Aly & Fila presents FSOE 1000 in Sheffeld in June 2027
For over 20 years, Future Sound of Egypt (FSOE) has been the lifeblood of the global trance community. From its first broadcast to reaching its 1000th episode, Aly & Fila’s legendary radio show has connected millions of fans worldwide, inspired countless artists, and curated the soundtrack of electronic music history. In 2027, this extraordinary journey reaches a monumental milestone — FSOE 1000.
This is not just a number. It is a landmark. A celebration of everything FSOE represents — the music, the community, and the culture that has grown around one of the most iconic brands in trance.
And we are bringing that celebration to Sheffield.
📅 Saturday 12th June 2027
14:00 - 22:00
📍 Steelyard Sheffield
Headlining with a 3-hour world exclusive back-to-back set:
⚡ [SPECIAL GUEST] b2b Aly and Fila
⚡ The celebration will feature an exclusive 3-hour back-to-back set with a special guest and Aly & Fila — a once-in-a-lifetime performance that promises to be a defining moment in trance music.
🛒
REGISTER YOUR INTEREST FOR FSOE 1000
• Check here for additional info
Full Line-Up (A-Z) and Artist Highlights:
Aly & Fila – The Egyptian trance icons and founders of FSOE, known for euphoric melodies and timeless anthems like We Control the Sunlight.
Asteroid – Rising star of the uplifting trance scene, delivering high-energy productions supported by top DJs worldwide.
Chris Metcalfe – UK-based producer celebrated for his atmospheric, peak-time trance hits.
Ciaran McAuley – A master of emotional, melodic trance whose tracks resonate deeply with fans.
Dan Stone – Progressive and uplifting trance specialist, signed to FSOE and known for his lush, euphoric soundscapes.
Dark Fusion – A dynamic act blending driving rhythms with uplifting melodies.
Darren Porter – Renowned for his high-intensity, festival-ready trance productions.
Daxson – Progressive and melodic trance talent, bringing fresh energy to the global trance stage.
Doppenberg – DJ and producer exploring deep, driving trance sounds.
Ferry Corsten – One of the true legends of electronic music, his decades-spanning career includes classics like Punk and Beautiful.
John Askew – A pioneer of the tech-trance movement, delivering relentless, underground-driven sets.
John O’Callaghan – Celebrated for his iconic uplifting tracks such as Big Sky, a staple in the FSOE legacy.
Mark Landragin – UK trance ambassador and scene curator with a passion for melodic power.
Omar Sherif – Egyptian trance producer blending cultural influences with modern uplifting sounds.
Paul Thomas – Progressive trance maestro and founder of UV, known for his forward-thinking sound.
Philippe El Sisi – Veteran FSOE artist, recognized for his emotional and cinematic trance productions.
Richard Durand – Hard-hitting trance producer with global hits like Always the Sun.
Roger Shah – Balearic and melodic trance pioneer, famed for his sun-drenched, Ibiza-inspired sound.
Sequence Six – Upcoming talent delivering fresh, high-energy trance experiences.
Jesper Söderlund, widely known as Airbase, is a renowned Swedish trance producer and DJ. He has consistently focused on producing under various aliases throughout his career. His breakthrough came in 2002 with the release of “Airbase - Emotion and Genie,” followed by over a hundred remixes and singles. This has earned him a well-deserved reputation as a pioneer of anthemic, uplifting, and melodic trance music.
Darren Porter, another prominent figure in the trance music scene, has made significant contributions to the genre. His releases on respected labels like Armada Music, Tytanium Recordings, Future Sound of Egypt, and Amsterdam Trance Records have garnered a global fan base and elevated his popularity within the trance community.
Porter’s dynamic presence is evident on some of the most prestigious stages in the trance world. From Transmission and Tomorrowland to Dreamstate and Luminosity, he has left an indelible mark on the festival circuit. His sets are characterized by a seamless fusion of driving beats and captivating melodies, creating an immersive experience that keeps the crowd energized and engaged.
Darren Porter’s talent and dedication have been recognized through numerous accolades. He has achieved six Beatport No. 1 positions and was honored with the prestigious title of Tune of the Year in 2018. His tracks like “Split,” “Whiplash,” “The Potion,” and his collaboration with Ferry Tayle on “Neptunes” showcase his ability to effortlessly blend aggression and emotion.
[content title="Summary" label="Overall Score"] Darren Porter’s remix of “Medusa” by Airbase is a masterclass in modern trance production, delivering a 140 BPM euphoric uplift that captivates from start to finish. The track’s rhythm and drive are powered by heavy metallic, techno-infused basslines and relentless, pounding kicks, creating a kinetic foundation that seamlessly propels the listener forward. The groove is enhanced by precise percussive detailing and sharp transient control, expertly balancing energy flow and momentum while maintaining BPM consistency and sync ease. These elements collectively guarantee not only a perfect fit for club and festival environments but also for any high-energy fitness or wellness setting where music drives performance. The melodic core of the remix is a faithful yet revitalized interpretation of Airbase’s iconic original theme. Layered harmonic structures and soaring melodic hooks generate a powerful emotional resonance, while the interplay of transitions, drops, and build-ups ensures that each moment serves a narrative purpose. Porter’s arrangement demonstrates profound creativity and artistic identity, with a structure that avoids predictability while remaining cohesive and highly suitable for cue points, loops, and dynamic set flow. The sound design is pristine: synthesizers shimmer with clarity, effects and spatial imaging create an immersive stereo field, and the dynamic range achieves an ideal loudness balance without compromising sonic depth. From a production standpoint, the track’s use of effects such as risers, reverb tails, and stereo-panned delays demonstrates a meticulous attention to spatial design, enhancing the atmospheric qualities and immersion. Each drop is engineered with precise build tension, leading to euphoric releases that maximize crowd reaction potential. The emotional storytelling embedded in the arrangement offers both a sense of nostalgia and modernity, resulting in a track with exceptional replay value. Scientifically, music of this BPM and energy profile has been shown to increase endorphin release and improve cardiovascular performance during exercise (Karageorghis & Priest, 2012). Uplifting and harmonically rich trance tracks stimulate positive emotional responses, reduce perceived exertion, and contribute to overall mental wellness (Thompson et al., 2020). The combination of rhythmic drive and euphoric melodic content makes this remix ideal for fitness classes, running sessions, or wellness practices that benefit from heightened motivation and mood elevation. Darren Porter’s “Medusa” remix thus not only excels technically but also demonstrates measurable positive effects on human psyche and performance. #PureGold Loveit[/content]
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thompson, W. R., Gordon, N. F., & Pescatello, L. S. (2020). ACSM’s Guidelines for Exercise Testing and Prescription. Lippincott Williams & Wilkins.
Juslin, P. N., & Sloboda, J. A. (2010). Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
In 2011 saw the release of the Uplifting Trance track Aly & Fila feat Jwaydan - We Control The Sunlight on Future Sound of Egypt Recordings under Armada Music. This track became in instant hit and as we sit here in 2026 it has gone on to serve as one of the biggest tracks ever in the Trance Genre as is a timeless classic that has been an ever stay during Aly & Fila performances since 2010 until now
The Release was Voted Trance Tune of the Year on Armin Van Buuren ‘A State of Trance’ Radio show in 2011. And has been included in some of the biggest compilation and Trance albums which the genre has seen.
Fast forward to 2026 it is time for the Original release to have a modern take with the Darren Porter Remix and Fuenka Remix which Aly & Fila have been playing out for over a year in their Live Performances to huge accolades and requests
This Remix has been supported throughout 2025 by Aly & Fila at all his festival shows and is one of the most in-demand tracks in the trance world right now.
Dimitris Kechagias Review: [review top="1"] [item value="10"]Aly & Fila feat Jwaydan - We Control The Sunlight (Darren Porter & Fuenka Remix) [/item]
[content title="Summary" label="Overall Score"] Aly & Fila feat. Jwaydan – We Control The Sunlight (Darren Porter & Fuenka Remix) stands as a remarkable testament to the evolution of modern trance production, flawlessly bridging the energy of classic uplifting trance with cutting-edge contemporary techniques. From the very first beat, the Darren Porter remix surges forward with a commanding 140 BPM, delivering an electrifying rhythm that drives the listener into a state of both exhilaration and focus. Its pounding kicks, resonant basslines, and precise percussive layering generate an irresistible groove that energizes both dance floors and fitness environments. In contrast, the Fuenka remix introduces a slower, progressive 125 BPM arrangement, where its deep pulsating basslines and airy percussive textures create a hypnotic drive ideal for wellness sessions or meditative movement exercises. The melodic structure of both remixes is built upon the now-iconic vocal and harmonic motifs of the original track. Euphoric synths intertwine with atmospheric harps and strings, providing harmonic layers that are both intricate and emotionally stirring. Darren Porter's version leans into wide supersaw stacks, accentuated by meticulously designed transitions featuring risers, white noise swells, and perfectly timed drops that amplify the emotional arc of the track. Fuenka’s reinterpretation instead embraces warm pads, subtle arpeggiations, and gentle lead melodies that glide over the mix, enveloping the listener in a dreamlike state and allowing the storytelling element to unfold organically. From a production perspective, each remix showcases immaculate sound design and modern mastering practices. Sub-bass frequencies are tight and controlled, the midrange is balanced to highlight the vocal performance, and the high-end shimmer adds clarity without harshness. Both tracks demonstrate a flawless dynamic range and loudness balance, allowing DJs to integrate them seamlessly into any set without the need for additional gain adjustments. Their structure, with well-placed cue points and looping opportunities, offers high utility for live performance, while the intros and outros are intentionally crafted for smooth sync and blending. The emotional and psychological effects of these remixes extend beyond the club environment. Research has shown that high-tempo, harmonically uplifting music can release endorphins and improve mood regulation (Thoma et al., 2013; Chanda & Levitin, 2013). Tracks like Darren Porter’s remix, with its relentless drive and soaring melodies, can enhance endurance and motivation in fitness classes (Karageorghis & Priest, 2012), while Fuenka’s version, with its immersive and flowing progression, can support relaxation and mental clarity during wellness sessions, meditation, or yoga practices. The evocative lyrical delivery of Jwaydan combined with meticulously engineered spatial design induces a powerful sense of connection and emotional resonance, contributing to reduced stress levels and increased feelings of euphoria. Their overall cohesion and storytelling resonate strongly with audiences, yielding high replay value and exceptional crowd response potential. Whether experienced on massive festival stages or in intimate, mindful settings, these remixes embody creativity, artistic identity, and the timeless allure of trance music, ensuring their place as modern classics in the genre. #PureGold Love IT [/content]
Suggested Bibliography: Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193. Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66. Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
UK stalwart Darren Porter releases a stunning rework of Giuseppe Ottaviani's previous single "Keep Your Dreams Alive," arriving via Dreamstate Records.
Hailing from Newcastle, Darren Porter is an English producer whose background as a self-taught pianist and film scoring has led him to become a stalwart in the trance scene, renowned for his dark, driving tracks and euphoric, uplifting soundscapes. He's taking on remix duties as he puts his own twist on Giuseppe Ottaviani's previous single "Keep Your Dreams Alive" released on Dreamstate Records.
His "Keep Your Dreams Alive" remix is an masterclass in uplifting trance, granting the Italian maestro's tech-infused track a new lease on life, beefing up the main melodic progression while amplifying it with a propulsive groove fueled by thumping kicks, growling licks, crunchy countermelodies, and an ethereal symphonic breakdown whose strings let the soaring leads shine in a new light. The original track served as the official 'Dreamstate Europe' anthem in 2019, amassing 1.5 million streams, and earned radio and live support from Armin van Buuren, John O'Callaghan, Tempo Giusto, Marco V, Richard Durand, DIM3NSION.
[content title="Summary" label="Overall Score"] Darren Porter’s remix of Giuseppe Ottaviani’s “Keep Your Dreams Alive” is an exhilarating 138 BPM showcase of uplifting trance craftsmanship. From the very first measure, Porter injects the track with formidable energy, reimagining Ottaviani’s tech-driven original through a lens of high-octane euphoria. The production shines in its technical precision. The low end is anchored by punchy, tightly compressed kicks that lock in with rolling, sidechained basslines, creating a propulsive drive that’s essential for peak-time dance floors. Layered above, Porter introduces growling mid-bass licks that add grit and movement, perfectly complementing shimmering high-frequency percussion. His use of stereo imaging is masterful, with arpeggiated countermelodies panning subtly across the field, immersing the listener in a spacious, three-dimensional mix. The melodic progression is carefully structured to maximize emotional impact. The breakdown is a sublime symphonic moment, where airy strings and lush pads swell under a bed of reverb and delay, crafting an ethereal soundscape. As the main lead enters, soaring in unison with filtered choirs and soft plucks, the energy crescendos into a massive drop that embodies the euphoric essence of uplifting trance. Fans of the genre will adore this remix for its balance of emotional storytelling and technical excellence. It respects the soul of Ottaviani’s original while elevating it into a peak-time anthem, perfect for both festival mainstages and intimate club moments. Every detail—from the crisp transient shaping to the smooth EQing of the synth layers—underscores why Darren Porter remains a revered name in the trance circuit. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
FSOE recordings along with Trance Sanctuary are thrilled to announce the highly anticipated FSOE London event, taking place on Saturday, March 21st, 2026, hosted by Trance Sanctuary. This day-to-night celebration of the very best in Trance will unfold across two iconic venues in the heart of London: Here at Outernet for the daytime event and The Lower Third for the official afterparty. Fans can look forward to an unforgettable experience featuring exclusive back-to-back sets and world-class performances from the FSOE family.
Event Details
Daytime: 1:00 PM – 9:00 PM | Here at Outernet, London
After Party: 9:00 PM – 3:30 AM | The Lower Third, London
Global Trance icons and founders of the Future Sound of Egypt (FSOE) label, Aly & Fila are known for their euphoric soundscapes, anthemic melodies, and emotional sets that have headlined festivals around the world.
Amos & Riot Night b2b 0Gravity
A thrilling back-to-back performance featuring the uplifting energy of Amos & Riot Night alongside the fresh, high-octane sound of 0Gravity. Expect a dynamic blend of euphoric and driving Trance.
Craig Connelly
Renowned for his melodic and emotional productions, Craig Connelly’s performances are a journey through uplifting and vocal Trance, earning him global acclaim and chart-topping releases.
Paul Thomas
A master of progressive sounds and the driving force behind FSOE UV, Paul Thomas brings a sophisticated mix of deep, melodic, and atmospheric Trance to the dance floor.
Sean Tyas b2b Darren Porter
This rare back-to-back set will combine Sean Tyas’s signature high-energy sound with Darren Porter’s powerhouse uplifting style, promising a peak-time experience like no other.
Xijaro & Pitch
Known for their emotional and cinematic approach to Trance, Xijaro & Pitch deliver deeply moving performances that resonate with fans across the globe.
After Party – The Lower Third
Sean Tyas
Returning for a solo performance, Sean Tyas will deliver a late-night set full of driving rhythms, showcasing his expertise in high-octane Trance.
Steve Allen
A leading name in uplifting Trance, Steve Allen’s sets are packed with euphoric melodies and festival-ready energy.
Kinetica
Bringing his signature blend of tech and uplifting Trance, Kinetica will keep the afterparty moving with cutting-edge sounds.
Elucidus
Expect driving beats and emotionally charged melodies from Elucidus, one of the rising stars of the FSOE roster.
Hamza
Closing the night with a burst of energy, Hamza brings a versatile Trance sound, seamlessly blending melodic and driving elements.
A Full Day of Trance Excellence
From the euphoric melodies of Aly & Fila to the high-energy firepower of Sean Tyas and Darren Porter, FSOE London 2026 promises to deliver a celebration of Trance music like no other. With cutting-edge sound and lighting in a state-of-the-art venue, followed by an intimate afterparty experience, this is an event that fans will not want to miss.
Darren Porter and Arctic Barbers deliver a massive trance anthem with 'Edge Of The World,' out now on Black Hole. Expect pure uplifting energy, incredible production, and an unforgettable journey. This one is essential!
Dimitris Kechagias Review: [review top="1"] [item value="10"]Darren Porter & Arctic Barbers - Edge Of The World [/item]
[content title="Summary" label="Overall Score"]Darren Porter and Arctic Barbers' 'Edge Of The World,' released under the esteemed Black Hole Recordings, stands as a stellar exemplar of contemporary proglifting trance. At 134 BPM, it masterfully blends classic trance elements with innovative production techniques, offering an immersive auditory journey that resonates with both technical precision and emotional depth. The track’s foundation is built upon robust, chunky groovy basslines that provide a dynamic rhythmic engine, while the meticulously programmed thumping drums and pounding percussion create a driving pulse that is both hypnotic and invigorating. The percussive elements are layered strategically to enhance the track's energy without overwhelming the melodic layers. Cinematic strings sweep through the composition, their lush textures adding a dramatic flair that complements the melancholic thematic undertones. The production employs a sophisticated use of reverb and delay effects on these strings, heightening their ethereal quality and creating a vast, expansive soundscape. A standout feature is the creative integration of cool vocal chops. Processed with pitch-shifting and granular synthesis techniques, these chops add a human element to the track, bridging the gap between the organic and synthetic realms. This leads seamlessly into an emotional breakdown, characterized by smooth, melancholic piano chords that are enriched with subtle reverb tails, enhancing their reflective mood. The balearic atmosphere is crafted through the careful layering of ambient pads and gentle arpeggios, evoking images of sun-drenched coastlines. This serene interlude is contrasted by the subsequent build-up featuring dense, dark synths and swelling strings. The tension escalates through the use of filtered white noise risers and modulated synth sweeps, employing sidechain compression to maintain rhythmic cohesion. As the track approaches its climax, Darren Porter and Arctic Barbers masterfully manipulate tension and release, a hallmark of trance music. The final drop is a culmination of all preceding elements—a hypnotic fusion of driving basslines, soaring synth leads, and intricate percussive patterns that demand a head-down, lose-yourself-on-the-dancefloor experience. 'Edge Of The World' is not just a track; it's an audio tapestry woven with technical expertise and emotional storytelling, embodying the very essence of what trance music strives to achieve. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
The incredible artists JES and Oliver Smith are set to deliver the Darren Porter Remix of their track, 'Don't Let It End', dropping soon on the renowned Magik Muzik label.
This remix promises to elevate the already compelling original, with lyrics that speak to an enduring journey and an unbreakable spirit. A surge of emotion and energy as Darren Porter reimagines 'Don't Let It End', making it an essential addition to any trance aficionado's collection!
Dimitris Kechagias Review: [review top="1"] [item value="10"]JES & Oliver Smith - Don't Let It End (Darren Porter Remix)[/item]
[content title="Summary" label="Overall Score"] Darren Porter’s remix of JES & Oliver Smith’s beloved anthem "Don't Let It End" is a masterclass in trance production, impeccably crafted to elevate the original’s emotional resonance while injecting a surge of high-octane energy. Clocking in at a dynamic 136 BPM, this euphoric trancer showcases Porter’s signature production finesse, combining meticulous sound design with an innate understanding of trance’s emotional core. The foundation of the remix is built on pulsating basslines, meticulously layered to provide both depth and movement. These basslines are sculpted using sidechain compression techniques, ensuring they breathe seamlessly with the energetic kicks that punctuate the track. The kick drums are crafted with precision, boasting a sharp transient and a resonant low-end that drives the track forward without overpowering the melodic elements. Porter’s drum programming shines with thumping, pumping rhythms that incorporate subtle percussive variations, maintaining listener engagement throughout. The hi-hats and claps are placed with surgical accuracy, creating a crisp, dynamic groove that complements the track’s rising tension. One of the remix’s standout features is its full-on big euphoric synths. These lush, expansive leads are crafted through layered saw waves, enriched with reverb and delay effects to create a vast, immersive soundscape. The use of detuned oscillators adds a rich, harmonic texture, enhancing the emotional intensity of the synth lines. Porter’s modulation techniques, including filter sweeps and automation of reverb tails, contribute to the track’s dynamic ebb and flow. JES’s vocals are treated with great care, seamlessly integrated into the mix with tasteful EQ adjustments and spatial effects. The emotional lyrics are accentuated by the remix’s harmonic structure, with chord progressions that evoke a sense of longing and upliftment. Vocal chops and reverb trails are subtly employed to add an ethereal quality, enhancing the track’s overall atmosphere. The remix’s arrangement is meticulously crafted to maximize its impact on the dance floor. Strategic build-ups and tension-release moments are executed with precision, utilizing risers, white noise sweeps, and pitch-bending effects to heighten anticipation. The breakdown section offers a poignant moment of respite, allowing JES’s heartfelt vocals to shine before the track catapults back into its euphoric climax. Motivating, energetic, and truly exciting, Darren Porter’s remix is a testament to his prowess as a trance producer. Its technical brilliance, combined with an emotive core, ensures it will be adored at summer trance festivals, resonating with both casual listeners and dedicated trance aficionados. #PureGold Love IT[/content]
[item value="10"]Beat and Rhythm[/item] [item value="10"]Basslines and Groove[/item] [item value="10"] Melody [/item] [item value="10"] Synths [/item] [item value="10"]Breakdown[/item] [item value="10"]Climax / Drop / Crescendo / Pay off moment[/item] [item value="10"]Intensity, Drive and Energy[/item] [item value="10"]Sound-design and Arrangement[/item] [item value="10"]Overall Atmosphere[/item] [item value="10"]Goosebumps / Shivers moments[/item] [item value="10"]Emotional affinity and heartfelt moments[/item] [item value="10"]Originality and Inventiveness[/item] [item value="10"]Radio Friendly[/item] [item value="10"]Vocals & lyrics[/item] [item value="10"]You can’t get this memorable track out of your head[/item] [item value="10"]It has potential to become an anthem or a classic[/item] [/review]
Dive into the zenith of trance, techno, and melodic techno music of the year with Reason II Rise: Realms Best of 2024 compilation. Embark on an extraordinary journey into the expansive universe of Electronic Dance Music by Reason II Rise, where each beat unveils a unique adventure and every genre and sub-genre presents a distinct realm. Explore the vast expanse of Progressive Trance, Tech Trance, Psy-Trance, Big Room, Future Rave, Melodic Techno, Techno, Hardstyle, and Chillout music, where every sound forges new horizons. Embrace the boundless diversity and venture into the depths of musical liberation. Your realm awaits.
This meticulously curated collection presents the most exceptional tracks that defined 2024, honoring the emotional depth and electrifying energy of trance and melodic techno. Featuring contributions from renowned artists such as Jake Crooker, Menno Veda AFTERUS, Darren Porter, Pinkque, Chris Krystal, Emmy Skyer, The Prestige, M.A.T.I. Ashandra, FrenkyZ, Moniqa Adams, Matthew Duncan, Impulse Wave, Carlos Adonis, ADR (AU). This magnificent compilation celebrates the transformative power of these genres.
Available exclusively on December 27, 2024, this compilation is an absolute must-listen.
Please note that the ‘Realms’ Demo submissions are now open. Check HERE
Experience the pinnacle of uplifting trance music in the year’s best compilation, Reason II Rise: Uplift Best of 2024. Reason II Rise: Uplift, the newly established sister label of Reason II Rise Music, was created to support the remarkable growth and influx of exceptional artists joining their brand. As a member of the Reason II Rise family, Reason II Rise: Uplift is committed to nurturing talent and delivering exceptional uplifting trance music to audiences globally. This meticulously curated collection highlights the standout tracks that defined 2024, celebrating the emotional depth and energy of uplifting trance. This stellar compilation features contributions from renowned artists such as TP One, D`Arcangel, Mike Van Fabio, N-sKing, Kaselia, Laucco, Andy Elliass, Rolfiek, Siege (NZ), Tim Redding, Phil Stringer, Noff, Tamara Jokic, BiggyWawa, Eonun, Ciro Visone, Semper T., Christophe Quinlivan-Hunt, Allan Berndtz, and Fros7novA.
The compilation is officially released on December 27, 2024. To document the most uplifting tracks of the year, it is recommended to add the album to your digital collection.
The remarkable success and extensive expansion of Reason II Rise Music have been exhilarating, with an ever-growing roster of talented artists being signed. To ensure the continued provision of optimal opportunities for their official artists on the main label while accommodating new talent, they have strategically launched Reason II Rise: Uplift. This initiative enables the team to effectively welcome more artists into their community without incurring substantial delays and wait times in release dates for artists and fans.
Without the implementation of Reason II Rise: Uplift, release dates for new music would only become available later in 2025. The team recognized this as an unsatisfactory outcome for all stakeholders, as timely releases are essential for maintaining momentum and audience engagement. Reason II Rise: Uplift empowers the team to effectively manage their growing roster, ensuring that both new and official artists receive the recognition and promotion they deserve.
Reason II Rise: Uplift is not merely a sub-label; it embodies our unwavering commitment to the uplifting trance genre and the artists who embody its essence. By joining Reason II Rise: Uplift, artists become integral to a supportive and dynamic community dedicated to excellence in music production and promotion.
Reason II Rise: Uplift serves as a pivotal stepping stone for aspiring artists seeking to be signed as official artists on the Reason II Rise Music main label.
The team of this rapidly expanding label cordially invites you to embark on this exhilarating journey. With Reason II Rise: Uplift, the label continues to ascend together with any perspective artists, delivering unparalleled trance music to the world.
Experience the pinnacle of uplifting trance music in 2024 with Reason II Rise Musics’ Best of 2024 compilation. This meticulously curated collection highlights the most exceptional tracks that defined the year, showcasing the emotional intensity and uplifting energy of this genre. This comprehensive compilation features tracks by renowned artists such as Pinkque, Victor Special, Airdream, Kvaii, Cenk Basaran, Darren Porter, Mercurial Virus, Matthew Dreamer, 0Gravity, Darix, ILYIN, That Girl, Roxanne Emery, Code 2, JODIE POYE, Turker Ozsoy, Christopher Corrigan, BiXX, Mariano Mancini, Fallen Order, Ashandra, and Lowi.
It's out 27-12-2024 and is must have for your digital collection.
Reason II Rise Mission
The Reason II Rise Mission is to be the driving force in the trance industry, providing a platform that empowers artists to showcase their talent and creativity. They curate diverse and impactful trance music, uniting audiences worldwide through the power of melodies and rhythms that resonate with a purpose. Reason II Rise offers practical resources, mentorship, community-driven interactions, and unwavering support to assist artists in their careers.
At Reason II Rise Music, the team envisions a dynamic and authentic trance community where creativity and passion flourish. Their aspiration is to be a trailblazer in the industry, leading by example and fostering innovation. Their vision is a future where artists from all trance genres and enthusiasts alike find their home, forging connections that transcend borders and backgrounds. Through music with a reason, the team strives to inspire positive change, making a tangible impact on artists’ lives and the trance scene as a whole.
After a 3-year break from the music industry, Pinkque makes a triumphant return with her much-anticipated debut album set for release in 2024. Having burst onto the scene in 2014 with a remix of ‘One’ by Manuel Le Suax, Pinkque quickly established herself as a force in the trance world. Her original track 'Reborn' soared to the Top 100 Trance Charts on Beatport for four consecutive weeks in December 2014. Notable releases like 'Hereafter' (2015) hitting #27 on Beatport's trance charts and being voted #1 on Ferry Corsten's Corstens Countdown showcased Pinkque's rising prominence. Her 2016 original 'The Aggressor' earned the coveted title of 'The Future Sound' on Aly & Fila's Future Sound Of Egypt radio show. Stepping into 2018, Pinkque collaborated with Melbourne producer Jinus on 'Mission Control,' signed on MaRLo's label Reaching Altitude and supported by Armin Van Buuren on A State Of Trance Radio Show (#835). Her remix for MaRLo's 'Always Be Around' garnered widespread acclaim, featured on ASOT and played by Armin Van Buuren and MaRLo at some of the most iconic festivals in the world such as Tomorrowland and Untold Festivals. She has sold out many solo shows in Argentina and Pinkque's musical journey continues to captivate audiences, and her return promises a new chapter of musical exploration.
Pinkque is back with 'Ghost of You' taken from her upcoming album 'Beautiful Struggle' on Reason II Rise Music
1-Dimitris: It would be nice to start by telling us your 3 most important achievements or goals fulfilled in your career so far that you very are proud of.
Pinkque:It would definitely be selling out all my shows in Argentina as the headliner, for a small artist like myself the support I have received over there since 2015 has been immense. Also, remixing for MaRLo was a huge goal of mine.
2-Dimitris: Why and under which circumstances did you took the decision to start DJing or producing electronic dance music?
Pinkque:I started DJing in 2011 when I used to go clubbing when I was younger, I was captivated by how the DJs could really make or break a night with their choice in music and their overall vibe. I remember seeing a local female DJ in my home city (Melbourne) and being so in awe by how she had the dancefloor at the palm of her hands, it was then I turned to my friends and said "That'll be me up there one day". I was 16 at the time (yes, naughty to go to clubs underage haha) so when I turned 21 I bought some DJs and a mixer and started teaching myself every day and 6-8 hours on the weekends. It wasn't long until I realised I needed to start producing if I truely wanted to progress in the industry so I started dabbling in music productions and on and off chance meeting I was booked to play in Prague in 2013 and crossed paths with Darren Porter, it was then I packed up my suitcase and travelled from Australia to Germany where he was residing at the time to learn more in-depth about music production.
3-Dimitris: Can you note down the top 3 producers that have influenced your decision to get involved in the electronic dance music scene and you admire and respect them very much?
Pinkque:We are talking way back into my early teens when but it would of definitely have been Tiesto (back in the day) and Armin Van Buuren. I also loved Milk INC haha, i think they were classed as commercial euro dance at the time? But I loved them! Nowadays it's definitely Darren Porter and MaRLo who I admire and respect very much.
4-Dimitris: Can you tell us the top 3 tracks from the past that have influenced your sound the most and why?
Pinkque: Look any track that came from Darren Porter is a huge influence. And I also really love MaRLo's style, two very different sounds. But I also love cinematic/film score music, picking just 3 top tracks that have influenced my sound is very difficult as I get inspired and influenced by any genre I listen too, if I hear something I really like I want to find my own way of incorporating it into trance music.
5-Dimitris: It would be fantastic to talk about your track Ghost of You on Reason II Rise coming out from her forthcoming album Beautiful Struggle. Please tell us how the track and album came about and what was the idea behind them.
Pinkque: My latest release 'Ghost of You' taken from my upcoming album I wanted it to be very dark, eerie and beautifully haunting. It's at the beginning of my album right after the intro so I wanted to carry the dark vibes from the intro into the first trance track. I guess 'Ghost of You' can be interpreted either by continuously being haunted by someone or something from the past or the realisation you have become a mere echo of yourself. My album is about my struggles with depression all through my teenage years and 20's and how when I started working on myself, seeking help and attending therapy my ideas and sound of the album started to change direction into a more hopeful, lighter and uplifting feel towards the end. It's an entire journey through my struggles spoken through music.
6-Dimitris: How long it took you to produce the album and can u describe the production process in simple steps?
Pinkque:The entire album took 6 years to produce on and off, due to my depression there were periods of times where I had immense writers block, didn't want to do music and to get away from my own thoughts and feelings I would sleep a lot so I didn't have to think nor feel. In order for me to get that final push of the album across the line I flew over to the UK to work very closely along side Darren Porter who helped me complete the album. A lot of them still raw projects and it was amazing to see Darren grasp my ideas and help bring them more to life. I was in the UK for 1 month and we were able to cross it over the line, but overall the entire album was on and off for 6 years in the making.
7-Dimitris: Did you had any particular difficulties accomplishing that particular track or any specific technical challenges or obstacles that you had to overcome during its production.
Pinkque: 15 tracks with all these ideas over the years is a lot to get through for one person, especially with a mind like mine sometimes, and I fully acknowledge that I did struggle with getting my head around some techniques that Darren was able to take over, show me and implement. I sometimes felt like I was going around and around in circles not getting anywhere. Working with Darren was a huge saviour, his knowledge is so extensive and I couldn't have done this without him.
8-Dimitris: If you would have the opportunity to change something in your track and maybe to do a new remix what elements are you unhappy with and you are going to change? Is there any artist that you feel would be fantastic to remix this track and why?
Pinkque: Funnily enough, only a few weeks ago I scrapped track 13 of the album as I hated it and was just not feeling it and made a hustle to ask singer/singwriter That Girl if she would be interested in doing a collaboration together for the album, to my absolute delight she was in and after discussions on the overall feel and lyrical direction for the song she went away and came back and blew me away. It is probably my most favourite track on the album.
9- Dimitris: Which music composition software or hardware you prefer and why? What is your opinion of the latest movement to produce music with more analogue equipment and with less or without any digital software?
Pinkque: I used cubase for 9 years. Now after working with Darren in the UK for the month I have switched to logic. My opinion? Just do you, whatever makes you happy.
10-Dimitris: Do you prefer vocal or instrumental tracks? If there are vocals on the track we discuss about tell us about the singer you work with?
Pinkque: It really depends on the overall vibes. Sometimes vocals can ruin a good track, and sometimes tracks would sound better with vocals. I guess it really depends how the track makes you feel personally. My favourite artist that I worked with for a track on the album is That Girl, she listened to my story, she listened to how I felt, she listened to music (not trance) I sent her and explained what I liked about it and she went away and came back and absolutely nailed it on the head. She's very talented and I would love to work with her a million times over.
11-Dimitris: Are there any vocalists/singers on electronic dance music you aspire to work with?
Pinkque:Like I said, I'd definitely love to work with That Girl, she just gets me. I love Plumb, but I don't think i'd ever have the opportunity to work with her, but I like to find artists out of the EDM scene - there is SO much talent out there.
12-Dimitris: Please choose the most powerful lyrics ever included in a dance track and why these lyrics have touched you so deeply and have a special meaning for you?
Pinkque: Oh gosh, this is so hard there are so many good ones the really have a special meaning! I would probably have to say Above & Beyond - On A Good Day (Daniel Kandi Remix), this song personally to me is so powerful and it gives me strength to keep going and one more that I have been very touched by the lyrics is from Craig Connelly Ft Jessica Lawrence - How Can I. They both really tug at my heart.
13-Dimitris: Do you believe that artwork on your latest track is good and do you believe that artwork can attract listeners or record buyers? Can you mention the best artwork of a track ever released?
Pinkque:Artwork I think is crucial and I do believe artwork can attract listeners and/or record buyers. The best artwork ever released? Oh dear. HAHA, I think Armin Van Buuren's 'Balance' album/marketing was on point. Great artwork, so simple but very on key.
14-Dimitris: Can you pick your favorite top 3 record labels including the one released the track that we discuss in this interview and give us a short comment about why these labels are important to you and the music scene too?
Pinkque: I've been out of the scene for quite a few years so there have been new labels that have come around, but Top 3 for me would probably be Reason II Rise Music, Reaching Altitude and WAO138?!
Not being biased because I now work for Reason II Rise Music but the vision Darren Porter has on wanting to change how things are in the industry regarding labels I really took a liking to, fostering and really nurturing artists to help them grow is something I'm quite passionate about. Reaching Altitude and WOA138?! are where I mostly purchase tracks from. However I am quite a fan of State Control Records for the music they are releasing as well.
15-Dimitris: Do you have your own record label? if yes tell us when did you set it up, the reasons behind this decision and your top 3 releases on the label so far plus 2 or 3 releases that we should look after from your label.
Pinkque: No I don't have my own but I currently work for Reason II Rise Music as an Artist Liason Representative & Creative Content & Marketing Manager, and I treat this label as if it was my own. My top 3 releases from the label would probably be Darren Porter - Timelapse / Ronski Speed & BiXX Ft That Girl - There Is Purpose and MaCiD - Nautilus. We have so so many great tracks coming out and everything very diverse as we have just expanded our sound and introduced to the public Reason II Rise: Realms - which focuses on all other EDM genres and subgenres. There's a track coming out from new comer Ersin AVCI called Journey which I am obsessed with and also a track from Turker Ozsoy called Friends which I love.
16-Dimitris: Are you planning to complete an album or mix compilation soon? if yes please give us all the details about regarding tracks and how will look and sound like?
Pinkque: Yes, my album 'Beautiful Struggle' is coming out on the 22nd March 2024. It's a mixture between all different trance genres with cinematic/orchestral interludes throughout to break up the direction of the album and changes the mood and vibe. The beginning is very dark and it gradually gets more lighter and uplifting to the end.
17-Dimitris: Can you pick up your all time favorite album or compilation and tell us why you adore it so much?
Pinkque:my favourite dance music album is probably Above & Beyond - Group Therapy. It's just a phenomenal album, who doesn't love it.
18-Dimitris:How much time do you spend promoting yourself in your social media and you see this as essential tool for self promotion and getting bookings too? Which social media is the one that seems to work better for you?
Pinkque:I try to promote as much as I can within the means of my abilities. I try to post at least once a day where I can. Social Media is extremely essential, not only do you know how to produce or DJ you have to be a social media guru, video editing guru, promotional material guru haha everything under the sun, unless of course you have someome who does all that for you. But in this day and age yes, the best one that works for me at this stage is Instagram.
19-Do you post videos on tiktok? If yes please reference for us your favourite? What is your opinion about the power of tiktok to promote music releases?Is there any tiktok video created by fans of you with your music worth mentioning?
Pinkque: Yes, I've just gotten into the swing of things with TikTok, I think tiktok is the most important social media platform now to promote on.
20-Dimitris: Do you have any gigs/festival performances confirmed so far for 2024 in which ones are you most excited to perform and why?
Pinkque: I may have, currently working on it at the moment.
21-Dimitris: Please share your most funny and most serious incident that happen to you during your DJ or LIVE PA performance?
Pinkque:I have two. One of them I was busting to go to the toilet so I put a track on a knew would give me just enough time to make it back and as I ran back I misjudged the stage, smacked my skin on the side of the stage as I jumped to get back up and face planted behind the decks, with all the adrenaline it didn't hurt but the next day the bruise was brutal haha. And in Argentina during my 6 hour open to close set my USB decided to freeze up, luckily I had a back-up spare with the exact same tracks on there and the show went on without any more hiccups.
22-Dimitris: Are you happy about the quality of the tracks released in your preferred music genres? Please justify your answer with your opinion about it!
Pinkque:I like a broad range of edm genres so I'm lucky I can pick and choose quite easily.
23-Your current Top 3 tracks with short comment:
Pinkque:Everything I have been listening too for the last couple of months has been my album, ensuring everything is OK, so I don't really have any current top 3 tracks right now as I'm not 100% sure what's out. I do love everything from Reason II Rise Music though as those are what I listen to when I'm doing release assets for artists.
24-Dimitris: If you expect to have a steady income from your music productions are you satisfied with the way that royalties system works particularly regarding streaming revenue? Do you believe that artists get what they deserve from streaming providers/DJs playing your tracks in gigs/radio and selling music in physical formats like CDs/Vinyl or digitally.
Pinkque:No, I don't believe artists get what they deserve. It's been like that for many years - however I do feel things are slowly changing dependent on which label you sign with but now it's the streaming platforms that are a bit of a problem.
25-Dimitris: Please note for all the new talents that read this interview to get some inspiration from you any technical tips in relation to your DJing or music productions. Also any piece of personal or music business' advice that has helped you to progress even further and is worth telling to the new upcoming talents.
Pinkque: The best advice I got given was from MaRLo, I always carry his words to this day and pass it on to anyone I see who is struggling which is basically “Just do you”. He told me that it’s sometimes hard to see perspective and get very caught up in things that in the big scheme of things don’t matter as much as it may feel it does. Don’t worry about what other people are doing, don’t worry what other people are saying or thinking - just focus on yourself and do what you love and that it will give you a lot more freedom to do what you like to do. One day you’ll look up, look around and realise that you’re moving forward and closer to your goals. It took me a long time to understand truely where he was coming from but it feels so much better to be in this mind set and having that dark cloud removed. So, I’d also like to give a little shout to Marlo and say thank you. But for something that comes from me is to stay humble and remember all the hands that helped you and pushed you in your career, to always be thankful and not to forget about those people, that is so important to stay grounded and to not let negativity trump all the positivity. Also more importantly, if you are struggling within the industry, please reach out to somebody, please speak out. That really goes for anybody, artist or not.
26-Dimitris: Many producers and DJs offer online masterclasses or teach to music production & DJing courses. Do you believe is essential to take part in any of these courses to develop your skills? Are you are offering any of these services? or other related services like ghost-producing or mastering? please tell us about these activities
Pinkque: I think it's great to learn from other producers Or DJs if you are committed to learning the craft - Darren Porter mentored me 10 years ago at the beginning of my career and I came back to work with him in 2023 to cross my album over the line. I think there is no shame in working closely with other producers.
27-Dimitris: Is there a club classic that you would like to remix or rework in 2023? Do you attempt often to do your own bootlegs of classics?
Pinkque:I'd love to remix Delerium - Silence for sure. But classics are a hard one because you can either make it something amazing again or butcher it, it's a fine line.
28-Dimitris: Please choose the best and worst remix of club classic and tell us why you like or dislike them.
Pinkque: The best one I've heard is Darren Porters remix of Take Me Away hands down, he brought it back to life.
29-Dimitris: How much do you care if your fans or followers like your productions? Do you struggle with the audience reception of your tracks and is this thought adds extra pressure on you and discourage you too?
Pinkque:I used to struggle with this a lot - bad comments always trumped the support and positivity - this was due to my mental state at the time and not thinking I was good enough and when people would drill things into you over a period of time you start to believe it. Now, I've learned just to ignore it, I have grown much thicker skin.
30-Dimitris: Can you describe your music as certain music genre such as trance, house, techno or your music exempts these categorizations? What is your opinion about hybrid styles and artists who are attempting to mix influences from various genres in their tracks?
Pinkque:I have a broad range of music in my catalogue, mostly uplifting trance but I have some that are progressive, techy and uplifting of course.
31-Dimitris: Is your music business your full time occupation and are you able to make a leaving out of your music business (DJ/producer/label owner/teaching or mastering tracks)? If not what other jobs are you doing in order to support your income?
Pinkque:Music is not my full time occupation and definitely is not more main source of income. I work as a hotel manager and have been in the hospitality industry for 20 years.
32-Dimitris: Do you believe that audience should be banned from constantly taking photos or videos during DJ sets or are you happy with these activities?
Pinkque:It would be nice to go back to the days where everyone was just present in the night, when I used to go clubbing the memories would live in our heads. But times have changed, do I think people should be banned for it? No. Nowadays it gives artists opportunities to take peoples videos and share them for content that may otherwise never would have been captured.
33-Dimitris: Do you prefer small clubs or huge festivals to perform? in which festivals or clubs you aspire to play in the future?
Pinkque:I've mainly only performed in smaller clubs, the biggest stage I've been on was at Mandarine Club in Buenos Aires, Argentina which I think the capacity was 2000 people - I couldn't hardly see anything with the lights in your face and it kind of just felt like you were playing to yourself, it was definitely a different vibe. I would absolutely like to experience playing at a festival like Transmission or Luminosity one day.
34-Please choose for us your favourite holiday destination and share with us your most unforgettable holiday experience(good/bad)
Pinkque: My favourite holiday destination would be Croatia. It is just stunning.
Dimitris: Your message & wishes for Flux Bpm Online readers.
Pinkque: Thank you all for taking the time to read, a big thanks to Dimitis at Flux Bpm for having me and I hope to see you somewhere on the dancefloor somewhere soon.
Thanks to Pinkque for the detailed answers.
Thanks to Tim at Reason II Rise for organising this interview.
