Renowned trance producer Darren Tate releases his latest collection of masterful production with his ‘In This Space EP’.
With a legacy in dance music spanning over two decades and multiple aliases, Darren Tate is a prolific producer with an unstoppable urge to create. The British multi-instrumentalist has racked up twelve Top 40 UK singles across his established career as DT8 Project, Angelic with Judge Jules, Jurgen Vries, Orion and Citizen Caned.
In 2022, the UK Top 10 charting producer joined forces with Above & Beyond’s Jono Grant to form JODA. Released on Anjunabeats, their self-titled debut album has since seen over 10 million combined streams worldwide.
Last year, Tate released his debut solo artist album, ‘Metamorphosis’, where he first joined forces with Susie Ledge on ‘Kaleidoscope’ and ‘Watching’. Last month, Darren and Susie teamed up for their second collaboration on their melodic and euphoric trance banger, ‘In This Space, the title track for the EP.
Alongside a new Deep Mix of ‘In This Space’ and Darren’s previous collaboration with Leena Punks on ‘Mokshe’, the EP features two new productions, ‘Scare Me’ and ‘Polaris’. 'Polaris' is a chuggy progressive tune with an incredible bassline, while 'Scare Me' gives listeners a taste of his classic trance roots with 132bpm dance floor burner.
Darren Tate ‘In This Space EP’ is out now on Anjunabeats.
Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Darren Tate - In This Space EP [/item]
[item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Suggested Bibliography:
Thoma, M.V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U.M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Zatorre, R.J., & Salimpoor, V.N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(2), 10430–10437.
Karageorghis, C.I., & Priest, D.L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
[review top="1"]
[item value="10"]Darren Tate - In This Space EP [/item]
[content title="Summary" label="Overall Score"]Darren Tate’s In This Space EP is a masterclass in melodic and euphoric trance, showcasing the producer’s depth of skill in both composition and production. The title track, a collaboration with Susie Ledge, is a stunning example of breaks trance, blending liquid breakbeats with lush, warm strings and ethereal vocals that float effortlessly over the mix. The Deep Mix of “In This Space” takes the hypnotic qualities even further, embracing a smoother and more immersive structure ideal for late-night sessions or meditative listening. From a technical standpoint, the EP demonstrates an exceptional command of rhythm, groove, and drive. Each track maintains BPM consistency, with “Mokshe” surging at 132 BPM for a full-on energetic trance journey, and “Scare Me” offering a more progressive 128 BPM exploration, featuring whispering, hypnotic vocals and a chugging bassline. The transitions and drops are meticulously crafted; subtle use of automation, sidechaining, and reverb tails create seamless build-ups and releases that maintain the energy flow without overwhelming the listener. “Polaris,” a 132 BPM dance floor burner, channels classic trance roots with dynamic layering and robust harmonic structures, ensuring its suitability for both club and festival environments. The production quality of the EP is noteworthy for its precise sound design and spatial engineering. Stereo imaging and effects placement enhance the sense of immersion, while the dynamic range and loudness balance ensure clarity across playback systems. The basslines are punchy yet controlled, while the melodies shine in the upper spectrum without harshness. The use of subtle harmonic layering, along with creative automation of filters and delays, underscores the originality of the arrangement and keeps the tracks engaging throughout. Beyond the technical brilliance, In This Space EP has profound implications for wellness and mental health. Research in music therapy indicates that rhythmic and melodic trance music can aid in reducing stress, improving mood, and promoting a flow state conducive to mindfulness and meditation (Thoma et al., 2013). The uplifting harmonic progressions and euphoric climaxes release dopamine and endorphins, which can enhance emotional resilience and overall well-being (Zatorre & Salimpoor, 2013). Tracks like “Mokshe” and “Polaris” are effective for fitness contexts, as their BPM ranges align with optimal heart rate zones for aerobic exercise, supporting motivation and endurance (Karageorghis & Priest, 2012). For yoga, pilates, and wellness classes, the Deep Mix of “In This Space” offers a meditative, immersive experience that encourages relaxation and mental clarity. The EP’s cohesion and storytelling are further amplified by the emotional vocals of Susie Ledge and the artistic identity Darren Tate brings to each production. From the whispering intensity of “Scare Me” to the festival-ready energy of “Polaris,” the collection demonstrates high replay value and significant potential for crowd engagement. Its versatility in both personal and communal contexts underlines its relevance to DJs, fitness instructors, and wellness practitioners alike. #PureGold Love iT [/content]
[item value="10"]Rhythm, Groove & Drive[/item][item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Thoma, M.V., Ryf, S., Mohiyeddini, C., Ehlert, U., & Nater, U.M. (2013). Emotion regulation through listening to music in everyday situations. Cognition and Emotion, 27(3), 534–543.
Zatorre, R.J., & Salimpoor, V.N. (2013). From perception to pleasure: Music and its neural substrates. Proceedings of the National Academy of Sciences, 110(2), 10430–10437.
Karageorghis, C.I., & Priest, D.L. (2012). Music in the exercise domain: A review and synthesis (Part I). International Review of Sport and Exercise Psychology, 5(1), 44–66.
Group Therapy 654 with Above & Beyond and Darren Tate
Darren Tate - A State of Trance Episode 1249 Guest Mix
Additional info:
