Sean Mathews brings his slamming sound to Fraction Records main imprint with the sonically supercharged trance weapon, ‘Absolution’!
The Original Mix fuses sub rattling kick drums, power packed bass rollers and pressure filled drum rhythms to drive the main rooms superbly from the outset. On the break, moody chords and subtle melodies provide the perfect backdrop for the roof raising hook lines to grip the crowd, charging the atmosphere to absolute breaking point before unleashing the sizzling drop - HUGE!
On the flip, Steve Morley is on hand to craft a white-hot slice of intensity drenched uplifting trance that will energize any floor, before Estigma seals the release in style with his trademark fusion of tech rhythms and razor sharp leads!
Not to be missed!
Dimitri Kechagias review: Fraction records never fail to impress with its wide variety of high class releases. Absolution by the upcoming and very talented Sean Mathews from Oxford is powerbanger of the highest quality. Rough and furius with tough rocking bouncy hard beats, energetic crowd moving basslines and very strong melodic themes. Straight forward pure uplifting trancer that is based on the strength of its melodic contents and particularly the long and atmospheric breakdown with huge build up of euphoric synths along with epic strings in order to land on the massive full on hands in the air feel good climax. You can feel energized and totally abducted from reality and transferred to another space. Steve Morley on the other side follows the UK trance style with rough construction, adrenaline injecting basslines and synthy leads that run throughout the track along with some acid overtones. It combines uplifting and psy trance elements in one very explosive package. His final sequence is going to move mountains, skyscrapers and even the Eiffel Monument in Paris. Last but not least Estigma is on board as well and he service the tougher tech focused rework that is melodic and euphoric with nice twist in the main melody that recalls Paul van Dyk tracks while his climax is centred around the percussion like melody that is darker and harder and less pure trance. If you play on underground trance clubs that demand less melodies more basslines this version is the best to play and get the crowd applauding. This Is What I Call Trance! Love iT
Additional info:
www.fractionrecords.com
Additional info:
www.fractionrecords.com
