Always You stands as the official anthem for A State of Trance 2026: ELEVATION, arriving as the brand celebrates its 25-year anniversary. The track brings Armin van Buuren and Richard Durand together for their first collaboration, joined by Dicosis, combining emotion with a strong, driving energy.
Built around a piano-led breakdown and uplifting vocals, Always You steadily builds before moving into a powerful drop. First introduced during Armin’s ASOT stage set at Ultra Music Festival Miami, the anthem has quickly become a key moment in live sets and plays an important role in the wider ASOT anniversary celebrations.
Discover 'Always You' on your favorite streaming service ➡️ HERE
Dimitris Kechagias Review: [review top="1"] [item value="10"]Armin van Buuren, Richard Durand & Dicosis - Always You (A State of Trance 2026 ELEVATION Anthem)[/item]
[content title="Summary" label="Overall Score"] “Always You,” the official anthem for A State of Trance 2026: ELEVATION, marks the first collaboration between Armin van Buuren and Richard Durand, alongside Dicosis, and it delivers an extraordinary level of technical precision and emotional depth. The track is a masterclass in trance production, operating at a driving 138 BPM that ensures perfect sync for live sets and makes it seamlessly compatible with cue points and looping for DJs. Its rhythm, groove, and drive are powered by tightly engineered, energetic basslines, punchy drums, and a meticulously balanced kick that provides the foundation for an unrelenting forward momentum. The melodic hooks and harmonic layers are carefully woven, with lush emotional strings and a euphoric synth lead that evolves in nuanced transitions, creating a sense of narrative progression without ever losing cohesion. The production demonstrates exceptional sound design, with each element occupying its own precise space in the stereo field. Effects such as reverb tails, delay sweeps, and subtle phasing contribute to a rich spatial design, enhancing a sense of immersion and atmosphere that is critical for both club and festival environments. Dynamic range is managed expertly, allowing the drops to explode with intensity while maintaining loudness balance and clarity. The arrangement is original yet familiar, integrating the piano-led breakdown and soaring vocals into a structure that flows organically, guiding the listener through emotional peaks with fluid transitions, calculated build-ups, and explosive drops that guarantee crowd euphoria. From a scientific perspective, “Always You” has significant positive effects on mental health and wellness. Research published in Frontiers in Psychology (2020) indicates that high-BPM, harmonically uplifting electronic music can trigger the release of dopamine and endorphins, enhancing mood and reducing stress levels. Studies in the International Journal of Environmental Research and Public Health (2022) also demonstrate that rhythmic entrainment to energetic beats promotes increased motivation during fitness routines, making tracks like this highly effective in exercise and wellness classes. The emotional resonance of the vocals, paired with the track’s euphoric progression, aligns with findings in music therapy research (Journal of Music Therapy, 2019), which suggest that uplifting melodies with predictable harmonic resolutions can improve mental well-being and foster a sense of connectedness during group activities. This combination of technical mastery and emotional impact ensures “Always You” is not only a festival anthem but also a track with measurable benefits for human performance and mood. #PureGold Loveit[/content]
Suggested Bibliography Frontiers in Psychology. (2020). “Music, Dopamine, and Human Emotion: Neurochemical Responses to Uplifting Music.” International Journal of Environmental Research and Public Health. (2022). “Rhythmic Entrainment and Exercise Motivation: Effects of High-BPM Music on Physical Performance.” Journal of Music Therapy. (2019). “The Emotional and Cognitive Benefits of Uplifting Melodic Structures in Group Music Sessions.”
If there’s one aspect that the studio unification of Craig Connelly and Liel Kolet brings, it’s exactly that. They did it first through the freefalling rush of ‘Be As One’, and bright and blinkingly early in 2026, they’re at it again with the zenith-touching ‘Endless Sky’.
Craig, it won’t have escaped your attention, has been on quite the hot run with hi-viz collabs of late, no better evidenced than his stellar ‘Other Side Of The World’ with HALIENE and ‘Black Hole’ voiced by Christina Novelli (both to which appeared on his ‘Discovery Vol. 1’ album last year).
With Liel though it’s a different kind of chemistry, and it’s one that’s intrinsically linked to the dancefloor.
The California-based singer explains the personal spark that set her ‘Endless Sky’ words in motion. “In 2017, I had my first EDC experience. I remember standing in the crowd, feeling that unreal energy, being part of something so big that revolves entirely around music. In that moment, I felt a deep sense of belonging. I knew I wanted to be part of the electronic music world and create songs that could make people feel the way I felt that night.
When I sent my vocals to Craig, he instantly understood the vision and knew exactly where to take it. After ‘Be As One,’ I couldn’t imagine a better follow-up, and I truly hope you love ‘Endless Sky’ as much as we do !”
To that, Craig’s anchored Liel’s song to a big, no-nonsense trancer: rolling bass, finely-tuned percussion, drum resonance and widescreen synths, all of which build its atmosphere unstintingly. When it opens up, the leadline does so with the kind of intensity that effortlessly lifts rooms, arenas and stages alike.
The ‘Be As One’s loop closes with ‘Endless Sky’. It lands today and you can find it right here
[content title="Summary" label="Overall Score"]Craig Connelly & Liel Kolet’s “Endless Sky” is a masterclass in euphoric trance production, seamlessly blending top-tier technical execution with emotional resonance. From the first beat, the track establishes a hypnotic rhythm, driven by a tight percussive groove and a rolling bassline that creates an irresistible sense of forward momentum. This rhythm section provides a stable foundation for the intricate melodic hooks and harmonic layers that unfold throughout the arrangement, demonstrating a nuanced understanding of how to balance tonal richness with clarity. The track’s transitions, drops, and build-ups are executed with deliberate precision, using automation, filtered sweeps, and dynamic modulation to keep the energy flow consistent and engaging. This orchestration allows the track to peak and release in ways that feel both natural and exhilarating, perfectly calibrated for dancefloor impact. The sound design and production quality of “Endless Sky” are meticulous, with each synth, effect, and vocal element occupying a purposeful space in the mix. Widescreen synths and resonant, airy pads create an immersive spatial environment, while the lead melodies soar with an emotive intensity that defines uplifting trance. By employing sidechain compression, multi-band EQ, and reverb shaping, the track achieves a vibrant loudness balance and dynamic range that prevents listener fatigue while maintaining club-ready punch. The arrangement itself reflects originality and cohesion, telling a story that guides the listener from introspection to euphoric release, exemplifying both creative artistry and structural intelligence. Effects such as stereo imaging, delay modulation, and subtle reverb tails contribute to a sense of three-dimensional immersion, ensuring that every moment feels alive and vibrant. Liel Kolet’s vocal performance is central to the track’s narrative arc, delivering lyrics that evoke belonging and transcendence, which resonate deeply with audiences. Her voice is processed with warmth and clarity, blending harmoniously with the instrumental layers without losing emotional intimacy. The track’s catchiness and replay value are undeniable, with its chorus and lead motif easily embedding themselves in memory. These elements make it highly suitable for club and festival environments, with a 140 BPM structure that DJs can integrate seamlessly into sets. Its intro and outro are crafted for mix-friendly cueing, offering clear loop potential and aiding set flow. The track’s energy curve is carefully plotted to maximize crowd reaction, elevating the experience of both casual listeners and dedicated trance enthusiasts. Beyond its technical merits, “Endless Sky” holds remarkable potential for enhancing mental health, fitness, and wellness experiences. Scientific research has demonstrated that listening to uplifting, high-tempo electronic music can increase dopamine levels, reduce stress, and improve mood regulation (Thoma et al., 2013; Koelsch, 2010). Its 140 BPM tempo aligns with optimal heart rate zones for aerobic exercise, making it ideal for running, cycling, and high-intensity interval training. The euphoric melodies and structured drops stimulate emotional release and flow states, which have been linked to improved cognitive performance and stress recovery (Csikszentmihalyi, 1990; Karageorghis & Priest, 2012). In group fitness or dance therapy settings, tracks like “Endless Sky” promote social connection and enhance perceived exertion through rhythmic entrainment, further amplifying the psychological and physiological benefits. The combination of technical mastery, emotional depth, and scientifically supported wellness effects solidifies “Endless Sky” as a benchmark for contemporary trance. It is not just a track to be heard but an immersive experience that lifts mind, body, and spirit. #PureGold Loveit [/content]
Csikszentmihalyi, M. (1990). Flow: The Psychology of Optimal Experience. Harper & Row.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Koelsch, S. (2010). Towards a neural basis of music-evoked emotions. Trends in Cognitive Sciences, 14(3), 131–137.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Bold prediction perhaps, but we’ll say it anyway: ‘Haunt Me’s a one-and-done — the kind of record that locks you in on first listen and plays on loop in the mind, long after the speakers have gone quiet.
In that instant catch, there’s a certain irony too, as, for the first time in his career, Solarstone delivers back-to-back single releases featuring the same vocalist. After December’s ‘star’ (drawn from his 2025 ‘innermost’ sessions), it’s clear, with Susie Ledge, that he knew he was onto something special.
She picks the mic back up for ‘Haunt Me’ — and true to its title … she absolutely will.
Ledge’s song explores the lingering imprint of love on memory, where physical distance is eclipsed by a closeness felt only in the mind. Through echoic metaphor, her words capture the intensity of absence —a lingering meditation on connections that endure beyond separation.
Setting her contemplations to melody, Solarstone answers it with a production that’s compelling but disciplined. The energy’s all there: striking, striving percussion and purposeful bass — yet his riffs are measured, never overreaching, and allow Susie’s voice to lead his synths. It walks the line between understatement and ascendance, keeping the energy high while the feels stay front and centre.
A track built not on spectacle, but on substance, with ‘Haunt Me’, Rich and Susie prove that subtlety can still move dancefloor mountains. You can Buy/Stream HERE
Tracklist
01. Solarstone & Susie Ledge – Haunt Me (Original Mix)
02. Solarstone & Susie Ledge – Haunt Me (Extended Mix)
[content title="Summary" label="Overall Score"]Solarstone & Susie Ledge’s “Haunt Me” emerges as a masterclass in modern euphoric vocal trance, blending technical precision with emotional resonance. From the very first beat, the rhythm and groove establish a pulsating drive at 136 BPM, designed to engage listeners both on the dancefloor and in personal listening environments. The track’s groove foundation, reinforced by clean kick-bass alignment, provides a perfect vehicle for movement, making it conducive for fitness and wellness classes where rhythmic consistency enhances physiological synchronization, as supported by studies on music tempo and exercise performance (Karageorghis & Priest, 2012). The layering of melodic hooks and harmonic structures demonstrates meticulous attention to harmonic balance, with Solarstone’s synth lines weaving around Susie Ledge’s vocal timbre in a way that builds immersion without overwhelming the central melody. Transitions, drops, and build-ups are handled with an elegance that reflects Solarstone’s years of production expertise. Subtle risers, carefully modulated filter sweeps, and restrained use of reverse reverbs create a natural flow between phrases, ensuring that the track maintains a seamless energy curve. This dynamic energy flow is crucial for both club and wellness environments, as research by Thaut et al. (2015) highlights how consistent musical momentum can positively influence mental focus and reduce perceived exertion during physical activity. The production quality is pristine, with remarkable attention to sound design and spatial imaging. Delicate delays on the vocal, balanced reverb tails, and stereo-panned arpeggios contribute to an immersive soundstage that enhances the track’s meditative qualities. Originality in arrangement is evident through the track’s subtle interplay between minimalistic breakdowns and euphoric peaks. Each section supports the overarching narrative of emotional longing, and the effects and spatial design create a sensation of depth and lingering presence, supporting the lyrical theme of haunting memories. Dynamic range and loudness balance are expertly managed; the track avoids the pitfalls of over-compression, allowing emotional swells to breathe fully while maintaining club-ready loudness. This balance reinforces the atmosphere and immersion, encouraging a deep psychological response, which aligns with research showing that immersive auditory experiences can lower stress levels and boost mood (Garcia-Gil et al., 2021). The emotional resonance of “Haunt Me” lies primarily in the synergy between Susie Ledge’s ethereal vocal performance and Solarstone’s disciplined instrumentation. Her lyrical delivery, filled with reflective imagery, connects with listeners on a neuroemotional level, activating regions of the brain associated with memory and emotional processing (Koelsch, 2014). In fitness and wellness class settings, such music has been shown to enhance endurance and foster a sense of flow state, further improving mental well-being. The track’s cohesion and storytelling are exemplary, guiding the listener through a journey that feels both intimate and expansive. Catchiness and replay value are ensured through melodic recall and consistent thematic unity, while its intro and outro structures, BPM stability, and seamless looping potential make it a DJ-friendly tool for both live and studio contexts. “Haunt Me” stands as a testament to how trance music can merge technical excellence with profound emotional impact, elevating mental health and enhancing wellness when experienced mindfully. Its crowd reaction potential is significant, yet its therapeutic and meditative qualities make it equally powerful in non-club scenarios. The combination of artistic identity, high production values, and humanistic resonance solidifies this track as a modern classic in the genre. #PureGold Loveit [/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 67–84.
Thaut, M. H., McIntosh, G. C., & Hoemberg, V. (2015). Neurobiological foundations of neurologic music therapy: rhythmic entrainment and the motor system. Frontiers in Psychology, 5, 1185.
Garcia-Gil, M., Llinares, C., & Montagud, M. (2021). Effects of soundscapes on human well-being: A narrative review. Applied Sciences, 11(9), 4257.
Koelsch, S. (2014). Brain correlates of music-evoked emotions. Nature Reviews Neuroscience, 15(3), 170–180.
In the ever-evolving world of electronic music, few voices carry the weight of experience and authenticity quite like William Daniel. A fixture of the global dance scene for over twenty-five years, he has worn many hats—journalist, DJ, producer, collector, and advocate—each role driven by his boundless passion for the culture. From his formative days at 23rd Precinct Records to his influential work within leading publications and his celebrated social media series, Vinyl Fantasy: Tales from a Record Collection, William has chronicled and shaped the story of electronic music with a rare blend of knowledge, integrity, and heart. His journey is not merely professional—it is personal, a lifelong dedication to the beats, stories, and people that define the genre.
William Daniel BIO :
William Daniel is a respected voice within the global electronic music community, having dedicated more than two decades to reviewing records and interviewing artists across the ever-evolving scene. His journey began in the early days of his career when he worked at 23rd Precinct Records, an experience that immersed him in the mechanics of the music industry and laid the foundation for his deep understanding of electronic music culture.
Over the years, William has built a reputation for insight, authenticity and an encyclopedic knowledge of the genre, expertise matched by very few in music journalism today. His passion is more than professional, it is personal. He lives and breathes the scene, constantly digging for hidden gems, rediscovering forgotten classics and celebrating the stories behind the records.
A recognised UK tastemaker, William is known for regularly breaking new producers from across the globe, often spotlighting emerging talent long before they reach wider recognition. His opinion is highly valued among key independent and major record labels worldwide, who regard his ear for quality and cultural relevance as both trusted and influential within the electronic music landscape.
William Daniel's Productions has built a strong reputation within the electronic music scene, known for delivering high-energy productions and polished studio work. Over the years, he has collaborated with some of the scene’s brightest talents, including David Forbes, Will Atkinson, and Mark Sherry, further cementing his standing among respected peers. His music has reached a global audience through releases on some of the world’s leading record labels, such as Spinnin' Records, Reset Records, 2 Play Records, Armada Music, Captivating Sounds, Damaged Records, and Aria Digital, showcasing both his versatility and consistent production quality.
Alongside his journalism, William has an established DJ profile, performing for several key brands across the UK. He held residencies at the world famous The Arches in Glasgow for Inside Out and Colours, and has played for leading brands including Goodgreef, Promise, Digital Society, Godskitchen and Gatecrasher among many others, further cementing his standing within the UK dance music circuit.
Throughout his career he has written and contributed to several high profile publications including M8 Magazine, Wax Magazine, Beatsmedia.com and countless others, further cementing his standing as a respected authority in the field.
This obsession found a natural outlet in his social media series Vinyl Fantasy: Tales from a Record Collection, where he shares knowledge, memories and rare cuts from his extensive vinyl archive. In just its first year, the project has amassed over one million views, an impressive milestone for a grassroots series that has only recently celebrated its first birthday.
Beyond journalism, DJing and collecting, William channels the Vinyl Fantasy banner into charitable work, hosting events that give back to vital causes. Proceeds have supported organisations such as CLAPA and the Catherine McEwan Foundation, reinforcing his commitment not only to music culture but also to the wider community.
Through his writing, interviews, DJ performances, collecting and charity work, William continues to stand as a passionate advocate and chronicler of electronic music, an enduring presence in a scene he has championed for over twenty five years.
Supafly x Luvstruck x Shayan - Stronger Than Before [Spinnin’]
There’s something beautifully defiant about “Stronger Than Before”, the new link-up from Supafly, Luvstruck and Shayan. It does not just revisit a classic, it honours it, elevates it, and sends it hurtling headfirst into 2026 with arms wide open.
Built around the unmistakable melodic theme from Three In One’s timeless rework of Cafe Del Mar, this record could have so easily fallen into the trap of lazy nostalgia. Instead, it feels reverent. The iconic riff, that shimmering, horizon-chasing progression, is handled with extraordinary care. It is not plastered over the track for cheap recognition. It is woven in with restraint and intention, allowed to breathe before erupting into widescreen euphoria. Tasteful is the word. Painfully tasteful.
Supafly’s seasoned house sensibilities anchor the production with warmth and groove, while Luvstruck injects that modern, high-impact club punch he has become synonymous with over the past few seasons. There is weight in the low end, clarity in the build, and just enough polish to make it festival-ready without sanding off its emotional edges.
Then there is Shayan.
Her vocal does not overpower the instrumental, it glides across it. Soulful but controlled, yearning yet resilient, she delivers the central message with conviction. “Stronger Than Before” is not just a title here, it is a statement of intent. The lyrics speak to renewal, endurance, the quiet triumph of surviving something that tried to break you. Against that towering trance backdrop, the sentiment lands like sunrise after a long night.
What is particularly heartening is seeing Spinnin' Records fully embrace this sound again. For a label that has long dictated the pulse of global dance floors, their renewed commitment to trance-leaning records signals something bigger than one release. It feels cyclical, like the genre’s emotional core is once again being recognised as its greatest strength. With heavyweight support now firmly rallying behind the trance resurgence, the future looks blindingly bright.
“Stronger Than Before” does not try to reinvent the wheel. It does not need to. It taps into a melody that defined a generation, pairs it with heartfelt songwriting and contemporary production muscle, and reminds us why we fell in love with this music in the first place.
In a time where trends flicker and fade at algorithmic speed, this is a record that stands tall, chest out, eyes forward, unashamedly euphoric and utterly alive. (written by W.D)
Michael Hutcheson - Fahrenheit x In Hindsight (138 BPM) [Borderline]
There’s something quietly poetic about a long-awaited return. When an artist steps back into the light after nine years without a release, there’s expectation, curiosity and perhaps even doubt however, with Fahrenheit / In Hindsight, forthcoming on Activa’s Borderline label, Michael doesn’t just return, he reaffirms.
Let’s get one thing straight: absence from the release radar does not equal absence from the culture. Anyone embedded in the trance community knows Michael has never truly stepped away. He’s been there in the shadows and strobes, in the warm hues of early doors sets, shaping dancefloors with patience and precision. A key figure in the Scottish trance scene, he’s graced every major venue north of the border and earned a reputation as one of the rare few who’ve mastered the lost art of the warm-up DJ, that subtle, selfless craft of storytelling before the storm.
But now, the storm arrives.
Fahrenheit is a statement of intent. Ultra slick in its production, pristine, polished and unapologetically modern, it wastes no time in drawing you into its orbit. The percussion is tight, the low-end confident, but it’s the melody that truly soars. Classy and emotionally intelligent, it encapsulates everything quality uplifting trance is about: tension, release, hope and that ineffable sense of forward motion. It’s not nostalgia, it’s evolution. A track built for vast rooms and open skies.
Then there’s In Hindsight, and the title couldn’t be more fitting. Where Fahrenheit burns bright, this one glows deep. Again, the production is immaculate, ultra slick without losing soul, but it’s the melodic phrasing that lingers long after the final breakdown fades. There’s maturity here. A reflective quality. It feels like the sound of an artist who’s taken his time, who understands that trance at its best isn’t about volume or velocity, but about vulnerability wrapped in euphoria.
This is a super strong EP on a very respected imprint. It will do well for Michael, and deservedly so. Borderline has long been a stamp of quality, and this release sits proudly within that lineage.
Let’s be honest, if Michael continues to produce output at this level, it won’t be long before the warm-up specialist becomes the peak-time force. The craftsmanship is there. The identity is there. The passion has always been there. Prime-time slots await, and they’d be rightfully earned.
Nine years since his last release. Believe it or not. But some fires don’t burn out, they burn hotter with time. An essential release, Nice one. 💫 (written by W.D)
There’s a rare certainty to ‘Harbour 43’ on WAO138?! that split-second recognition you’re in the capable hands of David Forbes. Before the breakdown blooms, before the chaos fully unfurls, the stamp is there. Ultra-slick production, chiselled low-end, percussion that snaps with authority, and a melodic arc that balances euphoria with balls of steel. It’s immaculate without feeling sterile, and muscular without sacrificing emotion.
What defines David Forbes in 2026 is that unmistakable sonic identity. You can tell it’s him without checking the credits. There’s a discipline to the arrangement, a tension in the build, and when the drop detonates, it’s full-throttle trance engineered with intent, not excess. This isn’t peak-time fodder for the sake of velocity. It’s precision-tooled impact, crafted by someone who understands both the dancefloor and the studio to clinical forensic depth.
Crucially, he’s not merely contributing to the current surge in harder, faster trance, he’s leading the charge. While others flirt with intensity, David fully commits to it, setting a quality threshold very few can ever consistently match. His Midas touch extends beyond a single lane too. Across genres, from peak-time tech to driving main-stage, all of the scene’s biggest names are hammering his releases. That breadth of respect speaks volumes.
There’s also the long view. Three decades of sheer dedication underpin his studio wizardry. The rapid ascent of the past few years hasn’t been accidental hype. It has been the culmination of experience meeting opportunity. If this trajectory holds, 2026 will not just be busy for Forbes, it will be defining.
‘Harbour 43’ feels like both a victory lap and a warning shot, an artist at full power and fully aware of it. David’s GOAT status is entirely justified, and long may his deserved success continue. 💫 (written by W.D)
Through his writing, performances, and charitable initiatives, William Daniel continues to be more than a commentator—he is a custodian of electronic music’s legacy and a champion of its future. His voice resonates not only across dancefloors and magazine pages but in the spirit of a community that thrives on passion, innovation, and connection. In celebrating his work, we honor a career built on love for the music and the culture that surrounds it—a story still being written and a beat that refuses to fade.
The Architect of Space Electronic music, at its most potent, serves as a catalyst for collective release. For Paul James Nolan, the booth is a vantage point for observation and a platform for holding space. His performances are crafted not just to entertain, but to facilitate a visceral, immersive experience where the boundary between the individual and the room begins to blur. It is an intentional approach to the dancefloor — one that treats the night as a transformative arc, inviting the audience to disconnect from the external and drop into something far more profound.
The Technical Foundation: Precision & Presence Paul’s reputation was forged in the demanding world of high-end audio engineering, working alongside titans like Sasha and Junkie XL, and contributing to the sonic landscape of projects like the acclaimed Late Night Tales: Scene Delete. This technical pedigree—evident in his releases for Bedrock and Paul Thomas’ UV—is now the engine behind a more singular mission. He uses sound as a tactile force, employing precision-tooled frequencies to command the room’s energy. It is sound design with a pulse; a sophisticated interplay of shadow and light that demands presence.
Mentorship as Empowerment: MYT This same ethos of transformation defines MYT, Paul’s platform for artist development. Far more than a technical school, MYT serves as a sanctuary for creators to find their authentic voice. Paul approaches mentorship as a form of spiritual and personal development, empowering a new generation of artists — including the likes of Massano and Four Candles —to navigate the industry not just as producers, but as intentional creators who understand the responsibility of holding the room.
Revolutionary Soundscapes and New Horizons This commitment to deep immersion has naturally led Paul to the frontier of spatial audio. Working in a consultancy capacity with d&b audiotechnik, he is helping to spearhead the rollout of the Soundscape 360° systems. By removing the limitations of traditional stereo, Paul is able to wrap the audience in a living, breathing sonic environment — furthering his pursuit of music that bypasses the analytical mind.
Perhaps it is no surprise that a man who views transformation as a key tenet of his philosophy should have recently uprooted from Liverpool to Buenos Aires. Inspired by the vast, alien landscapes of the Argentine salt deserts, Paul James Nolan has entered a new phase of his career—one defined by a reconnection to his roots and a fearless path forward.
With a heavily anticipated official remix of the classic ‘Diabla’ by Funk D’Void slated for release on one of the world’s most influential electronic labels later this year, Paul continues to gain ground as a vital voice in the scene.
Supported by legends like Hernan Cattaneo, John Digweed, Patrice Baumel, and Tim Green, his music remains a reminder of our need for community, belonging, and the deeply human power of the dancefloor.
In this exclusive interview, we dive into the mind and music of Paul James Nolan, an artist whose approach to electronic music is deeply rooted in transformation, precision, and emotional resonance. From his beginnings in high-end audio engineering to mentoring the next generation of creators through his MYT platform, Paul has consistently pushed the boundaries of sound design and performance. Recently relocated to Buenos Aires, he continues to explore the frontier of spatial audio and immersive experiences, with upcoming releases like his long-awaited remix of Funk D’Void’s “Diabla.”
Dimitris: How does your new track reflect the evolution of your sound since you first started producing music?
Paul James Nolan: The EP is really a convergence of many aspects of my life, technically, musically, spiritually. The title track, Mandarin Sunrise.
Dimitris: What specific sound design choices in this track highlight your growth as an artist?
Paul James Nolan: Every track I make is a highlight of my growth as an artist. It's an iterative process, and has been since my first release in 2011 and will be until the day I shuffle off this mortal coil.
Dimitris: Which synthesizers, plugins, or software did you rely on most for crafting the core sounds of this track?
Paul James Nolan: I have 3 'everything' synths that do the vast majority of the heavy lifting for me in the studio these days - Omnisphere 3, Serum 2 and Arturia Pigments 7. I can create literally anything with one of these 3 synths, I know them deeply and have used their various iterations for years.
Dimitris: How do you integrate hardware synthesizers or drum machines with your software setup during production?
Paul James Nolan: I don't. I'm 100% in the box and I like it that way :)
Dimitris: Can you walk us through your process for designing the lead melody or bassline—what tools, both hardware and software, did you use?
Paul James Nolan: The lead melodies for Mandarin Sunrise were created using a combination of Diva in multiple layers, all expressing slightly randomised MIDI sequences based on the main riff patter, using Ableton's MIDI effects such as Random, Scale and Note Echo. My approach is always something very simple that is perceived as more complex via precise processing
Dimitris: How has your use of effects processing—whether through analog gear or digital plugins—evolved, and how did it shape the atmosphere of this track?
Paul James Nolan: I've done Sound Design for many years across both music and film, and have worked with Hollywood composers such as Jeff Rona and JunkieXL, as well as electronic icons like Sasha. Working with such geniuses really does open up so many worlds, whether it be with Eurorack modular gear when I worked with Sasha on 'Scene Delete'.
Dimitris: Did you experiment with any new sound design techniques, such as granular synthesis, resampling, or analog modulation, in this production?
Paul James Nolan: Mandarin Sunrise was an example of simplicity over everything else. It's less than 30 tracks total. Transmute, the breaks track on the flip side, was about 12 I think. There's constant granular processing, resampling of synths, vocals and other elements going on, that help shape the contour of the expression and ratio of tension and release in the EP. I learned that whilst working with JunkieXL - keep it simple, but no sound goes untouched, everything has to have depth and a role to play, and that's how I try to bring a cinematic easthetic to my electronic music tracks.
Dimitris: How do you approach layering sounds to create depth and texture, and what specific methods or hardware did you apply in this track?
Paul James Nolan: Excellent raw materials, highly curated, selected in very specific combinations, in order to create the end result with as minimal amount of mixing processing and trickery as possible,. I spent 75% of the time on crating a track on just picking the right sounds, as when this is done well, everything else tends to take care of itself and everything unfolds organically.
Dimitris: Were there any challenges in syncing hardware with your DAW or achieving a cohesive mix between analog and digital elements? How did you overcome them?
Paul James Nolan: Not applicable as I don't use hardware ;) This is EXACTLY why I don't use hardware, as I move so quickly I don't have time or patience for issues like keeping everything in sync.
Dimitris: When listeners hear this track, what subtle sound design details or hardware-driven elements do you hope they’ll notice that reflect your technical growth as a producer?
I just hope they feel the music, stop analysing it, and understand the story I'm trying to tell. If they are standing there analysing what my kick sounds like and not dnacing, then I've failed as an artist. It's meant to be about letting go, on the dancefloor, not chin stroking.
Future Plans:
Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?
Paul James Nolan: Dropping many more bangers on a regular basis. I have a remix of Funk D'Void's iconic track 'Diabla' dropping later in the year, and I'm playing some wonderful shows in Argentina and UK, most notably Digital Newcastle on June 6th with Dave Seaman and my good friend Patrice Baumel.
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
Paul James Nolan: Regular releases. I'll have something dropping every month for the rest of this year at least. Then more and more touring.
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
Paul James Nolan: Too many to mention. I've already worked with so many legends in engineering and sound design capacities - Sasha, JunkieXL, Tim Green to name a few. It'd be fun to fold back to all of these heroes of mine, who have become great friends to me, and do something that carries both of our names above the door.
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
Paul James Nolan: It doesn't and it shouldn't. I'm VISCERALLY anti AI, and I believe very strongly the only two true use cases for AI in music is for sample analysis and discovery, and stem separation. Everything else is quite frankly anti artist, completely fucking useless, and any artist who uses it to make the music for them, isn't an artist at all and shouldn't be making music at all. True Artists will win in the end. We always do.
Dimitris: What message would you like to share with your fans and the broader EDM community about your journey and vision?
Paul James Nolan: We need to rediscover that electronic music is truly about healing and transformation, in both individual and collective contexts. It's not about clout, your social numbers, even the silly little videos you take during parties that you never watch again because you've been manipulated into capturing the moment rather than living it. We need electronic music culture at its finest, more than ever, given how fucked up the world is, and through it, we can rediscover and remember our essential humanity and that there is far more that unites us than divides us.
Personal Insights:
To wrap things up, we'd love to get a glimpse into your personal life and philosophy. These insights help us understand the person behind the music.
Dimitris: How do you maintain a balance between your personal life and your music career?
Paul James Nolan: I don't! Music is everything to me - making it, coaching artists to be the best they can be, playing sets, creating. It's my entire life, and I actually think 'balance' is a myth. Only the ones who are obsessed to the point of delusion lead a truly fulfilling life in their chosen artform. Yes, we need to look after ourselves, and I certainly do that - lifting heavy weights, Brazilian Jiu Jitsu, Hot Yoga, Sauna, Cold Plunges, plant medicines...but it's all in service of optimising myself so I can be of even deeper and greater service to humanity through my art and music. That's the mission. That's all the matters.
Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?
Paul James Nolan: Learn your craft properly. Respect the history. Learn to DJ on vinyl first. Go crate digging. Listen to the icons that built this scene and culture. Be willing to start from the bottom and work your way of gradually. Humble yourself. Leave your ego and entitlement at the door because nobody gives a shit. You are in service to the music and the culture, not the other way around.
Dimitris: Can you walk us through your DJing process—from track selection to live mixing? How do you curate a set that resonates with different audiences?
Paul James Nolan: It just has to be something I can feel. I'm very much a harmonic mixer and a big believer in it - it's music theory at the end of the day and it does make a big difference in terms of storytelling and how people connect with the narrative over the course of a set. I'm a big user of Mixed In Key, and that can throw up some surprising connections across energy levels, musical keys and genres that IU may not already have considered.
Balancing Production and Performance:
Dimitris: How do you manage the creative balance between producing new tracks in the studio and preparing for high-energy DJ gigs?
Paul James Nolan: I've been mostly studio based in recent years, working on coaching and producing and sound designing. Now I'm taking the step out from behind the curtain, to take centre stage myslef, so I look forward to figuring this out as time goes on!
Dimitris: Does your approach to music production change based on the feedback or experiences you gain from live performances?
Paul James Nolan: I think it would be natural to do that. Road testing tracks, seeing how people react on the dancefloor, is essential intel for how the storytelling, musical ideas, arrangements, mixdowns and masters all work to create the optimal experience.
Closing Statement:
Dimitris: Please tell us your final statement to our readers who will read this interview.
Thank you so much for taking the time to share your journey, insights, and experiences with us. Your thoughtful responses will surely inspire and resonate with fans and fellow artists alike. We truly appreciate your contribution to the electronic music community and look forward to witnessing your continued success!
Paul James Nolan: Thanks for taking the time to read this amazing opportunity for me to express something deeper on musical and philosophical levels. It's rare to get questions this good! Hopefully everyone reading takes something interesting from it, and will come and see me at a show in the near future.
A massive thank you to Paul James Nolan for sharing his journey, creative process, and philosophy with such honesty and passion. His commitment to authentic expression and the transformative power of electronic music is a timely reminder of why this culture matters. We look forward to hearing his upcoming releases and experiencing his immersive sets that continue to connect and inspire audiences around the world.
Paul’s music is driven by an ethos of healing and collective transformation on the dancefloor. He favors simplicity and precision in production, relying heavily on software synths like Omnisphere 3, Serum 2, and Arturia Pigments 7. Remaining entirely “in the box,” he avoids the complications of hardware setups, focusing instead on refining his craft within a digital environment.
His creative process emphasizes selecting excellent raw sounds and then transforming them through granular processing, resampling, and layering to create cinematic depth. Mentorship and artist development are also central to his mission, with MYT serving as a platform to nurture authentic creative growth. Nolan is strongly opposed to AI-generated music, maintaining that true artistry stems from human dedication and emotional investment.
Looking ahead, his plans include monthly releases, global touring, and exciting collaborations with legendary peers. Special thanks go to Paul Thomas from UV/UV Noir for helping make this interview possible.
UV record label heads Paul Thomas and Das Pharaoh (Fadi from Aly & Fila) invite you to a one-off, free night of progressive house in London. Known for championing quality prog from across the scene, UV has built a reputation around depth, atmosphere and dancefloor-first energy. This event is no different.
On 20th March at The Lower Third, UV host a free entry event where Paul Thomas and Das Pharaoh will go back-to-back all night, digging deep into their sound and taking the room on a real journey.
The show will be recorded as part of the Underground Live Forever series.
Please note that a free ticket does not guarantee entry. Arrive early to avoid disappointment as entry will be on a first come, first serve basis.
Armin van Buuren Delivers 5-Hour Journey Set and Announces UNVRS Ibiza Residency
Global trance institution A State of Trance (ASOT) opened its 25th anniversary weekend in Rotterdam with 20,000 fans filling the venue on Friday, marking a monumental start to the milestone celebration.
The opening night featured a carefully curated line-up reflecting both the legacy and future of trance. Highlights included a special 25 Years Celebration set by Armin van Buuren, an exclusive Armin van Buuren F2F Funk Tribu performance, Ruben de Ronde, Ferry Corsten, SUPERSTRINGS, Giuseppe Ottaviani, Mauro Picotto, Will Atkinson and Matty Ralph. Together they delivered a powerful tribute to 25 years of the ASOT sound.
Armin’s five-hour headline set became the emotional core of the evening, taking fans on a musical journey through a quarter century of trance. During the set, he also announced his return to Ibiza this summer with a brand-new A State of Trance residency at UNVRS. As part of the 25 Years of ASOT celebrations, he revealed that he will perform five extended five-hour sets throughout the residency, once again deep diving into the sound and history of A State of Trance, adding another major chapter to the anniversary year.
Today expands the experience with a daytime programme including Shaping A State of Trance with Armin van Buuren, Inside the OTTAGON, Drop Your Track, and A State of Mind with Armin van Buuren. The night line-up bridges generations across the trance spectrum, featuring Armin van Buuren b3b Oliver Heldens and Maddix, alongside Laura van Dam, Ottagon, Cosmic Gate and rising names including Olivia Lensen, Newtone, DART b2b Inafekt and Tjade.
Reflecting on the weekend, Armin shared: “Celebrating 25 years of A State of Trance together with fans from all over the world is beyond anything I could have imagined when we started this journey. Seeing multiple generations unite on the dance floor, honoring the roots of trance while embracing what’s next, makes me incredibly proud. And announcing our ASOT residency at UNVRS Ibiza during this milestone weekend made it even more special.”
What started 25 years ago as a radio show has evolved into a worldwide movement, connecting millions of listeners and eventgoers across the globe. This anniversary edition celebrated ASOT’s legacy while confidently setting the tone for the next era of trance, further cementing its status as one of electronic music’s most influential brands.
With the final night still to come, the 25-year milestone of A State of Trance has already secured its place as a landmark moment in the genre’s history.
Pre-registration for A State of Trance 2027 is now available via the following linkand tickets for Armin van Buuren’s UNVRS Ibiza residency can be purchased via the official UNVRS website here.
About A State of Trance
A State of Trance has evolved from a small radio show into a wide-ranging and far-reaching global brand with numerous spin-offs, becoming one of the world’s biggest and most influential dance music concepts. Today, the weekly show is broadcast in 84 countries and reaches millions of listeners per episode.
Beyond the airwaves, A State of Trance has united fans over the years through more than 100 events across five continents. The flagship event in Rotterdam remains the crown jewel, drawing tens of thousands of trance fans for a large-scale production featuring some of the genre’s most renowned artists.
With its global community, international event portfolio, and continued commitment to musical innovation, A State of Trance stands as the world’s largest trance brand and a defining force within the electronic music landscape.
About Insomniac Europe
A new division of Insomniac - the company known for hosting the world’s largest music festivals and live experiences, including 10,000 concerts, club nights, and festivals for seven million attendees each year - Insomniac Europe, has been created to expand these experiences across the continent. Backed by Insomniac’s incredible range of expertise in producing immersive and large-scale events, Insomniac Europe aims to bring the same vibrant energy and community-driven experiences to a broader European audience. From its humble beginnings in the underground music scene of Los Angeles, Insomniac has become a global leader in electronic dance music, known for its iconic festivals like Electric Daisy Carnival (EDC) and Beyond Wonderland. Insomniac Europe continues this legacy with festivals like AMF and by partnering with organizations like A State of Trance, fostering a culture of creativity, self-expression, and connection across Europe, while also contributing to the ever-growing global dance music community.
ThereWereTwo, Elyonn and Bohm join forces on 'Underneath It All', with vocals from Fēlēs and Gabriel Paris. Blending driving melodic energy with atmospheric textures and an emotional topline, this track moves effortlessly between melodic house and melodic techno, delivering a powerful late-night and peak-time listening experience.
Dimitris Kechagias Review: [review top="1"] [item value="10"]ThereWereTwo, Elyonn & Bohm ft. Fēlēs & Gabriel Paris - Underneath It All [/item]
[content title="Summary" label="Overall Score"] "Underneath It All" by ThereWereTwo, Elyonn & Bohm featuring Fēlēs and Gabriel Paris is an exceptional melodic house and techno hybrid that exemplifies top-tier production, artistic identity, and emotional storytelling. Operating at a smooth 120 BPM, the track radiates rhythmic drive and groove, propelled by thumping kicks, tight percussive layers, and a pulsating bassline that forms its irresistible backbone. Its groove captures the essence of late-night energy, offering a polished rhythmic performance that feels both hypnotic and invigorating, seamlessly supporting melodic and harmonic interplay. The composition’s harmonic layers and melodic hooks are woven with cinematic precision. Atmospheric strings, lush pads, and subtle harmonic progressions interact with dark yet emotive synth leads, creating a sense of space that resonates deeply with listeners. The transitions and build-ups flow effortlessly, with breakdowns employing minimal, haunting piano motifs before rising to dramatic, euphoric climaxes. This level of cohesion reflects masterful arrangement and structure, achieving high originality without compromising accessibility. From a production standpoint, the sound design is immaculate. Spatial effects and reverbs are applied with a delicate hand, enhancing immersion without overcrowding the mix. Each element sits perfectly in its dynamic range, ensuring clarity and punch while maintaining a balanced loudness suitable for club and festival play. Drops are impactful yet organic, and the track’s energy flow is meticulously sculpted for peak-time performance. The vocal contributions by Fēlēs and Gabriel Paris elevate the track significantly, with heartfelt delivery and poignant lyrics that add both emotional resonance and singalong potential. Scientifically, music with driving rhythms and emotional content like "Underneath It All" has been shown to positively impact mental health and physical performance. Research indicates that melodic, rhythmically engaging tracks at moderate tempos can reduce perceived exertion and enhance endurance during fitness activities (Karageorghis & Priest, 2012). Its uplifting yet meditative harmonic layers can promote mindfulness and relaxation, contributing to stress reduction and emotional regulation (Thoma et al., 2013). The track’s dynamic flow and cathartic crescendos make it particularly effective for wellness classes such as yoga or spin sessions, where music enhances both mood and physical coordination. Furthermore, studies in music therapy suggest that engaging with emotionally expressive electronic music can improve mood, foster a sense of connectedness, and facilitate a state of flow (Koelsch, 2014). The combination of rhythmic consistency, spatial design, and emotionally charged vocals in "Underneath It All" creates a captivating auditory experience that engages the brain’s reward system while promoting positive mental states. In conclusion, "Underneath It All" demonstrates excellence across all production criteria—from rhythmic foundation and harmonic depth to vocal impact and festival readiness. Its immersive atmosphere, pristine sound design, and emotional storytelling are not only artistically stunning but also beneficial to mental health and wellness applications. This track stands as both a dancefloor weapon and a therapeutic listening experience, truly embodying #PureGold. #PureGold LoveiT[/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44-66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Koelsch, S. (2014). Brain correlates of music-evoked emotions. Nature Reviews Neuroscience, 15(3), 170–180.
Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193.
