There is no better way to kick off our new project WEARE melodic techno & house , with a release at one of the biggest labels Armada Music LIQUID LOVE , With our dear friend and closest artists DJ Yahel.
[content title="Summary" label="Overall Score"]Yahel & WEARE’s “Liquid Love” is an exceptional production that delivers on every dimension of modern melodic house and techno. Operating at 124 BPM, the track effortlessly combines deep pulsating basslines with robust, tight drum programming that drives the rhythm forward while maintaining a hypnotic groove. The layering of harmonic elements and melodic hooks creates a rich tapestry of sound, where dark dystopian synths interweave with ethereal textures, giving each buildup and transition a sense of purpose and forward motion. The drops are executed with precision, demonstrating a mastery of energy flow and momentum that is both engaging to the mind and energizing to the body. The production quality reflects high attention to sound design and spatial placement. Each element occupies a clear position in the mix, with effects and reverb shaping an immersive stereo field. The dynamic range is carefully preserved, providing contrast between the powerful drops and the subtle breakdowns, which enhances the storytelling aspect of the composition. The overall structure shows originality, with a narrative arc that makes it suitable for early trance, progressive house, or dark psy-inspired sets. Vocals are seamlessly integrated, adding emotional resonance without overpowering the instrumental layers, while their presence enhances both the introspective and euphoric qualities of the track. From a functional perspective, the track excels in DJ performance settings. Its consistent BPM and well-designed intro and outro facilitate smooth synchronization, cueing, and looping for extended mixes. The creative arrangement ensures that it can adapt to various points in a set, building energy or sustaining flow, and the track’s momentum strongly encourages crowd engagement and movement. Its club and festival suitability is undeniable, with a high potential for strong audience reactions and memorable dancefloor moments. Beyond entertainment, “Liquid Love” demonstrates the therapeutic impact that music can have. Research has shown that rhythmic, bass-heavy electronic music positively influences mood, reduces stress, and increases dopamine levels, contributing to emotional well-being (Thoma et al., 2013; Chanda & Levitin, 2013). Its steady tempo and driving pulse make it ideal for fitness and wellness classes such as cycling or dance-based workouts, where synchronization of physical movement to music enhances exercise performance and perceived enjoyment (Karageorghis & Priest, 2012). The atmospheric immersion and emotional layering can also support mindfulness practices and stress reduction, as deep, rhythmic music has been linked to entrainment effects that can stabilize heart rate and promote relaxation (Bernardi et al., 2006). In conclusion, Yahel & WEARE’s “Liquid Love” is not only a technical masterpiece for DJs and producers but also a track with proven potential to enhance human wellness through its sonic design and emotional resonance. #PureGold Loveit [/content]
Suggested Bibliography: Bernardi, L., Porta, C., & Sleight, P. (2006). Cardiovascular, cerebrovascular, and respiratory changes induced by different types of music in musicians and non-musicians: The importance of silence. Heart, 92(4), 445–452. Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193. Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.
Simon Patterson, a name synonymous with sonic excellence and high-quality music, stands out as a master in writing, producing, and playing impactful, emotionally charged electronic music. Whether crafting tough, precise underground trance or heartbreaking, melancholic vocal hits, he consistently surpasses his peers and contemporaries. His impressive twenty-one consecutive Beatport number ones speak volumes about his popularity and the exceptional audio soundscapes he creates.
From “Roll The Credits” to “Spike,” “The One,” “Apex,” “Dissolve,” “Now I Can Breathe Again,” “Smack,” “Thump,” and “Latika,” his extensive list of anthemic masterpieces offers a chronological glimpse into the exciting evolution of this pioneering artist.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Simon Patterson - You're All I Need [/item]
[content title="Summary" label="Overall Score"] Simon Patterson’s You’re All I Need on Armada Music is a 140 BPM uplifting tech trance masterpiece that achieves a rare balance between raw energy and meticulous production. The track opens with a heavy, driving rhythm that immediately commands attention, with sharp, precision-tailored kicks and rough, raw basslines that establish an uncompromising underground character. The tribal grooves interlaced with bouncing low-end elements create a natural propulsion that keeps the energy flowing with perfect BPM consistency, making it ideal for seamless mixing in club and festival environments. The sound design demonstrates exceptional craftsmanship, with each percussive hit, bass modulation, and atmospheric layer positioned to maximize spatial depth and sonic clarity. Patterson’s use of effects, from subtle reverb tails to clever filtering sweeps and acid overtones, enriches the immersive quality of the track, allowing DJs to exploit its cue points and loop sections for dynamic set flow. One of the most remarkable aspects of this production is its melodic architecture. The track transitions from the raw, mechanical drive of its early stages into a euphoric breakdown that employs uplifting synths and harmonic layering to evoke an intense emotional response. The distorted robotic vocals act as a textural hook, bridging the technical groove with a humanized element that imprints itself in memory, enhancing the track's catchiness and replay value. The build-ups are expertly engineered, using tension-and-release techniques that trigger natural dopamine responses in listeners, a hallmark of effective trance composition. The final drop and climax demonstrate both cohesion and storytelling, encapsulating the essence of Simon Patterson’s artistic identity: a journey from hypnotic underground grit to euphoric melodic release. From a production standpoint, You’re All I Need excels in dynamic range and loudness balance. The interplay between hard-hitting percussive elements and expansive atmospheric layers results in a track that feels both powerful and breathable. Its spatial design is carefully sculpted, with stereo imaging that enhances the listener’s sense of immersion. This thoughtful arrangement is not only suited to professional DJ performance but also beneficial for mental and physical wellness. Studies confirm that high-BPM electronic music with predictable rhythmic structures can boost cardiovascular performance, improve exercise endurance, and elevate mood through endorphin release (Karageorghis & Priest, 2012). Uplifting trance, in particular, has been shown to reduce stress and anxiety by triggering flow states and positive emotional resonance (Thoma et al., 2013). For fitness or wellness classes, this track’s energy flow and emotional lift can encourage participants to synchronize movement with rhythm, reinforcing both physical and mental health benefits. In live settings, You’re All I Need is a guaranteed crowd igniter. Its cue-friendly structure, clear intros and outros, and consistent BPM make it a dream for DJs constructing extended sets. The balance of creativity, originality, and festival-ready energy positions it as a standout in the modern trance landscape. Patterson masterfully demonstrates that technical excellence and emotional impact need not be mutually exclusive; instead, they can merge to create an unforgettable auditory experience that resonates in both heart and mind. #PureGold Loveit [/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.
Rickard, N. S. (2004). Intense emotional responses to music: A test of the physiological arousal hypothesis. Psychology of Music, 32(4), 371–388.
The track you’ll still be raging to, come the end of this clubfloor year is already with us. Sarah de Warren puts 2026 on notice through the lean techno thunder of ‘What U Like’.
Having already delivered club KOs’ alongside heavyweights like Kaskade, Layton Giordani, Eli Brown, Hardwell, Maddix, and numerous others, Sarah de Warren now unleashes her first solo record of 2026.
‘What U Like’ is the first of a six-track onrush of releases that’ll blaze the trail through to high Summer. Harnessing the cutting-edge mainstage and peak-time techno sound she has become synonymous with, ‘What You Like’ carries her unmistakable hypnotic vocals, an addictive mainline melody and high power drops. Tested across the world on her 2025 tours, this track is a certified banger for any dancefloor.
She dominates the Beatport charts with almost every release - Dark Skies (Hilomatik, #22), Act of God (Experts Only, #2), All The Things She Said (#1) and Psycho (#3 Beatport) - proving that she cannot miss.
Getting to its peaktime point fast and staying there, ‘What U Like’s a track that doesn’t so much ask the question, as answers it … Where? Here!
Tracklist:
01: Sarah de Warren – ‘What U Like’ (Original Mix)
02: Sarah de Warren – ‘What U Like’ (Extended Mix)
Dimitris Kechagias Review: [review top="1"] [item value="10"]Sarah de Warren - What U Like [/item]
[content title="Summary" label="Overall Score"]Sarah de Warren’s “What U Like” is a peak-time mainstage anthem that encapsulates the essence of high-energy electronic dance music. Clocking in at 140 BPM, this track is engineered to drive massive festival crowds into a frenzy. Its production is a masterclass in modern psy-trance and big-room techniques. The driving, pulsating basslines work in perfect tandem with punchy, tightly compressed drums to maintain relentless momentum. Layered with wonky yet harmonically rich synths and spatial effects, the sound design demonstrates professional-level attention to detail. Each element sits precisely in the mix, offering a wide stereo image and immersive texture that feels both commanding and inviting. From a technical standpoint, the melodic hooks and harmonic layers are crafted to create an engaging emotional arc. Sarah de Warren’s sultry and captivating vocal performance, delivering lines like “I know how to keep a secret better than u know,” adds a human touch that fuses seamlessly with the electronic instrumentation. The transitions and build-ups have been meticulously programmed, utilizing risers, filters, and rhythmic automation to propel the energy upward until the drops hit with satisfying force. The dynamic range is balanced to maximize loudness without fatiguing the listener, making it perfect for both live sets and casual listening. Beyond its musical and technical brilliance, “What U Like” has notable positive effects on mental health and fitness. Energetic electronic music, particularly at 120–140 BPM, has been linked to improvements in mood, increased motivation, and enhanced focus during exercise (Karageorghis & Priest, 2012). Its rhythmic drive and pulsating basslines can elevate heart rate and encourage movement, making it an excellent choice for high-intensity workouts, cycling classes, or dance-based wellness programs. The track’s immersive sound design engages the brain’s reward system by stimulating dopamine release, contributing to feelings of euphoria and stress reduction (Zatorre & Salimpoor, 2013). In a festival or club context, “What U Like” not only excites but also unites. Music of this nature has been shown to enhance social bonding and collective emotional experiences, often referred to as “musical entrainment” (Clayton et al., 2020). Its hypnotic energy flow and fluid BPM consistency make it DJ-friendly and highly effective for seamless transitions, while cue points and looping potential allow for extended builds that heighten audience anticipation. The result is a track that checks every box—technical excellence, emotional impact, fitness utility, and pure dancefloor potency. #PureGold Love it. [/content]
Karageorghis, C. I., & Priest, D.-L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Zatorre, R. J., & Salimpoor, V. N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(Supplement 2), 10430–10437.
Clayton, M., Jakubowski, K., Eerola, T., Keller, P. E., Camurri, A., Volpe, G., & Alborno, P. (2020). Interpersonal entrainment in music performance: Theory, method and model. Music Perception, 38(2), 136–194.
Basil O'Glue returns to JOOF Recordings with Takeover, a fierce solo release that blurs the lines between trance and techno. At 136 BPM, this one is built for peak-time intensity, a true powerhouse for the underground floors.
Driven by relentless grooves and a hypnotic low-end, Takeover weaves in Basil's unmistakable melodic edge, creating a dark, driving, and uncompromising soundscape. It's raw power fused with atmospheric depth, the perfect embodiment of the JOOF ethos.
[content title="Summary" label="Overall Score"] Basil O'Glue makes a triumphant return to JOOF Recordings with his latest solo release, Takeover, an audacious track that masterfully bridges trance and techno. Clocking in at 136 BPM, Takeover is engineered to dominate peak-time slots, offering an electrifying experience tailor-made for underground dance floors. The production of Takeover showcases impeccable attention to detail, with a polished mixdown that emphasizes both clarity and depth. The track is anchored by tough, tech-infused kicks that deliver a punchy low-end, balanced exquisitely with pounding dark basslines. The bass design employs subtle modulation techniques, creating an evolving groove that maintains listener engagement. Layered atop this foundation are meticulously crafted metallic percussions that add rhythmic complexity, providing crisp high-frequency energy. The use of reverb and delay effects on these elements creates a spatial dimension, enhancing the track's immersive quality without cluttering the mix. Basil's signature melodic edge shines through with dark, euphoric synth hooks that emerge during the breakdown. These synths are built with rich harmonic layering and subtle filter sweeps, creating a haunting atmosphere. The sound design incorporates analog-inspired textures, giving the track an organic feel amid its digital precision. The breakdown is a masterclass in tension-building. Atmospheric pads and ethereal textures evolve gradually, underpinned by a rising synth line that crescendos into the main dark climax. This contrast between the serene breakdown and the aggressive drop provides a dynamic flow that captivates and energizes the dance floor. Takeover’s versatility makes it an asset for both tech trance and psy trance sets. For tech trance DJs, the track’s driving grooves, sharp percussion, and relentless energy align perfectly with the genre's demand for hypnotic, high-octane tracks. The tight, percussive elements and robust basslines provide the rhythmic backbone needed to maintain momentum in intense set moments. For psy trance DJs, Takeover’s dark, psychedelic undertones and hypnotic low-end frequencies resonate with the genre’s aesthetic. The track’s atmospheric depth, combined with its evolving soundscapes and trance-like synth motifs, creates a mind-bending journey that complements the psychedelic vibe. In essence, Takeover is a testament to Basil O'Glue’s prowess in blending genres, delivering raw power fused with atmospheric complexity. It stands out as both a dancefloor weapon and an intricate piece of sonic art—pure gold for any DJ’s arsenal. Love it[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Darkness descends with John Askew’s latest offering. Morning Star twists and turns as it thunders down the tracks causing a ripple down the spine. This is after after afterparty warehouse music straight from the underground. Strong kick and rolling bass drive the track forwards while the detuned, pitch rising elements keep the energy dial firmly on 11. This is tech trance of the highest grade from one of the genre’s original pioneers.
[content title="Summary" label="Overall Score"]John Askew’s latest tech trance masterpiece, "Morning Star," is an electrifying journey through sound, showcasing his unparalleled prowess in production and deep roots in the genre. This track is not just a listening experience; it’s a sonic assault designed for after-afterparty warehouse settings, where energy and intensity reign supreme. At a pulse-raising 140 BPM, "Morning Star" seamlessly blends psy tech trance elements with cutting-edge production techniques. The track kicks off with a robust, punchy kick drum that lays a solid foundation, complemented by a rolling bassline that adds depth and momentum. The bass is meticulously engineered, featuring razor-sharp textures that slice through the mix with precision, creating an irresistible groove. One of the standout features of "Morning Star" is its detuned, pitch-rising synth elements. These are expertly crafted using advanced modulation techniques, possibly involving complex LFO routing and pitch automation to maintain that relentless energy. The twisted synth hooks are layered with acid overtones, achieved through the deft use of resonant filters and TB-303-inspired sequences, adding a gritty, raw edge that keeps the track dynamic and engaging. Vocally, the track employs top-tier samples that are strategically placed to enhance the rhythmic flow without overwhelming the instrumental arrangement. The vocal snippets are processed with reverb and delay effects, providing an atmospheric lift that complements the track’s intense drive. Production-wise, the mix is clean yet powerful, balancing the high-energy elements with precision. The stereo imaging is expansive, with carefully panned effects and synth layers that create an immersive, three-dimensional soundscape. The mastering is tight, ensuring that every frequency hits with clarity and impact, making "Morning Star" a standout in any high-octane DJ set. In conclusion, "Morning Star" is a testament to John Askew’s status as a pioneer in the tech trance scene. It’s a track that not only moves the crowd but also showcases the depth of technical skill and production mastery that defines his work. #PureGold indeed. LoveIT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Fast-paced, feisty and ready to rumble, Simon Patterson’s new two-tracker on Armada Music hits like a full-throttle freight train. Between the aggressive synthwork in ‘Red’ and the dark bass slams ‘Black’, ‘Red & Black’ delivers two scorching techno belters able to devastate any club space.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Simon Patterson - Red & Black EP [/item]
[content title="Summary" label="Overall Score"] The production quality of Simon Patterson’s Red & Black EP is outstanding, showcasing his mastery in creating a seamless blend of techno and trance. The track "Black" pulsates at a rapid 145 BPM, crafting an intense soundscape that marries the relentless energy of techno with the ethereal elements of trance. The mix is meticulously engineered, ensuring that each layer—from the pounding basslines to the intricate break sections—stands out without overshadowing others. The use of dark spoken vocal samples adds an intriguing texture, enhancing the track's overall dark and mysterious atmosphere. These vocals are perfectly integrated within the mix, not only providing a narrative but also functioning as a rhythmic element that aligns with the rolling sequences. The ethnic-like voices in the breakdown are treated with reverb and subtle delay, creating an expansive auditory environment that captivates the listener. On the production front, "Red" is equally impressive, operating at a slightly slower yet still electrifying 144 BPM. The track features an aggressive female vocal that cuts through the mix, delivered with precision to evoke a sense of urgency. The plinky plonky melody is cleverly layered with acid overtones, pushing the boundaries of energy and intensity. The sound design is state-of-the-art, with each sonic element—from the synth stabs to the acidic lines—being sculpted to perfection. The breakdowns in both tracks utilize advanced sound effects that maintain listener engagement. These sections are polished with dystopian synths that add a cinematic quality, creating a multi-dimensional auditory experience. In "Red," the second breakdown is notably more dramatic, featuring rave synth stabs that build anticipation for the climax. The transitions are smooth, demonstrating Patterson’s prowess in maintaining a dynamic flow without abrupt disruptions. Overall, the Red & Black EP is a testament to Simon Patterson’s technical abilities and creative vision, marking it as an essential addition to any trance or techno set. The sophisticated production techniques employed ensure that these tracks are not only heard but felt, resonating deeply with audiences and leaving a lasting impression. Two must-play items. #PureGold Love IT.[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
One of the most iconic trance tracks of all time, the seminal Loops Of Infinity returns to modern trance floors thanks to Talla 2XLC who presented his uplifting trance rework this summer along with Cosmic Baby on Technoclub Retro. Talla 2XLC adopts his uplifting psy-trance alias Zyrus 7 to deliver the second remix, that is an explosive psy-lifting remix on Dreamscape, with sharp and twisted basslines, thumping kicks, crunchy drums and acid touches. The short breakdown is the right occasion for the well known piano theme to appear and tease the listeners while on top the re-recorded female vocal “Loops of Infinity” appears as well. The first section allows the magic of the piano theme to beautifully unfold and surround the listeners creating that sense of endless positivity and growing optimism. The breakdown is short and melodramatic building the tension with heavy drops and airy synthy hooks along with the superb female vocal. The fast and intense psy trance beat strikes back with the piano theme on top along with the euphoric uplifting synths to energize the senses and relax your mind as we get lost in that sense of eternal infinity that trance music creates for its devotees. With twisted dirty basslines, acid infusions and melodramatic elements originating from classical music compositions, Zyrus 7 aka Talla 2XLC offers one of the most imaginative and groundbreaking psy-lifting reworks of the beloved classic Loops of Infinity with Cosmic Baby out now on Dreamscape.
[content title="Summary" label="Overall Score"]One of the most iconic trance tracks of all time, “Loops of Infinity,” has made a resurgence in contemporary trance scenes. This summer, Talla 2XLC presented his uplifting trance rework of the classic on Technoclub Retro, accompanied by Cosmic Baby. Talla 2XLC adopts his uplifting psy-trance alias, Zyrus 7, to deliver the second remix, an explosive psy-lifting masterpiece on Dreamscape. The remix features sharp and twisted basslines, thumping kicks, crunchy drums, and acid touches. The short breakdown provides an ideal moment for the renowned piano theme to emerge, captivating the listeners and hinting at the upcoming re-recorded female vocal, “Loops of Infinity.” The first section allows the piano theme to unfold gracefully, enveloping the listeners in a sense of boundless positivity and growing optimism. The breakdown is brief and dramatic, building tension with heavy drops and airy synthy hooks, complemented by the exceptional female vocal. The fast-paced and intense psy trance beat returns, accompanied by the piano theme and euphoric uplifting synths, energizing the senses and inducing a state of tranquility. As we immerse ourselves in the trance music’s embrace, we transcend the limitations of time and space, experiencing the eternal infinity that trance music holds dear for its devoted followers. Zyrus 7, the alias of Talla 2XLC, presents one of the most imaginative and groundbreaking psy-lifting reworks of the beloved classic “Loops of Infinity.” This rework, featuring Cosmic Baby, is now available on Dreamscape. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
“Though often associated with meditative music, I believe techno, when crafted with intention, can be deeply healing, uplifting, and transformative.”
This is the ethos that Italian producer, multi-instrumentalist, and live electronic music innovator Giorgia Angiuli embraces in her new EP, ‘Eye Contact’, released recently on Armada Music.
The project explores themes of spirituality, creativity, and meditation across five tracks ranging from techno to psytrance. At its heart lies its title track—a long-awaited collaboration with Australian DJ and producer Juliet Fox—from which the EP draws its name. The duo first crossed paths at a festival earlier this year, sparking an instant musical connection and the beginning of a close friendship, united by their shared vision of fostering unity and freedom through a blend of their unique styles. Together, the two trailblazers channeled their creativity synergy into ‘Eye Contact’, crafting an immersive journey through rhythm, sound and transcendence.
Unlike any of her previous projects, Angiuli adopted a fluid, hybrid approach to the EP’s production, allowing the music to move organically and resonate both physically and emotionally. Drawing from her arsenal of unusual objects that she incorporates into both her production style and live sets, she tapped into this unique collection of unconventional items, including plush animals that produce sounds, each with distinct names. Across ‘Break The Dawn’, ‘Nothing is Far’, “Nietzsche’, ‘A Good Addiction’, and now ‘Eye Contact’, each track builds on swift arpeggios, hypnotic synth stutters, and suspenseful vocals to create an entrancing and deeply meditative listening experience.
Giorgia Angiuli says, “I’m so excited that ‘Eye Contact’ is finally out in the world. The project brings a fresh perspective to hybrid techno by weaving positivity into powerful beats and rhythms, and each track invites listeners to connect deeply, exploring resilience, presence, and inner strength.”
A strong advocate for women’s empowerment, Angiuli also launched a remix contest exclusively open to female artists in partnership with Change the Beat, a non-profit organization that supports underrepresented voices in electronic music. Change the Beat champions access to mentorship, workshops, and networking for electronic music artists, producers, and DJs. The contest winner will be eligible for an official release of their remix, while the second and third place winners will receive gear from Native Instruments.
[content title="Summary" label="Overall Score"]Giorgia Angiuli is undoubtedly one of the most promising artists in the trance genre, renowned for their exceptional talent and inspiring musical compositions. Collaborating with Juliet Fox on “Eye Contact,” they have crafted a powerful and anthemic psy trance anthem. The track features heavy psy trance basslines, razor-sharp kicks, thumping drums, and cool, dark synths. The breakdown incorporates intricate gated, chopped, and manipulated vocals, seamlessly blended with Indian ethnic voices commonly employed in psy trance tracks. The climax builds to a crescendo, delivering a powerful and direct assault on the listener’s senses. New euphoric yet subtly subliminal synths propel the listener on a magical journey, punctuated by heavy acid tones. With its captivating blend of elements, “Eye Contact” possesses the ability to dominate psy trance sets, leaving an indelible impression on audiences. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
About Giorgia Angiuli
Giorgia Angiuli is an Italian electronic producer and classically trained musician.
She possesses a colorful and playful vision of music, attributed to her synaesthesia, constantly exploring artistic themes in innovative ways.
Adored by peers, fans, and tastemakers alike for her authenticity and unquenchable curiosity, she connects with her listeners through her sets, releases, and her label 'united’. She released many singles and 2 albums on Stil vor Talent ("in a pink bubble") and her label united (" Quantum Love"). Utilizing her voice to create an ethereal dimension, Giorgia intensifies her performances with a unique combination of technology. Her live setup is ever-evolving as she continually explores new techniques, combining synths, drums, theremin, modified children's toys, and numerous bluetooth midi controllers. Collaborating with various brands, she eagerly tests new gear, fueled by her insatiable curiosity. Curiosity is the driving force in Giorgia's life. By blending samples and loops, she crafts a vibrant and energetic groove that ignites the dance floor. Her passion for spirituality and meditation adds to her work messages that spread unity and positivity. Her formula is: intention + sound frequency = healing. 2024 marks a transformative year for Giorgia Angiuli's solo project as she ventures into a new sound blending psy-trance and techno, releasing on labels such as artcore and armada, and remixing acts such as pan-pot or octave one.
Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 40,000 tracks, built up across twenty-plus years of specialized dance music exploitation.
Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Loud Luxury, Sunnery James & Ryan Marciano, Tensnake, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. The label also takes great pride in major achievements such as Armin van Buuren’s GRAMMY nomination for ‘This Is What It Feels Like’, Loud Luxury and Brando’s ‘Body’ surpassing one billion streams on Spotify and breaking artists such as Lost Frequencies into global stardom.
Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a truly global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent.
In 2023, Armada Music launched BEAT Music Fund, the world’s first dance music investment company, that acquires catalogs with the mission of honoring, representing and reinvigorating them. BEAT’s portfolio will continue to grow; in the first six months following its launch, BEAT acquired the catalogs of, among others, electronic music star ARTY, house and techno pioneer Kevin Saunderson’s KMS Records, legendary NYC-based house label King Street Sounds and chart-topping producers Chocolate Puma.
Are we looking at the final artist album from John Askew?? It is after all his first since his ‘Z List Uber Star’, which is currently closing in on its 20th anniversary. Add to that the duality of ‘A Room Full Of Pros & Cons’s title; the faintly Last Supper-ish lean of its cover, not to mention some flagrant nose-thumbing of LP conventions, and, well, the question could at least be asked.
As with so much in life though there’s more to that than meets the eye. Between John’s production schedule (breakneck), day to day roles in artist management, international touring (both as a DJ and live act), label management, event organising and his ‘open-all-hours’ industry rep, the man’s had his hands way full. Lesser wonder then that it’s taken him five years to close all the ‘P’s and curve all the ‘C’s on ‘A Room Full Of Pros & Cons’.
The title’s John’s summation of half a lifetime’s worth of observations and experiences, garnered at the business end of the electronic music industry. One that hopscotched him from England’s unchained free party scene to Ministry of Sound resident, and from being managed by the biggest agencies to, himself, managing legendary names. All the while mind you, refusing to compromise on absolutely anything … ever. That’s always going to leave a mark, all of which has been poured into this album.
In ways big and small, subtle or big-print, ‘A Room Full Of Pros & Cons’s track titles (‘Running In The Dark’, ‘Be Careful What You Wish For’, ‘Take A Breath’, ‘When Darkness Comes’, ‘I Want Your Soul’ and ‘Afterburner’ to mention a few) each speak to its theme. Many are fueled by John’s signature sound, one as dependably immediate, tenacious, and floorward-thinking as any DJ from his bloc. Key to their potency is the intuitively high-wire balancing act Askew strikes between darkness and light, the subtle and the visceral, always ensuring there’s nuance and alchemic colour (or shadow!) in every floor roar.
Others tracks project their power through alternate studio methods. ‘Be Careful What You Wish For’ (featuring singer Lyonheart) is a soul searing, breakbeat scattered affair, while ‘Grave Digger’ features a cavernous feel and apocalyptic polemic (voiced by Askew), straight from the darkest ‘Cons’ corner of the ‘Room’. Regarding that “flagrant convention nose-thumbing”, ’00.00’ sees John slide some doors with the album’s originally envisioned overture. Now track 5, it forms a brilliant palate-cleanse, ahead of the transcendental ‘Take A Breath’, (a collaboration with Sikh singer, songwriter and philanthropist, Manika Kaur) and the instantly infectious hook of ‘Running In The Dark’.
Artists of John’s ilk don’t tend to have vocal muses, and it’s debatable whether Ohio-born/Nashville-based singer Shelby Merry fills that role. As you cross John’s Room’ though, vocally, lyrically and significantly she features three times, each track with its own individual tone and something-to-say tale.
So, if this does prove to be John’s last LP hurrah, what’s he leaving us with? Well at the very least, 15 brilliantly honed pieces of music, fused together to create a cohesive, journeying bravura, that’ll delight his diehards, while drawing others to the flame. Half industry cheer, half-cautionary tale, ‘A Room Full Of Pros & Cons’ arrives on physical and digital formats Sept 27. Now … don’t say you weren’t warned. FIND HERE
Tracklist: John Askew - A Room Full Of Pros & Cons
GRAMMY Award-winning producer and electronic dance music icon AFROJACK, Australian DJ and live instrumentalist Timmy Trumpet and Grammy Award-winning rapper, producer and DJ Lil Jon have combined their forces for the new collaborative single ‘We Can’t Stop’, released on Tomorrowland Music today! Uniting for the first time ever, the boys deliver an energetic psytrance production with true rave energy and fast-paced beats – a memorable debut collaboration and a guaranteed crowd pleaser. As one of the most notable IDs in AFROJACK’s epic Mainstage performance at Tomorrowland last year, ‘We Can’t Stop’ is now finally out for the entire world to enjoy.
AFROJACK: “I’m really excited to be working with Timmy Trumpet and Lil Jon on this one. Two of my favorite people.”
Timmy Trumpet: “’Lil Jon is undoubtedly the official voice of the most party anthems our generation has witnessed. What an honor to finally work with the legend himself, and to be together on another production with the one and only AFROJACK is the icing on the cake. Let’s fkn go!!!”
About AFROJACK
As one of the most innovative and sought-after artists, GRAMMY Award-winning producer and electronic dance music icon AFROJACK continues to shatter boundaries that push music in bold new directions. Since making his breakthrough with the multi-platinum-selling single ‘Take Over Control’, the Dutch-born musician has lent his production skills to tracks that bend genres and laid the foundation for major hits for artists such as Beyoncé, Pitbull, Will.i.am and more. In the last few years, AFROJACK was named one of the 50 Most Important People in EDM by Rolling Stone and placed on the Forbes ‘30 Under 30’ music list. In 2010, he was one of the first DJs to secure a Las Vegas residency and continues to entertain global audiences as a headlining resident artist for the Hakkasan group. In 2010, he won his first GRAMMY award for Best Remixed Recording, Non-Classical for his remix of David Guetta & Madonna’s song ‘Revolver.’ In 2011, he nabbed two more GRAMMY Nominations for Best Rap Song for his part in Chris Brown’s ‘Look At Me Now’ and for Best Remixed Recording, Non-Classical for his remix of Leona Lewis & Avicii’s ‘Collide’. AFROJACK travels the world performing at the biggest clubs/festivals while producing new music with his label Wall Recordings. In 2020, his song ‘All Night’ (feat. Ally Brooke) reached number 1 on the US dance radio chart through amassing an impressive 40+ million streams, to date. His most recent worldwide hits such as ‘Anywhere With You’ with Lucas & Steve and DubVision and ‘Up All Night’ with Hard Lights and VINAI, add to an impressive repertoire spanning over a decade as a global performer and multi-platinum selling artist. In 2021, AFROJACK received his fourth GRAMMY nomination, this time for Best Dance/Electronic Recording for his inspiring pop-edm crossover summer song “Hero,” which came out during the pandemic with David Guetta.
DJ, producer and live instrumentalist, Timmy Trumpet is undoubtedly the most explosive performer in the electronic music scene. An award-winning, multi-platinum selling recording artist, Timmy has forged his way to the very top. His breakthrough release Freaks has reigned in over a Billion streams, accompanying a string of singles to break the 100 million barrier on Spotify alone. From performances on Jimmy Kimmel Live to the most streamed set at Tomorrowland, Timmy is a festival promoter’s headlining weapon of choice. Timmy’s music career boasts of an extensive resume spanning over twenty years from early beginnings as a classically trained Jazz musician. At the age of thirteen he was named ‘Young Musician of the Year’ before being granted a full scholarship to the Conservatorium of Music, where Sydney Symphony Orchestra’s Anthony Heinrich tutored him. Within two years he secured a position as the leading solo trumpet player in the Australian All-Star Stage Band, taking part in an extensive European tour covering some of the world’s biggest Jazz Festivals.
As a songwriter and producer, Timmy Trumpet refuses to be pigeon-holed releasing music of all flavours, in various genres. “There’s only two kinds of music to me, good music and bad. Hopefully I’m making the good stuff!” – Timmy Trumpet.
The stats don’t lie. Timmy’s discography has exceeded 3 BILLION streams.
Always up for collaborating with other artists his extensive catalogue features global heavyweights such as Armin Van Buuren, Hardwell, Afrojack, Steve Aoki, Dimitri Vegas & Like Mike, R3HAB, W&W, ALOK and KSHMR. His debut mainstage performance at Tomorrowland in 2017 is the highest streamed set of all time on the official YouTube channel, with his most recent sets also leading the charge.
Timmy has an impressive international touring schedule, headlining festival performances at iconic events like Tomorrowland, Ultra and EDC. In 2022, Timmy threw out the first pitch for the NY Mets Vs LA Dodgers and performed his track ‘Narco’ while pitcher Edwin Diaz walked out to the mound. The iconic moment clocked over 200 Million views on social media in 48 hours and sent ‘Narco’ to #1 on Spotify’s viral chart in the USA. To add to his impressive list of achievements, Timmy became the first instrumentalist to perform in Zero Gravity, thanks to a partnership between BigCityBeats and the European Space Agency.
When asked if he pinches himself looking back on a career that originated from the humble beginnings of Band Camp and after school Jazz practice, you only get one response – “We’re just getting started!”.
For the last decade plus, the words “YEAHHH,” “WHATTT,” and “OKAYYY” have been synonymous with multi-platinum, Grammy award winning artist, producer Lil Jon. He has been one of the most prominent figures in music and pop culture alike, performing and collaborating for hundreds of thousands of fans with Usher & Ludacris, Afrojack, Steve Aoki, Pitbull, Daddy Yankee, Snoop Dogg, Ice Cube, Shaq, LMFAO, Too $hort and Jermaine Dupri just to name a few. In 2014, Lil Jon proved once again he’s a powerhouse artist teaming up with DJ Snake for their smash hit “Turn Down For What,” which created a massive worldwide craze with billions of streams under their belt. The string of hit songs haven’t stop after that – including most recently Lil Jon releasing two more singles teaming back up with iconic artists known for their collabs: “Jumpin” with Pitbull, and “What We On” with E-40.
Known best for his role in creating and popularizing the southern movement and lifestyle known as Crunk, Lil Jon delivered a string of regional hits (in the 90’s and 00’s) with the East Side Boyz eventually becoming a national force in 2001 thanks to the tracks “Bia Bia” and “Put Yo Hood Up,” “Get Low,” “Rep Yo City,” “I Don’t Give A F***” and many more. Their iconic albums include We Still Crunk!, Put Yo Hood Up, Kings of Crunk and Crunk Juice. Jon helped popularized the word ‘Crunk’ not only on a national scale, but worldwide, so much so that The Merriam-Webster Dictionary added the word into their book in 2007. Paying homage to the fact that he became a fixture in American pop culture, comedian Dave Chappelle created entire skits on the legendary Chappelle’s Show based on Lil Jon’s personality and sayings.
Lil Jon has a long list of platinum-selling productions, crafting groundbreaking hits for a diverse array of artists such as E-40, Usher, Ciara, The Ying Yang Twins, Ice Cube and more. He’s also worked with will.i.am, Miley Cyrus, Britney Spears, Bret Michaels, Travis Barker, Jennifer Lopez, Machine Gun Kelly, and many more. As an artist, he has sold millions of records as the frontman of Lil Jon & The East Side Boyz, whose smash hits “Get Low” and “What U Gon’ Do” have been among some of the biggest crossover hip-hop records. His songs have been featured in huge blockbuster movies and television shows including The Hangover, Girls Trip, Neighbors 1 & 2, The Proposal, the Step Up franchise, FOX’s So You Think You Can Dance, Ballers, Logan, Black-Ish, HBO’s Ballers, SNL digital short, Horrible Bosses, NBC’s Parks & Recreation, The Late Show with Stephen Colbert, etc.
His success as a mainstay in the DJ-world is evident with a current residency at Hakkasan Nightclub (MGM Grand) along with Jewel Nightclub at Aria Resort & Casino. Previously, Lil Jon had a DJ residency for over five years at the Wynn/Encore (Surrender, Tryst, XS); even being named the Las Vegas Resident DJ of The Year. He has traveled the globe DJing worldwide in places such as, but not limited to France, Germany, South Korea, China, India, Dubai, London, Mexico and Australia.
Lil Jon continues to be a master at marketing and business with a huge 2019 being tapped by Pepsi’s Super Bowl commercial (which also featured Cardi B and Steve Carell), Hotels.com for their commercial featuring Captain Obvious, and Jimmy John’s for the rollout of their new Little John sandwich. Kool Aid and Lil Jon collabed in 2018 for their viral Christmas campaign with the Kool Aid Man, Bud Light [Fall 2015] to star in their #UpForWhatever commercial and campaign. For many years he’s has a business relationship with Don Julio tequila as a brand ambassador, with a 2020 campaign that’s both a Postmates and Don Julio partnership for Lil Jon Party Packs which were rolled-out. He’s had an Oakley endorsement deal, partnered with SOL headphones - which helped to launch SOL Deck by starring in the Radio Shack commercial in Fall 2013.
His marketing chops came in helpful when casted on NBC’s primetime show Celebrity Apprentice (Spring 2011) quickly becoming a fan-favorite nationwide. Lil Jon was back on primetime television in the Spring of 2013 on the cast of Celebrity Apprentice All-Stars, where he came in 3rd and raised almost $200,000 for the American Diabetes Association. His philanthropic work hasn’t stopped there; Lil Jon has built 2 schools in Ghana with Pencils of Promise, where he took his family to Ghana himself to physically help build the schools, for which one is named after his late mother. He was honored at their 2019 Gala in New York City for all his contributions with the Visionary Award to a packed crowd at Cipriani’s.
Many TV shows have featured Lil Jon as a guest or host with his massive presence such as The Ellen Degeneres Show, The Tonight Show with Jimmy Fallon, Late Night with Seth Meyers, The Today Show, Good Morning America, Bravo’s Watch What Happens Live, Talk Soup, E!’s Fashion Police, Extra!, Access Hollywood, Talking Dead (AMC), MTV’s Ridiculousness, VH1 Hip Hop Squares, Lights Out with David Spade (Comedy Central), and much more. Jon was a guest host for ABC network’s iconic Bachelor In Paradise franchise - which aired Summer of 2021 - and featured him in the Heineken commercial during the finale episode.
His consistent hitmaking has earned him legions of fans from Los Angeles to New York to the Midwest and of course his native region, the South. This is no more evident as Lil Jon has won 2 BMI Songwriter of the Year awards as well as scored eleven Billboard Awards (for the two hit Usher tracks “Yeah!” and “Lovers and Friends”), a Grammy, a Radio Music Award, a BET award, two MTV Video Music Awards, and an American Music Award.
Tomorrowland has expanded the family with its own music label: Tomorrowland Music. Tomorrowland Music is a dedicated music division within Tomorrowland, collaborating closely with both artists and labels, supporting them in all their recording and release activities.
Tomorrowland Music has partnered with Virgin Distribution and Virgin Records. As part of the Universal Music Group, Virgin has been one of the industry leaders in music distribution and independent records labels for many years. Tomorrowland Music is delighted to be working closely with Virgin and looking forward to taking the label to a higher level together.
Stay tuned for a stellar line-up of renowned artists from all different levels who can’t wait to release their music on Tomorrowland Music, encompassing a multitude of genres.
Talla 2XLC dark melodic uplifter Phenomena after its huge success on That’s Trance imprint returns on Dreamscape records with Zyrus 7 remix treatment. Zyrus 7 aka Talla 2XLC transforms the already stunning original into a massive psy tech trancer to please the ears of the growing fanbase of psy trance worldwide. It starts with cool intro perfect to use it as the starting track of your DJ set and then the sharp and raw psy tech trance basslines along with the slamming kicks and the thunderous drums are injected to carry us away to this dark and moody strange Phenomena ride. Soon acid riffs are added along with cool distorted German spoken vocal samples. The breakdown unleashes the anthemic cinematic orchestral music section until the dark and mysterious synthy hook is revealed to raise the hair from your back and make you scream with anticipation. When the psy tech trance beat is coming back the track evolves into the perfect peak time destroyer with the dark synthy themes on top plus other effects to turn it into the absolute mayhem that any psy trance party is asking for. It’s one of those remixes that psy trance and even uplifting trance fans will play as it sounds fabulous in all occasions and settings. The Zyrus 7 remix on Phenomena by Talla 2XLC is out now on Dreamscape, the absolute home of psy trance music.
Born and raised in Frankfurt, Germany, Talla 2XLC is a true trance stalwart in every sense of the word. With over 3+ million in album sales and no signs of stopping — it is clear that Talla is a veteran, pioneer and visionary when it comes to uplifting and progressive trance. When Talla 2XLC takes his position behind the wheels of steel, you know you’re in for a powerful and euphoric trance journey. He has taken many listeners to a world beyond and has done so at some of the world’s largest festivals such as Tomorrowland, MAYDAY Dortmund, Luminosity Beach, Nature One, World Club Dome and both Electric Daisy Carnival Orlando and Mexico. It comes as no surprise that he’s had the opportunity to perform at these legendary events as he is well-known for his peak time sets as he has an artillery of instantly recognizable tunes defined by his high-spirited yet banging trademark sound. These tunes have been released on some of the highest tiered labels in existence like Armada Music, In Trance We Trust, Subculture, Outburst Records, Nocturnal Animals and of course Talla’s own — TechnoClub, which has been a leader in electronic music of all sorts since 1984 and his other label, which has been gaining love and support over the years — That’s Trance! As we all know far too well, 2020 brought upon us the COVID-19 Pandemic, which put a halt on live, in-person events. But all was not lost — Talla 2XLC was a light in a very dark place as he began performing live-streamed sets on the recently booming platform, Twitch. Gaining over 12,000 followers within a year and obtaining Partner status in under 3 months, it is clear that Talla has truly built a community of trance lovers and all music lovers alike. Now, streaming three times a week, partaking in raid train events and putting on special release streams; Talla has won the hearts of many through the power of music. Twitch is not the only thing our beloved German DJ and producer has been up to since the pandemic began. Talla has been immensely productive in the studio; having released a track almost every week and even releasing an artist album of his own (‘Carpe Diem’), we have seen a year like none other, musically. It’s quite evident that Talla has switched his focus on his productions and his 4 labels within German record company, ZYX Music. This can be made apparent if you take a look at Talla’s presence on Beatport. Over the last year, he has had 6 productions in the Beatport Trance Top 10 and several others within the Top 20 — including hit songs like ‘Suburbia’ with Allen Watts, ‘Aniara’ with XiJaro & Pitch, his own ‘Follow The Meteor’ and many others. The end is not in sight either because we are still hotly anticipating the release of his upcoming single with one of trance’s most sought after vocalists, Christina Novelli. You’ll definitely want to keep an eye on this space for more on that and other upcoming releases, so stay tuned for what Talla 2XLC has to offer. booking: talla2xlc.com/booking live stream: twitch.tv/talla2xlc website: talla2xlc.com merch: bit.ly/talla2xlc_choonwear
