Kiholm, Kris O'Neil, FACTORe & SCHROEDS feat. Luke Coulson - Going Under just landed on Black Hole and it's an essential double-header! Luke Coulson’s powerful, introspective vocal asking "Are you gonna tell me if I'm going under?" is the core. For the main room, Kiholm & Kris O'Neil deliver a progressive house anthem, pure sunlight when you wake up energy with an emotional, soaring drop. Flip the script for the darker hours: FACTORe & SCHROEDS slam it with a raw, head-nodding breaks rework that hits different when the midnight pulls you under. Two killer versions, one massive release.
[review top="1"]
[item value="10"]Kiholm, Kris O'Neil, FACTORe & SCHROEDS featuring Luke Coulson - Going Under[/item]
[content title="Summary" label="Overall Score"] “Going Under” presents itself as a multi-dimensional production, offering both a melodic progressive house version and a darker breaks rework. The Kiholm & Kris O’Neil version is set at 124 BPM and showcases immaculate sound design, with meticulously layered synths, shimmering arpeggios, and a soaring drop that aligns with the energy flow of peak-hour dance floors. Its transitions are seamless, with subtle filters and risers leading into high-impact drops. The track’s harmonic structure is built around consonant intervals that drive emotional resonance, while its dynamic range ensures both clarity and loudness balance, crucial for club and festival playback. From a production standpoint, the mix demonstrates precision in stereo imaging and spatial effects. Vocal placement is central, with Luke Coulson’s introspective lyrics—“Are you gonna tell me if I’m going under?”—sitting in a lush reverb tail that enhances immersion without muddying the mix. The melodic hooks are instantly memorable, and the arrangement’s progression creates a natural storytelling arc, moving from contemplative verses to euphoric peaks. FACTORe & SCHROEDS’ 125 BPM breaks version flips the energy with punchy percussive layers, syncopated kick patterns, and a raw low-end drive, making it ideal for late-night or underground settings. Their use of transient shaping and careful EQing gives the track a gritty intensity while maintaining cohesion with the original vocal. Scientific research suggests that music in the 120–130 BPM range can positively influence mood, enhance focus, and improve physical performance during exercise (Thompson et al., 2014; Karageorghis & Priest, 2012). “Going Under,” with its steady tempo and uplifting harmonic content, is particularly effective for wellness classes such as yoga flow, spin sessions, and dance-based cardio. The emotional lift from the melodic progression and the lyrical introspection can promote mindfulness and stress relief, supported by evidence that listening to emotionally resonant music can lower cortisol levels and reduce anxiety (Chanda & Levitin, 2013). Additionally, the duality of the release—light and progressive in one version, dark and break-driven in the other—offers versatility for mental engagement. This variety can prevent listener fatigue and stimulate dopamine release through musical anticipation and resolution cycles (Salimpoor et al., 2011). In group fitness or mental wellness contexts, such tracks can foster a sense of flow and community, enhancing overall psychological well-being. #PureGold Love iT[/content]
[item value="10"]Rhythm, Groove & Drive[/item][item value="10"]Melodic Hooks & Harmonic Layers[/item]
[item value="10"]Transitions, Drops & Build-Ups [/item]
[item value="10"]Energy Flow & Momentum [/item]
[item value="10"]Sound Design & Production Quality[/item]
[item value="10"]Originality of Arrangement & Structure[/item]
[item value="10"]Use of Effects & Spatial Design[/item]
[item value="10"]Dynamic Range & Loudness Balance[/item]
[item value="10"]Atmosphere & Immersion[/item]
[item value="10"]Emotional Resonance[/item]
[item value="10"]Creativity & Artistic Identity[/item]
[item value="10"]Cohesion & Storytelling[/item]
[item value="10"]Vocal Performance & Lyrical Impact[/item]
[item value="10"]Catchiness & Replay Value[/item]
[item value="10"]Club / Festival Suitability[/item]
[item value="10"]Track Intro/Outro Structure[/item]
[item value="10"]BPM Consistency & Sync Ease[/item]
[item value="10"]Cue Points & Loop Potential[/item]
[item value="10"]Dynamic Energy for Set Flow[/item]
[item value="10"]Crowd Reaction Potential[/item]
[/review]
Chanda, M. L., & Levitin, D. J. (2013). The neurochemistry of music. Trends in Cognitive Sciences, 17(4), 179–193.
Karageorghis, C. I., & Priest, D. L. (2012). Music in the exercise domain: A review and synthesis. International Review of Sport and Exercise Psychology, 5(1), 67–84.
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262.
Thompson, W. F., Schellenberg, E. G., & Husain, G. (2014). Arousal, mood, and the Mozart effect. Psychological Science, 12(3), 248–251.
Additional info:
