tried hard to be successful in promotion, but due to the restrictions of our country and sanctions, we could not continue it. Basically, when you don't have the possibility to compete in an equal space, you will basically fail! That's why we had to stop it after one release, so that maybe we can replace it with a new path in the future. Because it's very sad that you spend a lot of time and create a good music, but without having a good mafia and strong relationships, everything is without results. is so sad but reality ! music without mafia games is so harder for up & jump to more place !
15-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
Amir Farhoudi & Saleh: Yes, in the future program, we will have an organic house and progressive album, as well as a power ambient super album. It may take 3 years to finish all 3 albums, but the result will definitely be heard many times Staying in music is the most beautiful feeling after the completion of the production.
16-Dimitris: Can you pick up your all time favorite album or compilation and tell us why you adore it so much?
Amir Farhoudi & Saleh: The answer to this question is difficult. We listen to many albums in many styles and maybe there are too many of them. All of them are excellent and it is really impossible to choose a special one among them at the moment
17-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?
Amir Farhoudi & Saleh: Unfortunately, we cannot do this at all! We are banned and because of the government's stupid policies, like other artists, we can't easily advertise on Spotify, YouTube and other networks. This gives a hard blow to the principles of our work, but for now there is no better way to leave Iran! In other words, advertising companies are very selfish and racist in this field, and this is unfortunate...
18-Dimitris: Do you have your own radio show/podcast/twitch stream or Vlog(video blog)? If yes please give us a comment about it and how long it take you to prepare for it and if you are always excited to produce it?
Amir Farhoudi & Saleh: We have little time for radio mixes and podcasts. Because we are either creating for others or for ourselves:)) we have a hard time listening to new music. We don't miss anything because everyone is the same :P But we have a unique podcast that we make a one-hour mix whenever possible. " Progressive Soul " I can bring the mix to the final stage in almost 3 days. Choosing music, mixing and making an attractive sample
19-Do you post videos on tiktok? If yes please reference for us your favourite? What is your opinion about the power of tiktok to promote music releases?Is there any tiktok video created by fans of you with your music worth mentioning?
Amir Farhoudi & Saleh: Unfortunately, we can't check this platform and we don't have an official account on it because of the restrictions and we don't think much about it!
In our opinion, it is very funny to tell a work of art in one minute. Music means stories and not personal vlogs without content
20-Dimitris: Do you have any gigs/festival performances confirmed so far for 2024 in which ones are you most excited to perform and why?
Amir Farhoudi & Saleh: According to the explanation above, we don't think about it at the moment!
21-Dimitris: Please share your most funny and most serious incident that happen to you during your DJ or LIVE PA performance?
Amir Farhoudi & Saleh: Unfortunately, we were arrested in an underground performance: in our own country and all our device were confiscated! Of course, this was many years ago, but apparently we were not the target of the police at all! They were looking for two fraudsters in our event, and we were a bit unlucky:
22-Dimitris: Are you happy about the quality of the tracks released in your preferred music genres? Please justify your answer with your opinion about it!
Amir Farhoudi & Saleh: Unfortunately no. Music doesn't just need quality, it also needs new stories, and these days, the more exclusive you make music, the less the labels pay attention, because they don't care if you have a signature. They are looking for their contacts and nothing more! they scare of new ideas and new signatures !
They are ready to produce repetitive music for years, certain labels that work only with some closed artists..! A professional commercial game with the lowest quality!
23-Your current Top 3 tracks with short comment:
Amir Farhoudi & Saleh: Shemroon " so hot " Yazd " So organic " Movemenet Started " So Solid "
24-Dimitris: If you expect to have a steady income from your music productions are you satisfied with the way that royalties system works particularly regarding streaming revenue? Do you believe that artists get what they deserve from streaming providers/DJs playing your tracks in gigs/radio and selling music in physical formats like CDs/Vinyl or digitally.
Amir Farhoudi & Saleh: No, unfortunately, it is a bitter reality that artists are victims of the commercial game of companies in many cases. For example, it is enough to see the weak works that are listed in Spotify and find the list and playlist mafia behind the curtain.
Until you realize that the cruelty that Spotify does to artists is unlimited...
25-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.
Amir Farhoudi & Saleh: Always try to think of ways to generate income in addition to personal artistic productions. Otherwise you will be forced to leave the scene. Have your own signature and know that the world doesn't need thousands of similar composers. The winners are always the people who have different insights.
26-Dimitris: Many producers and DJs offer online masterclasses or teach to music production & DJing courses. Do you believe is essential to take part in any of these courses to develop your skills? Are you are offering any of these services? or other related services like ghost-producing or mastering? please tell us about these activities
Amir Farhoudi & Saleh: We do not need these classes. In many of these classes, very important points are not mentioned and we have seen many times that people complained about them. And there are many negative comments.
If we are honest, For example, many of these classes are routes that deceive new people with false slogans.
They themselves have a lot of weaknesses, but their motto is to teach others!
They even charge you for posting comments, and I think this is a disaster!
27-Dimitris: Is there a club classic that you would like to remix or rework in 2024? Do you attempt often to do your own bootlegs of classics?
Amir Farhoudi & Saleh: Preferred make new stories !
28-Dimitris: How much do you care if your fans or followers like your productions? Do you struggle with the audience reception of your tracks and is this thought adds extra pressure on you and discourage you too?
Amir Farhoudi & Saleh: Definitely, the more the audience enjoys, the better the feeling will be conveyed. Because it is sad when a music is produced and not received good vibes at this moment, destructive mental questions arise! whose answer is not really known...
29-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
Amir Farhoudi & Saleh: We always make music in the desired framework, but we always try to make good combinations so that the audience can enjoy listening more.
30-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?
Amir Farhoudi & Saleh: It is so good question, we have our jewelry design & perfumes company beside music production and ghost productios.
31-Dimitris: Do you believe that audience should be banned from constantly taking photos or videos during DJ sets or are you happy with these activities?
Amir Farhoudi & Saleh: No problem with this ! we need to full vibes from audience !
32-Dimitris: Do you prefer small clubs or huge festivals to perform? in which festivals or clubs you aspire to play in the future?
Amir Farhoudi & Saleh: Zamna, Afterlife, Tomorroland, Keine Festival, Circle Music fes & melody of the soul festivals !
33-Please choose for us your favourite holiday destination and share with us your most unforgettable holiday experience(good/bad)
Amir Farhoudi & Saleh: There are many places for holidays !
Dimitris: Your message & wishes for Flux Bpm Online readers.
Amir Farhoudi & Saleh: We wish you all happiness and energy!
We have been following this site since the first day it was launched and we have always witnessed the development and support of this collection of artists
This is admirable.
Thanks so much to Amir & Saleh for their time to reply to this interview.
Thanks so much to Paul & Stuart at UV/FSOE offices for organizing this interview.
Benja Molina's career is a real whirlwind. Spanish DJ and music producer, his work has transcended from the clubs of the Spanish capital to various locations around the globe (India, Pakistan, Argentina). His musical talent and appeal have been recognized by artists such as Hernán Cattaneo, Ali & Fila, Marino Mellino, Paul Thomas, Gai Barine, Blanka Barbara and a long list. His work is released on top labels such as Mango Alley, Univack, FSOE UV, etc., in addition to having several top 100 hits on Beatport. Molina's influence, both inside and outside the Spanish borders, has allowed him to establish himself as a reference within the club space, with an energetic sound, perhaps melancholic but very powerful, with melodic predominance.
He is the most representative artist in Spain of this genre.
His track In My Memory is included in the brilliant UV Summer Sessions 2024 EP and we are pleased that he answered our interview despite that English is not his first language. You can read his very informative answers right here.
1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.
Benja Molina: Appearing on Wen We Dip within Hernan Cattaneo's sets, having 5 tracks on tip 100 at the same time on Progressive House on Beatport, and sharing the dj booth in Clubs with Kamilo Sanclemente, Ntchbl etc.
2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Benja Molina: Since I was 12 years old, it was clear to me when, by chance, in the 90s, I met people from all the cities in the country in a morning nightclub that caught me. The atmosphere in that club. I remember that DJ Cerla was playing with the Rotterdam 93 and people were dancing in their cars; it was something that impressed me.
3-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Benja Molina: In those years, the music was different, but there were undoubtedly many, among them I would like to highlight Tony De Vit, Paul Oakenfold and Hernan Cattaneo, ... without a doubt the list is longer.
4-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
Benja Molina: Without a doubt the Hard Trance era of 1996, but one that influenced me a lot is Acid Phase by the great Emanuel Top, this one is indispensable, Carte Blance by Veracocha, that track continues to make me fly just like the first time I heard it, and to come in recent times, highly recommended as it is a masterpiece for me, Analog Jungs Feat. Abby with Satori.
5-Dimitris: It would be fantastic to talk about your track In My Memory included on UV's Summer Sessions EP. Please tell us how this track came about and what was the idea behind it.
Benja Molina: In my Memory, it plays to be between Progressive House and Trance of the late 90s, instinctively, my brain goes to the melodic, more nostalgic part (maybe it's like in synthesis it's how I am), the melody was the first thing that was clear to me, is generated with simple notes but with a certain complexity to give it detail and take the listener to that distant place that their head wants to take them, I only make that trip, you choose when to do it, but the moment is only yours, it is the need to tell a little cinematographic story.
6-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?
Benja Molina: I think it was a week,
Actually, I tend to be agile, it's still a training session but when a track takes too long, it's bad.
First I create the main notes, I work on the central part of the track, where all the elements are, and then I develop how the beginning will be like and how the highest point will rise... once I think that the important thing is there, I stop for a day or two, listen to it again and then I'll work out the details.
7-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.
Benja Molina: At the composition level, generally not.
The part that is most difficult for me is that everything should sounds in its place, equalize well, clean frequencies, ... readers should know that making music is not just creating! hahaha then comes the difficult part, where one without the other is useless.
8-Dimitris: If you would have the opportunity to change something in your track and maybe to do a new remix what elements are you unhappy with and you are going to change? Is there any artist that you feel would be fantastic to remix this track and why?
Benja Molina: I think that has happened to all of us at some point, but in this case I am satisfied with the track as a whole. Without a doubt there are great artists that I would love, but since I can only choose one, Paul Oakenfold
9- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?
Benja Molina: Well I have always been on the digital side, Although it is true that it is colder... I think analogue has more merit, visually for the performances they are very attractive, but digital is also potentially fun.
10-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
Benja Molina: I think that a good person who sings always gives an added bonus to the composition of the track, makes it more complete... finding good singers is something that may seem simple... but in our genre it is not so simple.
11-Dimitris: Are there any vocalists/singers on electronic dance music you aspire to work with?
Benja Molina: For me it would be a dream to work with Nadia Ali....
It would be something like touching the sky
12-Dimitris: Please choose the most powerful lyrics ever included in a dance track and why these lyrics have touched you so deeply and have a special meaning for you?
Benja Molina: Since I listen to a great diversity of music... there is a song... Blind... that I heard in Barcelona, when I lived there for a while... from Hercules and Love Affair, His lyrics transcend... his melody and his sax are from another level, his verse one is:
As a child,I knew
that the stars could only get brighter
and we would get closer
get closer, oooohh
13-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?
Benja Molina: Everything adds up, it is vital, in a world where everything enters through the eye... the importance is tremendous, I also speak to you from knowledge, I am a designer, video, etc., so everything complements each other... Dark side of the moon , 1973
14-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Benja Molina: FSOE UV is undoubtedly a reference for all of us, one of the powerful ones, another one that I like is Mango Alley, it has a catalog with a special aura.
UNIVACK has great personality in its work, both in its catalog and in its close treatment.
15-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.
Benja Molina: I had one called SafariPark, initially it was Nu Disco music (When it was not a very well-known style) then I withdrew the entire catalog (a shame) but we had certain problems with a component that carried the payments part...
During the seven years that the adventure lasted, the references were mostly mine...I can without a doubt recommend these three: Letthefeling, Everlasting, Deserve
They are truly special, when only a few people listened to me.
16-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
Benja Molina: Correct, in September or October an EP Album (the first of 4 original tracks) will be released with UNIVACK.
There are 4 tracks that range from 118 bpm to 122, two of them very melodic, for those moments of listening, and another two for those moments of giving everything on the floor of any club, more massive.
We have been preparing this for almost a year, working closely with UNIVACK.
17-Dimitris: Can you pick up your all time favorite album or compilation and tell us why you adore it so much?
Benja Molina: Yes, I have saved a triple CD I think I remember from 1995, at one of those parties I was as a dancer and it has left its stamp on me, I was very young, THE BEST OF HOUSE COLLECTION VOL.2 BOY GEORGE AND TONY DE VIT I think it was published by Fantazia, I still have it, I keep it.
18-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?
Benja Molina: In this digital age, it is essential.
Social media are like windows that the rest of the people can look out to learn something about what you do, unfortunately it takes a long time, there are thousands of us, previously hidden behind a couple of technics, but now you have to be a graphic designer, video editor, publicist and the list goes on etc! Instagram for me is my favorite.
19-Dimitris: Do you have your own radio show/podcast/twitch stream or Vlog(video blog)? If yes please give us a comment about it and how long it take you to prepare for it and if you are always excited to produce it?
Benja Molina: Yes, due to lack of time, I only have it on my SoundCloud profile.
It is a program in which I present new music in a mix format, in which I speak little to start the episode...the important thing is always the music, not my voice.
It's called Horizon Of Sounds and it's monthly,
So I prepare the music and then I have a month to select, I choose the featured song of the month, there is always a special track per month.
20-Do you post videos on tiktok? If yes please reference for us your favourite? What is your opinion about the power of tiktok to promote music releases?Is there any tiktok video created by fans of you with your music worth mentioning?
Benja Molina: Yes, I use Tik Tok, but it is true that I only started uploading content about 7 months ago, I think that being active on one of the most used networks you reach a larger audience, I think it is something essential, we must reach an audience of young ages and not so young, and Tik Tok is very broad.
I still don't have many visits per post, an average of 400 visits for each one of them.
21-Dimitris: Do you have any gigs/festival performances confirmed so far for 2024 in which ones are you most excited to perform and why?
Benja Molina: In 2024 I am focusing more on my productions. 2023 was a bit hectic with events and I don't want to get tired of it because I'm not 20 years old anymore hahaha.
As far as 2025 is concerned, we are seeing the possibility of closing large attendances not only in Spain, that is what I can anticipate.
22-Dimitris: Please share your most funny and most serious incident that happen to you during your DJing or LIVE PA performance?
Benja Molina: In a morning club, I had to go to Frankfurt, make a stopover to go to Copenhagen, to a three-store discotheque that actually it was not a discotheque as we understand it, as I was the only one with clothes...In reality I was booked to dj to a giant sex club that I didn't know I was going there,
23-Dimitris: Are you happy about the quality of the tracks released in your preferred music genres? Please justify your answer with your opinion about it!
Benja Molina: Yes, although it is true that at the composition level I arrive at the idea I want, it has cost me more to get a good sound.
When I produced with Cubase, it was something I had mastered.
But with Ableton, which I have been using for three years, it has been difficult and has given me some headaches, but it is already mastered.
24-Your current Top 3 tracks with short comment:
Benja Molina: Hecate Original Mix, making that piano, tears fell down my face... it's magical, a personal moment that perfectly reflects that track
Legacy for Alan, was a tribute to my dear nephew, and the second track that Hernan Cattaneo put on his program
Meridian, can't be missed, spent about 4 weeks in the top 100 and also received the support of great artists like Hernan Cattaneo etc.
25-Dimitris: If you expect to have a steady income from your music productions are you satisfied with the way that royalties system works particularly regarding streaming revenue? Do you believe that artists get what they deserve from streaming providers/DJs playing your tracks in gigs/radio and selling music in physical formats like CDs/Vinyl or digitally.
Benja Molina: I think more care should be taken, this with formats like vinyl, if the reports were made more fair, but without giving names of platforms, we are a mere ant in the desert, I believe that it can be better in the future than it is now... we are who we create, and that must be valued in a more equitable way
26-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.
Benja Molina: Of course, I always encourage you to do what everyone likes, it is a satisfaction to connect with people from all over the world who are thousands of kilometers away and they listen to you... that's why for me the most important thing is to educate your ears, identifying the key elements for each style so that you at least get to know those specific components, that will help you visualize what music you want to create.
Of course, you have to be constant, it's training, a long-distance race, so don't give up!
27-Dimitris: Many producers and DJs offer online masterclasses or teach to music production & DJing courses. Do you believe is essential to take part in any of these courses to develop your skills? Are you are offering any of these services? or other related services like ghost-producing or mastering? please tell us about these activities
Benja Molina: It is highly recommended. Back in the days that I started my career it was all self-taught, but nowadays fortunately you learn quicker with training and you will advance as producer much sooner.
In my case, they offer it to me continuously, but due to lack of time I have not done it yet. Although I recorded a series of videos on my Instagram, I have not completed yet a full training package. Also they propose me to give a master class in a school. I think training is essential and whoever has that opportunity should do it.
28-Dimitris: Is there a club classic that you would like to remix or rework in 2024? Do you attempt often to do your own bootlegs of classics?
Benja Molina: I tell you that I dared to make the Mythical Hale Bop, with decent results, but I think that the original will always be better, I don't really like those who abuse it, because it can denote a lack of creativity in making original tracks, but yes, there are infinity....for example strings of harmony - sadness 2000
29-Dimitris: Please choose the best and worst remix of club classic and tell us why you like or dislike them.
Benja Molina: The worst could be grouped into a trend, in the mania that exists here in Spain, I don't know if the same thing happens to the rest of the world, but using songs from the 90s and transforming them to melodic techno, without any energy, or good assignment of synths. I can't stand anymore remixes of songs like Isomnia, Veracocha, or Energy 52.
If it comes to mind, there is something that is very little known from the Twin Peaks soundtrack from a few years ago as very deep.
30-Dimitris: How much do you care if your fans or followers like your productions? Do you struggle with the audience reception of your tracks and is this thought adds extra pressure on you and discourage you too?
Benja Molina: It is true that I make music that I would like to listen to, I do not set out to please but to create and then this song to connect naturally with the public. Otherwise it would be something very artificial that I would not enjoy.
31-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
Benja Molina: I think my music falls into the subgenre of Progressive House, sometimes I make Slavonic songs that I call, which is nothing more than songs that are suitable for anyone who plays Trance, or Progressive House. I think the richness of this is that you have a certain sound ambiguity, and that DJs are free to have dynamic sets, as was done in the past. In a club he could sound techno, house, trance, and dance in a perfect way.
32-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?
Benja Molina: Well, music in my case is not my main source of income. I am in charge of managing advertising content and Marketing campaigns for a quality company.
33-Dimitris: Do you believe that audience should be banned from constantly taking photos or videos during DJ sets or are you happy with these activities?
Benja Molina: I don't think it's a problem, models change, we are a changing society and technology is here to stay... so I don't see a real problem, you can enjoy at the same time as recording your video, it's a little memory of a moment of enjoyment
34-Dimitris: Do you prefer small clubs or huge festivals to perform? in which festivals or clubs you aspire to play in the future?
Benja Molina: Each one has their magic... the maximum capacity in which I have performed I think was 3,500 people, perhaps there is much more pressure for everything to go perfect... in small clubs I think people connect very well from one to another .
35-Please choose for us your favourite holiday destination and share with us your most unforgettable holiday experience(good/bad)
Benja Molina: Well, in Spain there are wonderful corners....
I love the area of Almería, the beaches with volcanic landscapes, I like to take trips just to connect with myself, and the area of Las Negras in Almeria is highly recommended. Yes, I had a very bad experience as I had an accident and I had to fix myself there as I was alone without data or coverage of devices such as mobile phones. In such cases you put yourself to the test
Dimitris: Your message & wishes for Flux Bpm Online readers.
Benja Molina: I sincerely wish you that you like this interview and that you can get to know me a little more, music unites us and I believe that each of us has a mission, this is mine... I send you all the good energy and that light that sometimes we lack At some point in our lives, listen to music, whatever it may be, because it is useful for us many times. Hugs and thanks for letting me to be here
Thanks so much to Benja Molina for his answers.
Thanks so much to Stuart at FSOE/UV for arranging this interview.
