1.The More I See (Original Mix)
2.The More I See (Instrumental Mix) (The Arena Rumpa)
3.The More I See (Radio Edit)
4.The More I See (Instrumental Radio Edit)
When you’ve got a dream team of producers and a singer with a voice of gold, what else can you get than a masterpiece of music? The Nightstylers & Dan Brown give you ‘The More I See’.
The Nightstylers is a new project, run by Andrew Galea, Marc JB and Patrick Ruane. You’ll remember Andrew as part of The Freestylers, and Marc JB under Bimbo Jones. All three of them are responsible for countless number one hits, and have remixed the likes of Lady Gaga, Rihanna, Katy Perry and many more. This time, they’re in it together. Under the mighty wings of The Nightstylers, they kick in with ‘The More I See’.
A warm, prog-house track that weaves right in, no matter what nocturnal adventure you’re up to this time. ‘The More I See’ blends the beats of prog with electric shakedowns and energetic housy kicks. The vocals of Dan Brown cause a breaking point in ‘The More I See’, surprisingly tender and moving. An anthem for any time of night and day.
Dimitri Kechagias review: Soundpiercing once again surprise us all with a very different release from what we have been used to get from this label. The brand new anthem in the making The More I See combines elements of electro, progressive house and trance all in one winning and very outstanding package. Fat stomping beats really driving with dirty squeeky basslines and great breakdown that hides for us the touching voice of Dan Brown who performs in his personal way a heartfelting vocal part with melancholic melody and after the large epic synthy strings come in to elevate the dancefloor. The track continues bouncy and wobbly perfect for dj sets who focus more on the bassline power and less in the melodic parts. The release includes very cool radio edits as well that can be used easily in daytime radio stations and become even mainstream success as well. In my opinion this release deserves to get some additional remixes as well.
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