In 2011 saw the release of the Uplifting Trance track Aly & Fila feat Jwaydan - We Control The Sunlight on Future Sound of Egypt Recordings under Armada Music. This track became in instant hit and as we sit here in 2026 it has gone on to serve as one of the biggest tracks ever in the Trance Genre as is a timeless classic that has been an ever stay during Aly & Fila performances since 2010 until now
The Release was Voted Trance Tune of the Year on Armin Van Buuren ‘A State of Trance’ Radio show in 2011. And has been included in some of the biggest compilation and Trance albums which the genre has seen.
Fast forward to 2026 it is time for the Original release to have a modern take with the Darren Porter Remix and Fuenka Remix which Aly & Fila have been playing out for over a year in their Live Performances to huge accolades and requests
This Remix has been supported throughout 2025 by Aly & Fila at all his festival shows and is one of the most in-demand tracks in the trance world right now.
Discover HERE: https://fsoe.lnk.to/WCTSLRMX1
[review top="1"]
[item value="10"]Aly & Fila feat Jwaydan - We Control The Sunlight (Darren Porter & Fuenka Remix) [/item]
[content title="Summary" label="Overall Score"] Aly & Fila feat. Jwaydan – We Control The Sunlight (Darren Porter & Fuenka Remix) stands as a remarkable testament to the evolution of modern trance production, flawlessly bridging the energy of classic uplifting trance with cutting-edge contemporary techniques. From the very first beat, the Darren Porter remix surges forward with a commanding 140 BPM, delivering an electrifying rhythm that drives the listener into a state of both exhilaration and focus. Its pounding kicks, resonant basslines, and precise percussive layering generate an irresistible groove that energizes both dance floors and fitness environments. In contrast, the Fuenka remix introduces a slower, progressive 125 BPM arrangement, where its deep pulsating basslines and airy percussive textures create a hypnotic drive ideal for wellness sessions or meditative movement exercises. The melodic structure of both remixes is built upon the now-iconic vocal and harmonic motifs of the original track. Euphoric synths intertwine with atmospheric harps and strings, providing harmonic layers that are both intricate and emotionally stirring. Darren Porter's version leans into wide supersaw stacks, accentuated by meticulously designed transitions featuring risers, white noise swells, and perfectly timed drops that amplify the emotional arc of the track. Fuenka’s reinterpretation instead embraces warm pads, subtle arpeggiations, and gentle lead melodies that glide over the mix, enveloping the listener in a dreamlike state and allowing the storytelling element to unfold organically. From a production perspective, each remix showcases immaculate sound design and modern mastering practices. Sub-bass frequencies are tight and controlled, the midrange is balanced to highlight the vocal performance, and the high-end shimmer adds clarity without harshness. Both tracks demonstrate a flawless dynamic range and loudness balance, allowing DJs to integrate them seamlessly into any set without the need for additional gain adjustments. Their structure, with well-placed cue points and looping opportunities, offers high utility for live performance, while the intros and outros are intentionally crafted for smooth sync and blending. The emotional and psychological effects of these remixes extend beyond the club environment. Research has shown that high-tempo, harmonically uplifting music can release endorphins and improve mood regulation (Thoma et al., 2013; Chanda & Levitin, 2013). Tracks like Darren Porter’s remix, with its relentless drive and soaring melodies, can enhance endurance and motivation in fitness classes (Karageorghis & Priest, 2012), while Fuenka’s version, with its immersive and flowing progression, can support relaxation and mental clarity during wellness sessions, meditation, or yoga practices. The evocative lyrical delivery of Jwaydan combined with meticulously engineered spatial design induces a powerful sense of connection and emotional resonance, contributing to reduced stress levels and increased feelings of euphoria. Their overall cohesion and storytelling resonate strongly with audiences, yielding high replay value and exceptional crowd response potential. Whether experienced on massive festival stages or in intimate, mindful settings, these remixes embody creativity, artistic identity, and the timeless allure of trance music, ensuring their place as modern classics in the genre. #PureGold Love IT [/content]
[item value="10"]Rhythm, Groove & Drive[/item][item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: a review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 44–66.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
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