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Trance Review: David Forbes & Paul Denton - Future out on Who's Afraid Of 138?!

 


David Forbes and Paul Denton are powerhouse figures in the global trance and tech-trance scene, recently uniting for their fifth collaboration, the high-energy anthem "Future". Released on April 24, 2026, via Armada Music's Who's Afraid Of 138?! label, the track is a peak-time peak weapon designed for maximum dancefloor impact.

David Forbes

Legacy & Status: A veteran with nearly three decades in the industry, Forbes is recognized as one of Scotland’s most prolific and versatile producers.

Recent Achievements: In 2024–2025, he consistently ranked among the Top 101 Producers globally, recently reaching #34.

Key Projects: Beyond his solo work, he is one-half of the explosive tech-trance duo Thick as Thieves alongside Mark Sherry, which made a major Asia debut at UnKonscious 2026.

Labels: He is the founder of Aria Records and a mainstay on elite labels like Armada Music, Subculture, and Outburst.

Paul Denton

Rising Global Presence: Hailing from Ireland, Denton has evolved from a "new talent" to a global headliner known for his technical prowess and high-energy sets.

"Retrospekt" Era: 2025–2026 marks the launch of his debut artist album, Retrospekt, on Future Sound of Egypt (FSOE), accompanied by a world tour that includes stops in Australia, Asia, and Europe.

Milestones: A career highlight includes closing Stage 2 at A State of Trance (ASOT) in Rotterdam.Chart Success: Denton has secured multiple Beatport #1s with hits like "Afterglow," "Shadow," and the "FSOE 700 Anthem".





Dimitris Kechagias Review:
[review top="1"]
[item value="10"]David Forbes & Paul Denton - Future [/item]
[content title="Summary" label="Overall Score"]David Forbes & Paul Denton’s collaboration “Future,” released on April 24, 2026, through Armada Music’s Who’s Afraid Of 138?! label, is a triumph of modern tech-trance production that showcases the duo’s mastery of high-energy electronic music. At 140 BPM, the track immediately propels listeners into a state of euphoria, driven by relentless rhythmic power and a tight, energetic groove. The basslines are sculpted with precision, providing a deep, pulsating foundation, while the kicks cut through with a raw presence, creating the dynamic drive essential for peak-time festival and club sets. Layered percussion and subtle acid inflections enhance the propulsion, ensuring seamless synchronization with DJ cue points and loops to maintain momentum in any set. The melodic construction of “Future” reflects the duo’s sophisticated understanding of harmonic layering and emotional progression. Uplifting synths rise from a luminous breakdown, providing a cathartic contrast to the darker, tech-driven drops. Transitions and build-ups are executed with surgical precision; every rise in tension is matched with a meticulous drop that releases energy in cascading waves, amplifying the crowd’s reaction potential. The arrangement is original yet cohesive, balancing familiar trance motifs with inventive structural shifts that keep the track engaging throughout, offering high replay value and effortless integration into dynamic set flows. From a production standpoint, the sound design is exemplary, with a wide stereo field and impeccable spatial effects that immerse the listener. Reverbs and delays are artfully applied to create a sense of dimension without muddying the mix, while the dynamic range maintains both clarity and club-ready loudness. The track’s atmosphere is compelling, drawing the listener into a narrative of forward momentum and euphoric release, a hallmark of effective trance storytelling. Scientific studies have shown that high-tempo electronic music can enhance mood, increase endorphin release, and improve exercise performance (Karageorghis & Priest, 2012), making “Future” an excellent fit for mental wellness activities, fitness routines, and group exercise classes. Its energizing qualities and positive emotional resonance align with findings on music-induced dopamine release and its role in stress reduction and mood regulation (Salimpoor et al., 2011). In essence, “Future” is not only a technical achievement in trance production but also a track that offers tangible psychological and physiological benefits. Its combination of driving energy, harmonic uplift, and precise production ensures it is a festival weapon, a fitness motivator, and a mood enhancer for listeners worldwide.#PureGold Loveit [/content][item value="10"]Rhythm, Groove & Drive[/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
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Suggested Bibliography
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.