Showing posts with label Elpida Music. Show all posts
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22:45:00

 


1. Daniel Wanrooy - Gates Of The Unknown (Extended Mix)
2. Daniel Wanrooy - Gates Of The Unknown (Original Mix)

Daniel Wanrooy returns to Elpida Music with “Gates Of The Unknown”, a driving trance journey packed with soaring melodies, deep atmospheres, and that unmistakable forward momentum. Hypnotic, emotional, and built for late-night dancefloors—this is an invitation to explore what lies beyond the edge of the known. Get ready to explore the Gates Of The Unknown.

Discover HERE: elpidamusic.lnk.to/gates




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Daniel Wanrooy - Gates Of The Unknown[/item]
[content title="Summary" label="Overall Score"]Daniel Wanrooy’s “Gates Of The Unknown” is an exceptional trance production that showcases meticulous attention to rhythm, melody, and sound design, masterfully achieving a perfect 10 across all performance criteria. The track’s rhythmic foundation is carried by a consistent 135 BPM tempo, delivering a driving groove that propels listeners forward with unwavering momentum. Its percussion layers are tightly quantized, yet humanized through subtle velocity variations, resulting in a flow that feels both precise and organic. The bassline’s rolling pattern interlocks seamlessly with the kick drum, producing a resonant low-end energy that energizes dancefloors and fitness environments alike. The melodic architecture of the track is rich and immersive, featuring soaring hooks and harmonically layered synths that evoke a sense of wonder and emotional uplift. Daniel Wanrooy effectively employs progressive and tech-inflected soundscapes that nod to the early 2000s trance ethos while employing modern production techniques such as multiband sidechain compression and mid/side EQ sculpting. Transitions and build-ups are executed with careful modulation of filters and reverb tails, creating tension that resolves in euphoric drops. These production choices not only maintain the energy flow but also enhance the track’s storytelling, providing an auditory journey that captivates from the first beat to the final fade. Sound design and spatial mixing have been handled with exceptional precision. Each element is carefully placed in the stereo field, with atmospheric pads and delayed arpeggios creating a three-dimensional sense of immersion. The dynamic range is preserved despite the track’s club-ready loudness, ensuring clarity and preventing listener fatigue. Effects such as reverberant sweeps, delayed plucks, and stereo imaging automation contribute to a sense of constant movement, reinforcing the track’s forward momentum. This attention to sonic detail enhances both the track’s artistic identity and its replay value. From a wellness perspective, “Gates Of The Unknown” demonstrates the powerful psychological and physiological benefits of trance music. Research has consistently shown that steady rhythmic patterns and melodic structures in electronic music can induce flow states and reduce stress levels (Thoma et al., 2013; Schäfer et al., 2013). The euphoric and emotive qualities of uplifting trance have been linked to the release of dopamine and endorphins, which can improve mood and support mental health. In fitness and group exercise contexts, music at this tempo and intensity has been shown to enhance endurance and motivation (Karageorghis & Priest, 2012), making this track ideal for wellness classes, cardio sessions, and meditative movement practices. The sense of immersion and emotional resonance fostered by Wanrooy’s production can thus contribute positively to both physical and psychological well-being. Finally, “Gates Of The Unknown” stands as a testament to the ongoing evolution of trance music, maintaining the genre’s core identity while embracing modern production techniques. Its cohesive structure, high replay value, and undeniable impact on audiences make it equally suitable for club environments, festival stages, and personal wellness playlists. Daniel Wanrooy has crafted not just a track, but an uplifting experience that bridges technical mastery with human emotional response. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]

Suggested Bibliography:
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.
Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.




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02:17:00

 


Daniel Wanrooy cements his status as a master of atmospheric tension with his latest high-octane delivery, "Losing Sleep," out now on Black Hole Recordings.

Following a streak of club-heavy hitters, Wanrooy dives back into the deeper, more hypnotic side of Trance. "Losing Sleep" is a masterclass in building suspense, utilizing rhythmic layers that mimic the restless energy of a late-night vigil. It’s a track that captures that specific "locked-in" feeling—where the rest of the world fades away, and the only thing left is the pulse of the speaker.






Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Daniel Wanrooy - Losing Sleep [/item]
[content title="Summary" label="Overall Score"]Daniel Wanrooy’s “Losing Sleep” emerges as a meticulously crafted progressive trance gem that demonstrates his mastery of atmospheric tension and technical excellence. At 132 BPM, the track maintains a steady and driving pulse, perfectly calibrated for seamless integration into club and festival sets. Its rhythm, groove, and drive are anchored by superbly engineered chunky basslines and tightly programmed percussion that create an irresistible forward momentum. Each kick, snare, and hi-hat lands with surgical precision, providing DJs with reliable cue points and loop potential that ensure easy syncing and dynamic energy flow throughout a set. The melodic hooks and harmonic layers of “Losing Sleep” are both captivating and deeply immersive. Wanrooy’s use of euphoric synths, paired with melancholic chord progressions, generates a sonic landscape that evokes introspection while simultaneously inviting movement. The layering of harmonies demonstrates exceptional sound design and production quality, with each frequency band carefully balanced to preserve dynamic range while achieving club-level loudness. The transitions, drops, and build-ups are handled with finesse, guiding listeners through a journey of suspense and release, culminating in a melodramatic climax led by emotive female vocals that enhance the track’s emotional resonance and replay value. From a technical standpoint, the originality of the arrangement and structure sets the track apart. Wanrooy exercises restraint in his use of effects and spatial design, deploying reverb and delay to create an expansive, three-dimensional soundstage that enhances immersion. The result is a cohesive storytelling experience that reflects a distinct artistic identity, keeping the listener engaged from intro to outro. The vocal performance and lyrical placement are both impactful and memorable, adding to the track’s catchiness while maintaining its atmospheric allure. Every element contributes to a unified narrative that translates effortlessly to both intimate clubs and large festival environments. Beyond its club potential, “Losing Sleep” offers notable benefits for mental health, fitness, and wellness contexts. Research has demonstrated that high-BPM electronic music, particularly trance, can improve mood, increase endurance during exercise, and induce flow states that reduce stress and anxiety (Karageorghis & Priest, 2012; Thoma et al., 2013). The track’s hypnotic rhythms and euphoric peaks can stimulate dopamine release, while its immersive harmonics promote feelings of well-being and mental clarity. In wellness classes or meditative dance sessions, its dynamic energy supports both physical movement and emotional release, making it a powerful tool for enhancing human performance and mental balance. “Losing Sleep” stands as a flawless example of how technical mastery, emotional design, and scientific benefits converge in modern trance production. By delivering both peak-time energy and psychological uplift, Daniel Wanrooy cements his reputation as a visionary artist capable of moving both the body and the mind. #PureGold Love It [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]

Suggested Bibliography:
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I & II). International Review of Sport and Exercise Psychology, 5(1), 44-79.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534-543.
Blood, A. J., & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences, 98(20), 11818-11823.




Additional info:
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05:11:00

 


Collab bro? Yeah! Friends John and Tim combined forces again for another collaboration on Elpida Music with their new release Caelestis. The blend of their sounds results in another progressive banger with an acid twist that will definitely do a lot of damage on the dancefloors all over the world. Enjoy Caelestis!





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Tim Besamusca & John Stigter - Caelestis[/item]
[content title="Summary" label="Overall Score"] The collaboration between Tim Besamusca and John Stigter on their latest track Caelestis demonstrates a masterful fusion of progressive trance and acid elements, delivering a production that is both technically refined and emotionally powerful. At 126 BPM, the track maintains a steady and reliable energy flow that is essential for both club sets and wellness-focused environments. The rhythm, groove, and drive are powered by pulsating basslines, thumping drums, and crisp percussion that create a dynamic foundation. The kick and sub-bass pairing is tight, ensuring BPM consistency and easy synchronization for DJs while providing a physical rhythmic energy that enhances movement-based activities like fitness and aerobics. The melodic hooks and harmonic layers are meticulously arranged, featuring cinematic piano chords, lush emotional synths, and ethereal vocal layers that evolve into majestic orchestral strings. These elements contribute to a deeply immersive atmosphere that supports both mental engagement and emotional resonance. Transitions, drops, and build-ups are seamlessly executed, with acid-infused climaxes and carefully modulated effects that heighten anticipation and deliver euphoric releases. This expert use of sound design, effects, and spatialization ensures the track provides a rich listening experience on both headphones and large club sound systems. Caelestis excels in dynamic range and loudness balance, maintaining clarity across the frequency spectrum while delivering impactful peaks without listener fatigue. The originality of its arrangement is evident in the way it progresses, telling a cohesive musical story that resonates with creativity and artistic identity. Scientific research supports the positive effects of such rhythmic and melodic structures on mental health; for instance, studies have shown that music with clear rhythmic drive and harmonic complexity can reduce stress hormones, elevate mood, and improve cognitive function (Thoma et al., 2013; Sarkamo et al., 2018). Additionally, the track’s energetic flow and euphoric climaxes make it suitable for workouts, dance therapy, and group fitness sessions, which benefit from music that enhances motivation and emotional well-being (Karageorghis & Priest, 2012). Listeners are drawn into an immersive experience where the wide stereo imaging and layered soundscapes promote both physical engagement and emotional catharsis. The track’s structure, from its cinematic breakdown to its powerful acid-driven climax, supports emotional release and can potentially induce a flow state, which has been linked to enhanced mental health and improved focus. Its replay value is high due to its complex yet accessible musical narrative, making it suitable for both repeated personal listening and professional DJ use in club and festival environments. With a perfect balance of technical precision, emotional depth, and human-centered impact, Caelestis stands as a prime example of how electronic music can elevate both the mind and body. #PureGold Love it[/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]


Suggested Bibliography:
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534-543.
Särkämö, T., Laitinen, S., Numminen, A., Kurki, M., Johnson, J. K., & Rantanen, P. (2018). Music, emotion, and dementia: Insights from neuroscientific research. Music and Science, 1, 1-15.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44-66.




Additional info:
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15:14:00

 




1. Robert Corbett - Where Do You Go (Extended Mix)
2. Robert Corbett - Where Did You Go (Daniel Wanrooy Extended Remix)
3. Robert Corbett - Where Do You Go (Original Mix)
4. Robert Corbett - Where Did You Go (Daniel Wanrooy Remix)

Canadian singer/songwriter and producer Robert Corbett is back on Elpida Music. His new work Where Do You Go is has that perfect 80’s vibe that make you want to watch every episode of Stranger Things again. The amazing lyrics and complete this wonderful production. Elpida Music label founder Daniel Wanrooy makes a big progressive trancer out of it that works in every set!





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Robert Corbett - Where Do You Go (incl. Daniel Wanrooy Remix) [/item]
[content title="Summary" label="Overall Score"]Robert Corbett’s “Where Do You Go,” released on Elpida Music, is a masterful blend of nostalgic charm and modern production prowess. Opening with a subtle, atmospheric pad and a gentle arpeggio, the track instantly evokes an authentic 80’s synthwave vibe, enhanced by the warm analog-style keys and slightly saturated textures. Once the techy kick and tight percussive layers enter, the groove locks in, driving the track at a steady 130 BPM. The bassline is carefully crafted—thick, rounded, and perfectly sidechained—to give the rhythm an irresistible pulsating drive that forms the backbone of the entire composition. The melodic structure showcases Corbett’s exceptional songwriting skills. His emotive vocals deliver the poignant lyrics with clarity and depth, carried by a harmonic progression that balances nostalgia with contemporary dancefloor sensibilities. Euphoric synth leads and lush harmonic layers rise in intensity through the build-ups, creating a cinematic lift before resolving into thumping drops. The transitions are executed with precise automation, utilizing filtered effects, reverb swells, and delay tails to keep the energy flowing seamlessly from one section to the next. Daniel Wanrooy’s remix transforms the song into a powerful progressive trance mainstage anthem. His production highlights meticulous sound design—sharp yet smooth high-end, punchy midrange elements, and a low-end that fills the spectrum without muddying the mix. The spatial design is immersive, with stereo imaging that places every element exactly where it belongs, from the central vocal to the side-panned percussive details. Each effect, from the subtle chorusing on the pads to the tastefully delayed vocal fragments, contributes to a rich and captivating sonic landscape. Structurally, the track is highly DJ-friendly. Both the intro and outro provide clean cue points and looping potential, making it easy to incorporate into club and festival sets. The dynamic energy is well-paced, with tension and release moments engineered to maximize crowd reaction. The track’s BPM consistency and overall cohesion make it an asset for set flow, while its emotional resonance ensures strong replay value. From its catchy hooks to its meticulously balanced loudness and dynamic range, “Where Do You Go” is a prime example of creative artistry meeting technical excellence—pure gold for both listeners and DJs alike. #PureGold Love IT [/content]
[item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]




Additional info:
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03:58:00

 


Label founder Daniel Wanrooy returns to Elpida Music with his latest work Reef. After his last solo Elpida Music release Lost Lake, Daniel Wanrooy releases another progressive monster. Warm melodies, driving basslines and pounding kicks that will keep you moving! Summer is here with Reef!





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Daniel Wanrooy - Reef[/item]
[content title="Summary" label="Overall Score"]Daniel Wanrooy, the mastermind behind Elpida Music, returns with his latest progressive trance marvel, Reef. Following the success of his previous solo release Lost Lake, Reef emerges as a dynamic addition to his discography, showcasing his refined production prowess and technical sophistication. At a steady 128 BPM, Reef is engineered for the main floor, exuding an energy that is both infectious and meticulously crafted. The track kicks off with techy, punchy kicks that lay down a solid rhythmic foundation. The slightly tribal percussive elements are intricately woven, adding a textured groove that complements the driving basslines. These basslines are not just thumping; they are carefully modulated to maintain an evolving dynamic, providing a buoyant undercurrent that propels the track forward. A key highlight is the breakdown, where Wanrooy introduces a memorable synth riff—or 'reef'—that not only defines the track’s melodic identity but is also layered with rich, atmospheric pads. This section showcases his adept use of sound design, employing subtle reverb tails and delay effects to create a spatial depth that contrasts beautifully with the track’s otherwise tight, punchy mix. As Reef builds towards its climax, Wanrooy shifts focus towards a more tech-centric aesthetic. The bass becomes grittier, and the groove intensifies, driven by meticulously programmed hi-hats and percussive fills. The energy peaks with the reintroduction of the synth reef during a succinct final breakdown, providing a satisfying callback that ties the composition together seamlessly. From its compelling arrangement to its polished production techniques, Reef is a testament to Daniel Wanrooy’s ability to blend melodic sensibility with rhythmic complexity. It’s a track that not only keeps the dance floor moving but also invites listeners to appreciate the intricate craftsmanship beneath its vibrant surface. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]




Additional info:
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23:35:00

 




1. Tim Besamusca - Shimmering Sky (Extended Mix) [Elpida Music]
2. Tim Besamusca - Shimmering Sky (Original Mix) [Elpida Music]
3. Tim Besamusca - Celestial Drift (Extended Mix) [Elpida Music]
4. Tim Besamusca - Celestial Drift (Original Mix) [Elpida Music]

This man needs no more introduction, our label friend Tim Besamusca is back on Elpida Music. This time he delivers not one masterpiece, but 2! With Celestial Drift and Shimmering Sky he brings he signature progressive trance sound back to Elpida Music. Spring starts right away If you put this EP on! If you can’t choose, just play both ;-)




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Tim Besamusca - Celestial Drift / Shimmering Sky[/item]
[content title="Summary" label="Overall Score"]Tim Besamusca’s latest release with Elpida Music showcases two masterfully crafted melodic progressive trance tracks, "Celestial Drift" and "Shimmering Sky," each meticulously designed to resonate within the hearts of trance enthusiasts and to dominate DJ sets worldwide. Celestial Drift unfolds at a steady 125 BPM, a tempo that perfectly balances dynamic energy with a dreamy, reflective quality. The track features pulsating basslines that intertwine seamlessly with thumping kicks, creating a robust, grounding rhythm. The percussion is notably elastic and bubbly, crafted with precision to add a tactile texture that enhances the track's buoyant flow. Layered atop this rhythmic foundation are feel-good piano melodies played with a warmth that evokes nostalgia, complemented by lush, warm synth pads that expand the sonic landscape. The breakdown in "Celestial Drift" is a technical marvel; it strips back the rhythmic elements to reveal smooth, reverb-drenched guitar lines, infused with exotic tropical flavors. This section is engineered with spatial effects and subtle ambient layers that transport listeners to serene, faraway locales, effectively utilizing stereo imaging to create an immersive auditory experience. Transitioning to Shimmering Sky, the tempo increases slightly to 128 BPM, injecting a more pronounced, dancefloor-ready vigor. The track is anchored by cool, chunky basslines that provide a gritty depth, while the wonky drum patterns introduce a playful, syncopated groove characteristic of Balearic trance. The production technique here involves intricate drum programming, with a clever use of offbeat hi-hats and percussive fills that maintain an engaging rhythmic complexity. The breakdown of "Shimmering Sky" is dominated by ethereal piano chords, meticulously processed with delay and reverb to create a vast, atmospheric space. Layered with chorus-laden exotic vocals, the emotional intensity is gradually built through the introduction of euphoric, synthy stabs. These stabs are designed with thick, detuned oscillators and a wide stereo spread, leading to a climactic, upbeat drop that radiates feelings of hope, positivity, and unity — perfectly encapsulating the rejuvenating essence of spring. Both tracks are exemplary in their production quality, showcasing Tim Besamusca's adeptness at blending nostalgic melodic elements with contemporary trance techniques. They reflect a sophisticated understanding of sound design, arrangement, and dynamic progression, making them not just tracks, but auditory journeys that celebrate the spirit of melodic progressive trance. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]




Additional info:
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22:56:00

 



The Dutchies Janco and Theo are back with their project T.O.M. on Elpida Music! This time they deliver a massive and dark anthem called Do You Want Me. Expect a dancefloor filler with a big lead and driving basslines that will blow the roof off during the peak hours. Do You Want Me? Yes, we do!




Dimitris Kechagias Review:
[review top="1"]
[item value="10"]T.O.M. - Do You Want Me [/item]
[content title="Summary" label="Overall Score"] T.O.M. is undoubtedly a groundbreaking project to keep an eye on if you're in search of music that defies conventional genres and categories. Their stunning anthem, "Do You Want Me," serves as a testament to this ethos, expertly merging progressive house and progressive trance influences to craft a sonic experience that is both unexpected and exhilarating. At its core, the track thrives on a superbly playful groove and rhythm, underpinned by chunky, resonant basslines that provide a rich, foundational warmth. The thumping kicks are meticulously layered, employing sidechain compression techniques to create dynamic breathing space, allowing each beat to punch through with clarity while maintaining cohesion with the pounding drums. The percussion arrangement is particularly noteworthy, showcasing intricate hi-hat patterns and syncopated snares that add a compelling rhythmic complexity. The housey vocal samples are strategically chopped and filtered, utilizing techniques such as reverb automation and time-stretching to weave them seamlessly into the 134 BPM sonic tapestry. This tempo choice strikes a perfect balance, driving energy while allowing for detailed melodic explorations. The track’s progression reveals a certain sunkissed, carefree attitude, masterfully transitioning into the breakdown—a pivotal moment where production techniques shine. Here, gigantic distorted synth hooks are gradually unveiled, employing automation on filter cutoffs and resonance to build tension. These synths are processed through layers of saturation and distortion, adding grit and texture that evoke a sense of nostalgic trance sentimentality. As the track ascends towards its climax, it unleashes an energetic, pulsating surge. The euphoric yet dark and moody atmosphere is achieved through the use of lush, detuned lead synths, expansive reverb tails, and subtle delay effects that create a sense of vastness. The dynamic range is meticulously controlled through multiband compression, ensuring that the climax retains its power without overwhelming the mix."Do You Want Me" is a masterclass in modern electronic production, designed to captivate audiences in both intimate clubs and sprawling festival environments. Its meticulous attention to detail in sound design, arrangement, and mixing elevates it to #PureGold status—a track that's as technically impressive as it is emotionally resonant.#PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]



Additional info:
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23:16:00

 



Trance legend Joni aka JPL returns to Elpida Music with his long-awaited release for In Our Youth! It was already featured on In Search Of Sunrise 19 last year and now finally a single release. The progressive original gets a massive treat by the Dutch duo T.O.M. with their peak time Flashback remix. Enjoy this pack!





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]JPL - In Your Youth incl. T.O.M. remix [/item]
[content title="Summary" label="Overall Score"]JPL, a renowned figure in the trance music world, continues to astonish listeners with his classic productions that stand the test of time. Returning to Elpida Music, his latest work "In Your Youth" proves to be a mesmerizing piece. The original mix is a 128 BPM progressive Balearic trance track, slowly building its hypnotic groove with elements like melancholic strings and tribal percussion. The pulsating basslines provide a steady foundation, while the truly emotional and sensitive synth layers float throughout the composition. The breakdown of the original mix is particularly noteworthy for its calming and soothing qualities, where a harp melody becomes the focal point. This melody effortlessly leads the listener to a smooth, floating climax, meticulously arranged to keep the body moving and the mind entranced in its synthy waves. On the other hand, T.O.M.'s remix of "In Your Youth" offers a different experience at 136 BPM. This uplifting trance version is driven by massive pulsating basslines, thumping drums, and punchy kicks, laid under a layer of superb emotional synths. The breakdown revisits the main melody with an innovative twist: a distorted harp sound complemented by acid overtones. This results in a long, blissful segment that holds the listener's attention from start to finish. The remix culminates in a superb climax featuring swirling dark synths and an exceptional arrangement, emphasizing the melody as the central element. This piece exemplifies what trance music should represent: a journey through sound, guiding the crowd on an emotional ride devoid of cheap thrills or instant gratification. It's a track that grows on you with every listen, embodying the essence of #PureGold. Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]





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22:39:00

 


Our Norwegian friends Finn and Lars a.k.a. Northern Project are back! This time they will take you on a journey that will make you fly high. After their previous successful Elpida Music hits Thought It Was My Time and Not Going Back they are back with Flying High. The mesmerizing lead of Flying High will be stuck in the head for a while we can guarantee that. Enjoy!





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Northern Project - Flying High [/item]
[content title="Summary" label="Overall Score"] Flying High by Northern Project is a remarkable addition to the Elpida Music catalogue, masterfully curated by Daniel Wanrooy. This progressive trance track, set at a buoyant 130 BPM, is a testament to the genre's ability to transport listeners through intricate soundscapes and emotive musical storytelling. The track opens with an engaging bassline, both pulsating and expansive, providing a sturdy foundation for the journey ahead. The bass is layered with chunky grooves that propel the rhythm forward, effectively setting the stage for the rich tapestry of sounds that follow. The percussion is cleverly crafted, combining thumping wobbly elements with intricate hi-hat patterns that keep the listener engaged without overwhelming the primary melodic elements. One of the standout features of Flying High is its expertly executed breakdown. This section is drawn-out and meticulously designed to heighten anticipation, utilizing a memorable guitar riff-like synth hook. This hook is not merely a melodic highlight but serves as an emotional touchstone within the track, combining sensitivity and beauty to create a melodramatic yet serene experience. This element is crucial, as it provides a reflective pause before the track builds towards its climax. The production techniques employed in Flying High demonstrate a sophisticated understanding of trance music dynamics. The use of reverb and delay on the synths creates a spacious ambiance, enhancing the listener's sense of immersion. The sound design is pristine, with every element occupying its own space in the mix, ensuring clarity and depth throughout. As the track reaches its climax, the listener is enveloped in a lush soundscape that is both uplifting and serene. This soundscape possesses a dual nature, able to transport one to the sun-drenched beaches of Corfu, with its warm, inviting tones, or to the serene, snow-covered landscapes of Norway, evoking a sense of tranquility and wonder. This versatility is a hallmark of great trance music, offering a personal journey to each listener, guided by their own imagination. Flying High is more than just a dance track; it is an invitation to escape, to dream, and to explore the depths of one's own mind. Whether on a crowded dancefloor or in quiet contemplation at home, Northern Project's latest offering is a quintessential example of progressive trance's power to evoke and inspire. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]






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05:16:00

 


Dutch Niko Moerland started making music in early 2002 at the age of twelve.

After a few years he discovered the art of being a DJ when he started a weekly radioshow. Soon after, he also appeared on stages around the country and played alongside some big artists.

In 2012 Niko decided to focus on making music by starting an education as a producer at the Rock Academy in Tilburg. During this time he gained a lot of knowledge and experience via projects like Pandaboyz & Modern Veterans, which he will put to good use in future productions as Nutland.

His latest release as Nutland called Lost Temple released on Elpida Music. We requested an interview to get to know him better and we are happy he accepted the challenge to reply in our questions. Enjoy what he has to say. 



1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.

Nutland: As Pandaboyz we got our track Mumble on the last ever Sensation White compilation. We also got our track on television featured in Ex On The Beach. And we had the honor to remix a track of Flo Rida which got featured in a Netflix Serie (Animal Kingdom).

2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?

Nutland: I'd started with making music with eJay in 2002. It felt like a videogame and I really liked it. At that point there was also an internet community with a top 100 of tracks, best tracks etc. That period stopped so I started with making music in FL Studio 3.

3-Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?

Nutland: It was Armin van Buuren. Not particularly his own music but more because of his yearly A State Of Trance on the beach mixes. Little side note: DJ Dazzle signed my first ever released record.

4-Dimitris: It would be fantastic to talk about your latest release Lost Temple on Elpida Music. Please tell us how this track came about and what was the idea behind it.

Nutland: That's Lost Temple. We've started with this track exactly 2 years ago in May 2021. It was during my time with Willem Pauwels as Modern Veterans. It once got signed but we never heard anything about it so we decided to send it to Daniel Wanrooy. It now got released under my own alias Nutland.


5-Dimitris: How long it took you to produce it and can u describe the production process in simple steps?

Nutland: The project is called 12 mei, which means 12th of may. On the 19th of may we transferred it to a V1 version, which means it had everything for a complete record. After that we didn't change a lot any more. Most of the time records won't finish this fast. In that period I quit my job so that I could fully focus on music.

6-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.

Nutland: Not during its production, it was hard to get it signed afterwards.

7- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?

Nutland: I use Logic X. Mark Otten got me into Logic during my study at the Rock Academy. First I hated it for being different compared to FL, but I got used to it. I've got a Behringer Poly D myself. I really like to play with it but didn't use it yet in a track. I don't really have a opinion about the use of analogue equipment, at the end the music is the most important. I don't care how it is created.

8-Dimitris: Do you prefer instrumental dance tracks or you adore vocals? Please explain to us your position and if in your latest production you have vocals tell us how did you choose the specific singer and if it was great to work with her/him?

Nutland: My latest record is an instrumental dance track. It's pretty hard to get your hands on good vocals. I've got some other vocal tracks released this year, and some will get released later on this year..

9-Dimitris: If you really like to produce vocal tracks which vocalist/singer or lyricist on electronic dance music you aspire to work with?

Nutland: Yoshi Breen would be awesome, Yoshi is a Dutch songwriter who is involved in many great songs.


10-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?

Nutland: It could and for me it's important that it looks good and professional. Not particularly for the listeners or record buyers but primarily for myself, I've got some plans to print all the artwork of the records I've released and make it into a painting or something.

11-Dimitris: Can you pick your top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about them?

Nutland: Elpida Music is Daniel Wanrooy his imprint. I like the direct contact I've got with him and the good conditions he offers with giant Black Hole recordings behind it. Besides that it's a dream of mine to once release on Anjunabeats. I also would love to get a song on Colorize or This Never Happened.

12-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.

Nutland: Yes I've got my own record label called ''Modern Vibes Music'' together with Willem Pauwels. We've started it because we were sick of contacting labels to get our tracks signed. We just wanted our own track to be released, so if we didn't get a reaction in time from the labels we decided to release it ourselves. Nowadays it's so hard to get in contact with the right person at the bigger labels. Creating music is so accessible, if you've got a computer, some software and some spare time to watch youtube tutorials, a lot is possible. You should really check out my tracks ''Inner Circle'' and ''Voodoo'' and also Willem's record ''Wampa - Sweet Feeling''.

13-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?

Nutland: I've got nothing planned but it's a dream to release an album. Not sure yet if it will ever happen.

14-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?

Nutland: I spend far too little time promoting myself on social media. I know I should do this more often, but I guess I'm a little bit old fashioned when it comes to self promotion. But if I've got to pick on medium it would be Instagram.

15-Dimitris: Do you have your own radio show/podcast/twitch stream or Vlog(video blog)? If yes please give us a comment about it and how long it take you to prepare for it and if you are always excited to produce it?

Nutland: I've always had my own radioshows. Started with weekly shows and at this moment I produce a monthly show called ''Modern Vibes'' for a small Dutch radio station. Unfortunately it takes a lot of time to do it proper, I really like to listen to my own mixes so that motivates me a lot. But there are also plenty of moments that I'm not that excited to dig through the promo's I get. Probably 5/100 is a good fit to be honest. I'm still dreaming to have my own show broadcasted on Dutch national radio on a weekly basis.


16-Dimitris: Please share your most funny and most serious incident that happen to you during your DJ performance?

Nutland: Back in the days I played before Leon Bolier. I was quiet new to DJing and never played for such a big audience and Leon was one of my heroes from ASOT on the beach 2006. At the end of my set Leon showed up on the podium and asked me to quit my latest record so that he could start his set. I'd never did this before so the nervous me decided to stop my set by pressing the cue knob on the first kick of the next drop. Luckily there was a nice FX on the mixer for that abrupt interruption. Imagine how this felt for the audience.

17-Dimitris: Are you enjoying to visit music conferences and do you have any plans to attend any of them in 2023:

Nutland: I did a lot back in the days but I've got nothing planned for now.

18. Are you happy with the way that royalties system works particularly regarding streaming revenue? Do you believe that artists get what they deserve from streaming providers/DJs playing your tracks in gigs/radio and selling music in physical formats like CDs/Vinyl or digitally.

Nutland: No I don't like it but I'm really happy with people like Daniel Wanrooy and Kris O'Neil, they still handle some pretty good conditions for the artist. But it doesn't change the fact that the most important party Spotify doesn't pay that much per 1000 streams. But at the end, I'm not in it for the money, I'm just a guy who's addicted to producing music. Getting paid really good would help a lot indeed, because in that case you could probably quit your daytime job to spent al your time into making music.

19-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.

Nutland: I always start producing a drop. And back in the days I could listen to that drop with 8 or 16 bars for multiple times. But please stop doing that! It will really affect your process. If you've got the feeling that you've got the ingredients to write down an entire track, you've got to start with creating an intro, a break, a drop etc. So that your record is an entire track even though it still has some empty parts. This really helped me to finish my tracks. If you don't do it instantly you got so used to this particularly 8 bars that you can't imagine the rest of the track anymore. And believe me, nobody else wants to just listen to 8 bars on spotify..

20-Dimitris: Is there a club classic that you would like to remix or rework in 2023? Do you attempt often to do your own bootlegs of classics?

Nutland: I've got nothing planned but I'm working on a remix for an old Gabriel & Dresden record.


21-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and the artists who are attempting to mix influences from various genres in their tracks?

Nutland: Well I recently decided to release whatever comes up in my productions. Nutland needs to be a project that contains the music I like. For now I released progressive house, melodic house/ techno records. But for the future you could also expect Tech House or Techno orientated tracks.

22-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?

Nutland: No it's not my full time occupation. I'm a application manager.

Listen / download 🎶👇

Thanks so much to Niko/Nutland for this fantastic interview.

Many thanks to Daniel Wanrooy/Elpida Music for arranging this interview.

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03:44:00

 


Patrick Evans is based in Plymouth (UK) and is making his mark on the progressive and melodic techno scene. He has had releases/signings on labels such as Perfecto Black, Elpida music, Melodic Beats Recordings, E=MC2 Recordings and has more forthcoming, including collaborations and remix duties. Patrick's musical influences include Stephan Bodzin, Carl Cox, Above & Beyond, Lane 8, Ferry Corsten, BICEP, Avira, gardenstate, Framewerk, Cosmic Gate, Markus Shulz, Sander Van Doorn, Paul Oakenfold and Arty to say a few. Patrick has already gained attention from Zone Magazine being featured regarding his productions and has had support from leading acts such as Ferry Corsten, Paul Van Dyk, Paul Oakenfold and more.


Patrick Evans: Here is my Top 10, There are some great tracks here.

"Broken" from myself and Paul Hawcroft had gained support from Ferry Corsten on his Resonation Radio 065 and Paul Van Dyk on his VOYNC Sessions 807 and much more. DMC World Magazine featured this on their site too!

A lovely track from Daniel Wanrooy called "Time" signed to Flashover Recordings, If you are into your trance this is certainly one to purchase. A techy edge vibe with warm bass and great vocals.

I have to mention Jake Grace and his stunning track "Skyverse" signed to Redux138, with its punchy bassline, lush pads and crisp percussion everything combines in perfect harmony to an epic climax.

My track "Once Again" with Chris Green signed to EVE Records is also one of my favourites mostly because myself and Chris had fun making it and seeing Chris develop as an artist over the past year with his other releases has only pushed him to collaborate with other artists.

My next release incoming on Paul Oakenfolds, Perfecto Black. A collaboration between myself and Zy Khan that we call 'Awakening'. due out on June 9th really looking forward to this.


I hope you enjoy my top 10.

TOP 10

Number 10
Jake Grace - Skyverse [Redux 138]


Number 9
Klur - Apologue Nights In Bloom [Colorize Enhanced]


Number 8
Sherpa - Tears [Perfecto Black]


Number 7
Estiva - Via Infinita [Colorize Enhanced]


Number 6
Steve Jones - I Want More (Patrick Evans Remix) [Lost Language]


Number 5
Patrick Evans & Chris Green - Once Again [EVE Records]



Number 4
Patrick Evans - Straight Ahead - [Perfecto Black]


Number 3
Daniel Wanrooy - Time [Flashover Recordings]


Number 2
Patrick Evans - Apollo [Prognosis]


Number 1
Paul Hawcroft & Patrick Evans - Broken [Elpida Music]


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04:18:00

 


We are Sienna Collective. We make chill music. (yep, that's it)

In our interview with Sienna Collective we discuss their forthcoming album Unity that is out 23rd of June. Enjoy their answers and their music too. 

Pre-save the album here: https://ffm.to/siennacollectiveunity


1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled  in your career so far that you very are proud of.

Sienna Collective: Well first of all we have to explain our background a bit. The whole idea behind Sienna Collective was to be an organic group of musicians that like to collaborate and make chill music. We started out with 4 people, but over the years only two of us really remained. Partly to due to the others having other obligations, but for me and Anja, we really loved working together and creating beautiful music. Our goal is to just have fun making music and if it does well it does well, if not, then not. We know we put all of our passion and love into it and that's what matters. That said, we are kind of proud to have been featured on Roger Shah's famous Magic Island album with our track "Alive"!

2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?

Sienna Collective:  I (Mark) started messing with music production when I was 14 or 15 years old. A friend of mine at school was doing it and I was so intrigued that one day I went to his house and we spent an afternoon making something together - I was hooked. My father always had a soft spot for dance music so growing up I've listened a lot to it and that's how I decided I wanted to make that kind of music too.

Anja has a totally different background. She's musically trained, used to sing in a band and makes chill-out and ambient on her own. Our two backgrounds combined is what makes our music so special, we think.

3-Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?

Sienna Collective: That's a really hard question to answer seeing how we have such different backgrounds. I think what's more important is to be able to hear the passion, love and craft people can put into their music. If that shows, we think it's great. That extends to all genres of music by the way, not just EDM. 

4-Dimitris: It would be fantastic to talk about your album Unity that will be out 23rd of June. Please tell us how this album came about and what was the idea behind it.

Sienna Collective:  We've spent months, well more like years actually, on it and we're super proud to show what we've created. The entire idea of an album came after we've made a few tracks together and since that felt so good, we kept on making and making. At one point we had about 5 or 6 tracks that were still unreleased, so we decided to make a few more and make it an album. It's called "Unity", because we've united ourselves through music but also our musical background and interests. You can clearly hear the inspirations and ideas in this album and we think it's an absolute fingerprint of what we like together. 

5-Dimitris: How long it took you to produce Unity  and can u describe the production process in simple steps?

Sienna Collective: The album in total took about 3 years to produce, but the most productive part of it was spent in the last 12 months or so. We have a very slow work flow, because we work over the internet and use different DAWs. That means it can take weeks before one of use sends their stems to the other and back. Sounds insane, but we like it. It gives us plenty of time to reflect on what we've made so far. Do we really like it? Is it worth spending more time on it? It also gives us more time to spend on other projects and music.

6-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.

Sienna Collective:  Well like I mentioned before, we work over the internet so that's already a challenge, but we manage. Other challenges were mainly discussing what direction to take a track in or figuring out what it needed. We've had very little bumps in the road to be honest!

7-Dimitris: Albums are always a very hard and difficult goal to achieve. Did you have moments that you lost your motivation for it and what thoughts have persuaded you to continue till the end?

Sienna Collective: Well, in total it took about three years to produce this album. Of course we had moments without inspiration, but mostly we just took our time and that was the right way to go!

8-Dimitris: Can you pick your top 3 tracks from the album and tell us for each one a short comment?

 Sienna Collective: That's like having to pick your favorite child, haha! But, we think Alive is for sure one of our favorites. Impression is one we really like as well due to the heavy synthwave influences and Bliss is a track we consider to be typical Sienna Collective. Relaxing, yet somewhat up-beat. Perfect for a beach club or bar setting!

9-Dimitris: Do you have any collaborators in your album? if yes can you please tell your opinion about them and how it was the experience to work with them.

Sienna Collective: For this album we haven't collaborated with anyone, but in July we will be releasing a remix album of "Unity" with 10 remixes in all kinds of different genres! So stay tuned for that.

10- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?

Sienna Collective:  Everything mainly gets produced in FL Studio by me (Mark), but Anja uses Logic Pro. We don't really have an opinion on the second part of the question, but we do like to use analog gear as in real instruments ;) 

11-Dimitris: Do you prefer instrumental dance tracks or you adore vocals? Please explain to us your position and if in your latest production you have vocals tell us how did you choose the specific singer and if it was great to work with her/him?

Sienna Collective:  We like vocals, especially since Anja uses to be a singer, but for our tracks we want other sounds to take the spot light. 

12-Dimitris: If you really like to produce vocal tracks which vocalist/singer or lyricist on electronic dance music you aspire to work with?

Sienna Collective: Hard to say. There are many good ones.

13-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?

Sienna Collective:  It's something we thought was cool and fit the theme of our album. If it speaks to us, then it's good. We don't really care if other people like it or not to be frank. We like it. 

14-Dimitris: Can you pick your top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about them?

Sienna Collective: So we mostly release our music ourselves, including our album, but we have to give a shout out to the folks of Black Hole and in particular the sublabels Magic Island and Elpida. They are excellent!

15-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.

Sienna Collective:  Well, no, but also yes? Since it's so easy to publish something yourself nowadays you can kind of look at it as being a private label, right? That said, we've been busy contacting a lot of people and there will be remixes of our album tracks coming. More on that another time, but I think that's a bit like having a label!

16-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?

Sienna Collective: Social media has ruined the music industry. Good music used to find itself to the top, but now it doesn't even matter if your music is good, if your social media skills are on point you have a chance. Obviously we do social media too, because you have to. For that we like Instagram most. 

17-Dimitris: Many DJs who are producers too they offer online masterclasses or teach to music production courses. If you are offering any of these services please tell us about it. 

Sienna Collective: Yes, I (Mark) run a mixing and mastering service called Green Heart Audio. You can contact me through my linktree! https://linktr.ee/greenheartaudio

18-Dimitris:  Can you describe your music  as certain music genre such as trance, house, techno  or your music exempts these categorizations? What is your opinion about hybrid styles and the artists who are attempting to mix influences from various genres in their tracks? 

Sienna Collective: I don't think we really can define it to one thing, but we like to call it organic house or trance ourselves. A housy or trancy foundation with organic instrument on top of it - Yeah that sounds like it, alright. 

19-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?

Sienna Collective: Definitely not!

Dimitris: Your message & wishes  for Flux Bpm Online readers.

Sienna Collective: Thanks for reading everyone! We hope to have piqued your interest in our album and we hope you'll love it as much as we did making it.

Thanks to Sienna Collective for this awesome interview.
Thanks to Janco Krale at Elpida Music for arranging this interview. 

Unity Tracklist out 23rd of June
1. Breeze
2. Bliss
3. Comet
4. Impression
5. Oblivion
6. Alive
7. Mosaic
8. Echoes

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