21:06:00

 


Kamilo Sanclemente is a prominent Colombian DJ and producer who has become a leading figure in the global progressive house and melodic techno scene. Hailing from Cali, he is widely recognized for his ability to weave deep, atmospheric textures with emotive melodies, creating a signature sound that is both cinematic and club-ready. His prolific output has seen him release music on some of the genre's most prestigious labels, including Anjunadeep, The Soundgarden, and Balance Music. Beyond his solo work, Sanclemente is a frequent collaborator within the South American electronic community, consistently topping the Beatport charts and earning support from industry titans like Hernán Cattáneo and Nick Warren.

Mauro Picotto is an Italian electronic music icon whose career spans decades and multiple evolutions of the dance music genre. Originally rising to international superstardom in the late 1990s and early 2000s, he became a defining voice in the Techno-Trance movement with legendary anthems such as "Lizard," "Iguana," and "Komodo." As the founder of the influential Alchemy label and the renowned Meganite club nights, Picotto transitioned from his trance roots into a more stripped-back, sophisticated techno sound, maintaining his relevance as a tastemaker and high-energy performer. His legacy is cemented as one of the first DJs to bring a high-concept, Italian flair to the global underground circuit, earning him numerous awards and a permanent place in electronic music history.
Kamilo Sanclemente notes in his instagram account about the track: Today is a very important day for my musical career. I have been waiting for this day for several months. About two years ago, I created a remix of Mauro Picotto’s track for my live shows, as I have always admired the musical legacy of the great Mauro Picotto. I made it with the intention of playing it at all my shows, but I sent the project to him, and I loved it. He told me that if I had more remixes, I could share them with him. Finally, the remixes were accepted by the prestigious label Armada Music, and this is the first of them—one of three that will be released. This is Mauro Picotto presenting CRW “I Feel Love,a progressive adaptation that is taking the world by storm, alongside artists like Cosmic Gate, among others. This is a official release. Please support by getting your legal copy, and thank you so much!




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Mauro Picotto, CRW & Kamilo Sanclemente - I Feel Love[/item]
[content title="Summary" label="Overall Score"]Mauro Picotto, CRW & Kamilo Sanclemente’s track “I Feel Love” is a masterclass in contemporary progressive production, blending meticulous technical execution with an emotionally resonant performance. At 123 BPM, the track thrives on a consistent rhythmic drive supported by pulsating tribal basslines and precise percussion layers. The groove is flawlessly engineered, and the dynamic kick patterns ensure that both club systems and personal listening setups deliver a full-bodied experience. Its rhythmic foundation provides a natural propulsion that enhances physical movement, making it ideal for fitness and wellness classes, as studies suggest that music with steady tempos between 120–130 BPM can improve exercise performance and endurance (Karageorghis & Priest, 2012). From a melodic and harmonic perspective, the track excels. The well-known synth hook and ethereal vocal layers are carefully harmonized to evoke deep emotional responses while maintaining an immersive progressive house structure. The harmonic layering is spacious yet cohesive, and the careful EQ placement allows each element to breathe within the mix. Spatial effects and reverbs generate an enveloping atmosphere, crucial in engaging listeners psychologically, as research has demonstrated that immersive musical environments can reduce stress and enhance mood regulation (Thoma et al., 2013). The build-ups and transitions are timed with precision, creating emotional peaks that resonate strongly on dancefloors and in personal listening experiences alike. Production quality is exemplary, showcasing Mauro Picotto and Kamilo Sanclemente’s attention to detail. The dynamic range and loudness levels are meticulously balanced, allowing the track to maintain its explosive energy without causing auditory fatigue. Subtle use of effects, including delays and stereo imaging, contributes to a three-dimensional soundscape that enhances listener immersion. Transitions between breakdowns and drops are fluid, sustaining energy flow and narrative cohesion. Within a DJ context, its clearly defined intro and outro structures, consistent BPM, and loop-friendly segments maximize cueing flexibility and integration into live sets. The track’s originality lies in its ability to honor the legacy of Mauro Picotto’s earlier work while infusing Kamilo Sanclemente’s progressive sensibilities. Its arrangement tells a story that evolves over time, guiding the listener through phases of anticipation and release. Emotional resonance is achieved not just through melody and vocal timbre, but also through the evolving textures that maintain engagement across repeated listens. Studies on music and human emotion suggest that such structural predictability combined with intermittent novelty enhances dopamine release, supporting its appeal and replay value (Salimpoor et al., 2011). From a wellness perspective, “I Feel Love” demonstrates measurable benefits. Uplifting progressive electronic music has been shown to facilitate positive affect and stress reduction, which can support mental health programs and mindfulness-oriented fitness routines. Its 123 BPM tempo is particularly suited for synchronized movement exercises, including cycling and aerobics, reinforcing motor coordination and enhancing overall mood. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I & II). International Review of Sport and Exercise Psychology, 5(1), 44–84.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.




20:37:00

 


Ahmed Helmy is an Egyptian trance DJ and music producer from Alexandria, recognized for his high-energy "R4VE" sound and significant contributions to the global electronic music scene. He is a frequent collaborator with Armin van Buuren and a staple of the A State of Trance (ASOT) brand.

Latest Release: "Bounce Back" (2026)
Release Date: March 6, 2026.
Label: Who's Afraid Of 138?! (a sub-label of Armada Music).

Style: An uptempo tech-trance track featuring a "bouncing" bassline and piercing lead, designed for peak-time festival sets.

Musical Career & Style

Signature Sound: Known for "R4VE," a style blending driving rhythms with melodic storytelling.

Key Career Milestones:

Armin van Buuren Collaboration: Co-produced "Rhythm Inside" (2023) and "Racing Spirit" (2024), a tribute to Ayrton Senna.

Official Remixer: Hand-picked by Armin van Buuren to remix the classic track "Full Focus".

Label Founder: Established Futurising Music to release his own material and support emerging talent.

Major Performances: Has performed at global festivals including ASOT 1000 (Utrecht), ASOT London, and Untold Festival.

Notable Discography

The R4VE Series: A collection of high-impact tracks starting with the hit "R4VE 101".

The King's Series: Includes "King’s Reborn" and "King’s Last Stand".

Other Hits: "Aftermath," "Cosmic Journey," "Glitch," and "Without You".






Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Ahmed Helmy - Bounce Back [/item]
[content title="Summary" label="Overall Score"] Ahmed Helmy’s “Bounce Back” is a masterful demonstration of modern tech-trance production, delivering an intense yet meticulously crafted sonic experience. At 145 BPM, the track propels listeners forward with a relentless rhythmic drive, supported by a bouncing bassline that forms the backbone of its kinetic energy. The groove is immediately engaging, with percussive layers precisely engineered to maintain consistent momentum across the entire arrangement. Each element in the rhythm section is balanced to allow the kick and bass to punch through with clarity while the hi-hats and top-end percussion add sparkle and movement, ensuring the track locks in perfectly for club and festival play. The melodic dimension of “Bounce Back” is just as compelling. The piercing lead synths and harmonic layers are carefully designed to intertwine, producing both tension and release in a manner that evokes euphoria on the dancefloor. The warped and sharp synth textures are deployed with exceptional timing, contributing to an atmosphere that is both hypnotic and energizing. Transition sections glide into monumental drops and build-ups with seamless automation, enhanced by expertly placed effects like reverb swells, tonal risers, and spatial filters that create a three-dimensional listening experience. The dynamic range and loudness balance have been meticulously considered, resulting in a track that hits hard in a live setting without fatiguing the ear. From a structural perspective, Ahmed Helmy demonstrates originality and cohesion throughout the arrangement. The vocal snippet—a cool, male-spoken phrase—injects personality and attitude, punctuating the instrumental narrative with moments of human connection. The intro and outro are constructed for optimal DJ usability, providing clean cue points and looping potential for effortless integration in high-energy sets. The energy flow is unwavering, escalating through each phase of the track while maintaining BPM consistency, ultimately delivering a piece that is both highly creative and perfectly suited to peak-time festival slots. Beyond its technical and artistic merits, “Bounce Back” shows considerable potential for positive effects on mental health, fitness, and wellness. High-tempo electronic music at 140–150 BPM has been linked to increased cardiovascular activity and enhanced endurance in exercise environments (Karageorghis & Priest, 2012). The pulsating rhythmic drive and steady energy flow can facilitate a state of “flow” or rhythmic entrainment, which has been shown to elevate mood and reduce symptoms of anxiety (Thaut et al., 2015). For group fitness and wellness classes, tracks like this encourage synchronized movement, fostering a sense of community and collective motivation (Bood et al., 2013). Club environments also benefit from the neurochemical responses triggered by synchronized rhythmic stimulation, including endorphin release, which can promote feelings of euphoria and social bonding (Tarr, Launay, & Dunbar, 2014). In conclusion, “Bounce Back” is a sonic powerhouse that succeeds on every front: its rhythm, melodic design, transitions, and production quality are flawless, while it also demonstrates creativity, technical mastery, and a strong capacity to enhance mental well-being in both recreational and structured environments. #PureGold Loveit[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thaut, M. H., McIntosh, G. C., & Hoemberg, V. (2015). Neurobiological foundations of neurologic music therapy. Frontiers in Psychology, 6, 1185.
Bood, R. J., Nijssen, M., van der Kamp, J., & Roerdink, M. (2013). The power of auditory-motor synchronization in sports. Journal of Sports Sciences, 31(4), 575–582.
Tarr, B., Launay, J., & Dunbar, R. I. M. (2014). Music and social bonding: “self-other” merging and neurohormonal mechanisms. Frontiers in Psychology, 5, 1096.




Additional info:

19:46:00

 


Corti Organ delivers Twisted Rave - an anthemic trance track infused with raw techno-rave energy. Blending powerful melodies with driving rhythms and a rebellious edge, it's built for peak-time moments where trance emotion meets rave intensity.




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Corti Organ - Twisted Rave [/item]
[content title="Summary" label="Overall Score"]Corti Organ’s “Twisted Rave” is a masterclass in high-energy trance fused with raw techno-rave elements, delivering an immersive listening experience that excels across all technical and artistic criteria. From the opening beats, the track establishes a relentless rhythm and groove that immediately locks the listener into its pulse. The 145 BPM tempo drives a kinetic flow perfectly suited for mainstage festival moments, with the rhythm section providing both punch and fluidity. Melodic hooks and harmonic layers intertwine seamlessly, offering a euphoric lift while maintaining the rebellious edge that characterizes Corti Organ’s signature style. The transitions, drops, and build-ups are engineered with precision, creating tension and release cycles that maximize crowd engagement and sustain peak energy throughout the track. The sound design and production quality are exceptional, with every element occupying a defined space in the stereo field. Effects and spatial imaging contribute to a vivid sense of immersion, while the dynamic range and loudness balance ensure that the track hits hard without overwhelming the ears. The arrangement displays originality and narrative cohesion, guiding listeners through a sonic journey that feels both surprising and inevitable. Each section serves a purpose in the overarching story, and the track’s intro and outro structures are crafted for seamless integration into DJ sets, with consistent BPM and optimal cue points enhancing loop and layering potential. Emotionally, “Twisted Rave” resonates on multiple levels. Its combination of driving beats and uplifting harmonics triggers the brain’s reward pathways, which research has linked to dopamine release (Salimpoor et al., 2011). This physiological response not only elevates mood but also enhances motivation in fitness and wellness contexts. Studies suggest that high-tempo, rhythmically consistent music can improve exercise performance by synchronizing motor activity and reducing perceived exertion (Karageorghis & Priest, 2012). In group workout or mental wellness sessions, tracks like this can foster a sense of collective energy and flow, contributing to stress reduction and facilitating endorphin release. The track’s catchiness and replay value are undeniable, and its festival-ready intensity guarantees strong crowd reactions, reinforcing its role as both a peak-time weapon and a mental health booster. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.




Additional info:

03:04:00

 



Next up, Mhammed El Alami teams up with Sarah Russell here on Amsterdam Trance Records for 'The Days of Innocence', Uptempo Vocal Trancer that goes straight for lift and emotion. It's fast, melodic, and built for that moment when the chorus hits and everything opens up.

Enjoy and PLAY LOUD!



LYRICS:
You were the first light
I ever knew
The calm in the waves
When the storm broke through
A lighthouse calling
Steady and true
A voice of reason
Pulling me through

It’s strange how you disappeared
A child of time
Lost to the years
You were captured
By your dream
Drifted away on a silent stream

Sometimes the quiet
Could cut so deep
The pain still burns in my heart
When I get weak
I walk in my sadness
Day by day
Waiting for the past
To wash away

Take me to the ocean
To the bliss that I once knew
The days of innocence
Can you feel the love I carry
A calling from the sea
Take me away with you
To the days of innocence
Days of Innocence



Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Mhammed El Alami & Sarah Russell - The Days of Innocence [/item]
[content title="Summary" label="Overall Score"]Mhammed El Alami & Sarah Russell’s “The Days of Innocence,” released on Amsterdam Trance Records, is a shining example of uptempo vocal trance that captivates the listener both technically and emotionally. At 136 BPM, the track immediately establishes its energetic rhythm and drive, with a groove that feels effortless yet compelling, making it ideal for fitness sessions and wellness-oriented movement classes where sustained energy is key. The melodic hooks and harmonic layers are meticulously crafted, blending Balearic-inspired guitar riffs, lush harps, and crystalline synth lines that evoke the euphoric trance era of the early 2000s. Sarah Russell’s vocals soar with heartfelt intensity, seamlessly integrating into the harmonic structure and amplifying the track’s emotional resonance, which research has shown can positively impact mood and reduce stress levels (Thoma et al., 2013). The transitions, drops, and build-ups in “The Days of Innocence” are masterfully executed, ensuring continuous momentum and maintaining a dynamic energy flow that can enhance focus during wellness and mental health practices such as yoga or meditation-based dance. The sound design and production quality are pristine, with spatial effects that create an immersive, three-dimensional listening experience. Delicate reverbs and precise panning contribute to a sense of openness and depth, which studies suggest can increase feelings of relaxation and emotional well-being in listeners (Koelsch, 2010). The track’s originality of arrangement is evident in how it interweaves classic trance motifs with modern production techniques, while maintaining full coherence in storytelling. Subtle variations in dynamic range and loudness balance keep the auditory experience rich and fatigue-free, making it suitable for repetitive play in both club settings and therapeutic environments. From an artistic perspective, the creativity and identity of the piece shine through in its ability to deliver both festival-ready energy and intimate emotional moments. The vocal performance, combined with lyrical content that evokes nostalgia and uplift, enhances cognitive and emotional engagement, which has been associated with increased motivation and reduced anxiety in music therapy contexts (Leubner & Hinterberger, 2017). Its club and festival suitability is unquestionable thanks to the BPM consistency, clear cue points, and smooth intro/outro structures that DJs will appreciate for seamless integration into sets. The track’s immersive atmosphere and replay value ensure strong crowd reaction potential, while also offering benefits in fitness and wellness routines where high-energy yet emotionally enriching music can improve overall mental and physical performance. In conclusion, “The Days of Innocence” is not just a masterclass in trance production; it is a work that resonates deeply with human emotion and physiological responses, making it a valuable addition to both professional DJ repertoires and wellness-oriented playlists. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]

Suggested Bibliography
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131–137.
Leubner, D., & Hinterberger, T. (2017). Reviewing the effectiveness of music interventions in treating depression. Frontiers in Psychology, 8, 1109.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.



Additional info:


02:29:00

 


Andrew Rayel presents EXTASIA with My Ocean, a track that explores a more introspective and flowing side of the project. Carried by Diandra Faye's expressive vocals, the record unfolds with depth and elegance, blending subtle trance elements with a sense of openness and motion. Atmospheric and immersive, My Ocean adds a new emotional shade to the evolving EXTASIA sound.




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Andrew Rayel pres. EXTASIA feat. Diandra Faye - My Ocean [/item]
[content title="Summary" label="Overall Score"] Andrew Rayel presents EXTASIA with Diandra Faye in “My Ocean,” a masterclass in modern trance production that delivers both technical excellence and emotional resonance. From the very first beat, the track establishes a commanding rhythm with precise synchronization between its 138 BPM driving basslines and sharp, punchy drums. The groove maintains seamless momentum, allowing for effortless integration into professional DJ sets, while its dynamic structure supports both cue point precision and loop potential for live performances. Each melodic hook glides over harmonic layers that feel carefully sculpted, offering an immersive experience that continuously evolves without losing cohesion or flow. The synth design is rich, with a crystalline top-end counterbalancing the weighty low frequencies, and the ethereal soundscapes create a sense of vast openness, perfectly paired with Diandra Faye’s soaring vocal performance. The production quality of “My Ocean” reflects deep attention to detail in both mixing and sound design. Transitions and build-ups are executed with surgical precision, using spatial effects and reverb tails to guide the listener smoothly through each section. The drops land with full impact thanks to a wide stereo field and well-managed dynamic range, which balances loudness with clarity. The track demonstrates originality in its arrangement by merging heavy tech trance elements with uplifting, cinematic layers, resulting in an evolving emotional narrative that enhances its replay value. The cohesion of the storytelling is evident in the way the track flows organically from introspective passages into climactic peaks, achieving a unified emotional journey. Beyond technical mastery, “My Ocean” carries measurable benefits for mental health and human wellness. Studies in music therapy and neuroscience suggest that trance music with stable rhythmic pulses and uplifting harmonic progressions can induce flow states, reduce stress, and enhance mood regulation (Koelsch, 2010; Thoma et al., 2013). The 138 BPM tempo aligns with optimal heart rate stimulation for light cardio or fitness classes, promoting rhythmic synchronization that can improve exercise performance and endurance (Karageorghis & Priest, 2012). Additionally, immersive melodic tracks like this have been associated with reduced anxiety and improved attentional focus in mindfulness and movement-based wellness practices, such as yoga or dance therapy. Diandra Faye’s expressive vocals elevate the emotional resonance of the piece, facilitating a sense of connection that is both introspective and expansive. The layering of her voice with the atmospheric instrumental design creates a feeling of transcendence that supports collective energy in festival settings while also offering therapeutic benefits in more personal listening environments. The careful balance of dynamic energy ensures that the track not only excites crowds but also sustains focus in structured movement sessions. Overall, “My Ocean” stands as a benchmark of creativity, technical precision, and emotional depth in contemporary trance music. Its harmonic richness, production quality, and physical and psychological impact make it a compelling choice for DJs, listeners, and wellness practitioners alike.#PureGold Loveit[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131-137.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.






Additional info:

01:54:00

 


Progressive house duo ANUQRAM reunite with Alexey Sonar on 'Time', out 11th March on Anjunabeats.

ANUQRAM first appeared on Anjunabeats in 2021 with ‘Echoes’, a track that saw the duo collaborate with label mainstay PROFF, before going on to drop floorfillers like ‘Get On’, ‘Don’t Stop’ and ‘Bermondsey Bender’ (ANUQRAM Remix), which earned support from industry heavyweights like Armin van Buuren, Vintage Culture, David Guetta, Oliver Heldens, Cosmic Gate and more.

2024 saw ANUQRAM release three EP’s on Anjunabeats, kicking off with the ‘On My Knees EP’, which featured collaborations with Ash Nova and Dulus. The duo followed that up with their remix of Above & Beyond and Zoë Johnston's uplifting trance hit 'Crazy Love', which gained support from the likes of Nora En Pure, Sultan + Shepard, Jerro, Korolova, Chicane and Laura van Dam.

Last year, ANUQRAM joined forces with Eleonora on ‘Parasite’, which earned support from Jody Wisternoff, Chris Luno, Vintage Culture, A.M.R, Don Diablo and Jason Bentley on KCRW, before later releasing their mesmerising two-tracker 'Safari / Hide & Seek'. The duo kicked off this year by releasing 'Wake Me Up' with Second Sine, which featured on James Grant's 'Movement Vol. 5' compilation.

ANUQRAM and fellow progressive producer Alexey Sonar made their collaborative debut on Anjunabeats in 2024 with 'Cheerful Garden'. Now, the esteemed artists reunite on their latest single, 'Time'.

Release Date: 11th March 2026





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]ANUQRAM & Alexey Sonar - Time [/item]
[content title="Summary" label="Overall Score"]ANUQRAM and Alexey Sonar’s single “Time,” released on Anjunabeats, is a masterclass in progressive house production, clocking in at a propulsive 126 BPM. From the first beat, the track captures attention with its impeccably tight rhythm section, featuring bouncy kicks and tough percussive layers that lock the groove firmly in place. The subtle syncopation and driving bassline create a hypnotic forward momentum, drawing listeners into an immersive journey. The melodic hooks are layered with precision, with luminous pads and soaring arpeggios weaving through darker harmonic undertones, establishing a rich sonic palette that evolves seamlessly across the arrangement. Transitional elements and carefully sculpted build-ups showcase the duo’s expertise in crafting tension and release, essential for both club play and fitness or wellness applications. The drops hit with polished impact, supported by a meticulous balance in dynamic range and loudness that ensures both clarity and power, whether through headphones or large sound systems. Intricate use of effects, including reverb swells, filtered sweeps, and spatial panning, enhances the three-dimensionality of the mix, enveloping listeners in a deep, immersive atmosphere. The male spoken vocals, processed to maintain an underground edge, lend a distinctive character that reinforces the track’s artistic identity and originality without overpowering the instrumental narrative. Scientifically, music like “Time” has been shown to positively affect mental health and physical performance. Progressive house tracks with consistent rhythmic drive and engaging harmonic movement can enhance focus and endurance during exercise, while the gradual builds and euphoric releases may elevate mood and reduce stress, according to research by Karageorghis & Priest (2012) on music and exercise psychology. Additionally, immersive soundscapes and repetitive rhythmic structures engage the brain’s reward systems, as highlighted in Salimpoor et al. (2013), fostering emotional resonance and a sense of flow that can be beneficial in wellness contexts such as yoga or guided meditation. “Time” exemplifies these attributes with its cohesive storytelling and capacity to stimulate both physical energy and emotional uplift. The track demonstrates flawless cohesion from intro to outro, with BPM stability that ensures seamless integration into DJ sets and easy cueing for loops or extended transitions. Its crowd reaction potential is high, as the track balances underground credibility with memorable melodic phrasing that encourages replay and long-term engagement. “Time” is not only a certified club weapon, but also a scientifically aligned soundtrack for enhancing human performance and well-being. #PureGold Loveit[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis (Part I & II). International Review of Sport and Exercise Psychology, 5(1), 44-70.
Salimpoor, V. N., Zald, D. H., Zatorre, R. J., Dagher, A., & McIntosh, A. R. (2013). Predictions and the brain: How musical sounds can trigger dopamine release. Trends in Cognitive Sciences, 17(2), 60-68.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.




Additional info:

01:12:00

 


Oliver Smith has established himself as a driving force in electronic music and performed at some of the biggest clubs and festivals in the world. With a wide array of releases and multiple aliases under his belt, the London-based DJ and producer is part of the fabric of Anjunabeats, being both the first signing to the record label and the only artist (other than label bosses Above & Beyond) to have featured on all 16 of the label's beloved 'Volume' compilations.

Now, Oliver Smith releases a package of club mixes from his debut studio album, 'Footprints'. The new EP includes a floorfilling rework of 'Love Is A Feeling', as well as head-turning remixes of 'Wash Away' and 'Breathe' from Phillip Castle and Shawn Mitiska.

Canadian DJ and producer Phillip Castle has seen strong support from the likes of Armin van Buuren, Above & Beyond, Ferry Corsten, Paul van Dyk, Markus Schulz, Kyau & Albert and more. Hailing from Toronto, Phillip is known for his heavy basslines and euphoric melodies, with a catalogue spanning labels like Enhanced, Future Sound Of Egypt and Find Your Harmony.

Shawn Mitiska is a Denver-based DJ and producer renowned for his melodic sensibilities and emotive productions. Also releasing under the alias 'Mitiska', Shawn is a three time International Dance Music Awards (IDMA) nominated artist with a career spanning over two decades. In 2009, as one third of Cerf, Mitiska & Jaren, he released the trance anthem 'Man On The Run’ with Dash Berlin, which has since been streamed millions of times worldwide.

Released last year, ‘Footprints’ takes listeners on a captivating journey through Oliver’s evolution as an artist. The timeless and hotly anticipated debut album is one of the top requested Anjunabeats releases to date, and is the culmination of a songwriting process that began several years ago.
“I’ve been releasing music for years, but my own album always took a backseat,” Oliver says. “When I finally started the project I had so many ideas and was unsure where to begin. I decided to embrace the process and let the destination reveal itself. This inspired ‘Footprints’, the title for the album, as even the tracks that didn’t make it left an imprint, and were a necessary part of the journey.”
There’s echoes of all eras of Oliver’s sound on ‘Footprints’, from addictive bassline-driven tracks like ‘Legacy’ and ‘Be The One', to stylings of his Anjunadeep alias Meramek in the house-leaning ‘Love Is A Feeling’, and the soaring trance arps in ‘Don't Hold Back’ and ‘Breathe’. The album also sees Oliver collaborate with an eclectic cast of vocalists and songwriters, including Tailor, FARLEY, Benjamin Roustaing and Susie Ledge.
“I wanted to go beyond club music and tell real stories, so I collaborated with some incredible singers and songwriters who brought a whole new dimension to the project,” Oliver says. “I put a lot of thought into making sure every track had something special and truly deserved its place on the album. I think people will recognise the thread that connects all my releases, and hopefully, they’ll enjoy the new directions I’ve explored as well.”
‘Footprints’ also follows a string of hits in recent years that have cemented Oliver’s position at the forefront of dance music. Fan favourites like ‘Lovingly’, ‘Warehouse’ and ‘Be Alone’ rapidly ascended the Beatport charts and added to a discography that’s amassed over 20 million streams to date. In 2018, Oliver mixed the ‘Anjunabeats Worldwide 08’ compilation, which included ten of his own productions and reached the #1 spot on the iTunes dance chart in the USA, UK, Canada, and Australia.

Buy/Stream 'Footprints (Club Mixes)': https://anjunabeats.ffm.to/osfp.oyd







Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Oliver Smith - Footprints (Club Mixes) [/item]
[content title="Summary" label="Overall Score"]Oliver Smith’s “Footprints (Club Mixes)” EP is a masterclass in modern trance production, exemplifying technical precision and emotive resonance across every aspect of its creation. From the opening bars of “Love Is A Feeling” in its 130 BPM rework, the track demonstrates exceptional rhythm, groove, and drive, with a pulsating low-end that propels the listener forward while maintaining a consistent BPM for seamless integration into club and festival sets. The melodic hooks and harmonic layers are meticulously crafted, intertwining lush pads with euphoric leads that evoke a strong sense of atmosphere and immersion, while the transitions, drops, and build-ups are executed with surgical precision, ensuring energy flow and momentum remain unbroken throughout. The sound design and production quality are of the highest caliber, with Oliver Smith and his collaborators Phillip Castle and Shawn Mitiska employing a rich palette of spatial effects, stereo imaging, and dynamic range management to achieve both clarity and power. Castle’s 128 BPM euphoric proglifting remix showcases an impeccable loudness balance and spatial design, while Mitiska’s 130 BPM reimagining delivers a potent club weapon with inventive use of effects, cue points, and loop potential that maximize crowd reaction potential. Each track maintains originality in arrangement and structure, reflecting a cohesive artistic identity and storytelling arc that will resonate deeply with both long-time trance listeners and new audiences alike. From a scientific perspective, research in music therapy indicates that rhythmic and harmonically rich electronic dance music can have positive effects on mood, mental health, and cognitive performance (Thoma et al., 2013; Koelsch, 2010). The dynamic energy and emotional resonance of “Footprints (Club Mixes)” make it particularly suitable for fitness and wellness classes, where sustained BPM and immersive harmonic layers support flow states, physical endurance, and stress reduction. Studies suggest that music with consistent rhythmic patterns and euphoric tonal progressions can enhance endorphin release and elevate perceived effort in exercise settings (Karageorghis & Priest, 2012), which aligns perfectly with the uplifting and motivational qualities of Oliver Smith’s tracks. By integrating high-level sound design, cohesive storytelling, and scientifically beneficial rhythmic structures, this release exemplifies not just a peak in trance production, but also a soundtrack that positively impacts human mental and physical well-being. The EP’s perfect balance of technical mastery and emotional depth ensures high catchiness, replay value, and unparalleled club and festival suitability. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]

Suggested Bibliography:
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534-543.
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131-137.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.





00:21:00

 



The legendary trance brand In Trance We Trust (ITWT) is set to make a spectacular return to Breda this Saturday, March 14, 2026, with an unforgettable club night at the iconic MEZZ venue. Renowned for shaping the global trance scene for over two decades, ITWT promises an immersive daytime experience that brings fans closer than ever to the music and the artists.

This exclusive event will feature a 360° stage and cutting-edge audio installations, creating an environment where every attendee can feel the pulse of the music in perfect harmony with enhanced lighting effects. The lineup reflects the true essence of the ITWT legacy, presenting a journey through trance that captures both its history and its future.

Time Table:
16:00 – 17:30: Daniel Wanrooy
17:30 – 19:00: Misja Helsloot
19:00 – 20:30: C-Systems
20:30 – 22:00: Cold Blue
22:00 – 24:00: Sneijder

With over 700 passionate fans expected and tickets already 90% sold out, this event is shaping up to be a must-attend experience for trance enthusiasts.

Venue:
MEZZ, Breda
Keizerstraat 101, 4811 HL, Breda

In Trance We Trust continues to honor its legacy while embracing the future of the genre, making this Saturday’s return to Breda an unmissable celebration for the global trance community.

About In Trance We Trust

Founded as part of the world-renowned Black Hole Recordings, In Trance We Trust has stood as a beacon of authentic trance since the late 1990s. The brand is synonymous with high-quality productions, legendary compilation series, and unforgettable club nights across the globe. Each event is a homage to the roots of trance, fusing nostalgia with cutting-edge sounds.

Artist Lineup



Sneijder
A powerhouse in the world of uplifting and tech trance, Sneijder has earned his place among the top trance producers.

Key Tracks: “Love Of My Control,” “Now Or Never,” “Neutralize”




Cold Blue
Acclaimed for his emotive melodies and cinematic production style, Cold Blue continues to be a fan-favorite on the global circuit.

Key Tracks: “Frozen,” “Shine,” “Learning To Live”




C-Systems 
The Norwegian duo delivers high-energy trance loaded with euphoric melodies and captivating vocals.

Key Tracks: “Every Star,” “Close My Eyes,” “Breathe”




Misja Helsloot
A true veteran of the Dutch trance scene, Misja Helsloot is known for his deep roots in classic trance and modern progressive sound.

Key Tracks: “Backtracking,” “Magnesium,” “My Heaven”




Daniel Wanrooy
A versatile producer blending progressive and uplifting elements, Daniel Wanrooy has released on some of the most respected trance labels worldwide.
Key Tracks: “Ocean Terrace,” “Beautiful World,” “What’s On Your Mind”


Ticket Information

For tickets check here. Fans are urged to secure their spot for this exclusive experience via: https://blackhole.lnk.to/ITWTevent

Join the members of the global trance family on March 14, 2026, for an extraordinary celebration of trance and the timeless legacy of In Trance We Trust.

Additional info:

23:33:00

 


William Daniel has long been a trusted name in electronic music journalism. With over twenty years of experience as a reviewer, interviewer, and lifelong record collector, he brings a rare combination of encyclopedic knowledge and genuine passion to his work. His journey began at 23rd Precinct Records, where he first immersed himself in the inner workings of the music industry, cultivating a deep understanding of the culture that drives the global electronic scene. Today, William is celebrated for his ability to honor the roots of electronic music while embracing its constant evolution, always uncovering hidden gems and rediscovering overlooked classics.

In this feature, William explores a new wave of releases that capture the enduring magic of the dance floor. He highlights four essential tracks: Mesh x Dan Stone’s Purple Haze on In Trance We Trust, a modern reimagining of a trance classic that balances nostalgia with fresh energy; Funk D’Void’s Diabla on Armada, a hypnotic and timeless slice of techno mastery; Corderoy’s Sweetest Dreams Remixes on Armada Captivating, including standout interpretations from Sean Tyas; and Pulser’s beloved In Deep, newly remixed by Grant Trowbridge on ToneDepth, breathing new life into a cherished favorite.

Through each review, William’s insight shines, guiding listeners through the intricate layers of production and the stories behind the beats. His writing reflects the same ethos that drives the music itself—a respect for the past, a celebration of the present, and an excitement for the future.



Mesh x Dan Stone - Purple Haze out 13/3/2026 on In Trance We Trust/Black Hole



William Daniel Review: Some records never really leave you. They sit in the back of your mind like a half-remembered sunrise from a long night out, waiting for the right moment to come rushing back. Mesh - Purple Haze is one of those records. It has always carried a certain magic in trance circles, and now Dan Stone steps in to breathe fresh life into it for the ever-reliable In Trance We Trust.

From the first moments, you can feel the intent. Stone does not simply rework the track. He treats it like something sacred, lifting the original spirit of Mesh’s classic and rebuilding it with modern precision. The melodies still spiral skyward with that familiar, euphoric glow, but everything feels sharper, wider and more powerful. The production gleams with contemporary clarity while the bass carries real weight, the kind that punches through a sound system and lands straight in your chest.

What makes this remix work so well is the balance. It keeps the emotional core intact for the trance purists who appreciate the craft, yet it has enough drive and momentum to send a dancefloor into a proper frenzy. Close your eyes, throw your arms up and you are right there in the moment. That is the energy this track taps into. It is the feeling that made the original so beloved in the first place.

Crucially, it never feels like nostalgia for the sake of it. This is more like a careful evolution, a respectful upgrade to a piece of trance heritage that deserves to keep living in modern DJ sets.

On a personal note, this one hits close to the heart. Purple Haze has long been one of my favourite releases on In Trance We Trust, a proper gem that I proudly own on vinyl. Hearing it given a fresh, playable mix for today’s floors is genuinely exciting. It reminds you why the track mattered then and proves it still has the power to move people now.

Some classics fade with time. This one just found a new way to shine.


  • Funk D'Void - Diabla [Armada]




William Daniel Review: There are producers who come and go with the tide of trends, and then there are artists like Funk D'Void, whose music feels carved into the foundations of modern techno. For decades he has been one of the quiet architects of the sound, shaping dance floors with intelligence, restraint and an instinct for groove that few can match. From his seminal work with Soma Records to releases across some of the most respected labels in electronic music, Funk D'Void has always carried a sense of purpose in his productions. When his name appears on a record, it means something.

“Diabla”, released on Armada Music, is another reminder of that legacy. It arrives with the quiet confidence of an artist who does not need to shout to command attention. From the opening bars there is a sense of space and control. The drums are tight and purposeful, the low end rolling forward with that unmistakable Funk D'Void weight. Each element sits exactly where it should, breathing within the mix.

This is classic Funk D'Void territory. Hypnotic but never sterile, driving but never brute. The groove locks in with a kind of mechanical elegance, the percussion flickering and shifting just enough to keep the body moving while the mind drifts somewhere deeper. It is techno with depth of character, the kind of track that reveals more of itself with every listen.

What stands out most is the craftsmanship. After decades in the game, many producers settle into habit. Funk D'Void still sounds engaged, still chasing that perfect balance between tension and flow. The synth textures creep in like distant lights through fog, subtle but full of atmosphere, while the rhythm section keeps everything firmly rooted to the floor.

In an era where much techno feels disposable, “Diabla” reminds us what quality production really sounds like. It is music built with patience and understanding, shaped by someone who has spent a lifetime inside the machinery of the dance floor.

This is music for the mind and the feet. And in the hands of Funk D'Void, that balance still feels effortless. (W.D)



  • Corderoy - Sweetest Dreams Remixes [Armada Captivating]



William Daniel Review: Some records never really leave you. They drift in and out of the collective memory of the trance scene, waiting for the right moment to rise again and remind us why we fell in love with the genre in the first place. Sweetest Dreams by Corderoy is one of those records.

When it first surfaced in the golden era of melodic trance it carried a certain emotional gravity. The kind that sneaks up on you during a late night set and suddenly the entire room feels connected by the same melody. The original release became a quiet but powerful favourite among DJs and fans alike, particularly when Ferry Corsten delivered his unforgettable take on Tsunami. That remix pushed the track into anthem territory and cemented its place in the hearts of a generation that lived for those soaring breakdowns and euphoric drops.

Now, years later, the record returns on Armada Captivating with a fresh set of interpretations from Sean Tyas. It is not simply a nostalgia exercise. Instead it feels like a careful resurrection. A respectful reimagining that understands the emotional DNA of the original while giving it the power and clarity needed for modern trance floors.

Tyas delivers two versions here. The Deep Mix leans into atmosphere and texture, stretching the emotional core of the melody across a rich and immersive arrangement. It breathes beautifully and allows the vocal and chords to glow in a slightly darker space. It is thoughtful and well crafted, the kind of mix that rewards patient listening.

But it is the Ascension Mix that truly takes flight.

From the opening bars there is a sense that something special is unfolding. The energy builds with purpose, layers of melody rising until that familiar hook finally emerges in all its glory. There is a subtle nod to that classic Ferry Corsten interpretation, not a copy but a respectful wink to the version that helped define the track all those years ago.

When the breakdown lands it is pure trance theatre. Emotional, uplifting and unapologetically melodic. Then the drop arrives and everything clicks into place. The kind of moment that makes you close your eyes and remember exactly why this music grabbed hold of your soul in the first place.

In an era where trance constantly evolves and reinvents itself, releases like this remind us that the foundations still matter. Sweetest Dreams was always a special record. Thanks to Sean Tyas and its new home on Armada Captivating it now has the power to reach a whole new generation of listeners.

And if the Ascension Mix finds its way into the right DJ sets over the coming months, do not be surprised if dancefloors once again light up to that timeless melody. Some dreams, it seems, really are worth revisiting. (W,D)

  • Pulser - In Deep (Grant Trowbridge Remix) [ToneDepth]



William Daniel Review: A couple of years ago, Andy Perring reached out to Grant Trowbridge to remix one of his back catalogue tracks. Rather than gravitate toward the obvious hits, Grant dug deeper, hunting for something that would allow him to leave a real mark. That search led him to Pulser featuring Molly Bancroft – In Deep, a track that marked his first proper foray into working with vocals.

From the outset, it was clear this was no ordinary remix opportunity. The original’s emotive core was undeniable, but Grant saw the chance to reinterpret it entirely, to push the energy higher, carve out his own sonic signature, and explore a different emotional dimension. The result is a rollercoaster of soaring melodies, powerful hands-in-the-air breakdowns, and an infectious energy that demands attention on any dancefloor.

Grant Trowbridge, already a formidable force as a producer and a celebrated resident and radio host of Borderline, has truly outdone himself here. His remix captures the essence of what makes trance today so exciting: forward-thinking, impeccably produced, yet deeply emotional. The vocals are lush, the breakdowns ecstatic, and the energy utterly irresistible.

It is no wonder that Borderline remains one of my favourite trance labels. This remix embodies exactly why, representing the label’s commitment to high-quality, modern trance while retaining the genre’s euphoric spirit. For anyone seeking a track that fuses emotive depth with full-throttle dancefloor energy, Grant Trowbridge’s remix of In Deep is simply unmissable. (W.D)



As electronic music continues to evolve, voices like William Daniel’s remain essential. His reviews are more than just critiques—they are invitations to experience the heartbeat of the scene, to discover tracks that resonate not only on the dance floor but also in the soul. Whether you are a lifelong fan or a newcomer exploring the genre’s depths, William’s perspective illuminates the journey, keeping the spirit of electronic music alive and thriving.




Additional info:


22:45:00

 


1. Daniel Wanrooy - Gates Of The Unknown (Extended Mix)
2. Daniel Wanrooy - Gates Of The Unknown (Original Mix)

Daniel Wanrooy returns to Elpida Music with “Gates Of The Unknown”, a driving trance journey packed with soaring melodies, deep atmospheres, and that unmistakable forward momentum. Hypnotic, emotional, and built for late-night dancefloors—this is an invitation to explore what lies beyond the edge of the known. Get ready to explore the Gates Of The Unknown.

Discover HERE: elpidamusic.lnk.to/gates




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Daniel Wanrooy - Gates Of The Unknown[/item]
[content title="Summary" label="Overall Score"]Daniel Wanrooy’s “Gates Of The Unknown” is an exceptional trance production that showcases meticulous attention to rhythm, melody, and sound design, masterfully achieving a perfect 10 across all performance criteria. The track’s rhythmic foundation is carried by a consistent 135 BPM tempo, delivering a driving groove that propels listeners forward with unwavering momentum. Its percussion layers are tightly quantized, yet humanized through subtle velocity variations, resulting in a flow that feels both precise and organic. The bassline’s rolling pattern interlocks seamlessly with the kick drum, producing a resonant low-end energy that energizes dancefloors and fitness environments alike. The melodic architecture of the track is rich and immersive, featuring soaring hooks and harmonically layered synths that evoke a sense of wonder and emotional uplift. Daniel Wanrooy effectively employs progressive and tech-inflected soundscapes that nod to the early 2000s trance ethos while employing modern production techniques such as multiband sidechain compression and mid/side EQ sculpting. Transitions and build-ups are executed with careful modulation of filters and reverb tails, creating tension that resolves in euphoric drops. These production choices not only maintain the energy flow but also enhance the track’s storytelling, providing an auditory journey that captivates from the first beat to the final fade. Sound design and spatial mixing have been handled with exceptional precision. Each element is carefully placed in the stereo field, with atmospheric pads and delayed arpeggios creating a three-dimensional sense of immersion. The dynamic range is preserved despite the track’s club-ready loudness, ensuring clarity and preventing listener fatigue. Effects such as reverberant sweeps, delayed plucks, and stereo imaging automation contribute to a sense of constant movement, reinforcing the track’s forward momentum. This attention to sonic detail enhances both the track’s artistic identity and its replay value. From a wellness perspective, “Gates Of The Unknown” demonstrates the powerful psychological and physiological benefits of trance music. Research has consistently shown that steady rhythmic patterns and melodic structures in electronic music can induce flow states and reduce stress levels (Thoma et al., 2013; Schäfer et al., 2013). The euphoric and emotive qualities of uplifting trance have been linked to the release of dopamine and endorphins, which can improve mood and support mental health. In fitness and group exercise contexts, music at this tempo and intensity has been shown to enhance endurance and motivation (Karageorghis & Priest, 2012), making this track ideal for wellness classes, cardio sessions, and meditative movement practices. The sense of immersion and emotional resonance fostered by Wanrooy’s production can thus contribute positively to both physical and psychological well-being. Finally, “Gates Of The Unknown” stands as a testament to the ongoing evolution of trance music, maintaining the genre’s core identity while embracing modern production techniques. Its cohesive structure, high replay value, and undeniable impact on audiences make it equally suitable for club environments, festival stages, and personal wellness playlists. Daniel Wanrooy has crafted not just a track, but an uplifting experience that bridges technical mastery with human emotional response. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]

Suggested Bibliography:
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.
Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.




Additional info:

About Dimitris Kechagias

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