World Of Trance Volume 20 is presented and meticulously curated by the legendary Talla 2XLC. This landmark edition of the series delivers an unforgettable journey through the euphoric and cinematic sounds of trance, uniting iconic releases from That's Trance, Technoclub Retro, and ZYX Trance. Blending Talla 2XLC’s powerful new productions with the creativity of talented rising artists, Volume 20 captures the essence of both the timeless and the contemporary in one extraordinary compilation. To offer fans the ultimate listening experience, the compilation will be available in Original and Extended Versions, giving listeners everything from radio-friendly cuts to full club mixes.
Opening the journey is Talla 2XLC & Gid Sedgwick – Forever Young, a breathtaking vocal anthem where Gid Sedgwick’s emotional delivery rises over Talla’s signature uplifting production. CO1N – Edge follows with driving basslines and sharp melodies, delivering a peak-time trance weapon that energizes any set. The collaboration Talla 2XLC & Lost Witness – Red Sun Rising brings classic trance nostalgia infused with modern production, creating a spellbinding moment in the mix. Next, PITTARIUS CODE & Josie Sandfeld – Never To Believe offers a cinematic and emotional experience as Josie Sandfeld’s haunting vocals float over immersive soundscapes.
The energy continues with Talla 2XLC & Global Cee – Return To Forever, a track that perfectly encapsulates the golden era of trance and embodies the spirit of Technoclub Retro. Paipy – Don't Stop injects relentless drive and euphoric breakdowns into the compilation, urging listeners to move without pause. A dreamy highlight arrives with Talla 2XLC & Clara Yates – Somewhere Over The Rainbow, where Clara’s angelic vocals meet lush, uplifting melodies in a spellbinding reinterpretation of a timeless theme. Closing the journey, Miikka L – A Friend Of Ours delivers deep, melodic emotion and leaves the listener with a sense of reflection and euphoria.
World Of Trance Vol. 20 stands as a powerful testament to the evolution of the genre, celebrating both its iconic roots and its forward-thinking future. With Talla 2XLC at the helm and a lineup of extraordinary artists contributing their unique sounds, this compilation is a must-have for trance fans everywhere. Prepare to lose yourself in the Magical Compilation World of Trance, where legends meet the next generation of dancefloor anthems.
Six legendary trance tracks from the 90s & 2000s – reworked by Talla 2XLC – on exclusive colored, strictly limited vinyl!
With his label Technoclub Retro!, Talla 2XLC brings unforgettable trance classics back with great attention to detail – powerful and emotional.
Techno Club Retro Vol. 2 is a powerful journey through trance history – reimagined by a genre pioneer – a statement on vinyl for lovers, DJs, and collectors alike!
Talla 2XLC and Gid Sedgwick join again on See You Stripped, a powerful modern tribute to the 1986 Depeche Mode track Stripped, made for DJs who want both nostalgia and peak-hour energy. Built on a pulsing trance foundation, the track blends the original moody darkness with bright, uplifting production, creating a flowing journey of euphoria and emotion. From the opening kick, driving rhythms and shimmering synths build into atmospheric layers, while Gid Sedgwick soulful vocals honor the haunting essence of the original with a fresh modern warmth. The iconic line ‘Let me see you stripped down to the bone’ bursts into a high-energy drop, igniting the dance floor. This release connects classic influence with contemporary trance energy, giving DJs a versatile tool to hook longtime fans and new audiences alike. See You Stripped honors electronic music history with a euphoric, club-ready twist, and it is out now via Thats Trance.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Talla 2XLC & Gid Sedwick - See You Stripped [/item]
[content title="Summary" label="Overall Score"] Talla 2XLC and Gid Sedgwick’s collaboration on “See You Stripped” represents a flawless union of nostalgic reverence and modern trance mastery. The rhythm and drive of the track are immediately captivating, with a 138 BPM foundation that maintains both dance floor intensity and fluidity for extended DJ sets. The pulsing kick and tightly synced percussion provide a relentless groove, while subtle ghost percussions and rolling basslines ensure an unbroken forward motion. This kinetic energy is expertly balanced with melodic hooks and harmonic layers that pay homage to Depeche Mode’s original composition, yet innovate through lush, evolving pads and crystalline arpeggios that envelop the listener in an immersive auditory space. The transitions, drops, and build-ups in “See You Stripped” are executed with clinical precision, showcasing Talla 2XLC’s refined production techniques. Each rise in tension is underpinned by intricate filtering and spatial effects, leading to explosive drops that maximize crowd impact without feeling abrupt. These moments of release are heightened by Gid Sedgwick’s vocal performance, which delivers the iconic line “Let me see you stripped down to the bone” with haunting clarity and modern warmth. His timbre adds emotional resonance that bridges the track’s moody verses to its euphoric peaks, creating a compelling narrative flow that sustains engagement from intro to outro. The sound design and production quality are exceptional: layered leads and pads occupy the stereo field with precision, while sidechained reverbs and delays create a sense of three-dimensional space. The dynamic range avoids over-compression, allowing the track to breathe and hit with maximum impact in high-energy environments. Spatial imaging, panning automation, and subtle FX sweeps demonstrate a high level of craftsmanship, enhancing the club and festival suitability of the release. Each element, from the driving sub-bass to the shimmering high-end textures, contributes to a polished and cohesive sonic identity. From a human and experiential perspective, scientific research has demonstrated that music within the 120–140 BPM range can enhance cardiovascular endurance during exercise and synchronize neural rhythms, improving focus and mood (Karageorghis & Priest, 2012; Thoma et al., 2013). “See You Stripped,” with its energetic yet emotionally satisfying structure, aligns perfectly with these findings. Its euphoric energy supports mental health by triggering dopamine release, while the hypnotic repetition and harmonic content can induce flow states beneficial in wellness and fitness settings (Zatorre & Salimpoor, 2013). The track’s immersive quality makes it an ideal companion for activities ranging from high-intensity workouts to mindfulness-focused movement classes, boosting both physical and emotional well-being. In sum, the release is a triumph of storytelling and technical artistry, uniting club functionality with psychological uplift. Its originality of arrangement, creative vocal integration, and high replay value ensure it will resonate with both long-time trance enthusiasts and new audiences seeking energizing, mood-enhancing music. #PureGold Loveit[/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Zatorre, R. J., & Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(Supplement 2), 10430–10437.
Kloset, the solo alias of Station To Station’s Fabio Congia, releases his melodic house remix of Above & Beyond and Zoë Johnston’s ‘Carry Me Home’, marking the first official remix of this beloved single from the trio’s most recent studio album, ‘Bigger Than All Of Us’.
‘Carry Me Home’ sees Above & Beyond reconnect with longtime collaborator Zoë Johnston, who has been working closely with the trio since the 2004 classic ‘No One On Earth’.
“We've been working with her for 22 years now, so she's a part of the band.” explains Above & Beyond. "By that token, a song with her vocals is a very reassuring thing for our audience."
Over the course of Above & Beyond’s 130,000-ticket North American amphitheatre and club tour, their followup 13-date European and UK tour and their most recent India dates, ‘Carry Me Home’ cemented itself as the new fan favourite song, and as a standout from the album, with the euphoric chorus prompting impressive crowd singalongs from London to San Diego.
Above & Beyond’s 2026 worldwide tour dates take them back to Australia, their milestone Group Therapy 700 celebration at The Gorge Amphitheatre and sees them headline Anjunadeep Open Air shows in South Africa with Deep Sets. The trio have handed remix duties to Kloset to provide his signature melodic and emotional style on the vocal trance hit.
“When I first heard ‘Carry Me Home’, I immediately connected with it," explains Kloset. “I wanted my remix to preserve the heart of the original while bringing in my own perspective.” He adds, “I focused on the groove and emotional core, reinterpreting the track in a way that aligns with my sound.”
Station To Station have made a big impression in a short space of time after receiving widespread support from Above & Beyond, Cosmic Gate, and Solarstone to name a few. The Kloset alias provides a home for a wide range of Fabio’s own productions, from hard-hitting trance to deeper cuts like ‘Hunky’, which was released on Anjunadeep Explorations last year after debuting in Above & Beyond’s ABGT600 ‘Deep Warm Up Set’ in Xochimilco, Mexico City.
Above & Beyond and Zoë Johnston ‘Carry Me Home’ (Kloset Remix) is out now on Anjunabeats.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Above & Beyond and Zoë Johnston - Carry Me Home (Kloset Remix) [/item]
[content title="Summary" label="Overall Score"]Above & Beyond and Zoë Johnston’s “Carry Me Home (Kloset Remix)” is a masterclass in emotional progressive trance with deep melodic house and techno elements, clocking in at a smooth 125 BPM. From the first few bars, the track establishes a hypnotic rhythm immersed in a delicate yet driving groove, allowing the energy to flow seamlessly throughout its structure. The groove is underpinned by a meticulously crafted low-end that maintains perfect balance across the dynamic range, giving the listener a sense of forward motion while keeping the mix crystal clear. This rhythmic precision contributes to its strong club and festival suitability, with every kick and percussion hit carefully positioned to ensure excellent cueing potential and loop-friendly sections for DJs. The melodic hooks and harmonic layers unfold with a subtle, progressive elegance. Kloset’s production choices highlight Zoë Johnston’s ethereal vocal performance, enhancing the emotional resonance of the track without overwhelming its instrumental core. The careful layering of pads, arpeggios, and harmonic swells creates a rich spatial design that immerses the listener while maintaining cohesion and storytelling. The transitions, build-ups, and drops are fluid yet dynamic, making the track highly adaptable to different set contexts by preserving BPM consistency and ensuring a smooth energy arc. Sound design decisions, from the warm analog-style synths to the shimmering high-end effects, demonstrate a commitment to production quality and originality of arrangement, keeping the track both creative and true to its artistic identity. From a wellness and mental health perspective, “Carry Me Home (Kloset Remix)” has several scientifically supported benefits. Research in music therapy and neurology demonstrates that repetitive, rhythmically engaging music can enhance mood regulation, reduce stress, and promote mental clarity (Thoma et al., 2013). The uplifting harmonic progressions and soft vocal textures can trigger a release of dopamine, which is essential for feelings of pleasure and reward (Salimpoor et al., 2011). Additionally, its 125 BPM tempo aligns well with moderate cardiovascular exercise and is ideal for wellness classes like yoga, cycling, and dance-based fitness, as studies show that music with consistent rhythmic drive can improve exercise adherence and perceived effort levels (Karageorghis & Priest, 2012). The track’s hypnotic quality also supports mindfulness and flow states, which have been linked to improved cognitive function and reduced anxiety. Overall, the Kloset Remix of “Carry Me Home” achieves an exceptional level of synergy between technical mastery and emotional storytelling. Its cohesive arrangement, pristine sound design, and infectious energy ensure high replay value and strong crowd reaction potential, while its therapeutic and fitness-friendly properties make it not only a dancefloor weapon but also a track that positively impacts human well-being. #PureGold Loveit [/content]
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part II). International Review of Sport and Exercise Psychology, 5(1), 67–84.
In the ethereal realm of dance music, TDJ emerges as a luminary, crafting a sonic universe that marries melancholy with bittersweet euphoria. Geneviève Ryan-Martel, aka TDJ, blends years of composing guitar ballads and experimenting with electronic production; influenced by the trance classics as well as the raw emotion of emo, TDJ's artistry transcends genres. Establishing early on a deep connection with France through Casual Gabberz, Geneviève debuts her first track as TDJ, "Can't Stop Ravin", by contributing to their Christmas compilation "Meilleurs Voeux III". Her first EP "TDJ001" released on 2020 on Montreal's label Collection Disques Durs, while critical acclaim quickly follows with the release of "TDJ002", an explosive Eurodance EP featuring standout tracks like "Lalala (Want Somebody)" and "Open Air", garnering praise from Trax Magazine and Tsugi, and remixes from artists like X-COAST, Panteros666 and DJ HEARTSTRING. In 2022, TDJ unveiled her debut mixtape "TDJ123", a meticulous blend of hits from her earlier works and exclusive compositions. Following up in 2023 with her EP "BACK TO 123", TDJ delves deeper into her influences, an intoxicating world of electronic music that is enticingly and uniquely her own. Her audio-visual masterpiece "SPF INFINI", championed by Pitchfork in the "Trance Is Back—and It’s No Joke" editorial piece, comes to an end in 2023 as the third and final opus releases.
Markus Schulz is a German-American DJ and music producer who has spent over three decades as a defining figure in the electronic dance music world. Born in Eschwege, Germany, he moved to the United States as a teenager, eventually finding his musical footing in the 1990s warehouse rave scene of Arizona. His early years were spent honing a signature sound that bridged the gap between progressive house and trance, characterized by a dark, driving energy that earned him the fan-given title of the "Unicorn Slayer."
His rise to global prominence was fueled by the launch of his weekly radio show, Global DJ Broadcast (GDJB), in 2002. The show became a platform for his melodic yet moody aesthetic and helped establish his record label, Coldharbour Recordings, as a powerhouse in the industry. Beyond his solo work, Schulz is celebrated for his marathon "open-to-close" sets and his collaborative project New World Punx with fellow legend Ferry Corsten. He also explores a deeper, more techno-centric sound under his Dakota alias.
Schulz's impact has been recognized with numerous accolades, including being voted America’s Number One DJ by DJ Times on three separate occasions. Throughout his career, he has released a steady stream of influential albums, such as Without You Near and Watch the World, which showcase his ability to blend intricate songwriting with peak-time club energy. Today, he remains a mainstay at major festivals like Tomorrowland and Ultra Music Festival, continuing to evolve his sound while maintaining a fiercely loyal global following.
Chakra is a highly influential British trance project that rose to prominence in the mid-1990s, primarily consisting of the production duo Stephen Jones and Rick Simmonds. They are widely celebrated for creating some of the most enduring anthems of the progressive trance era, characterized by ethereal melodies, sophisticated layering, and the hauntingly beautiful vocals of singer Kate Cameron. Their sound captured a specific moment in club culture where the intensity of the dance floor met a more emotional, atmospheric sensibility.
The group’s legacy is anchored by a string of classic tracks that became staples in the sets of legendary DJs like Paul Oakenfold and Pete Tong. Their 1996 debut, "I Am," remains one of the most recognizable pieces of music from the genre’s golden age, famously remixed by Sasha and Digweed. They followed this success with the 1999 hit "Love Shines Through," a track that continues to be played at classic trance events worldwide for its uplifting energy and timeless production quality.
Though they did not release a massive catalog of studio albums, Chakra’s impact on the global trance scene was profound, helping to define the "progressive" sound that dominated the UK and Ibiza during the late 90s. Their work remains a frequent fixture on high-profile compilations and is often cited by contemporary producers as a primary inspiration for the melodic trance movement.
Dimitris Kechagias Review: [review top="1"] [item value="10"]TDJ, Markus Schulz & Chakra - I Am (TDJ Rework)[/item]
[content title="Summary" label="Overall Score"]TDJ, Markus Schulz & Chakra’s “I Am (TDJ Rework)” is a masterclass in high-energy trance production, delivering 147 BPM of relentless drive that encapsulates the evolution of the genre. From the very first beat, the track’s rhythm and groove command attention, with turbo-charged basslines and metallic, punchy drums forming a kinetic foundation that is both club-ready and festival-proven. The groove is carefully layered, ensuring that the rhythm maintains a seamless flow that supports extended dance floor momentum. The track’s energy is precisely sculpted to enhance its dynamic range, allowing DJs to integrate it effortlessly into peak-time sets without sacrificing sonic clarity or performance consistency. The melodic architecture of the rework demonstrates TDJ’s aptitude for harmonic layering and emotional storytelling. Ethereal synths and shimmering pads intertwine with Chakra’s iconic, haunting vocals, creating harmonic frameworks that are simultaneously uplifting and introspective. The melodic hooks surface with a hypnotic progression, perfectly balanced against the driving percussive elements. The transitions and drops are executed with meticulous attention to tension and release, delivering euphoric climaxes that feel both cathartic and controlled. Effects and spatial design contribute to an immersive listening experience, as reverb tails, delay sweeps, and stereo imaging accentuate the track’s depth and dimensionality, giving it the sonic weight it needs to resonate in expansive club and festival environments. From a production standpoint, the track is a marvel of cohesion and originality. TDJ integrates modern trance energy with a deep respect for the progressive roots of Chakra’s original material, fusing metallic percussion, layered arpeggios, and crisp kick-and-bass interactions into a distinctive arrangement. The dynamic energy of the mix is carefully calibrated to maintain BPM consistency while providing clear cue points and looping potential for DJs. Its intro and outro structures are thoughtfully designed to facilitate seamless mixing, and the track’s flow ensures that it can serve as a centerpiece in long-form sets, amplifying crowd energy with each pass through its soaring melodic peaks and thunderous low-end drops. Beyond the dance floor, “I Am (TDJ Rework)” carries a profound impact on mental health and wellness applications. Scientific research has shown that high-BPM electronic music can elevate mood, reduce stress, and enhance exercise performance by increasing dopamine and endorphin release (Karageorghis & Priest, 2012). The track’s combination of driving rhythm and emotional melodic content is particularly suited for fitness and wellness environments, stimulating both physical energy and emotional release. Studies in music therapy suggest that trance music’s repetitive yet evolving structures can facilitate flow states, improve focus, and promote feelings of euphoria and connectedness (Thoma et al., 2013). When incorporated into group fitness or dance-based wellness classes, a track like this not only boosts motivation but also reinforces social bonding and collective joy, which are linked to positive mental health outcomes. The emotional resonance of Chakra’s original lyrical motif, amplified by TDJ’s reimagining, ensures that the rework transcends pure functionality to become a deeply memorable experience. Its catchiness and replay value stem not only from its melodic identity but also from its ability to engage listeners on both a visceral and emotional level. Club and festival audiences respond instinctively to its surging energy, and DJs can rely on its carefully structured peaks to deliver maximum crowd impact. By melding technical precision with artistry, TDJ, Markus Schulz, and Chakra have produced a track that stands as both a tribute to trance’s legacy and a bold step into its future. #PureGold Loveit [/content]
Suggested Bibliography: Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543. Bernardi, L., Porta, C., & Sleight, P. (2006). Cardiovascular, cerebrovascular, and respiratory changes induced by different types of music in musicians and non-musicians: The importance of silence. Heart, 92(4), 445–452.
Kamilo Sanclemente is a prominent Colombian DJ and producer who has become a leading figure in the global progressive house and melodic techno scene. Hailing from Cali, he is widely recognized for his ability to weave deep, atmospheric textures with emotive melodies, creating a signature sound that is both cinematic and club-ready. His prolific output has seen him release music on some of the genre's most prestigious labels, including Anjunadeep, The Soundgarden, and Balance Music. Beyond his solo work, Sanclemente is a frequent collaborator within the South American electronic community, consistently topping the Beatport charts and earning support from industry titans like Hernán Cattáneo and Nick Warren.
Mauro Picotto is an Italian electronic music icon whose career spans decades and multiple evolutions of the dance music genre. Originally rising to international superstardom in the late 1990s and early 2000s, he became a defining voice in the Techno-Trance movement with legendary anthems such as "Lizard," "Iguana," and "Komodo." As the founder of the influential Alchemy label and the renowned Meganite club nights, Picotto transitioned from his trance roots into a more stripped-back, sophisticated techno sound, maintaining his relevance as a tastemaker and high-energy performer. His legacy is cemented as one of the first DJs to bring a high-concept, Italian flair to the global underground circuit, earning him numerous awards and a permanent place in electronic music history.
Kamilo Sanclemente notes in his instagram account about the track: Today is a very important day for my musical career. I have been waiting for this day for several months. About two years ago, I created a remix of Mauro Picotto’s track for my live shows, as I have always admired the musical legacy of the great Mauro Picotto. I made it with the intention of playing it at all my shows, but I sent the project to him, and I loved it. He told me that if I had more remixes, I could share them with him. Finally, the remixes were accepted by the prestigious label Armada Music, and this is the first of them—one of three that will be released. This is Mauro Picotto presenting CRW “I Feel Love,a progressive adaptation that is taking the world by storm, alongside artists like Cosmic Gate, among others. This is a official release. Please support by getting your legal copy, and thank you so much!
[content title="Summary" label="Overall Score"]Mauro Picotto, CRW & Kamilo Sanclemente’s track “I Feel Love” is a masterclass in contemporary progressive production, blending meticulous technical execution with an emotionally resonant performance. At 123 BPM, the track thrives on a consistent rhythmic drive supported by pulsating tribal basslines and precise percussion layers. The groove is flawlessly engineered, and the dynamic kick patterns ensure that both club systems and personal listening setups deliver a full-bodied experience. Its rhythmic foundation provides a natural propulsion that enhances physical movement, making it ideal for fitness and wellness classes, as studies suggest that music with steady tempos between 120–130 BPM can improve exercise performance and endurance (Karageorghis & Priest, 2012). From a melodic and harmonic perspective, the track excels. The well-known synth hook and ethereal vocal layers are carefully harmonized to evoke deep emotional responses while maintaining an immersive progressive house structure. The harmonic layering is spacious yet cohesive, and the careful EQ placement allows each element to breathe within the mix. Spatial effects and reverbs generate an enveloping atmosphere, crucial in engaging listeners psychologically, as research has demonstrated that immersive musical environments can reduce stress and enhance mood regulation (Thoma et al., 2013). The build-ups and transitions are timed with precision, creating emotional peaks that resonate strongly on dancefloors and in personal listening experiences alike. Production quality is exemplary, showcasing Mauro Picotto and Kamilo Sanclemente’s attention to detail. The dynamic range and loudness levels are meticulously balanced, allowing the track to maintain its explosive energy without causing auditory fatigue. Subtle use of effects, including delays and stereo imaging, contributes to a three-dimensional soundscape that enhances listener immersion. Transitions between breakdowns and drops are fluid, sustaining energy flow and narrative cohesion. Within a DJ context, its clearly defined intro and outro structures, consistent BPM, and loop-friendly segments maximize cueing flexibility and integration into live sets. The track’s originality lies in its ability to honor the legacy of Mauro Picotto’s earlier work while infusing Kamilo Sanclemente’s progressive sensibilities. Its arrangement tells a story that evolves over time, guiding the listener through phases of anticipation and release. Emotional resonance is achieved not just through melody and vocal timbre, but also through the evolving textures that maintain engagement across repeated listens. Studies on music and human emotion suggest that such structural predictability combined with intermittent novelty enhances dopamine release, supporting its appeal and replay value (Salimpoor et al., 2011). From a wellness perspective, “I Feel Love” demonstrates measurable benefits. Uplifting progressive electronic music has been shown to facilitate positive affect and stress reduction, which can support mental health programs and mindfulness-oriented fitness routines. Its 123 BPM tempo is particularly suited for synchronized movement exercises, including cycling and aerobics, reinforcing motor coordination and enhancing overall mood. #PureGold Loveit [/content]
Suggested Bibliography: Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I & II). International Review of Sport and Exercise Psychology, 5(1), 44–84. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543. Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Ahmed Helmy is an Egyptian trance DJ and music producer from Alexandria, recognized for his high-energy "R4VE" sound and significant contributions to the global electronic music scene. He is a frequent collaborator with Armin van Buuren and a staple of the A State of Trance (ASOT) brand.
Latest Release: "Bounce Back" (2026)
Release Date: March 6, 2026.
Label: Who's Afraid Of 138?! (a sub-label of Armada Music).
Style: An uptempo tech-trance track featuring a "bouncing" bassline and piercing lead, designed for peak-time festival sets.
Musical Career & Style
Signature Sound: Known for "R4VE," a style blending driving rhythms with melodic storytelling.
Key Career Milestones:
Armin van Buuren Collaboration: Co-produced "Rhythm Inside" (2023) and "Racing Spirit" (2024), a tribute to Ayrton Senna.
Official Remixer: Hand-picked by Armin van Buuren to remix the classic track "Full Focus".
Label Founder: Established Futurising Music to release his own material and support emerging talent.
Major Performances: Has performed at global festivals including ASOT 1000 (Utrecht), ASOT London, and Untold Festival.
Notable Discography
The R4VE Series: A collection of high-impact tracks starting with the hit "R4VE 101".
The King's Series: Includes "King’s Reborn" and "King’s Last Stand".
Other Hits: "Aftermath," "Cosmic Journey," "Glitch," and "Without You".
[content title="Summary" label="Overall Score"] Ahmed Helmy’s “Bounce Back” is a masterful demonstration of modern tech-trance production, delivering an intense yet meticulously crafted sonic experience. At 145 BPM, the track propels listeners forward with a relentless rhythmic drive, supported by a bouncing bassline that forms the backbone of its kinetic energy. The groove is immediately engaging, with percussive layers precisely engineered to maintain consistent momentum across the entire arrangement. Each element in the rhythm section is balanced to allow the kick and bass to punch through with clarity while the hi-hats and top-end percussion add sparkle and movement, ensuring the track locks in perfectly for club and festival play. The melodic dimension of “Bounce Back” is just as compelling. The piercing lead synths and harmonic layers are carefully designed to intertwine, producing both tension and release in a manner that evokes euphoria on the dancefloor. The warped and sharp synth textures are deployed with exceptional timing, contributing to an atmosphere that is both hypnotic and energizing. Transition sections glide into monumental drops and build-ups with seamless automation, enhanced by expertly placed effects like reverb swells, tonal risers, and spatial filters that create a three-dimensional listening experience. The dynamic range and loudness balance have been meticulously considered, resulting in a track that hits hard in a live setting without fatiguing the ear. From a structural perspective, Ahmed Helmy demonstrates originality and cohesion throughout the arrangement. The vocal snippet—a cool, male-spoken phrase—injects personality and attitude, punctuating the instrumental narrative with moments of human connection. The intro and outro are constructed for optimal DJ usability, providing clean cue points and looping potential for effortless integration in high-energy sets. The energy flow is unwavering, escalating through each phase of the track while maintaining BPM consistency, ultimately delivering a piece that is both highly creative and perfectly suited to peak-time festival slots. Beyond its technical and artistic merits, “Bounce Back” shows considerable potential for positive effects on mental health, fitness, and wellness. High-tempo electronic music at 140–150 BPM has been linked to increased cardiovascular activity and enhanced endurance in exercise environments (Karageorghis & Priest, 2012). The pulsating rhythmic drive and steady energy flow can facilitate a state of “flow” or rhythmic entrainment, which has been shown to elevate mood and reduce symptoms of anxiety (Thaut et al., 2015). For group fitness and wellness classes, tracks like this encourage synchronized movement, fostering a sense of community and collective motivation (Bood et al., 2013). Club environments also benefit from the neurochemical responses triggered by synchronized rhythmic stimulation, including endorphin release, which can promote feelings of euphoria and social bonding (Tarr, Launay, & Dunbar, 2014). In conclusion, “Bounce Back” is a sonic powerhouse that succeeds on every front: its rhythm, melodic design, transitions, and production quality are flawless, while it also demonstrates creativity, technical mastery, and a strong capacity to enhance mental well-being in both recreational and structured environments. #PureGold Loveit[/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thaut, M. H., McIntosh, G. C., & Hoemberg, V. (2015). Neurobiological foundations of neurologic music therapy. Frontiers in Psychology, 6, 1185.
Bood, R. J., Nijssen, M., van der Kamp, J., & Roerdink, M. (2013). The power of auditory-motor synchronization in sports. Journal of Sports Sciences, 31(4), 575–582.
Tarr, B., Launay, J., & Dunbar, R. I. M. (2014). Music and social bonding: “self-other” merging and neurohormonal mechanisms. Frontiers in Psychology, 5, 1096.
Corti Organ delivers Twisted Rave - an anthemic trance track infused with raw techno-rave energy. Blending powerful melodies with driving rhythms and a rebellious edge, it's built for peak-time moments where trance emotion meets rave intensity.
[content title="Summary" label="Overall Score"]Corti Organ’s “Twisted Rave” is a masterclass in high-energy trance fused with raw techno-rave elements, delivering an immersive listening experience that excels across all technical and artistic criteria. From the opening beats, the track establishes a relentless rhythm and groove that immediately locks the listener into its pulse. The 145 BPM tempo drives a kinetic flow perfectly suited for mainstage festival moments, with the rhythm section providing both punch and fluidity. Melodic hooks and harmonic layers intertwine seamlessly, offering a euphoric lift while maintaining the rebellious edge that characterizes Corti Organ’s signature style. The transitions, drops, and build-ups are engineered with precision, creating tension and release cycles that maximize crowd engagement and sustain peak energy throughout the track. The sound design and production quality are exceptional, with every element occupying a defined space in the stereo field. Effects and spatial imaging contribute to a vivid sense of immersion, while the dynamic range and loudness balance ensure that the track hits hard without overwhelming the ears. The arrangement displays originality and narrative cohesion, guiding listeners through a sonic journey that feels both surprising and inevitable. Each section serves a purpose in the overarching story, and the track’s intro and outro structures are crafted for seamless integration into DJ sets, with consistent BPM and optimal cue points enhancing loop and layering potential. Emotionally, “Twisted Rave” resonates on multiple levels. Its combination of driving beats and uplifting harmonics triggers the brain’s reward pathways, which research has linked to dopamine release (Salimpoor et al., 2011). This physiological response not only elevates mood but also enhances motivation in fitness and wellness contexts. Studies suggest that high-tempo, rhythmically consistent music can improve exercise performance by synchronizing motor activity and reducing perceived exertion (Karageorghis & Priest, 2012). In group workout or mental wellness sessions, tracks like this can foster a sense of collective energy and flow, contributing to stress reduction and facilitating endorphin release. The track’s catchiness and replay value are undeniable, and its festival-ready intensity guarantees strong crowd reactions, reinforcing its role as both a peak-time weapon and a mental health booster. #PureGold Loveit [/content]
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Next up, Mhammed El Alami teams up with Sarah Russell here on Amsterdam Trance Records for 'The Days of Innocence', Uptempo Vocal Trancer that goes straight for lift and emotion. It's fast, melodic, and built for that moment when the chorus hits and everything opens up.
Enjoy and PLAY LOUD!
LYRICS: You were the first light I ever knew The calm in the waves When the storm broke through A lighthouse calling Steady and true A voice of reason Pulling me through
It’s strange how you disappeared A child of time Lost to the years You were captured By your dream Drifted away on a silent stream
Sometimes the quiet Could cut so deep The pain still burns in my heart When I get weak I walk in my sadness Day by day Waiting for the past To wash away
Take me to the ocean To the bliss that I once knew The days of innocence Can you feel the love I carry A calling from the sea Take me away with you To the days of innocence Days of Innocence
Dimitris Kechagias Review: [review top="1"] [item value="10"]Mhammed El Alami & Sarah Russell - The Days of Innocence [/item]
[content title="Summary" label="Overall Score"]Mhammed El Alami & Sarah Russell’s “The Days of Innocence,” released on Amsterdam Trance Records, is a shining example of uptempo vocal trance that captivates the listener both technically and emotionally. At 136 BPM, the track immediately establishes its energetic rhythm and drive, with a groove that feels effortless yet compelling, making it ideal for fitness sessions and wellness-oriented movement classes where sustained energy is key. The melodic hooks and harmonic layers are meticulously crafted, blending Balearic-inspired guitar riffs, lush harps, and crystalline synth lines that evoke the euphoric trance era of the early 2000s. Sarah Russell’s vocals soar with heartfelt intensity, seamlessly integrating into the harmonic structure and amplifying the track’s emotional resonance, which research has shown can positively impact mood and reduce stress levels (Thoma et al., 2013). The transitions, drops, and build-ups in “The Days of Innocence” are masterfully executed, ensuring continuous momentum and maintaining a dynamic energy flow that can enhance focus during wellness and mental health practices such as yoga or meditation-based dance. The sound design and production quality are pristine, with spatial effects that create an immersive, three-dimensional listening experience. Delicate reverbs and precise panning contribute to a sense of openness and depth, which studies suggest can increase feelings of relaxation and emotional well-being in listeners (Koelsch, 2010). The track’s originality of arrangement is evident in how it interweaves classic trance motifs with modern production techniques, while maintaining full coherence in storytelling. Subtle variations in dynamic range and loudness balance keep the auditory experience rich and fatigue-free, making it suitable for repetitive play in both club settings and therapeutic environments. From an artistic perspective, the creativity and identity of the piece shine through in its ability to deliver both festival-ready energy and intimate emotional moments. The vocal performance, combined with lyrical content that evokes nostalgia and uplift, enhances cognitive and emotional engagement, which has been associated with increased motivation and reduced anxiety in music therapy contexts (Leubner & Hinterberger, 2017). Its club and festival suitability is unquestionable thanks to the BPM consistency, clear cue points, and smooth intro/outro structures that DJs will appreciate for seamless integration into sets. The track’s immersive atmosphere and replay value ensure strong crowd reaction potential, while also offering benefits in fitness and wellness routines where high-energy yet emotionally enriching music can improve overall mental and physical performance. In conclusion, “The Days of Innocence” is not just a masterclass in trance production; it is a work that resonates deeply with human emotion and physiological responses, making it a valuable addition to both professional DJ repertoires and wellness-oriented playlists. #PureGold Loveit [/content]
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131–137.
Leubner, D., & Hinterberger, T. (2017). Reviewing the effectiveness of music interventions in treating depression. Frontiers in Psychology, 8, 1109.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.
Andrew Rayel presents EXTASIA with My Ocean, a track that explores a more introspective and flowing side of the project. Carried by Diandra Faye's expressive vocals, the record unfolds with depth and elegance, blending subtle trance elements with a sense of openness and motion. Atmospheric and immersive, My Ocean adds a new emotional shade to the evolving EXTASIA sound.
[content title="Summary" label="Overall Score"] Andrew Rayel presents EXTASIA with Diandra Faye in “My Ocean,” a masterclass in modern trance production that delivers both technical excellence and emotional resonance. From the very first beat, the track establishes a commanding rhythm with precise synchronization between its 138 BPM driving basslines and sharp, punchy drums. The groove maintains seamless momentum, allowing for effortless integration into professional DJ sets, while its dynamic structure supports both cue point precision and loop potential for live performances. Each melodic hook glides over harmonic layers that feel carefully sculpted, offering an immersive experience that continuously evolves without losing cohesion or flow. The synth design is rich, with a crystalline top-end counterbalancing the weighty low frequencies, and the ethereal soundscapes create a sense of vast openness, perfectly paired with Diandra Faye’s soaring vocal performance. The production quality of “My Ocean” reflects deep attention to detail in both mixing and sound design. Transitions and build-ups are executed with surgical precision, using spatial effects and reverb tails to guide the listener smoothly through each section. The drops land with full impact thanks to a wide stereo field and well-managed dynamic range, which balances loudness with clarity. The track demonstrates originality in its arrangement by merging heavy tech trance elements with uplifting, cinematic layers, resulting in an evolving emotional narrative that enhances its replay value. The cohesion of the storytelling is evident in the way the track flows organically from introspective passages into climactic peaks, achieving a unified emotional journey. Beyond technical mastery, “My Ocean” carries measurable benefits for mental health and human wellness. Studies in music therapy and neuroscience suggest that trance music with stable rhythmic pulses and uplifting harmonic progressions can induce flow states, reduce stress, and enhance mood regulation (Koelsch, 2010; Thoma et al., 2013). The 138 BPM tempo aligns with optimal heart rate stimulation for light cardio or fitness classes, promoting rhythmic synchronization that can improve exercise performance and endurance (Karageorghis & Priest, 2012). Additionally, immersive melodic tracks like this have been associated with reduced anxiety and improved attentional focus in mindfulness and movement-based wellness practices, such as yoga or dance therapy. Diandra Faye’s expressive vocals elevate the emotional resonance of the piece, facilitating a sense of connection that is both introspective and expansive. The layering of her voice with the atmospheric instrumental design creates a feeling of transcendence that supports collective energy in festival settings while also offering therapeutic benefits in more personal listening environments. The careful balance of dynamic energy ensures that the track not only excites crowds but also sustains focus in structured movement sessions. Overall, “My Ocean” stands as a benchmark of creativity, technical precision, and emotional depth in contemporary trance music. Its harmonic richness, production quality, and physical and psychological impact make it a compelling choice for DJs, listeners, and wellness practitioners alike.#PureGold Loveit[/content]
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131-137.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.
Progressive house duo ANUQRAM reunite with Alexey Sonar on 'Time', out 11th March on Anjunabeats.
ANUQRAM first appeared on Anjunabeats in 2021 with ‘Echoes’, a track that saw the duo collaborate with label mainstay PROFF, before going on to drop floorfillers like ‘Get On’, ‘Don’t Stop’ and ‘Bermondsey Bender’ (ANUQRAM Remix), which earned support from industry heavyweights like Armin van Buuren, Vintage Culture, David Guetta, Oliver Heldens, Cosmic Gate and more.
2024 saw ANUQRAM release three EP’s on Anjunabeats, kicking off with the ‘On My Knees EP’, which featured collaborations with Ash Nova and Dulus. The duo followed that up with their remix of Above & Beyond and Zoë Johnston's uplifting trance hit 'Crazy Love', which gained support from the likes of Nora En Pure, Sultan + Shepard, Jerro, Korolova, Chicane and Laura van Dam.
Last year, ANUQRAM joined forces with Eleonora on ‘Parasite’, which earned support from Jody Wisternoff, Chris Luno, Vintage Culture, A.M.R, Don Diablo and Jason Bentley on KCRW, before later releasing their mesmerising two-tracker 'Safari / Hide & Seek'. The duo kicked off this year by releasing 'Wake Me Up' with Second Sine, which featured on James Grant's 'Movement Vol. 5' compilation.
ANUQRAM and fellow progressive producer Alexey Sonar made their collaborative debut on Anjunabeats in 2024 with 'Cheerful Garden'. Now, the esteemed artists reunite on their latest single, 'Time'.
[content title="Summary" label="Overall Score"]ANUQRAM and Alexey Sonar’s single “Time,” released on Anjunabeats, is a masterclass in progressive house production, clocking in at a propulsive 126 BPM. From the first beat, the track captures attention with its impeccably tight rhythm section, featuring bouncy kicks and tough percussive layers that lock the groove firmly in place. The subtle syncopation and driving bassline create a hypnotic forward momentum, drawing listeners into an immersive journey. The melodic hooks are layered with precision, with luminous pads and soaring arpeggios weaving through darker harmonic undertones, establishing a rich sonic palette that evolves seamlessly across the arrangement. Transitional elements and carefully sculpted build-ups showcase the duo’s expertise in crafting tension and release, essential for both club play and fitness or wellness applications. The drops hit with polished impact, supported by a meticulous balance in dynamic range and loudness that ensures both clarity and power, whether through headphones or large sound systems. Intricate use of effects, including reverb swells, filtered sweeps, and spatial panning, enhances the three-dimensionality of the mix, enveloping listeners in a deep, immersive atmosphere. The male spoken vocals, processed to maintain an underground edge, lend a distinctive character that reinforces the track’s artistic identity and originality without overpowering the instrumental narrative. Scientifically, music like “Time” has been shown to positively affect mental health and physical performance. Progressive house tracks with consistent rhythmic drive and engaging harmonic movement can enhance focus and endurance during exercise, while the gradual builds and euphoric releases may elevate mood and reduce stress, according to research by Karageorghis & Priest (2012) on music and exercise psychology. Additionally, immersive soundscapes and repetitive rhythmic structures engage the brain’s reward systems, as highlighted in Salimpoor et al. (2013), fostering emotional resonance and a sense of flow that can be beneficial in wellness contexts such as yoga or guided meditation. “Time” exemplifies these attributes with its cohesive storytelling and capacity to stimulate both physical energy and emotional uplift. The track demonstrates flawless cohesion from intro to outro, with BPM stability that ensures seamless integration into DJ sets and easy cueing for loops or extended transitions. Its crowd reaction potential is high, as the track balances underground credibility with memorable melodic phrasing that encourages replay and long-term engagement. “Time” is not only a certified club weapon, but also a scientifically aligned soundtrack for enhancing human performance and well-being. #PureGold Loveit[/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis (Part I & II). International Review of Sport and Exercise Psychology, 5(1), 44-70.
Salimpoor, V. N., Zald, D. H., Zatorre, R. J., Dagher, A., & McIntosh, A. R. (2013). Predictions and the brain: How musical sounds can trigger dopamine release. Trends in Cognitive Sciences, 17(2), 60-68.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.
