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REVIEW: Robert Babicz - Melancholy EP out on Babiczstyle



Robert Babicz returns home to his excellent BABICZSTYLE imprint with five tasty treats for your ears and your feet. Here we find Robert integrating a lot of melodies, a stack of melancholic sounds and his beloved acid lines to beautiful effect, pushing his sound in a different direction, while still sounding like classic Babicz.

Starting proceedings we have 'Melancholy' that oozes with emotion, and subtleties, deep but warm, happy but sad, with a retro feel about it, yet as fresh as daisy.

'Cats In Space' is an epic affair, it locks you in to its spell and undulates beautifully, as we are teased along gracefully through this voyage. Gently building and locking you in to its magical spell, this gem intensifies and is one of those magical tracks that sends crowds wild. Hints of yesteryear with its trance like nods, but brought back to date by Mr B.

'Far Away' is a deeper vibe, a little tougher, and out comes the 303, but in a restrained manor here, as this sound track style gem unfurls.

'Take A Walk At The Sugarside' is more restrained acid from Robert, adding melodies and warm, but with that underpinning grittiness.

And to close things off, the Acid Mix of 'Far Away'. The analog factor is take up a notch as we are treated to some 303 filthiness, yet shrouded in emotion. 







Robert Babicz
ROBERT BABICZ
SEEING SOUND, HEARING COLOURS
Robert Babicz has been redefining the boundaries of electronic music since the early 1990s. His unique artistry encompasses sound, vision, emotion and spirituality. From releasing and performing acid techno as Rob Acid, to his role as a highly-sought after producer and studio wizard infusing technical perfection with deep emotion, to his striking photos, everything Robert does expresses his desire to celebrate beauty and humanity, and to live each moment with utmost consciousness. Robert's art and philosophy are so distinctive there's a word for it: Babiczstyle. 

EVOLUTION
Robert made his first record on borrowed equipment in 1992 and played his first gig on gear he'd never used before. “I had no musical background or knowledge, no clue what I was doing. I just improvised music. But for the first time in my life I was absolutely in the moment, like a special state of consciousness. And people responded – they loved and accepted me.” Like anyone experiencing a transformation, Robert wanted to do it again and again. Music was a way to rise above the struggles of daily life (in the early years of his career, he slept on a mattress on the floor of a tiny flat in his home town Cologne, his synths his only possessions) and to share the joy of that transcendence with others. Playing as Rob Acid, he ignited parties with fierce techno played by strict rules: every set was 100% live and unique, he deleted the instruments' programming immediately afterwards.

Robert's ethos, forged by these acid-drenched sonic exorcisms, is razor sharp: work hard, make mistakes, move on. His tremendous output of official releases pales beside the number he deleted in the studio because they didn't meet his exacting standards. “I'm not afraid to get rid of something that doesn't work,” he explains. “I have so many ideas. It's never quiet in my head.” 

SYNAESTHESIA 
Robert has the rare gift of synaesthesia, which turns the world into a continuous interplay of colour, shape and sound. He sees music in 3D, describing tracks as “geometrical poem... sculptures in time.” When he's working on a track he can see the imperfections in the sonic structure and fix them, like a painter correcting a brush stroke. 

Photography is an essential component of Robert's art and his fans know and love his sensitive and dramatic photos from all over the globe as much as his music. His images are as distinctive as his tracks because, for him, a beautiful photo has its own harmony. He sees music and he hears images, allowing him to bring about a unique artistic synthesis that evokes the underlying energies and structures of the cosmos, speaking to a universal need for beauty and harmony in a fractured world.
COMMUNICATION
The power of Robert's performances are fuelled by his lack of personal ego: “I'm not playing the instruments,” he says. “The people on the dancefloor are playing me”. He's never DJ'd (“I have so many ideas, I am always trying out my own music”), packs only “underwear and my instruments” to go on tour, and has a single goal: to feel the crowd, make people forget their problems and experience pure joy on the dancefloor: “The perfect moment is when they stop caring about their job, and are in the here and now. You can see it on their faces. They let loose of everything and are completely in the present. This makes me happy.”

CRAFT
Robert continuously pushes the boundaries of electronic music as an artist, consultant, teacher, and engineer. Among Robert's more than 1000 releases are seven albums and a flood of tracks for labels including Bedrock, INTEC, Mille Plateaux, Systematic, Audiomatique, K2, Treibstoff,  SUGA, Punkt and Praxxiz. In recent years, he has focused increasingly on his own imprint, Babiczstyle, which epitomises his sound, emotions and ethos. 

Robert's exceptional sound-design, mastering and studio skills have prompted companies like Native Instruments and Apple to request his help on sound-design projects. He also teaches workshops on production and his music philosophy; and is one of the electronic music world's most in-demand mastering artists. Fellow artistes from across the dance music spectrum trust Robert to perfect the technical aspects of their records while rendering the emotions and intention even clearer. 

AUTHENTICITY
Babiczstyle is authenticity in action. Wherever he travels the world, Robert is instantly recogniseable for his music, his warm smile, his energy, and his bright red scarf. “It's a bit like Superman's cape,” he jokes. The difference is, when Robert puts on the red scarf to perform he doesn't become someone else. Robert's superpower is the integrity of his art and vision: “I don't want to be dreamed by others,” he says. “I want to be myself.” 



Dimitri Kechagias review:
[review top="1"]
 [item value="10"]Beat and Rhythm[/item]
 [item value="10"]Basslines and Groove[/item]
 [item value="10"] Melody [/item]
 [item value="10"] Synths [/item]
 [item value="10"]Breakdown[/item]
 [item value="10"]Climax  / Drop / Crescendo / Pay off moment[/item]
 [item value="10"]Intensity, Drive and Energy[/item]
 [item value="10"]Sound-design and Arrangement[/item]
 [item value="10"]Overall Atmosphere[/item]
 [item value="10"]Goosebumps / Shivers moments[/item]
 [item value="10"]Emotional affinity and heartfelt moments[/item]
 [item value="10"]Originality and Inventiveness[/item]
 [item value="10"]Dancefloor Efficiency / Festival Arenas Effectiveness[/item]
 [item value="10"]You can’t get this memorable track out of your head[/item]
 [item value="10"]It has potential to become an anthem or a classic[/item]
 [item value="10"]Melancholy EP[/item]
 [content title="Summary" label="Overall Score"]If melodic dreamy but still powerful, energetic and original is your sound then you should think of checking out the magnificent Melancholy EP of the beloved techno genius Robert Babicz. It's the right kind of music to make you dance and feel totally relaxed and energized at the same time. The whole EP will please your ears and make you feel excited about the future prospects of melodic eclectic techno. #PureGold Love it[/content]
[/review]

Additional info:
Facebook: facebook.com/robertbabicz
SoundCloud: soundcloud.com/robbabicz
Instagram instagram.com/robertbabicz
Twitter: www.twitter.com/robertbabicz
Bandsintown: bandsintown.com/RobertBabicz
YouTube: Robert Babicz Channel
Web: robertbabicz.de