William Daniel has long been a trusted name in electronic music journalism. With over twenty years of experience as a reviewer, interviewer, and lifelong record collector, he brings a rare combination of encyclopedic knowledge and genuine passion to his work. His journey began at 23rd Precinct Records, where he first immersed himself in the inner workings of the music industry, cultivating a deep understanding of the culture that drives the global electronic scene. Today, William is celebrated for his ability to honor the roots of electronic music while embracing its constant evolution, always uncovering hidden gems and rediscovering overlooked classics.
In this feature, William explores a new wave of releases that capture the enduring magic of the dance floor. He highlights four essential tracks: Mesh x Dan Stone’s Purple Haze on In Trance We Trust, a modern reimagining of a trance classic that balances nostalgia with fresh energy; Funk D’Void’s Diabla on Armada, a hypnotic and timeless slice of techno mastery; Corderoy’s Sweetest Dreams Remixes on Armada Captivating, including standout interpretations from Sean Tyas; and Pulser’s beloved In Deep, newly remixed by Grant Trowbridge on ToneDepth, breathing new life into a cherished favorite.
Through each review, William’s insight shines, guiding listeners through the intricate layers of production and the stories behind the beats. His writing reflects the same ethos that drives the music itself—a respect for the past, a celebration of the present, and an excitement for the future.
Mesh x Dan Stone - Purple Haze out 13/3/2026 on In Trance We Trust/Black Hole
William Daniel Review: Some records never really leave you. They sit in the back of your mind like a half-remembered sunrise from a long night out, waiting for the right moment to come rushing back. Mesh - Purple Haze is one of those records. It has always carried a certain magic in trance circles, and now Dan Stone steps in to breathe fresh life into it for the ever-reliable In Trance We Trust.
From the first moments, you can feel the intent. Stone does not simply rework the track. He treats it like something sacred, lifting the original spirit of Mesh’s classic and rebuilding it with modern precision. The melodies still spiral skyward with that familiar, euphoric glow, but everything feels sharper, wider and more powerful. The production gleams with contemporary clarity while the bass carries real weight, the kind that punches through a sound system and lands straight in your chest.
What makes this remix work so well is the balance. It keeps the emotional core intact for the trance purists who appreciate the craft, yet it has enough drive and momentum to send a dancefloor into a proper frenzy. Close your eyes, throw your arms up and you are right there in the moment. That is the energy this track taps into. It is the feeling that made the original so beloved in the first place.
Crucially, it never feels like nostalgia for the sake of it. This is more like a careful evolution, a respectful upgrade to a piece of trance heritage that deserves to keep living in modern DJ sets.
On a personal note, this one hits close to the heart. Purple Haze has long been one of my favourite releases on In Trance We Trust, a proper gem that I proudly own on vinyl. Hearing it given a fresh, playable mix for today’s floors is genuinely exciting. It reminds you why the track mattered then and proves it still has the power to move people now.
Some classics fade with time. This one just found a new way to shine.
Funk D'Void - Diabla [Armada]
William Daniel Review: There are producers who come and go with the tide of trends, and then there are artists like Funk D'Void, whose music feels carved into the foundations of modern techno. For decades he has been one of the quiet architects of the sound, shaping dance floors with intelligence, restraint and an instinct for groove that few can match. From his seminal work with Soma Records to releases across some of the most respected labels in electronic music, Funk D'Void has always carried a sense of purpose in his productions. When his name appears on a record, it means something.
“Diabla”, released on Armada Music, is another reminder of that legacy. It arrives with the quiet confidence of an artist who does not need to shout to command attention. From the opening bars there is a sense of space and control. The drums are tight and purposeful, the low end rolling forward with that unmistakable Funk D'Void weight. Each element sits exactly where it should, breathing within the mix.
This is classic Funk D'Void territory. Hypnotic but never sterile, driving but never brute. The groove locks in with a kind of mechanical elegance, the percussion flickering and shifting just enough to keep the body moving while the mind drifts somewhere deeper. It is techno with depth of character, the kind of track that reveals more of itself with every listen.
What stands out most is the craftsmanship. After decades in the game, many producers settle into habit. Funk D'Void still sounds engaged, still chasing that perfect balance between tension and flow. The synth textures creep in like distant lights through fog, subtle but full of atmosphere, while the rhythm section keeps everything firmly rooted to the floor.
In an era where much techno feels disposable, “Diabla” reminds us what quality production really sounds like. It is music built with patience and understanding, shaped by someone who has spent a lifetime inside the machinery of the dance floor.
This is music for the mind and the feet. And in the hands of Funk D'Void, that balance still feels effortless. (W.D)
William Daniel Review: Some records never really leave you. They drift in and out of the collective memory of the trance scene, waiting for the right moment to rise again and remind us why we fell in love with the genre in the first place. Sweetest Dreams by Corderoy is one of those records.
When it first surfaced in the golden era of melodic trance it carried a certain emotional gravity. The kind that sneaks up on you during a late night set and suddenly the entire room feels connected by the same melody. The original release became a quiet but powerful favourite among DJs and fans alike, particularly when Ferry Corsten delivered his unforgettable take on Tsunami. That remix pushed the track into anthem territory and cemented its place in the hearts of a generation that lived for those soaring breakdowns and euphoric drops.
Now, years later, the record returns on Armada Captivating with a fresh set of interpretations from Sean Tyas. It is not simply a nostalgia exercise. Instead it feels like a careful resurrection. A respectful reimagining that understands the emotional DNA of the original while giving it the power and clarity needed for modern trance floors.
Tyas delivers two versions here. The Deep Mix leans into atmosphere and texture, stretching the emotional core of the melody across a rich and immersive arrangement. It breathes beautifully and allows the vocal and chords to glow in a slightly darker space. It is thoughtful and well crafted, the kind of mix that rewards patient listening.
But it is the Ascension Mix that truly takes flight.
From the opening bars there is a sense that something special is unfolding. The energy builds with purpose, layers of melody rising until that familiar hook finally emerges in all its glory. There is a subtle nod to that classic Ferry Corsten interpretation, not a copy but a respectful wink to the version that helped define the track all those years ago.
When the breakdown lands it is pure trance theatre. Emotional, uplifting and unapologetically melodic. Then the drop arrives and everything clicks into place. The kind of moment that makes you close your eyes and remember exactly why this music grabbed hold of your soul in the first place.
In an era where trance constantly evolves and reinvents itself, releases like this remind us that the foundations still matter. Sweetest Dreams was always a special record. Thanks to Sean Tyas and its new home on Armada Captivating it now has the power to reach a whole new generation of listeners.
And if the Ascension Mix finds its way into the right DJ sets over the coming months, do not be surprised if dancefloors once again light up to that timeless melody. Some dreams, it seems, really are worth revisiting. (W,D)
Pulser - In Deep (Grant Trowbridge Remix) [ToneDepth]
William Daniel Review: A couple of years ago, Andy Perring reached out to Grant Trowbridge to remix one of his back catalogue tracks. Rather than gravitate toward the obvious hits, Grant dug deeper, hunting for something that would allow him to leave a real mark. That search led him to Pulser featuring Molly Bancroft – In Deep, a track that marked his first proper foray into working with vocals.
From the outset, it was clear this was no ordinary remix opportunity. The original’s emotive core was undeniable, but Grant saw the chance to reinterpret it entirely, to push the energy higher, carve out his own sonic signature, and explore a different emotional dimension. The result is a rollercoaster of soaring melodies, powerful hands-in-the-air breakdowns, and an infectious energy that demands attention on any dancefloor.
Grant Trowbridge, already a formidable force as a producer and a celebrated resident and radio host of Borderline, has truly outdone himself here. His remix captures the essence of what makes trance today so exciting: forward-thinking, impeccably produced, yet deeply emotional. The vocals are lush, the breakdowns ecstatic, and the energy utterly irresistible.
It is no wonder that Borderline remains one of my favourite trance labels. This remix embodies exactly why, representing the label’s commitment to high-quality, modern trance while retaining the genre’s euphoric spirit. For anyone seeking a track that fuses emotive depth with full-throttle dancefloor energy, Grant Trowbridge’s remix of In Deep is simply unmissable. (W.D)
As electronic music continues to evolve, voices like William Daniel’s remain essential. His reviews are more than just critiques—they are invitations to experience the heartbeat of the scene, to discover tracks that resonate not only on the dance floor but also in the soul. Whether you are a lifelong fan or a newcomer exploring the genre’s depths, William’s perspective illuminates the journey, keeping the spirit of electronic music alive and thriving.
Corderoy is undoubtedly one of the most exciting exponents of the future electronic scene. His productions have been described as fresh and innovative by some of the leading players in electronic music and his records have been consistently backed by the big names that count. Combining elements of House, Trance, Progressive and leftfield Electronica, as well throwing in some rock influences, Dale is now starting to mix it with the big boys.
After and string of high quality releases on imprints like Napith, High Contrast, Vandit and Perfecto, Dale has launched his own imprint - CDRY.
“There are no genre restraints which allows me to be creative and experimental. I’m not jumping on bandwagons or staying within one tight niche with this label”.
Being open minded and extremely versatile is very definitely his modus operandi. Always keen to show he’s not scared of fusing big melodies and great vocals, Dale is constantly looking to deliver fresh sounding material that works on dance floors and as well as through headphones.
His recent production, for Perfecto Records, the highly flammable ‘Kerosene’ is another mould breaker. Co-written with members of seminal rock-trance act ‘Dogzilla’ and indie band ‘Belasco’. Corderoy takes guitars and vocals and mashes them within an inch of their lives to create this totally original sounding hybrid club anthem. Paul Oakenfold, the label’s owner, loved the track so much he just asked Corderoy to remix one of his classics ‘Ready Steady Go’.
As Dale stamps his unique mark in dance music this year risks will be taken, boundaries battered down and ultimately his music will filter into the ears of the masses.
Name: Dale Corderoy
Location: London
Dimitri: Can you mention your biggest achievements in your music career in 2014 as dj & producer, label owner?
Dale Corderoy: It’s been quite a year of achievements but still loads to nail in 2015 mind you! Being asked to remix for Paul Oakenfold and Mason was pretty special, on the label front the reception from DJ’s and music fans on the CDRY releases this year have been completely amazing. Can’t thank everyone enough for all the love and support!
Dimitri: 2014 was packed with releases from so many different styles, which Electronic Music style you believe is the absolute Electronic Music Style Of 2014 in the mainstream indifferent if you like it or not. Why you believe this style became so successful in 2014?
Dale Corderoy: It’s probably still that big ravey EDM sound that’s the current trend right now. To be honest I love pumping energetic house music but I’m a little over the brutal rave riff sound, I can see the appeal but it’s just become like a burnt stake, unpalatable and overdone. Negative comments aside, there’s some brilliant music coming through at the moment and I’m predicting 2015 will bring a new wave on sound.
1)Best Track:
Dale Corderoy: Shiba San – OKAY. Genius in the way it’s so simple yet completely infectious!
2)Best Artist (Dj & producer):
Dale Corderoy: The title of 'DJ' has changed quite a lot in recent years, to me a DJ has to be a mixture of producer / performer and DJ all in one! Ferhplay productions are always so good and this year has been no exception, he's delivered some mind-blowing tunes and remixes.
3)Best Remix:
Dale Corderoy: Umek & Mike Vale on Mason's 'Exceeder': Loved being involved in the rerelease of this electro anthem, Umek & Mike Vale smashed it with their mix and went on to top the Beatport charts!
4)Best New Talent (Dj or producer):
Dale Corderoy: Funkin' Matt: I was all over his track ‘Alive’ a couple of months back and love his sound, predicting 2015 will be a really strong year for him!
5)Best Electronic Music Album:
Dale Corderoy: Aphex Twin – Syro, such a brilliant album and incredibly cohesive, immersive listen.
6)Best Vocalist/Singer featured on Electronic Music track:
Dale Corderoy: There’s this guy called Stevie B who’s been on a wicked dirty electro cut this year, he’s got a bright future that’s for sure!
7)Best Electronic Music Label:
Dale Corderoy: CDRY: (Because it's mine and there's some very tasty tunes on it!)
8)Best Electronic Music Video:
Dale Corderoy: Tiga - “Bugatti” – Directed by Helmi / produced by Division Paris, this brilliant quirky video is really creative and expertly put together. If you’ve not seen it yet check it out!
9)Best music composition software:
Dale Corderoy: Ableton closely followed by Logic
10)Best Event or Open Air Festival:
Dale Corderoy: Burning Man: a breathtaking event that everyone should go to a least once in their lifetime!!
11)Best Radio show:
Dale Corderoy: My Digital Enemy: What can I say the boys know how to put it down to the masses!
12)Best Online Record shop that you purchase your music:
Dale Corderoy: Beatport, the new Beatport Pro is brilliant!
13)Best tip that you learnt this year for your Djing techniques or music composition:
Dale Corderoy: I’ve been getting more and more into sound design and one thing I really love is working with granular synthesis. The sounds you can create are completely mental and you can really get creative.
14)Best piece of advice you got in relation to your career in 2014:
Dale Corderoy: Stay focused on what you believe in and not get drawn in by hype or negative energy.
Dimitri: Finally, 2015 is ahead of us would you like to tell your plans with your future releases, tracks, albums, collaborations, Dj gigs.
Dale Corderoy: Lots of new tracks from me appearing on CDRY in 2015, Perfecto will release my next single Mombastik in Feb with a bit of a surprise included! The new Outcast Radio Show will start and I’ll be out on the road a lot more performing. There are a few collaborations in progress but I’ll reveal more about those next year!
Dimitri:Thanks very much for your time to reply in this interview
Dale Corderoy: Absolute pleasure! Merry Christmas and Happy New Year to everyone!!
Thanks to Simon Tillotson – PR Manager at SLK Associates Limited for his support to organise this interview.
Corderoy – Dark Disco (Das Kapital Remix) is out now on Beatport click here