Simon Gregory remixes Super8 & Tab and SØNIN's 'Black Is The New Yellow'.
Miika Eloranta and Janne Manserus, aka Super8 & Tab, have been part of our family for over 20 years. They began collaborating on music in 2005, and the magic was instant. The likes of ‘Black Is The New Yellow’, ‘Helsinki Scorchin’ and ‘Irufushi’ have stood the test of time. In 2007, the duo remixed Above & Beyond’s Tranquility Base classic ‘Oceanic’, and in 2020, they delivered a mix for the 20 Years of Anjunabeats compilation series.
With over a decade of production experience with some of dance music's biggest names, SØNIN is no stranger to breaking into the charts. The Finnish producer's tracks ‘Passion’ and ‘Nano’ skyrocketed to #1 in the Beatport Top 100 Trance charts, and in recent years, his releases have gained support from industry heavyweights like Armin van Buuren, Jason Ross, Ferry Corsten, W&W and many more.
Now, Simon Gregory remixes Super8 & Tab and SØNIN's celebrated track 'Black Is The New Yellow'. Originally released on Anjunabeats in 2010, 'Black Is The New Yellow' soon became a fan favourite. Hailing from the UK, Simon Gregory made his Anjunabeats debut in 2022 with his collaboration with Nitrous Oxide, ‘Fusion,’ and made a welcome return to the label last year with 'Ah Funk It'.
Super8 & Tab and SØNIN's 'Black Is The New Yellow' (Simon Gregory Remix) is out now on Anjunabeats.
Buy/Stream 'Black Is The New Yellow (Simon Gregory Remix)': HERE
[review top="1"]
[item value="10"]Super8 & Tab and SØNIN - Black Is The New Yellow (Simon Gregory Remix) [/item]
[content title="Summary" label="Overall Score"]Simon Gregory’s remix of Super8 & Tab and SØNIN’s classic “Black Is The New Yellow” is a masterclass in proglifting trance production that achieves a perfect synthesis of technical excellence and emotional impact. Opening at a driving 132 BPM, the track wastes no time establishing a commanding rhythm with pulsating basslines, tight percussive layers, and well-calibrated kicks that anchor the groove. Each element of the rhythm section interacts seamlessly, creating an irresistible drive that propels the listener forward while maintaining impeccable BPM consistency and sync reliability for professional DJ sets. The melodic architecture is equally compelling, as Gregory weaves the iconic hooks of the original into a rich tapestry of harmonic layers, using expansive pads, shimmering arpeggios, and evolving lead synths to deliver waves of euphoria that make the drops and build-ups feel both natural and eruptive. The production techniques employed here are a testament to Gregory’s refined skill set. Transitions between sections are fluid and precise, with careful modulation, filter sweeps, and spatial effects creating a sense of journey that invites deep immersion. The sound design demonstrates high-level sculpting, with each instrument occupying its own frequency space, resulting in a balanced mix with excellent dynamic range and loudness control. Creative use of reverb and stereo imaging enhances the spatial dimension, giving the track an enveloping, almost cinematic presence when heard on a club system. Notably, the distorted synths introduced in the climax contrast brilliantly with the euphoric lead motifs, heightening emotional resonance and ensuring memorable crowd reactions. The arrangement respects both club and festival environments, offering DJs flexible intro and outro structures, clear cue points, and looping potential without sacrificing artistic identity. Beyond its technical merits, “Black Is The New Yellow” (Simon Gregory Remix) has demonstrable positive effects on mental health and physical wellness. Scientific studies have shown that exposure to high-energy electronic music at moderate to high BPM can increase dopamine and endorphin release, enhancing mood and motivation (Thoma et al., 2013; Chanda & Levitin, 2013). This makes the track particularly effective for fitness and wellness classes, as its steady, uplifting energy pattern supports rhythmic movement, promotes cardiovascular engagement, and fosters a sense of flow state during exercise. Furthermore, trance music’s repetitive structures and immersive harmonic layering have been associated with meditative and stress-reducing effects, providing psychological benefits in both active and passive listening contexts (Hodges, 2009). The remix’s ability to inspire “hands in the air” euphoria while maintaining structural coherence exemplifies how music can bridge entertainment with holistic well-being. In conclusion, Simon Gregory’s reimagining of this beloved Anjunabeats classic is not only a technical triumph but also a track with meaningful positive impacts on listeners, from energizing workouts to enhancing mental wellness. Its flawless execution across rhythm, melody, sound design, and emotional engagement ensures that it will remain a standout addition to trance playlists, fitness classes, and festival stages alike. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item][item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193.
Hodges, D. A. (2009). Music in the human experience: An introduction to music psychology. Routledge.
Thoma, M. V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U. M. (2013). Emotion regulation through listening to music in everyday situations. Cognition & Emotion, 27(3), 534–543.
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