Mercurial Virus is the uplifting trance project of Darren Jones, a talented producer and DJ from Birmingham, UK. Formerly recognized for his hard trance productions on labels such as Fevah and Viper Traxx, Darren has built a versatile career within the electronic music scene. While he is widely known for his Hardstyle and Hard Trance releases under his D10 alias, he has consistently delivered powerful trance tracks under the Mercurial Virus name.
Mercurial Virus has earned the support of some of the biggest names in the trance world, including Armin Van Buuren, John O’Callaghan, Aly & Fila, Daxson, Sean Tyas, Darren Porter, Ferry Corsten, Paul Van Dyk, Johan Gielen, Alex M.O.R.P.H, Ram, Allen Watts, ReOrder, Daniel Skyver, John Askew, Ferry Tayle, Ronski Speed, Dan Stone, Bixx, and Talla 2XLC, among many others. His music ranges from solo productions to high-profile collaborations and remixes, each leaving a unique mark on the dance floor.
Some of his most notable releases include “Turning Point” on Subculture, which received extensive play on A State of Trance episodes 950, 951, and 952, as well as at global festivals like ADE, FSOE 636, and Transmission. His collaboration with Darren Porter reached #1 on the Beatport charts, and his enchanting release “The Journey” on FSOE Fables was championed by Aly & Fila across four consecutive episodes of Future Sound of Egypt (910–913).
Mercurial Virus has released music on major trance labels including FSOE, FSOE Fables, Regenerate, Nocturnal Knights, AVA White, Reason II Rise, Kinected, High Voltage, ZYX Trance, and more. His early tracks—such as Legacy, Memories, Earth, Ethno, and Roseline—found success on Redux, Beyond The Stars Recordings, and Phoenix Recordings, even earning A State of Trance airplay.
Darren has also had the honor of remixing tracks for legendary acts he once admired as a fan in the clubs of Godskitchen and Gatecrasher, including Hemstock & Jennings and The Conductor & The Cowboy. He continues to collaborate with artists who influence his sound, such as String Theory, with releases on Nocturnal Knights, Redux, and Phoenix Recordings, and has exciting new collaborations planned for the near future.
Inspired by the classic trance era of the late ’90s and early 2000s and infused with cinematic influences, Mercurial Virus crafts every track as a unique journey. This dedication to individuality ensures that no two Mercurial Virus productions ever sound alike, securing his place as a distinctive force in the modern trance scene.
In this exclusive interview, we dive deep into the creative mind of Darren Jones, better known in the trance world as Mercurial Virus. Hailing from Birmingham, UK, Darren has built a remarkable career in electronic music, transitioning from his hard trance projects under the D10 alias to his soaring, emotive productions as Mercurial Virus. With releases on iconic labels such as FSOE, Subculture, and Regenerate, and the support of legends like Armin van Buuren, Aly & Fila, and Ferry Corsten, Darren’s music resonates with authenticity and a love for the genre’s golden era. In this interview, he shares the evolution of his sound, the technical details behind his latest release “Lost Star” on FSOE Fables, and his creative philosophy as a producer and DJ.
Dimitris: What inspired you to create the track "Lost Star," and what production choices did you make to achieve its nostalgic, old-school trance sound?
Mercurial Virus: "Lost Star" was released on January 9th, 2026, on FSOE Fables.
Working on this track, I drew inspiration from the vibrant summer vibes, which helped me get into the right mood. I experimented with the Arturia JUP-8000 plugin to add a nostalgic touch and aimed for a more old-school, traditional trance sound at 136 BPM.
Dimitris: How does your new track reflect the evolution of your sound since you first started producing music?
Mercurial Virus: It has brought me full circle; I went for an old-school trance vibe. I started it outside last summer on my laptop, and I knew when writing it that it had huge potential. Using JUP-8000 sounds helped give it that authentic old-school feel. My sound evolution changes depending on my mood and surroundings, making each track a reflection of my current state of mind.
Dimitris: What specific sound design choices in this track highlight your growth as an artist?
Mercurial Virus: My sound design choices in this track reflect a deep appreciation for the classic trance aesthetic and a strategic approach to capturing its essence. I focused on the vibe of old-school 136bpm trance, paying homage to the roots of the genre and showing respect for its history. Incorporating the Roland JP-8000, a legendary synth in trance music, demonstrated my understanding of iconic sounds and my desire to recreate that signature energy. When the Arturia JUP-8000 was released, I transitioned to using it, which indicates my commitment to evolution and innovation—adapting classic sounds with modern tools to enhance my creative palette. Overall, these choices highlight my growth as an artist by balancing reverence for traditional trance elements with a willingness to embrace new technology, resulting in a sound that is both authentic and forward-thinking.
Dimitris: Which synthesizers, plugins, or software did you rely on most for crafting the core sounds of this track?
Mercurial Virus:
Arturia JUP-8000 for Leads, Sub Bass, Plucks,
Serum 2 for Sub Pad
Spire for Pads, Leads, Acids
Nexus 5 for Piano
Kontakt 8 for Vocal Libs.
Dimitris: How do you integrate hardware synthesizers or drum machines with your software setup during production?
Mercurial Virus: I didn’t use any hardware synthesizers or drum machines. It was all software-based.
Dimitris: Can you walk us through your process for designing the lead melody or bassline—what tools, both hardware and software, did you use?
Mercurial Virus:
Creating the Melody:
Played around with a MIDI keyboard to explore and generate ideas.
Discovered a compelling chord progression that served as the foundation.
Developing the Bassline:
Crafted the bassline to complement and support the melody, working it around the chosen melody. Tried unique patterns.
Tools and Software:
Used the Arturia JUP-8000 VST plugin to shape and design the lead sound.
Used Ableton 12 as my DAW to record, sequence, and edit MIDI and audio.
Dimitris: How has your use of effects processing—whether through analog gear or digital plugins—evolved, and how did it shape the atmosphere of this track?
Mercurial Virus: My use of effects processing has evolved significantly over time, using digital plugins to create richer, more immersive soundscapes. For this track, I layered multiple voices and utilized the Kontakt 8 library to add depth and complexity. To shape the ambient atmosphere, I applied lush Valhalla Supermassive reverb, which helped to create a spacious, ethereal background that complements the melodic elements. This combination of effects allowed me to craft a textured and immersive sound environment that enhances the overall mood of the track.
Dimitris: Did you experiment with any new sound design techniques, such as granular synthesis, resampling, or analog modulation, in this production?
Mercurial Virus: In this production, I focused on experimenting with older-sounding sounds and old-school patterns to evoke a nostalgic vibe. While I didn't specifically mention using advanced sound design techniques like granular synthesis, resampling, or analog modulation, exploring vintage tones and classic patterns was key to achieving the desired aesthetic.
Dimitris: How do you approach layering sounds to create depth and texture, and what specific methods or hardware did you apply in this track?
Mercurial Virus: My approach to layering sounds involves carefully selecting and balancing elements across the frequency spectrum to create depth and texture. I make sure to include high EQ sounds for brightness, mid EQ sounds for body and presence, and low-end sounds for weight and fullness. In this track, I layered the melody across different octaves to add harmonic richness and dimensionality. By adjusting the levels and EQ of each layer, I ensure that each element complements the others without cluttering the mix, resulting in a full, textured sound.
Dimitris: Were there any challenges in syncing hardware with your DAW or achieving a cohesive mix between analog and digital elements? How did you overcome them?
Mercurial Virus: I no longer use hardware synthesizers or other hardware equipment. In the past, I had an Access Virus KC, Novation Supernova II, Roland MC-505, and Yamaha CS1X, but as technology has improved, I believe hardware is no longer necessary.
Dimitris: When listeners hear this track, what subtle sound design details or hardware-driven elements do you hope they’ll notice that reflect your technical growth as a producer?
Mercurial Virus: When listeners hear this track, I hope they notice the subtle sound design details and software-driven elements that reflect my technical growth as a producer. I aimed to create immersive soundscapes that evoke deep emotional feelings, and I believe the layers of plucks, leads, and pads work together harmoniously with the vocal elements. The intricate textures and careful arrangement showcase my evolving skills in crafting nuanced, expressive sounds. Ultimately, I want listeners to feel the depth and emotion embedded in the production, recognizing the complexity and authenticity achieved through my technical development.
Dimitris: Looking ahead, we're curious about your aspirations. What exciting plans and ambitions are on the horizon for you?
Mercurial Virus: I am currently working on a 12-track album, with intros for each track. Additionally, I plan to create more ambient, chillout, and D10 tracks. I also have a few releases scheduled to come out this year.
Dimitris: What are your future plans in terms of new releases, collaborations, or live performances?
Mercurial Virus: I'm excited to share a collaboration with Ronski Speed on a Tech Trance track. I'll also be showcasing a few bootlegs. Additionally, I have a remix coming out on Darren Tate's label, Mondo, which will be featured on a special vinyl release. On my own label, Paradise Recordings, I’m working on a chillout/ambient track. I also plan to produce and release more D10 tracks through my Viper Traxx label. Some tracks I've shared are not yet signed, but I’m actively looking to get them signed and released soon.
Dimitris: Are there any collaborations you dream of, either with other artists or brands, that you haven’t yet explored?
Mercurial Virus: I would like to see more releases on the FSOE main label and additional ones on Subculture in the future. Regarding collaborations, I think working with John O'Callaghan would be incredible.
Dimitris: What role do you think AI technology plays in the future of electronic music production, and have you experimented with it?
Mercurial Virus: AI technology is poised to play a significant role in the future of electronic music production. It can streamline workflows, generate new sounds, assist in mixing and mastering, and even inspire creativity by suggesting ideas or automating repetitive tasks. I have experimented with some AI-powered plugins, which offer useful functions, but I often find myself tweaking or changing the settings they generate. After all, music is ultimately about the ears and personal taste, so AI tools don't always produce perfect results right away.
That said, AI has the potential to provide cleaner elements and more efficient mixing processes in the future, making it a valuable assistant rather than a replacement. It can help producers focus more on their creative vision while handling technical aspects more effectively. However, it's important to balance AI's capabilities with human intuition to craft truly unique and expressive music.
Dimitris: What message would you like to share with your fans and the broader EDM community about your journey and vision?
Mercurial Virus: To my fans and the broader EDM community,
My journey began with a genuine passion for music and a desire to create. For anyone looking to enter the EDM scene, I want to emphasize the importance of sharing that same passion for the music itself. If you're aspiring to be a DJ or producer, focus on learning your craft and honing your skills.
Remember, shortcuts like paying ghost producers may seem tempting, but they can undermine your credibility, especially within the purist circles that value authenticity and hard work. Stay true to your passion, stay dedicated, and let your music speak for itself.
Thank you for your support on this journey.
Dimitris: To wrap things up, we'd love to get a glimpse into your personal life and philosophy. These insights help us understand the person behind the music.How do you maintain a balance between your personal life and your music career?
Mercurial Virus: Before embarking on my music career, I was passionate about many pursuits. I was a semi-professional footballer from age 17 to 23, a period when my music career was beginning to take shape. I've loved football since a young age and served as captain of my school teams throughout my school years. I played in five-a-side and Sunday leagues before being signed by non-league team Solihull Borough, now known as Solihull Moors. Following my football team, Aston Villa, and occasionally playing myself, helps me maintain a healthy balance between work and leisure. Additionally, I enjoyed hobbies like computer games, designing, and drawing as a child, and I often revisit these interests in my free time. I consider myself a creative person in everything I do, which helps me stay grounded and balanced.
Dimitris: What advice would you give to aspiring DJs and producers looking to make their mark in the industry?
Mercurial Virus: My advice to aspiring DJs and producers aiming to make their mark in the industry is to stay grounded and committed. Dedication is key—don't let industry politics or setbacks sway you. The journey can be frustrating at times, so if you're sensitive to rejection or easily discouraged, this might not be the right path. Maintain your determination, and remember not to get too emotionally attached to industry connections, as they can sometimes let you down. Stay focused on your craft and keep pushing forward.
Dimitris: Can you walk us through your DJing process—from track selection to live mixing? How do you curate a set that resonates with different audiences?
Mercurial Virus: My DJing process revolves around crafting a musical journey. I start by selecting tracks that set a mood, beginning with slower tempo trance pieces around 136 BPM. As the set progresses, I gradually build energy, moving up to around 140 BPM. Depending on the lineup and the time slot, I may adjust the progression—for example, starting at 138 BPM and building up to 140—to best suit the vibe and audience. This approach helps me create a dynamic and engaging experience that resonates with different crowds.
Dimitris: How do you manage the creative balance between producing new tracks in the studio and preparing for high-energy DJ gigs?
Mercurial Virus: I express my mood and feelings at the moment through my music. If I’m in a darker, more intense mood, my tracks tend to have a driving energy and end up around 140 BPM. If I’m feeling more relaxed, they might be at 136 or 138 BPM. My listening habits also influence my sound—I might draw inspiration from old-school trance or incorporate elements of it. With a large catalogue at my disposal, I have the flexibility to play old favorites, new productions, or unreleased material, balancing my studio creativity with preparing for high-energy DJ gigs.
Dimitris: Does your approach to music production change based on the feedback or experiences you gain from live performances?
Mercurial Virus: I would say possibly, as feedback from live performances can influence my approach to music production. Sometimes, input from the audience or my own observations can guide me to take a track in a different direction. Additionally, comments from people on the dance floor about specific tracks often inspire me to create more music in that particular style.
Closing Statement:
Dimitris: Please tell us your final statement to our readers who will read this interview. Thank you so much for taking the time to share your journey, insights, and experiences with us. Your thoughtful responses will surely inspire and resonate with fans and fellow artists alike. We truly appreciate your contribution to the electronic music community and look forward to witnessing your continued success!
Mercurial Virus: Thank you so much for the incredible opportunity to share my music through your blog. I truly appreciate the support and effort you’ve put into this interview. To all the readers, I invite you to listen to my new track, "Mercurial Virus - Lost Star," on FSOE Fables by clicking here: https://fsoe.lnk.to/loststar. Stay tuned and keep supporting music!
Darren Jones, also known as Mercurial Virus, shared his fascinating journey from crafting hard trance under his D10 alias to developing the signature Mercurial Virus sound, inspired by the late ’90s and early 2000s classic trance era. He offered technical insights into the creation of “Lost Star,” discussing his fully software-based production setup, including Arturia JUP-8000, Serum 2, Spire, Nexus 5, and Kontakt 8. Darren emphasized the importance of layering, melodic development, and shaping immersive atmospheres with reverb and precise EQ work, while also reflecting on how mood and environment influence his music, with BPM ranges from 136 to 140 depending on the intended emotion. He shared his aspirations for upcoming collaborations with artists like Ronski Speed, the production of a 12-track album, chillout and D10 releases, and even a desire to work with John O’Callaghan. Darren also touched on the evolving role of AI in music, seeing it as a supportive tool for efficiency and inspiration, yet underscoring the irreplaceable value of human creativity.
A huge thank you to Darren for his time, passion, and inspiring words, which shed light on both the technical and personal sides of his artistry. From balancing a music career with his football background to offering advice to aspiring DJs and producers about dedication and authenticity, his story is a testament to the heart behind the music. Special thanks go to Stuart at the FSOE offices for making this interview possible and to Ferry Tayle for continuously delivering phenomenal music that inspires fans and fellow artists alike. We eagerly look forward to the next chapter of Mercurial Virus’s musical evolution and can’t wait to hear what’s coming next!
Check out “Mercurial Virus – Lost Star” here: https://fsoe.lnk.to/loststar
