Braxton returns to Anjunadeep with new double single ‘There’s Still Time / Green To Gold’.
Since making his debut in 2019, the Brighton-based DJ and producer has become a label mainstay, with appearances across flagship compilations, remixes for Above & Beyond and Marsh, and a steady stream of globally supported tracks. His releases last year garnered widespread support, with a SiriusXM Chill playlist add for ‘On The Shores Of A Happy Sea’, BBC Radio 1 support for ‘No Horizons’ featuring Rromarin, alongside releasing a remix of Jody Wisternoff and James Grant’s classic ‘Dapple’.
2025 saw Braxton take his sound to dancefloors worldwide, with a three-stop North American tour spanning Seattle, San Francisco and Toronto, alongside sets across London, Basel, Berlin, Nairobi and New York. Back on home soil, he continues to be a fixture of the UK scene with a recent appearances at fabric and a set at the newly refurbished Ministry of Sound going back to back with Jody Wisternoff in April.
Braxton’s ‘There’s Still Time / Green To Gold’ is out now on Anjunadeep.
Buy/Stream 'There's Still Time / Green To Gold': https://anjunadeep.ffm.to/bgtg.oyd
[review top="1"]
[item value="10"]Braxton - There's Still Time / Green To Gold [/item]
[content title="Summary" label="Overall Score"]Braxton’s latest release on Anjunadeep, the double single “There’s Still Time at 126 BPM / Green To Gold at 124 BPM,” showcases a masterclass in modern electronic music production. Both tracks deliver an immersive journey where rhythm, groove, and drive work in perfect harmony to command the dancefloor. The hypnotic groove of “There’s Still Time” is tight and precise, layering pulsating low-end patterns with rhythmic percussion that invites continuous movement. The melodic hooks and harmonic layers are exquisitely constructed, with lush chords and evolving synth lines that blend seamlessly into the overall texture, creating a trance-inducing atmosphere that elevates both emotional connection and physical engagement. The transitions, drops, and build-ups in these tracks are executed with meticulous attention to timing and energy flow. Each drop feels earned, with subtle rises and delicate tension that bursts into driving sections designed to keep the listener in motion. The energy flow and momentum never falter, aided by excellent sound design and production quality that reflect Braxton’s technical expertise. Spatial placement of elements—from reverberant pads to precise percussive hits—enhances the three-dimensional listening experience, providing a rich, immersive soundstage. The originality of arrangement and structure shines through as Braxton crafts intricate progressions where every element serves the musical story without unnecessary repetition. The use of effects and spatial design further elevates the tracks, with delays, reverbs, and filters applied to guide the listener through sonic peaks and valleys. Dynamic range and loudness balance remain carefully managed, ensuring that neither track feels fatiguing over time while maintaining enough punch for club and festival play. This thoughtful approach contributes to atmosphere and immersion, allowing listeners to lose themselves in the cinematic breaks of “Green To Gold” or ride the hypnotic waves of “There’s Still Time.” The emotional resonance is palpable; these tracks evoke feelings of calm focus, inspiration, and euphoria. Scientific research has shown that rhythmic electronic music can positively affect mental health and fitness. Studies suggest that repetitive rhythmic patterns can induce flow states and reduce anxiety (Thaut et al., 2015), while syncopated beats enhance motor coordination and endurance during exercise (Bacon et al., 2021). In wellness and fitness classes, tracks like these support both cardiovascular activity and mindfulness practices, aligning with findings on music therapy and dopamine release (Chanda & Levitin, 2013). The creativity and artistic identity displayed by Braxton not only showcase his deep understanding of electronic music but also highlight the therapeutic potential of his sound for human well-being. Cohesion and storytelling are evident throughout both compositions, with intros and outros structured for seamless integration into DJ sets, maintaining BPM consistency and offering ample cue points and loop potential. The dynamic energy these tracks bring to set flow ensures consistent crowd engagement, with high crowd reaction potential across settings from intimate clubs to expansive festivals. The catchiness and replay value are undeniable, inviting repeated listening both on and off the dancefloor. Overall, this release represents a peak in Braxton’s ongoing journey in electronic music, delivering tracks that are technically flawless, emotionally engaging, and deeply beneficial for both physical and mental wellness. #PureGold Loveit [/content]
[item value="10"]Rhythm, Groove & Drive[/item][item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Thaut, M. H., et al. (2015). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications.
Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193.
Bacon, C., et al. (2021). Effects of music tempo on endurance, motor coordination, and exercise performance. Journal of Sports Sciences, 39(5), 575–584.
Additional info: